Читать книгу A History of Roman Art - Steven L. Tuck - Страница 25

In 1711 in southern Italy workmen digging a well hit a set of ancient statues that were part of the remains of the city of Herculaneum, destroyed by the eruption of Vesuvius in 79 CE. Two of these have become known as the Large and Small Herculaneum Woman statues. Both of the standing women are dressed in a combination of a dress and mantle, the traditional dress for elite Roman women. The Large Herculaneum Woman has her mantle pulled up to cover her head, a sign of piety. The Small Herculaneum Woman seems to be younger, possibly unmarried, and pulls her mantle around her body in a gesture of modesty.

If these were unique statues, they might not be worth discussing here, but they are not. Far from it. In fact, more than 180 copies or variations of the Large Woman type and 160 of the Small Woman type are now known along with a number of variations in relief on tombstones and sarcophagi. The majority have individualized facial features, some amounting to portraits, indicating that the types were widespread throughout the Roman world. Their popularity derived at least in part from their ability to convey elite female values through the figures’ poses and dress.

1.8 Trebonianus Gallus bronze portrait, 251–253 CE, in the Metropolitan Museum of Art, New York. H 95 in (241.3 cm).

Source: The Metropolitan Museum of Art.

1.9a and 1.9b Small Herculaneum Woman Statue, 1st cent. CE, Skulpturensammlung, Staatliche Kunstsammlungen Dresden, H 71 ¼ in (1.8 m), and Large Herculaneum Woman Statue, 1st cent. CE, Skulpturensammlung, Staatliche Kunstsammlungen Dresden, H 78 in (1.98 m).

Source: (a) © Skulpturensammlung, Staatliche Kunstsammlungen Dresden. Photos: Ingrid Geske. (b) Bridgeman Images.