INTRODUCTION
CHAPTER I
Cadore and Venice—Early Giorgionesque works up to the date of the residence in Padua—New interpretations of Giorgione's and Titian's pictures.
CHAPTER II
Frescoes of the Scuola del Santo—The "Herodias" type of picture—Holy Families and Sacred Conversations—Date of the "Cristo della Moneta" Is the "Concert" of the Pitti by Titian?—The "Bacchanal" of Alnwick Castle .
CHAPTER III
The "Worship of Venus" and "Bacchanal" Place in Art of the "Assunta"—The "Bacchus and Ariadne"—So-called Portraits of Alfonso of Ferrara and Laura Dianti—The "St. Sebastian" of Brescia—Altar-pieces at Ancona and in the Vatican—The "Entombment" of the Louvre—The "Madonna di Casa Pesaro"—Place among Titian's works of "St. Peter Martyr."
INDEX
