Читать книгу Bestselling Conspiracy Thriller Trilogy: Sanctus, The Key, The Tower - Simon Toyne, Simon Toyne - Страница 37

Reis and Arkadian stared down at the body. Criss-crossing the skin was a complex and elaborate network of livid white scars; some old, some more recent – all deliberate. In the macabre setting of the autopsy room they gave the impression that the monk was some kind of gothic monster, stitched together from the component parts of a number of men.

Reis restarted the recording.

‘The subject shows significant and uniform scarring over much of his body, the result of cuts made repeatedly by a sharp, clinical instrument such as a scalpel or a razor, possibly during some kind of ritual.’

He began the grisly inventory.

‘Starting at the head … An old, healed scar entirely circumscribing the neck where it connects with the torso. Similar scars circumscribe both arms at the shoulder and both legs at the groin. The one at the top of the upper left arm has been recently re-opened, but already shows signs of healing. This incision is also straight-edged and extremely neat, surgically precise even, from a highly sharpened blade.

‘Also on the left arm at the junction of the upper bicep and tricep is a T-shaped keloid scar, thicker than the others, caused by repeated heat trauma.’ He glanced across at Arkadian. ‘Looks like this boy’s been on the receiving end of a cattle brand.’

Arkadian stared at the raised ‘T’ on the monk’s upper arm, all thought of his other cases now forgotten. He picked up Reis’s camera. Its LCD screen displayed a miniature version of the monk lying on the autopsy table. With a press of a button it was transmitted wirelessly to the case file.

‘There’s another scar running along the top of the ribcage, and one bisecting it, down through the sternum to the navel.’ Reis paused. ‘In shape and size it resembles the Y-cut we make to remove major organs during a post-mortem.

‘Radiating from the areola of the left nipple are four straight lines arranged at right angles to form the shape of a cross. Also not recent, each is approximately …’ Reis produced his tape again ‘… twenty centimetres long.’ He took a closer look. ‘There’s another cross on the right side of the torso, level with the base of the ribcage; different from the rest; roughly thirteen centimetres laterally, like a Christian cross lying on its side; evidence of stretch marks on the skin surrounding it; must have happened a long time ago. It also hasn’t been subjected to ritualistic re-opening, so maybe it isn’t as significant as the others.’

Arkadian took another snap then examined the scar close up. It did look exactly like a fallen cross. He pulled back, searching for meaning in the pattern of incisions. ‘Have you seen anything like this before?’

Reis shook his head. ‘My guess is some kind of initiation thing. But most of these scars aren’t fresh, so I don’t know how relevant they are to his jumping.’

‘He didn’t just jump,’ Arkadian said.

‘What do you mean?’

‘With most suicides, death is the principal objective. But not with this guy; his death was somehow … secondary. I think his primary motive lay elsewhere.’

Reis’s eyebrows disappeared beneath his hair. ‘If you throw yourself off the top of the Citadel, death has got to be fairly high on your agenda.’

‘But why climb all the way to the top? A fall from almost any height would have been enough.’

‘Maybe he was scared of winding up crippled. Lots of half-hearted suicide bids end up in the hospital rather than in here.’

‘Even so, he didn’t need to struggle to the very top. He also didn’t need to wait. But he did. He sat there, for God knows how long, in the freezing cold, bleeding from multiple wounds, waiting for morning. Why did he do that?’

‘Maybe he was resting. A climb like that is going to wipe anyone out; he would have been losing blood all the way up. So maybe he got to the top, collapsed from exhaustion, and the sun eventually revived him. Then he did it.’

Arkadian frowned. ‘But that’s not how it happened. He didn’t just wake up and topple off the mountain. He stood there with his arms outstretched for at least a couple of hours.’ He mimicked the pose. ‘Why would he do that if he just wanted to end it all? I’m pretty sure the public nature of his death is significant. The only reason we’re standing here having this conversation is because he waited until there was an audience. If he’d pulled this little stunt in the middle of the night I doubt whether it would even have made the news. He knew exactly what he was doing.’

‘OK,’ Reis conceded. ‘So maybe the guy didn’t get enough attention when he was a kid. What difference does it make? He’s still dead.’

Arkadian considered the question.

What difference did it make?

He knew his boss wanted the whole thing dealt with quickly and painlessly. The politic move would be to ignore the natural curiosity he’d been born with and stop asking difficult questions. Then again, he could just turn in his badge and sell holiday apartments or become a tour guide.

‘Listen,’ he said, ‘I didn’t ask to be put on this case. Your job is to establish how someone died. Mine is to work out why, and in order to do that it’s important to try and understand this guy’s mindset. Jumpers are usually victims – people who can’t cope any more, people who take the path of least resistance to death. But this guy had courage. He wasn’t a classic victim, and he damn sure didn’t take the path of least resistance. Which makes me think his actions meant something to him. Maybe they meant something to someone else too.’