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CHAPTER 6 TAGGING LONDON 1977

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Fuck!…is that a cop car?”

Paul Mulligan and I are lurking in a cleft in the cityscape, peering up the rainy night street and trying to discern the threat to our endeavor. Stashing our spray cans in our coats we, for the umpteenth time, interrupt our mission and pretend to be normal until we can see that there are no protuberances on the approaching vehicle. We’re still nervous because this is our first crime wave.

We started out with a stencil, but ended up getting more paint on ourselves than the walls. And the logo, THE POLICE, just wasn’t dominating the canvas with enough pride. So we ditched the soggy, dripping cardboard stencil and have been spraying the band name in uneven capitals on suitable walls around London. The word tagging hasn’t yet been invented, but that’s what we’re doing.

The inoffensive car passes on down the street, and we are about to resume our insurrection when a couple of pedestrians come around the corner. Damn. After a reflexive lurch back into the shadows, Paul lights up a smirk.

“Do you think they could give a damn? Fuck ‘em,” he says as he strides out into full lamplight and draws his can. The pedestrians pass by with not a sideward glance. They completely ignore Dalí and Picasso flagrantly spraying on their city walls.

It dawns on us that the shade of night is more of a hindrance than a shield. If we do this in broad daylight, we can see cops from further off. We can certainly see them better than they can see us. Everyone else on the street, whether on foot or in cars seems to be blind to us. We’re invisible! So we get bolder and soon are out at high noon plastering posters and spraying our turf like any male mammals. Paul, eager to invest in show business, lent us £400 to record our first single. We both have high hopes for a return on his gamble.

Strange Things Happen: A life with The Police, polo and pygmies

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