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Acknowledgements
ОглавлениеThe author acknowledges with gratitude the following publications which first published many of these poems, some in earlier iterations.
823 on High: “Wild Traveler,” “Easter Lament,” and “Aftermath of a Miracle”
Academic Questions: “String Theory,” “Royal Revenge,” and “A Word”
Angle: “Turning,” and “Season Tickets”
Anglican Theological Review: “Invocation in Ordinary Time”
The Christian Century: “Wind and Flame”
Commonweal: “Emmaus”
Dappled Things: “After the Interment,” “Through the Window,” and “. . . Yet Not Consumed. . . ”
Don’t Just Sit There: “Faces of the Enemy,” “Twilight,” “Old Ralph,” and “Ode to Twins”
eVerse Radio: “Meteor,” “Honeysuckle,” “Actuary Tables,” “Tender”
The Lyric: “Summer’s End,” and “The Lovers’ Knot”
FUNGI Magazine: “Pricey Recipe”
Measure: “Behind the Wheel”
Mezzo Cammin: “Lilac Gowns,” “Priorities,” “A Matter of Participles,” and “Rattled”
The Nervous Breakdown: “Crescent Glow”
Peacock Journal: “Angles,” “Occupied,” “Vespers,” and “Blue Irises”
The Raintown Review: “Fool,” and “Salt Water”
Relief: “Rainlight”
The Rocky Mountain Anthology: “Epistle”
The Rotary Dial: “Forty Julys”
Verse Wisconsin: “Defying Nature”
Women’s Voices for Change: “Turning” (reprint from Angle) and “Paper Whites/December”
“The Lovers’ Knot” won Honorable Mention in the Denver Women’s Press Club Unknown Writers’ Contest in the spring of 2010.
“Like the Wedding Supper of the Lamb” was a finalist in the 2016 String Poet contest.