Читать книгу In Quest of El Dorado - Stephen Graham - Страница 7

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You enter Spain through glass doors and see written up "Silence." You open your guidebook and find you are looking at Exhibit A. I have been told that Spain is like Russia, but there is this difference. Belief in Russia will survive the decease of Russia by at least five hundred years. Something is coming out of Russia: yes, but out of Spain—?

No one goes to Spain to see the future. Many go there to see the past, sticking out as it were through the present. And so with me—to make a sentimental journey and trail an idea geographically across the world. I should like to see Columbus again, see him in the midst of the courtiers and mocked by them, and see upon him the smile or frown of Ferdinand and Isabella. My eyes would like to feast on the cloth of gold of the grandees of Spain—go back four centuries and yet be in to-day, and see as it were in a vision the gold of Old Spain and the gold of the Indies, the beautiful bright gold that may be sacrificed but must never be worshiped.

So I am pleased to go to the Royal Palace at Madrid on Maundy Thursday and see the King and Queen and the Court in the gorgeous ceremony of the washing and the feeding of the poor. Once every year it is done; the Queen tends twelve poor women, the King tends twelve poor men. They are usually all blind. It has been done for centuries. Ferdinand and Isabella did it also, and Columbus must have watched them in his day, saying of those who mocked him—"They are the blind; wash them and feed them also."

As we stand in an interior court of the palace behind a row of halberdiers in quilted coats the chime of eleven o'clock seems to blend with Southern sunshine, and there breaks out from a hidden orchestra mysterious Eastern music heralding the approach of to-day's King and Queen. Searching, questing strains tell of mystery, of aching loneliness and hidden loveliness—the haunting introit of Milpager's "Jerusalem." Erect stand the stately halberdiers in their scarlet coats, holding at arm's length their bright halberds of Toledo steel. And along the corridors of the palace come carelessly and as it were at random, in twos and threes, talking together, the Duke of Alva, the Duke of Medina Sidonia, the Duke of San Fernando, the Marquis of Santa Cruz, the Marquis of Torrecilla, and other nobles, all dressed in gold-embroidered coats and wearing orders and insignia and medals. They are the grandees of to-day, and their faces peer out strangely from the midst of their grandeur—peering out, as it were, from their family trees, from time itself.

Come the King and the Queen, and the King is wearing the uniform of an infantry captain, for this King is democratic, but over his shoulders hangs the magnificent collar of the Order of the Knights of the Golden Fleece. I wonder if the Emperor Charles Fifth, Cortes' Emperor, instituting this order of the Golden Fleece, thought first of his Spaniards as the Argonauts of the age, the youth of Spain aflame with a vision of gold. The golden collar hung in a long V on the King's back and seemed to have worked on it some noble history, reminding me there in the midst of the crush of the palace, of that perfect Spencerian verse,

Yt framèd was of precious ivory,

That seemed a work of admirable witt;

And therein all the famous history

Of Jason and Medea was ywritt;

Her mighty charms, her furious loving fitt;

His goodly conquest of the golden fleece;

His falsèd fayth, and love too lightly flitt;

The wondred Argo, which in venturous peece

First through the Euxine seas bore all the flower of Greece.

Columbus was a Jason of a later time, and there were many other Jasons and would-be Jasons—Cortes, Pizarro, Balboa, Coronado.

The democratic King Alfonso wears his collar, however, with an easy grace, and there is upon his visage a whimsical expression which remains. The Queen looks more like a queen than he does a king. She is wearing the diadem, and she walks like a queen in a picture, her long cream veil of lace enveloping her, trailing downwards and backwards as she walks. Her ladies are in luminous silks, with high combs in their hair, and long lace mantillas like the Queen's, cream-colored, hanging from their combs to the hems of their robes, giving them the mystery of beauty which is part hidden and part revealed.

Following them go the diplomats of all nations, all differently dressed in the full Court dress of their respective nationalities. And they wear their stars and their ribbons, too. There goes the Chinese Ambassador with embroidered golden dragons on his velvet coat; there goes the American Ambassador in spotless lawn and glimmering white tie. The French and the Italian ambassadors look like diplomats, men with old secrets, profound players of human chess; even the English Minister looks as if he knew more than he would ever say, but the American is quite different, a new piece of cloth on a very old garment, as it were upon Joseph's coveted coat of many colors. His fresh, clean-shaven and young face surmounted on its stiff linen collar may have been recruited to diplomacy, and quite likely was, from a guileless Christian brotherhood. Though why turn the light upon him, unless it is because the Power he represents is the power in the New World which to-day affects most the liberties of the children of Spain overseas. Their representatives are here also, of Mexico, of Nicaragua, of Cuba, of Colombia. And here in state comes the "Patriarch de las Indias" himself, and with him the Papal Legate to Spain, the leaders of the Cortes, the Prime Minister, the Government.

All pass, and the halberdiers close up and the public follows, the chosen public asked to witness the monarchs' charity. It is so arranged that all take up their places in the chamber where the poor are waiting, and then the King and Queen come in.

I stand away at the back and look through the veils and screens of the hundreds of ladies' mantillas which hang from the high combs in their hair. It is as if the scene were too gorgeous and had to be viewed through a glass darkly. But yonder are the poor blind waiting in stalls, twelve black-shawled old women waiting for the Queen, twelve empty-eyed men in silk hats waiting for the King. In front of them all stand golden ewers with water, and the ritual of washing commences. One spot of water is dropped on each foot. One rub of the towel to each, and then, stooping, the Queen kisses each woman's big toe; the King kisses each man's big toe, too. Stately Queen Ena never changes her devout expression, but democratic King Alfonso, who rules by smiles, makes a comical face all the while.

Follows the feeding of them. All the grandees and their ladies take part. The Queen takes the center on one side of the room, the King on the other. Vast quantities of viands are brought from the kitchens and pantries of the palace. Begins the Comida de los Pobres, and every helping is enough to feed a family, and every helping is given personally by King and Queen to the chosen poor.

The King smiles all the time, and eats bits of what he gives, and tries to persuade the Archbishop to eat also and so break his fast, part of the King's prevalent facetiousness and jollity. Did he not make a wry face over kissing each old man's foot, as if it really were disgusting? Does he not on purpose break up the solemnity by dropping round rolling cheeses on the floor and letting oranges slip out of his hands? That makes all feel happy, all except the blind. They see nothing; they do not even eat; all that comes to them is taken away and packed into hampers to be sent to their homes. Their happiness is deferred. It is always so with the blind. They enjoy later what those who see enjoy in anticipation. As the King and Queen moved to and fro in that gilded crowd it seemed I saw Columbus there. He saw, and he gilded the grandees in time with a deeper crust of gold.