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The Lord Chamberlain’s Men

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Despite the demise of a number of acting troupes during the plague years (and the death of the country’s leading playwright, Christopher Marlowe, in 1593), the re-opening of the playhouses in 1594 heralded a golden age of theatre.

One of the driving forces behind this explosively creative and innovative period in theatrical history was a players’ company called the Lord Chamberlain’s Men. This troupe was established in 1594 under the patronage of Henry Carey, the Lord Chamberlain. Aside from a retinue of part-time actors, carpenters, seamstresses and other hired hands, the Lord Chamberlain’s Men had a core of eight ‘sharing’ members, who would receive a share of any profits earned, while also remaining liable for any debts incurred. Their number included the leading actor of the day, Richard Burbage; his father, and the actor-manager of The Theatre playhouse, James Burbage; William Kemp, the company clown who would play most of the comedic parts; and the up-and-coming playwright, William Shakespeare. The latter’s inclusion in the company was highly unusual for the time – normally, the sharers would be made up of actors only, while playwrights tended to work on a freelance basis, writing for any company who wished to buy their services.

That Shakespeare was accepted, at 30 years of age, as one of the eight founding ‘householders’ was a testament to the esteem in which he was held by his colleagues. It was also a savvy business decision on their part. Thanks to the talents of their in-house dramatist, whose works would henceforth be staged almost exclusively by them, the Lord Chamberlain’s Men not only succeeded, but flourished. The plays of William Shakespeare were popular and attracted large audiences – sometimes up to 2,000 paying customers per day, a figure which equated to about 1 per cent of the city’s total population.

And while the company undoubtedly benefitted from its association with Shakespeare, that the playwright chose to remain with the Lord Chamberlain’s Men for the entirety of his career suggests that he was also happy with the arrangement.

William Shakespeare: History in an Hour

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