Читать книгу Problematic Characters - Spielhagen Friedrich - Страница 33

CHAPTER IV.

Оглавление

Table of Contents

A quiet, convent-like life it was which they led at Castle Grenwitz. The region enclosed by the old wall lay virtually behind an ivy-covered churchyard wall, and no noise, no disturbance was ever heard there. No dogs barked there, no horses neighed; the hours glided quietly away, like the shadow on the sun-dial above the portal--quietly as the flowers in the garden bloomed and gave out their perfumes. The very wind seemed but to rustle gently in the branches; the birds sang low melodies in the tree-tops; and as for the inhabitants of the castle, why, the large hall-clock in its oaken stand could not do its daily work more punctually and systematically, or be freer from all desire of innovation than they were. The servants did their work with the regularity of automatons. Even the furniture seemed to be imbued with this spirit of order, so that Oswald could not get rid of the idea that the chairs and sofas moved by themselves back to their proper places, if by a rare chance they had been dislodged for a time. Little as Oswald had ever been accustomed to such a methodical life, and much as he disliked it by nature, he still had enough elasticity in him to adapt himself readily to the profound peace which reigned all around--an effort in which he was largely aided by his gentle disposition, full of good-will towards man. He did what he saw others do, and returned the formal bows with which people greeted each other on all occasions, with the same air of solemnity which he would have assumed when dancing a minuet at a masked ball.

At first he had not been over-punctual in the matter of the lessons, and taken more delight in enjoying himself with his pupils in the open air. They had explored the beech forest, which extended for half an hour from Castle Grenwitz down to the sea-shore; they had discovered an ancient tumulus and a cave, and often they had climbed down from the lofty chalk cliffs to the beach below, where, standing upon a huge block, they had enjoyed seeing the tide rush up, and shouted aloud to see if the breakers overpowered their voices.

During these excursions, which Oswald jestingly called preliminary studies for Homer, he had had constant opportunity to study the character of his two pupils. A greater contrast could hardly exist. Bruno was tall for his years, but slender and agile, swift like a deer. Malte, the young heir, looked stunted and sickly by the side of his proud companion. He was narrow-chested and hollow-breasted; his angular, awkward movements contrasted strangely with the marvellously graceful carriage of Bruno, and the effect was still greater when the latter was running or leaping. Malte shrank back from every danger, from every exertion, conscious of his feeble strength, and from native or acquired cowardice; for Bruno no tree was too high, no rock too steep, no ditch too broad; it seemed almost as if he were trying to subdue the passionate heat of his soul by bodily exhaustion. Oswald bound a wreath of oak-leaves together and placed it on the boy's bluish-black curls, to make him still more like one of the Bacchantes. But as in his native land, Sweden, the icy night of winter suddenly gives birth to fragrant, smiling spring, so in his mind also sunshine and tempest changed in a moment. Now it was exuberant joy and now sad melancholy which prevailed; now he abandoned himself like a child to others, and now he became rigid in sudden defiance; and all this suddenly and without transition, as lights and shadows change on the mountain slope on a day when the wind is driving the clouds like arrows across the face of the sun. Thus Oswald found the boy, a stranger in the house of his relations, hated by some, feared by others, an inexplicable riddle for all, even for the good old baron, who always took the part of the boy, though generally more from inborn magnanimity than from conviction. But for Oswald a single glance at the dreamy dark eye of the boy had sufficed to recognize in him a kindred spirit, and the mystic alliance which they had formed at that moment had been strengthened by every hour of their intercourse since. Bruno had met him on the first day of their meeting with the dark, defiant look which he was wont to show to everybody. He had then watched him with his shy but penetrating glances for two or three days more, and then Oswald's kindly, cheerful manner had dissipated all suspicion, as the sun scatters unwholesome fogs. His eye had become more open, more brilliant, as if the unexpected happiness of meeting a man who loved him, and cared to be loved by him, was dazzling and confusing him; and at last all the passionate tenderness of his soul had broken forth, the long pent-up current of affection had overflowed its banks--powerfully, irresistibly, like a mountain torrent which breaks through a rocky gate and pours its waters exultingly into the broad valley.

"Do you know," said the boy to Oswald, "that I was determined beforehand to hate you?"

"Why, Bruno, is hatred so sweet?"

"Oh, no. But I thought all tutors were like our first, and so I said to myself that what was good for one was good for all."

"And how was Mr. Bauer?"

"Well, he was a boor," said the boy, bitterly.

"Why, my proud little lord, will you despise all low-born men?"

"Certainly not," exclaimed the boy, warmly; "my own father was but a peasant, although he was a nobleman; I have often seen him behind the plough; but this man was coarse and rude, and a coward into the bargain. Once after dinner, I do not know what I had done, he slapped me in the face because aunty was present, and he thought she would be pleased to see him do so. Yes, he beat me," and the boy's eye flashed as he recalled the insult, and the big vein on his forehead, where wrath lies hidden, swelled up high.

"And then, Bruno?"

"Then I took the knife that was lying before me on the table and jumped at him, and the wretch ran away, crying for help. And when I saw that, and all the pale faces around me, I could not help laughing, and went quietly out of the room. And I would have liked to run away into the wide, wide world on the spot, but uncle came after me and promised me that that man should never touch me again. Uncle is very kind; you don't know how kind he is. But he is afraid of aunty; everybody is afraid of her--and yet I am fond of her, for she has pluck like a man, and I hate only cowards. Malte is a coward."

"Malte is weak and sickly, and you ought to be patient with him; but if you are really fond of your aunt, why are you so cross to her?"

"Am I cross?" The boy became silent. A cloud passed over his brow, his nostrils quivered, and his dark-blue eyes looked like a thunder-cloud when he said, glancing quickly upward:

"I know I am cross; but how can I help that? I am only on sufferance here in the house; shall I be grateful for that? I cannot be so; I will not be so, and if they were to turn me out. Look here, Oswald, I have often wished they would drive me away; I have done things on purpose to make them send me off; then I would go into the wide world and earn my own bread, as thousands of boys do who are not half as strong and as brave as I am. Even to-day, as we were walking along the strand, and the great three-decker rose on the horizon and disappeared again, I wished, oh! so eagerly, I could have sailed away in her as a boy, as a sailor--only away, away from here, no matter where to."

When the boy thus laid open the most secret wishes of his heart to his friend and teacher, the latter often wondered whether he, with his own doubts as to the way which he ought to follow in life, was exactly the right person to guide a wild, passionate boy. But the less he felt himself able to keep down the vague wishes and chimerical hopes which he shared with him in secret, the more the distance disappeared between him and his pupil, the more brotherly became their relations. No human being had ever yet made so deep an impression upon Oswald as this strange boy. He loved him as the artist loves the work with which he is occupied, as the father loves his son in whom he hopes to realize what he has himself failed to accomplish, as a mother loves her child for whom she has to work, to watch, and to care. Every night, when he was weary from long reading and studying, he went, before seeking his own bed, into the boys' room. He would not have been able to sleep if he had not first seen his favorite once more. That reserve which makes it impossible for nobler natures to show the whole fulness of their tenderness, made him during the day withhold his caresses; but then, at night, he took the boy's hands in his own and stroked them, and kissed the sleeper on his brow.

"They call you unfeeling, my pet, you whose heart is hungering and thirsting after love! And if all misjudge you and hate you, I understand you and love you."



Problematic Characters

Подняться наверх