Читать книгу The Life and Letters of Lewis Carroll (Rev. C. L. Dodgson) - Stuart Dodgson Collingwood - Страница 9

ARCHDEACON DODGSON.

In 1853 Archdeacon Dodgson was collated and installed as one of the Canons of Ripon Cathedral. This appointment necessitated a residence of three months in every year at Ripon, where Dr. Erskine was then Dean. A certain Miss Anderson, who used to stay at the Deanery, had very remarkable "clairvoyant" powers; she was able—it was averred—by merely holding in her hand a folded paper containing some words written by a person unknown to her, to describe his or her character. In this way, at what precise date is uncertain, she dictated the following description of Lewis Carroll: "Very clever head; a great deal of number; a great deal of imitation; he would make a good actor; diffident; rather shy in general society; comes out in the home circle; rather obstinate; very clever; a great deal of concentration; very affectionate; a great deal of wit and humour; not much eventuality (or memory of events); fond of deep reading; imaginative, fond, of reading poetry; may compose." Those who knew him well will agree that this was, at any rate, a remarkable coincidence.

ARCHBISHOP LONGLEY.

Longley, afterwards Primate, was then Bishop of Ripon. His charming character endeared him to the Archdeacon and his family, as to every one else who saw much of him. He was one of the few men whose faces can truly be called beautiful; it was a veil through which a soul, all gentleness and truth, shone brightly.

In the early part of 1854 Mr. Dodgson was reading hard for "Greats." For the last three weeks before the examination he worked thirteen hours a day, spending the whole night before the viva voce over his books. But philosophy and history were not very congenial subjects to him, and when the list was published his name was only in the third class.

He spent the Long Vacation at Whitby, reading Mathematics with Professor Price. His work bore good fruit, for in October he obtained First Class Honours in the Final Mathematical School. "I am getting quite tired of being congratulated on various subjects," he writes; "there seems to be no end of it. If I had shot the Dean I could hardly have had more said about it."

In another letter dated December 13th, he says:

Enclosed you will find a list which I expect you to rejoice over considerably; it will take me more than a day to believe it, I expect—I feel at present very like a child with a new toy, but I daresay I shall be tired of it soon, and wish to be Pope of Rome next. … I have just been to Mr. Price to see how I did in the papers, and the result will I hope be gratifying to you. The following were the sums total for each in the First Class, as nearly as I can remember:—

Dodgson … … … 279

Bosanquet … … … 261

Cookson … … … 254

Fowler … … … 225

Ranken … … … 213

He also said he never remembered so good a set of men in. All this is very satisfactory. I must also add (this is a very boastful letter) that I ought to get the senior scholarship next term. … One thing more I will add, to crown all, and that is, I find I am the next First Class Mathematical Student to Faussett (with the exception of Kitchin who has given up Mathematics), so that I stand next (as Bosanquet is going to leave) for the Lectureship.

On December 18th he took the degree of Bachelor of Arts, and on October 15, 1855, he was made a "Master of the House," in honour of the appointment of the new Dean (Dr. Liddell) who succeeded Dean Gaisford. To be made Master of the House means that a man has all the privileges of a Master of Arts within the walls of Christ Church. But he must be of a certain number of terms' standing, and be admitted in due form by the Vice-Chancellor, before he is a Master of Arts of the University. In this wider sense Mr. Dodgson did not take his Master's degree until 1857.

This is anticipating events, and there is much to tell of the year 1855, which was a very eventful one for him. On February 15th he was made Sub-Librarian. "This will add £35 to my income," he writes, "not much towards independence." For he was most anxious to have a sufficient income to make him his own master, that he might enter on the literary and artistic career of which he was already dreaming. On May 14th he wrote in his Diary: "The Dean and Canons have been pleased to give me one of the Bostock scholarships, said to be worth £20 a year—this very nearly raises my income this year to independence. Courage!"

His college work, during 1855, was chiefly taking private pupils, but he had, in addition, about three and a half hours a day of lecturing during the last term of the year. He did not, however, work as one of the regular staff of lecturers until the next year. From that date his work rapidly increased, and he soon had to devote regularly as much as seven hours a day to delivering lectures, to say nothing of the time required for preparing them.

The following extract from his Journal, June 22, 1855, will serve to show his early love for the drama. The scene is laid at the Princess' Theatre, then at the height of its glory:—

The evening began with a capital farce, "Away with Melancholy," and then came the great play, "Henry VIII.," the greatest theatrical treat I ever had or ever expect to have. I had no idea that anything so superb as the scenery and dresses was ever to be seen on the stage. Kean was magnificent as Cardinal Wolsey, Mrs. Kean a worthy successor to Mrs. Siddons as Queen Catherine, and all the accessories without exception were good—but oh, that exquisite vision of Queen Catherine's! I almost held my breath to watch: the illusion is perfect, and I felt as if in a dream all the time it lasted. It was like a delicious reverie, or the most beautiful poetry. This is the true end and object of acting—to raise the mind above itself, and out of its petty cares. Never shall I forget that wonderful evening, that exquisite vision—sunbeams broke in through the roof, and gradually revealed two angel forms, floating in front of the carved work on the ceiling: the column of sunbeams shone down upon the sleeping queen, and gradually down it floated, a troop of angelic forms, transparent, and carrying palm branches in their hands: they waved these over the sleeping queen, with oh! such a sad and solemn grace. So could I fancy (if the thought be not profane) would real angels seem to our mortal vision, though doubtless our conception is poor and mean to the reality. She in an ecstasy raises her arms towards them, and to sweet slow music, they vanish as marvellously as they came. Then the profound silence of the audience burst at once into a rapture of applause; but even that scarcely marred the effect of the beautiful sad waking words of the Queen, "Spirits of peace, where are ye?" I never enjoyed anything so much in my life before; and never felt so inclined to shed tears at anything fictitious, save perhaps at that poetical gem of Dickens, the death of little Paul.

On August 21st he received a long letter from his father, full of excellent advice on the importance to a young man of saving money:—

I will just sketch for you [writes the Archdeacon] a supposed case, applicable to your own circumstances, of a young man of twenty-three, making up his mind to work for ten years, and living to do it, on an Income enabling him to save £150 a year—supposing him to appropriate it thus:—

£ s. d.

Invested at 4 per cent … . … 100 0 0

Life Insurance of £1,500 … 29 15 0

Books, besides those bought in

ordinary course … … … 20 5 0

_____________

£150 0 0

Suppose him at the end of the ten years to get a Living enabling him to settle, what will be the result of his savings:—1. A nest egg of £1,220 ready money, for furnishing and other expenses. 2. A sum of £1,500 secured at his death on payment of a very much smaller annual Premium than if he had then begun to insure it. 3. A useful Library, worth more than £200, besides the books bought out of his current Income during the period. …

The picture on the opposite page is one of Mr. Dodgson's illustrations in Misch-Masch, a periodical of the nature of The Rectory Umbrella, except that it contained printed stories and poems by the editor, cut out of the various newspapers to which he had contributed them. Of the comic papers of that day Punch, of course, held the foremost place, but it was not without rivals; there was a certain paper called Diogenes, then very near its end, which imitated Punch's style, and in 1853 the proprietor of The Illustrated News, at that time one of the most opulent publishers in London, started The Comic Times. A capable editor was found in Edmund Yates; "Phiz" and other well-known artists and writers joined the staff, and 100,000 copies of the first number were printed.

STUDIES FROM ENGLISH POETS II

"Alas! What Boots"

Milton's Lucidas.

Among the contributors was Frank Smedley, author of "Frank Fairleigh." Though a confirmed invalid, and condemned to spend most of his days on a sofa, Mr. Smedley managed to write several fine novels, full of the joy of life, and free from the least taint of discontent or morbid feeling. He was one of those men—one meets them here and there—whose minds rise high above their bodily infirmities; at moments of depression, which come to them as frequently, if not more frequently, than to other men, they no doubt feel their weakness, and think themselves despised, little knowing that we, the stronger ones in body, feel nothing but admiration as we watch the splendid victory of the soul over its earthly companion which their lives display.

It was through Frank Smedley that Mr. Dodgson became one of the contributors to The Comic Times. Several of his poems appeared in it, and Mr. Yates wrote to him in the kindest manner, expressing warm approval of them. When The Comic Times changed hands in 1856, and was reduced to half its size, the whole staff left it and started a new venture, The Train. They were joined by Sala, whose stories in Household Words were at that time usually ascribed by the uninitiated to Charles Dickens. Mr. Dodgson's contributions to The Train included the following: "Solitude" (March, 1856); "Novelty and Romancement" (October, 1856); "The Three Voices" (November, 1856); "The Sailor's Wife" (May, 1857); and last, but by no means least, "Hiawatha's Photographing" (December, 1857). All of these, except "Novelty and Romancement," have since been republished in "Rhyme? and Reason?" and "Three Sunsets."

The last entry in Mr. Dodgson's Diary for this year reads as follows:—

I am sitting alone in my bedroom this last night of the old year, waiting for midnight. It has been the most eventful year of my life: I began it a poor bachelor student, with no definite plans or expectations; I end it a master and tutor in Ch. Ch., with an income of more than £300 a year, and the course of mathematical tuition marked out by God's providence for at least some years to come. Great mercies, great failings, time lost, talents misapplied—such has been the past year.

His Diary is full of such modest depreciations of himself and his work, interspersed with earnest prayers (too sacred and private to be reproduced here) that God would forgive him the past, and help him to perform His holy will in the future. And all the time that he was thus speaking of himself as a sinner, and a man who was utterly falling short of his aim, he was living a life full of good deeds and innumerable charities, a life of incessant labour and unremitting fulfilment of duty. So, I suppose, it is always with those who have a really high ideal; the harder they try to approach it the more it seems to recede from them, or rather, perhaps, it is impossible to be both "the subject and spectator" of goodness. As Coventry Patmore wrote:—

Become whatever good you see;

Nor sigh if, forthwith, fades from view

The grace of which you may not be

The Subject and spectator too.

The reading of "Alton Locke" turned his mind towards social subjects. "If the book were but a little more definite," he writes, "it might stir up many fellow-workers in the same good field of social improvement. Oh that God, in His good providence, may make me hereafter such a worker! But alas, what are the means? Each one has his own nostrum to propound, and in the Babel of voices nothing is done. I would thankfully spend and be spent so long as I were sure of really effecting something by the sacrifice, and not merely lying down under the wheels of some irresistible Juggernaut."

He was for some time the editor of College Rhymes, a Christ Church paper, in which his poem, "A Sea Dirge" (afterwards republished in "Phantasmagoria," and again in "Rhyme? and Reason?"), first appeared. The following verses were among his contributions to the same magazine:—

I painted her a gushing thing,

With years perhaps a score

I little thought to find they were

At least a dozen more;

My fancy gave her eyes of blue,

A curly auburn head:

I came to find the blue a green,

The auburn turned to red.

She boxed my ears this morning,

They tingled very much;

I own that I could wish her

A somewhat lighter touch;

And if you were to ask me how

Her charms might be improved,

I would not have them added to, But just a few removed! She has the bear's ethereal grace, The bland hyena's laugh, The footstep of the elephant, The neck of the giraffe; I love her still, believe me, Though my heart its passion hides; "She is all my fancy painted her," But oh! how much besides!

It was when writing for The Train that he first felt the need of a pseudonym. He suggested "Dares" (the first syllable of his birthplace) to Edmund Yates, but, as this did not meet with his editor's approval, he wrote again, giving a choice of four names, (1) Edgar Cuthwellis, (2) Edgar U. C. Westhall, (3) Louis Carroll, and (4) Lewis Carroll. The first two were formed from the letters of his two Christian names, Charles Lutwidge; the others are merely variant forms of those names—Lewis = Ludovicus = Lutwidge; Carroll = Carolus = Charles. Mr. Yates chose the last, and thenceforward it became Mr. Dodgson's ordinary nom de plume . The first occasion on which he used it was, I believe, when he wrote "The Path of Roses," a poem which appeared in The Train in May, 1856.

On June 16th he again visited the Princess's Theatre. This time the play was "A Winter's Tale," and he "especially admired the acting of the little Mamillius, Ellen Terry, a beautiful little creature, who played with remarkable ease and spirit."

During the Long Vacation he spent a few weeks in the English Lake District. In spite of the rain, of which he had his full share, he managed to see a good deal of the best scenery, and made the ascent of Gable in the face of an icy gale, which laid him up with neuralgia for some days. He and his companions returned to Croft by way of Barnard Castle, as he narrates in his Diary:—

We set out by coach for Barnard Castle at about seven, and passed over about forty miles of the dreariest hill-country I ever saw; the climax of wretchedness was reached in Bowes, where yet stands the original of "Dotheboys Hall"; it has long ceased to be used as a school, and is falling into ruin, in which the whole place seems to be following its example—the roofs are falling in, and the windows broken or barricaded—the whole town looks plague-stricken. The courtyard of the inn we stopped at was grown over with weeds, and a mouthing idiot lolled against the corner of the house, like the evil genius of the spot. Next to a prison or a lunatic asylum, preserve me from living at Bowes!

Although he was anything but a sportsman, he was interested in the subject of betting, from a mathematical standpoint solely, and in 1857 he sent a letter to Bell's Life, explaining a method by which a betting man might ensure winning over any race. The system was either to back every horse, or to lay against every horse, according to the way the odds added up. He showed his scheme to a sporting friend, who remarked, "An excellent system, and you're bound to win—if only you can get people to take your bets."

In the same year he made the acquaintance of Tennyson, whose writings he had long intensely admired. He thus describes the poet's appearance:—

ALFRED TENNYSON. (From a photograph by Lewis Carroll).

A strange shaggy-looking man; his hair, moustache, and beard looked wild and neglected; these very much hid the character of the face. He was dressed in a loosely fitting morning coat, common grey flannel waistcoat and trousers, and a carelessly tied black silk neckerchief. His hair is black; I think the eyes too; they are keen and restless—nose aquiline—forehead high and broad—both face and head are fine and manly. His manner was kind and friendly from the first; there is a dry lurking humour in his style of talking. I took the opportunity [he goes on to say] of asking the meaning of two passages in his poems, which have always puzzled me: one in "Maud"—

Strange that I hear two men

Somewhere talking of me;

Well, if it prove a girl, my boy

Will have plenty; so let it be.He said it referred to Maud, and to the two fathers arranging a match between himself and her.

The other was of the poet—

Dowered with the hate of hate, the scorn of scorn,

The love of love.He said that he was quite willing it should bear any meaning the words would fairly bear; to the best of his recollection his meaning when he wrote it was "the hate of the quality hate, &c.," but he thought the meaning of "the quintessence of hatred" finer. He said there had never been a poem so misunderstood by the "ninnies of critics" as "Maud."

During an evening spent at Tent Lodge Tennyson remarked, on the similarity of the monkey's skull to the human, that a young monkey's skull is quite human in shape, and gradually alters—the analogy being borne out by the human skull being at first more like the statues of the gods, and gradually degenerating into human; and then, turning to Mrs. Tennyson, "There, that's the second original remark I've made this evening!" Mr. Dodgson saw a great deal of the Tennysons after this, and photographed the poet himself and various members of his family.

In October he made the acquaintance of John Ruskin, who in after years was always willing to assist him with his valuable advice on any point of artistic criticism. Mr. Dodgson was singularly fortunate in his friends; whenever he was in difficulties on any technical matters, whether of religion, law, medicine, art, or whatever it might be, he always had some one especially distinguished in that branch of study whose aid he could seek as a friend. In particular, the names of Canon King (now Bishop of Lincoln), and Sir James Paget occur to me; to the latter Mr. Dodgson addressed many letters on questions of medicine and surgery—some of them intricate enough, but never too intricate to weary the unfailing patience of the great surgeon.

A note in Mr. Dodgson's Journal, May 9, 1857, describes his introduction to Thackeray:—

THE BISHOP OF LINCOLN. (From a photograph by Lewis Carroll).

I breakfasted this morning with Fowler of Lincoln to meet Thackeray (the author), who delivered his lecture on George III. in Oxford last night. I was much pleased with what I saw of him; his manner is simple and unaffected; he shows no anxiety to shine in conversation, though full of fun and anecdote when drawn out. He seemed delighted with the reception he had met with last night: the undergraduates seem to have behaved with most unusual moderation.

The next few years of his life passed quietly, and without any unusual events to break the monotony of college routine. He spent his mornings in the lecture-rooms, his afternoons in the country or on the river—he was very fond of boating—and his evenings in his room, reading and preparing for the next day's work. But in spite of all this outward calm of life, his mind was very much exercised on the subject of taking Holy Orders. Not only was this step necessary if he wished to retain his Studentship, but also he felt that it would give him much more influence among the undergraduates, and thus increase his power of doing good. On the other hand, he was not prepared to live the life of almost puritanical strictness which was then considered essential for a clergyman, and he saw that the impediment of speech from which he suffered would greatly interfere with the proper performance of his clerical duties.

BISHOP WILBERFORCE. (From a photograph by Lewis Carroll).

The Bishop of Oxford, Dr. Wilberforce, had expressed the opinion that the "resolution to attend theatres or operas was an absolute disqualification for Holy Orders," which discouraged him very much, until it transpired that this statement was only meant to refer to the parochial clergy. He discussed the matter with Dr. Pusey, and with Dr. Liddon. The latter said that "he thought a deacon might lawfully, if he found himself unfit for the work, abstain from direct ministerial duty." And so, with many qualms about his own unworthiness, he at last decided to prepare definitely for ordination.

On December 22, 1861, he was ordained deacon by the Bishop of Oxford. He never proceeded to priest's orders, partly, I think, because he felt that if he were to do so it would be his duty to undertake regular parochial work, and partly on account of his stammering. He used, however, to preach not unfrequently, and his sermons were always delightful to listen to, his extreme earnestness being evident in every word.

"He knew exactly what he wished to say" (I am quoting from an article in The Guardian), "and completely forgot his audience in his anxiety to explain his point clearly. He thought of the subject only, and the words came of themselves. Looking straight in front of him he saw, as it were, his argument mapped out in the form of a diagram, and he set to work to prove it point by point, under its separate heads, and then summed up the whole."

One sermon which he preached in the University Church, on Eternal Punishment, is not likely to be soon forgotten by those who heard it. I, unfortunately, was not of that number, but I can well imagine how his clear-cut features would light up as he dwelt lovingly upon the mercy of that Being whose charity far exceeds "the measure of man's mind." It is hardly necessary to say that he himself did not believe in eternal punishment, or any other scholastic doctrine that contravenes the love of God.

He disliked being complimented on his sermons, but he liked to be told of any good effects that his words had had upon any member of the congregation. "Thank you for telling me that fact about my sermon," he wrote to one of his sisters, who told him of some such good fruit that one of his addresses had borne. "I have once or twice had such information volunteered; and it is a great comfort—and a kind of thing that is really good for one to know. It is not good to be told (and I never wish to be told), 'Your sermon was so beautiful.' We shall not be concerned to know, in the Great Day, whether we have preached beautiful sermons, but whether they were preached with the one object of serving God."

He was always ready and willing to preach at the special service for College servants, which used to be held at Christ Church every Sunday evening; but best of all he loved to preach to children. Some of his last sermons were delivered at Christ Church, Eastbourne (the church he regularly attended during the Long Vacation), to a congregation of children. On those occasions he told them an allegory—Victor and Arnion, which he intended to publish in course of time—putting all his heart into the work, and speaking with such deep feeling that at times he was almost unable to control his emotion as he told them of the love and compassion of the Good Shepherd.

I have dwelt at some length on this side of his life, for it is, I am sure, almost ignored in the popular estimate of him. He was essentially a religious man in the best sense of the term, and without any of that morbid sentimentality which is too often associated with the word; and while his religion consecrated his talents, and raised him to a height which without it he could never have reached, the example of such a man as he was, so brilliant, so witty, so successful, and yet so full of faith, consecrates the very conception of religion, and makes it yet more beautiful.

On April 13, 1859, he paid another visit to Tennyson, this time at Farringford.

After dinner we retired for about an hour to the smoking-room, where I saw the proof-sheets of the "King's Idylls," but he would not let me read them. He walked through the garden with me when I left, and made me remark an effect produced on the thin white clouds by the moon shining through, which I had not noticed—a ring of golden light at some distance off the moon, with an interval of white between—this, he says, he has alluded to in one of his early poems ("Margaret," vol. i.), "the tender amber." I asked his opinion of Sydney Dobell—he agrees with me in liking "Grass from the Battlefield," and thinks him a writer of genius and imagination, but extravagant.

ALICE LIDDELL AS BEGGAR-CHILD. (From a photograph by Lewis Carroll).

On another occasion he showed the poet a photograph which he had taken of Miss Alice Liddell as a beggar-child, and which Tennyson said was the most beautiful photograph he had ever seen.

Tennyson told us he had often dreamed long passages of poetry, and believed them to be good at the time, though he could never remember them after waking, except four lines which he dreamed at ten years old:—

May a cock sparrow

Write to a barrow?

I hope you'll excuse

My infantile muse;—which, as an unpublished fragment of the Poet Laureate, may be thought interesting, but not affording much promise of his after powers. He also told us he once dreamed an enormously long poem about fairies, which began with very long lines that gradually got shorter, and ended with fifty or sixty lines of two syllables each!

On October 17, 1859, the Prince of Wales came into residence at Christ Church. The Dean met him at the station, and all the dons assembled in Tom Quadrangle to welcome him. Mr. Dodgson, as usual, had an eye to a photograph, in which hope, however, he was doomed to disappointment. His Royal Highness was tired of having his picture taken.

During his early college life he used often to spend a few days at Hastings, with his mother's sisters, the Misses Lutwidge. In a letter written from their house to his sister Mary, and dated April 11, 1860, he gives an account of a lecture he had just heard:—

I am just returned from a series of dissolving views on the Arctic regions, and, while the information there received is still fresh in my mind, I will try to give you some of it. In the first place, you may not know that one of the objects of the Arctic expeditions was to discover "the intensity of the magnetic needle." He [the lecturer] did not tell us, however, whether they had succeeded in discovering it, or whether that rather obscure question is still doubtful. One of the explorers, Baffin, "though he did not suffer all the hardships the others did, yet he came to an untimely end (of course one would think in the Arctic regions), for instance (what follows being, I suppose, one of the untimely ends he came to), being engaged in a war of the Portuguese against the Prussians, while measuring the ground in front of a fortification, a cannon-ball came against him, with the force with which cannon-balls in that day did come, and killed him dead on the spot." How many instances of this kind would you demand to prove that he did come to an untimely end? One of the ships was laid up three years in the ice, during which time, he told us, "Summer came and went frequently." This, I think, was the most remarkable phenomenon he mentioned in the whole lecture, and gave me quite a new idea of those regions.

On Tuesday I went to a concert at St. Leonard's. On the front seat sat a youth about twelve years of age, of whom the enclosed is a tolerably accurate sketch. He really was, I think, the ugliest boy I ever saw. I wish I could get an opportunity of photographing him.

The following note occurs in his Journal for May 6th:—

A Christ Church man, named Wilmot, who is just returned from the West Indies, dined in Hall. He told us some curious things about the insects in South America—one that he had himself seen was a spider charming a cockroach with flashes of light; they were both on the wall, the spider about a yard the highest, and the light was like a glow-worm, only that it came by flashes and did not shine continuously; the cockroach gradually crawled up to it, and allowed itself to be taken and killed.

GEORGE MACDONALD AND HIS DAUGHTER LILY. (From a photograph by Lewis Carroll).

A few months afterwards, when in town and visiting Mr. Munroe's studio, he found there two of the children of Mr. George Macdonald, whose acquaintance he had already made: "They were a girl and boy, about seven and six years old—I claimed their acquaintance, and began at once proving to the boy, Greville, that he had better take the opportunity of having his head changed for a marble one. The effect was that in about two minutes they had entirely forgotten that I was a total stranger, and were earnestly arguing the question as if we were old acquaintances." Mr. Dodgson urged that a marble head would not have to be brushed and combed. At this the boy turned to his sister with an air of great relief, saying, "Do you hear that, Mary? It needn't be combed!" And the narrator adds, "I have no doubt combing, with his great head of long hair, like Hallam Tennyson's, was the misery of his life. His final argument was that a marble head couldn't speak, and as I couldn't convince either that he would be all the better for that, I gave in."

In November he gave a lecture at a meeting of the Ashmolean Society on "Where does the Day begin?" The problem, which was one he was very fond of propounding, may be thus stated: If a man could travel round the world so fast that the sun would be always directly above his head, and if he were to start travelling at midday on Tuesday, then in twenty-four hours he would return to his original point of departure, and would find that the day was now called Wednesday—at what point of his journey would the day change its name? The difficulty of answering this apparently simple question has cast a gloom over many a pleasant party.

On December 12th he wrote in his Diary:—

Visit of the Queen to Oxford, to the great surprise of everybody, as it had been kept a secret up to the time. She arrived in Christ Church about twelve, and came into Hall with the Dean, where the Collections were still going on, about a dozen men being in Hall. The party consisted of the Queen, Prince Albert, Princess Alice and her intended husband, the Prince of Hesse-Darmstadt, the Prince of Wales, Prince Alfred, and suite. They remained a minute or two looking at the pictures, and the Sub-Dean was presented: they then visited the Cathedral and Library. Evening entertainment at the Deanery, tableaux vivants . I went a little after half-past eight, and found a great party assembled—the Prince had not yet come. He arrived before nine, and I found an opportunity of reminding General Bruce of his promise to introduce me to the Prince, which he did at the next break in the conversation H.R.H. was holding with Mrs. Fellowes. He shook hands very graciously, and I began with a sort of apology for having been so importunate about the photograph. He said something of the weather being against it, and I asked if the Americans had victimised him much as a sitter; he said they had, but he did not think they had succeeded well, and I told him of the new American process of taking twelve thousand photographs in an hour. Edith Liddell coming by at the moment, I remarked on the beautiful tableau which the children might make: he assented, and also said, in answer to my question, that he had seen and admired my photographs of them. I then said that I hoped, as I had missed the photograph, he would at least give me his autograph in my album, which he promised to do. Thinking I had better bring the talk to an end, I concluded by saying that, if he would like copies of any of my photographs, I should feel honoured by his accepting them; he thanked me for this, and I then drew back, as he did not seem inclined to pursue the conversation.

A few days afterwards the Prince gave him his autograph, and also chose a dozen or so of his photograph (sic).

MRS. ROSSETTI AND HER CHILDREN DANTE GABRIEL, CHRISTINA, AND WILLIAM. (From a photograph by Lewis Carroll).