Читать книгу Monoceros - Suzette Mayr - Страница 7

Monday

The End

Because u r a fag is scrawled in black Jiffy marker across his locker. Because after school last Thursday, the girlfriend of the guy he loves hurled frozen dog shit at him, and her friends frisbeed his skateboard into the river. Even though he stomped and cracked through the ice shelving the banks, waded in to rescue it—after the shouting and shoving, they’re stronger than they look, all those girls with their cello- and violin-playing fingers, yanking him back by handfuls of coat, handfuls of hair, hooking with their elbows and digging with their fingernails as he scrambled after his skateboard — the banks too slippery and shattered with ice, the current too swift, the water too cold and deep and brown. Freezing river water up to his chest, the water and ice shards wicking into his armpits, scratching his heart. His black coat wet and sucking him down into the current. His skateboard buried in the river.

Because the Tuesday before that horrible Thursday, the guy he loves gave him a kiss so electric electrons shot into his penis, his toes, it was like he discovered Planet X, and he ejaculated into his pants, luckily they were black, luckily it was dark outside, luckily when he got home his mother was squealing into the phone about how she wanted to replace the new stone kitchen counter with a newer, stonier kitchen counter, and his father’s face flickered blue before the TV, mouth open and tongue like a leftover slice of roast beef drying out with snoring, his arm triangled behind his head.

Because in a text the girlfriend of the guy he loves said, we’re going 2 kill you. Because she knew he lived at 2279 Moth Hill Crescent SW; knew that when he wasn’t in school he was playing World of Warcraft or the faggy JRPG Divinity XII with his imaginary, online, why-not-just-buy-a-blow-up-doll loser friends; knew Monday nights he watched his favourite TV show, Sector Six; knew that every Tuesday, Thursday and Saturday, like a wobbly-assed soccer mom trapped in a dead marriage, he ordered a large iced cappuccino from the drive-thru at the Tim Hortons on 12th Avenue; knew that anytime he could, weekends and weekdays, nighttime, daytime, he’d yank it in his cubby-hole bedroom, splattering himself like the devient he was because he was a loser with no friends n thats Y u deserve 2 di u Fkng fag cocksucka fuckface royal sht eater. In the text, she has almost all of his days right, except for two things she’ll never know: 1. he’s not watching Sector Six — they’re all reruns in February, and 2. one or two pockets of time he’s on secret dates hooking up with her boyfriend when she and her foot soldiers have their junior serial-killer cadet training classes. Lucky him. And the spelling is deviAnt, not deviEnt. Though it still means he’s a dead boy.

Because that last glorious Tuesday, Ginger, the guy he loves, met him at their special place in the cemetery, halfway between their houses. Their breaths misted in the cold air, little white ghosts dissipating in the light of the tall lamps that lined the graveyard, the ache evaporating when they finally touched, their lips colliding, eating, so much time had drained away since they last met. The dead boy pulled away, burrowed into the front of his shirt and brought out a heart-shaped locket in a pool of gold chain, the dead boy smiling so hard his face nearly cracked heart-like in two, the metal heart a hot star in his icy hand.

— I’m wearing it this time, said the dead boy. —See? I haven’t lost it.

— You lose it and my granny’s ghost will haunt you forever, said Ginger, and he laid a hand overtop the locket, over the dead boy’s hand, pushing against the dead boy’s chest. Kissed him again, bit the dead boy’s bottom lip. Ginger wearing layers, a blue sweater on top of a striped T-shirt on top of a long-sleeved white shirt; all the layers still showing off his flat, gorgeous abs, the smooth mounds of his pecs. The soon-to-be-dead boy, smiling, clicked open the heart, snap.

—When will you give me your picture for it? asked the dead boy.

— You crazy? asked Ginger, his eyes darting over the graves, his mouth blowing on his cold hands, on the dead boy’s. —What if you lose it? Anyways, you don’t need a picture, we see each other in the halls. But see the rose engraved on the front? It’s red. Red means love.

— No it’s not, said the dead boy. —The heart’s the same gold metal as the chain. It’s red because you say it’s red? Are you on crack? The dead boy laughed, his voice erupting in the marble and granite forest.

— Yeah, it’s red. I am telling you it’s red.

— So love is red, said the dead boy. —Then why can’t you red me at school?

— That’s stupid, said Ginger.

Layers peeled and discarded, Ginger’s and the dead boy’s lips and tongues and bodies fitting puzzle piece into puzzle piece, skins moulted in the dead grass, the gold locket pressing skin into skin.

The dead boy and Ginger fumbled their clothes back on in the dark, chilled their bodies dizzy as newborn kittens, Ginger hurrying into his jacket, the dead boy pulling on Ginger’s sweater, then his own long coat, the smell of Ginger knitted to his skin.

Now Monday. Because today, nearly a week since that starlit Tuesday, the dead boy doesn’t want to leave his house because Ginger will still be cold to him like he always is in the days right after hooking up in the cemetery, because he doesn’t want to leave his house in case today is the day the girlfriend and her hive finally kill him. His mother gnaws at him with her mandibles to hurry up, —The sun doesn’t beam out of your bum even though you seem to think so, she says, and she gulps a spoonful of bran flakes.

He hates the way his mother says bum like he’s a kid, like he doesn’t know what you can use it for. He crunches his cereal, one sugary shamrock, one star, one diamond, one Lucky Charm at a time, and listens to his parents drink their orange juice, their swallows loud and revolting, watches his mother x-ray the Monday morning paper, sometimes her lips moving, the heart-shaped locket swinging on the outside of his three T-shirts and a blue argyle sweater, where she can see it, where his father sloshing his coffee into a travel mug can see it. He watches his parents not watch him, drive away in their separate, oversize pollution machines. His father slinging a briefcase stitched together from an endangered species, his mother meandering out to buy hunks of dead animal for supper before barricading herself with paint, paintbrushes and canvasses big as sails, small as stamps, in her studio in her fashionable yoga pants, made by tiny brown children for less than a nickel a day.

Because the Friday right after the horrific Thursday, he fought to see the principal to tell him about his skateboard thrown in the river. The dead boy had to scramble up the fortress wall of secretaries and vice-principals. The principal straightened his tie, rolled forward his chair, jingled the keys in his pocket, said, —If they purloined your skateboard when you were all off school property, there’s nothing I can do. That would be more of a matter for the police. The principal clearing his throat emphatically to indicate the matter was Closed.

Because the dead boy ran into his English teacher at the Pita Pit after talking to the principal, in her black clothes punctuated with her own white, chalky handprints, her face splotchy white and pink. The only teacher who ever says anything like, —That attitude smells worse than poo, when someone says The Glass Menagerie’s a gay play. He told her about the principal, and she said, — He really said that to you? You’ve got to get out of this deadbeat school.

Her eyelids and pinked lips twitched.

Because the dead boy and Ginger wrestled into scorching sex in the dead grass, hot enough to start a grass fire, their bodies flaring in the dark, in the middle of a February chinook, the smell of chinook wind and Ginger in his nose, Bed Head shampoo, blue wool sweater the dead boy pulled up over Ginger’s head, Ginger’s sweaty silky ribcage, flowery fabric softener from all six of their shirts, Ginger’s tongue pushing bright as a meteor into the dead boy’s, Ginger’s nipples, the warm salt of him, behind a tombstone that said, Lél Somogyi Gone But Never Forgotten 1987–2004. Ginger’s torso naked and slick, dead grass and twigs sticking to his skin. Afterward, the dead boy accidentally on purpose pulling over his head Ginger’s blue sweater in the dark, and Ginger was so sweaty and hot he forgot the sweater, tugging on his other shirts and his jacket in a rush because he was late for home. The next morning in the hallway, Ginger’s fingers sticking in his girlfriend’s tangled hair, stroking, while they prodded their way through the waves of students pushing, bumping and clanging lockers around them, the dead boy wading toward them as though by pure cosmic coincidence, Ginger hovering over a tangle in his girlfriend’s hair, and not catching the dead boy’s eye, not for a second even though they had agreed last week that occasional eye contact was not completely verboten, they could kiss and fuck with their eyes, no one could tell if they just fucked with their eyes. Ginger’s irises radiating aurora borealis from Hershey Kiss brown into caterpillar green, a hazel colour meant for kissing. Their bodies’ protons and electrons zinging across the shortening space between them; Ginger staring at the top of his girlfriend’s head. The dead boy and Ginger, each of them a sun, each of them a planet in orbital thrall to a sun, the dead boy hugging himself, suddenly cold, in Ginger’s blue knit sweater. The body slam of Ginger twisting away from the dead boy, not a single eyekiss, like the dead boy was already dead. Though not a surprise: Ginger frozen subzero like he always was in the days following a cemetery date.

Because on Friday, Valentine’s Day, an envelope with the dead boy’s name on it was slipped into his locker, just a corner of it peeping out from the metal crack between the locker’s metal frame and the locker door, and when he pulled it out and ripped it open starting at the crumpled corner, he found a card — a painting of a bowl of fruit, circled by a ballpoint-pen heart. Inside, scrawled in more ballpoint, Happy Valentine’s Day Faggot. Love, G. Calling him faggot was Ginger’s idea of a joke. An exhausted, pathetic joke.

Because Ginger’s girlfriend hissed at him, she is such a dyke-in-training and she doesn’t even know it, so he hissed back and he was doomed. Once, a long time ago, he overheard her playing a waltz on the piano in the band room. He had to fight not to cry, the song tugged at him so.

Because he scraped himself down the crowded walls of the cafeteria, past a jughead accompanied by a jughead parasite who said, —Out of my way, homo, as they chewed their way into the middle of the cafeteria lineup.

Because on his walk to school this morning—he’s a dead man —a cat pads across the dead boy’s path with a grey and yellow bird in its mouth, stepping into human boot steps pressed into the ice and snow, neat, like a dog carrying a newspaper.

Because today, tromping his way to school through mushy cigarette butts, a lost comb in the muck, waiting at this intersection as the cars slop by exhaling exhaust that burns his eyes, his phone chirps, Ginger: i cant hang out wit u any more this time its 4 real …I want my locket back

Ginger will never change.

Because the crosswalk light shines its red eye, refuses to blink into green, cars spitting gravelly snow, one slap to his face after another on this Monday that refuses to start and refuses to end, he has to stand and stand, waiting for the light beside the brick wall spray-painted Ava is a muff muncher. Ginger wants the locket back, the only thing Ginger’s ever given him, the only thing that keeps the dead boy going through all the days of Ginger pretending he doesn’t exist. Monday. He can’t bear it. He turns and tromps back home, ignoring cars, his frozen rubber soles scuffing iced concrete. The wind slathering cold, his exposed throat, the locket a hunk of metal pounding against his sternum, the chain winding winding round his neck.

Because he can’t bear it.

He can’t bear any of it. It will never get better.

Because he wants to be in charge of his own ending.