Читать книгу Boomerang - Sydney J. Bounds - Страница 4

CHAPTER ONE

UNPLEASANTNESS AT PORTHCOVE

George Bullard breezed into Porthcove, whistling an old-fashioned tune. He was starting two weeks’ holiday and intended to enjoy every minute of it. Even if some other people didn’t.

He swung his Volvo across the road and into the driveway under a sign that read Porthcove Studios and braked in front of a large house built of grey stone. The house was old with a new extension added at the seaward end and a broad expanse of lawn. There was a pond in the centre of the lawn.

Three people stood in the shade of the front porch. The welcoming committee, Bullard thought as he got out. A late afternoon sun still blazed over the clifftops and he could smell the sea below.

A small man with plain features stepped into the sunlight. “I’ll help with your luggage and park your car.”

Bullard tossed him the keys. “Fine. I’ve always wanted a slave.”

The woman holding a clipboard frowned slightly. “I’m Val Courtney. And you are—?”

“George Bullard. The one and only.”

“Welcome, Mr. Bullard, and I hope you’ll enjoy your stay with us. You’re in room number two. My husband, Reggie, will show you the way.”

“The accommodation is first class, I hope? And the food too—I warn you, I’m first class at complaining.”

Bullard dumped a large suitcase on the ground and followed that with a folding easel, a box of paints and an assortment of primed canvases.

“If you damage anything,” he said cheerfully. “I’ll sue.”

The third person moved leisurely out of the porch. He was slender with blond hair and a silk scarf at his throat and moved like a dancer.

“I’d like to introduce your tutor for the course.” Val said. “Keith Parry.”

“Never heard of him. Not an R.A., are you?”

Parry said calmly, “You’re right, I’m not.”

Bullard turned to Reg Courtney and snapped his fingers. “All right, let’s get organized. Forward march!”

Reggie picked up the heavy suitcase and led the way and Bullard followed with his painting gear. Beyond the front door was a hall with a pay-phone and stairs leading to the upper part of the house.

Reggie went through a doorway on the right. “This is the common room.”

There were armchairs grouped about a large television set and a pile of art magazines on a table.

Reggie opened the far door leading to the new annexe and struggled down a passage with the suitcase. Bullard strolled along behind, smiling to himself.

The door of the first room stood open and another holiday painter was sorting through his equipment.

Bullard paused in the doorway and glared at a man with swarthy skin and a hooked nose.

“Don’t tell me,” he said loudly. “I’ve been put next to a ruddy jewboy!” His voice held a cutting edge of contempt. “What are you selling, Ikey? Never mind the cut, feel the quality—I’ll complain to the management.”

The man turned to face Bullard.

“Schmuck!” he exclaimed, and slammed the door.

George Bullard chuckled.

Reggie said, without expression, “You’ll have to see Val if you want another room.”

“Don’t bother. I’m going to have some fun with our sheeny friend.”

Reggie carried the suitcase into room number two.

Bullard paused in the doorway, sniffing the air. “What, no air conditioning?” He put down his gear, opened the window and looked out at the garden.

“Bathroom at the end of the passage,” Reggie said. “Dinner’s at seven. To reach the dining room, go back to the hall and turn right—it’s the first door on the left.”

After Reggie had gone, Bullard soaked in the bath and changed into casual clothes. He took his time arriving at the dining room; he’d found, on similar occasions, that he could upset staff and disrupt service by being deliberately late.

He heard a cheerful chatter as the other painters in the party introduced themselves. When he strolled in, he saw there were two tables; a long one for the students and a second, smaller table placed close to the kitchen door for Val, her husband, and the tutor.

The Jewish man sat next to a tall man with cropped greying hair. There was a young and pretty blonde in jeans and teeshirt with a surly youth wearing a leather jacket. And a middle-aged woman with long black hair, brass earrings and a gaudy dress.

Bullard said, “Hello, hello, hello. What’s for dinner?” He wrinkled his nose. “Not fish?”

“Local fish,” Val Courtney said. “Fresh today.”

“I’ve heard that one before.” Bullard said loudly. “Fresh from the fridge!”

“And the salad is grown in our own garden.”

“Salad? Rabbit food—never touch it.”

“If you’ll state your requirements,” Val said coldly, “I’ll arrange it. We try to please everyone.”

“Steak. With jacket potatoes.”

“Very well, Mr. Bullard. It would help if you could be on time for meals as we’ve only a small staff.”

She went into the kitchen to speak to the cook.

After dinner, Keith Parry stood up. “We’ll all meet in the studio—it’s opposite, just across the passage—for an introductory chat.”

As they left the dining room, Bullard spoke to the tall man. “I’d recognise that accent anywhere. Australian, aren’t you?”

“Right on, mate. Fletcher’s the name.”

“Bullard. I imagine your grandparents were convicts then? Botany Bay, and all that. Do they still flog prisoners down under?”

Fletcher said, “Up yours, Jack,” and walked away.

“George, not Jack, old boy.”

Grinning, George Bullard entered the studio. It was a long room containing easels and stools, each with a rest for a drawing board. In one corner was an electric kiln, and an unfinished mosaic lay spread out on a table.

Keith Parry said, “Please leave the kiln alone, Mr. Bullard, I’m firing clay tesserae as an experiment.”

Gradually, the holiday painters gathered. Val Courtney brought in coffee on a tray and went out again.

Parry said, briskly: “Everyone settled? Good. First of all, I’m Keith. I hope we’ll all be on first name terms—it’s so much friendlier, I feel.”

Bullard leered. “Especially with the ladies.”

“I want each of you to enjoy these two weeks, to leave here having made new friends and learnt something. Now I’d like you to introduce yourselves and tell me what medium you’re using.”

Bullard got in first.

“I’m George, and I paint in oils—the only possible medium for any serious painter. I’m good. If you’re busy, Keith, I can help out.”

“I don’t think that will be necessary...and ladies first, please.”

The pretty blonde girl said eagerly, “Linda. I’ve brought watercolours, but I’m a complete beginner. This is the first time I’ve been on a sketching holiday.”

“Then I’ll give you extra attention.”

“Me too,” Bullard said.

Parry ignored him. “Does your boyfriend paint, Linda?”

“No, Duke’s just keeping me company. I was too nervous to come here on my own.”

“You won’t be on your own for long,” Bullard said with a smirk.

The woman who looked like a gypsy said, “Margo. I like to use a mixture of different media—crayons and ballpoints and wash and well, just any old thing that comes to hand. Chalk and pencil and the end of a brush dipped in ink.”

“Yes, it’s possible to get some interesting effects that way.”

“Call me Jim,” the Australian drawled. “I do a bit of everything, but it’s mainly drawing that interests me.”

“Fine, Jim.”

“Sammy,” the Jewish man said. “I paint in oils too and I want to concentrate on boats. Harbour scenes—that sort of thing.”

“You’ve come to the right place, Sammy. Porthcove has a fine old Cornish harbour and fishing boats still work from here.” Keith Parry paused. “That’s it then. Val runs a small shop in the hall where you can buy paints, brushes and paper if you run out.”

“I bet she does,” Bullard said. “Anything to get more money out of us.”

Parry continued as if he had not been interrupted.

“Breakfast at eight. We’ll meet at nine-fifteen and walk down to the harbour together. There’s one more to join our group—Wilfred. I’ve met him before, and he uses pastel. He’s staying at the Harbour Inn with his wife.”

“Bit of a snob, is he?” Bullard jeered.

“I’ll be giving a demonstration one evening this week,” Keith Parry said. “And, George, it would help if you could say nice things sometimes.”

“Not nearly so interesting though,” George Bullard said, and laughed.

* * * *

Linda Snow was up early next morning. She left Duke, her boyfriend, in bed, lit a cigarette and went through to the hall. The front door was open and she heard voices outside.

On the lawn, Jim Fletcher was demonstrating boomerang throwing to Margo and Sammy.

Linda’s eyes sparkled with excitement. “Can I have a go?”

Fletcher smiled. “Too right you can, Linda.”

She dropped her half-smoked cigarette and trod it carefully into the grass.

The Australian showed her how to grip the curved wooden missile and positioned her, one foot in front of the other, turning her to take advantage of the early morning breeze.

“When you throw, use the wrist. Like this.” He demonstrated with a flick of his wrist. “Remember, it’s all in the wrist action.”

Linda gripped the boomerang at one end, took three or four quick steps forward and flicked it. A breeze caught the crescent of smooth wood and lifted it. It sailed up into the sky and began to curve back towards her.

“Don’t take your eye off it,” Fletcher called. “Don’t try to catch it—get ready to duck.”

Linda watched the boomerang coming back and turned to watch its flight. She was poised ready to duck, but it brought up short and dropped at her feet.

“Good on yer!” Fletcher exclaimed. “The sheila’s got the knack first go.”

“This is a nice idea,” Keith Parry said as he joined them on the lawn. “I can see you people are getting on well together.”

“Throw again, Linda, while you’ve got the knack of it.”

She flicked her wrist and the boomerang sailed up and away and began its return flight. Then she noticed George Bullard coming out of the house, a stout figure with a neat dark beard. He bustled over the grass towards them, his eyes gleaming.

“What’s this then? A new toy for the kiddies? Haven’t you lot grown up yet?”

Jim Fletcher looked at him and looked away. He bent over to retrieve the boomerang, calculated a trajectory and flicked it into the air. The swiftly rotating wood swooped and rose on a current of air. Travelling fast, it came hurtling back.

Fletcher stepped neatly aside and it passed him by.

Bullard saw the approaching boomerang only at the last moment. He tried to step back in a hurry, tripped and fell flat on his face. The missile passed over his prone body.

When he got up, his face was red. He wiped dew from his clothes with a handkerchief. “You lunatic! You—you dangerous idiot!”

Sammy laughed as Bullard stalked away. Parry frowned and glanced at his watch. “Almost time for breakfast,” he said.

Fletcher was smiling as he collected his boomerang. They all walked with him to his hatchback, and Margo said with satisfaction. “That’s made my day, that has.”

Fletcher unlocked his car and tossed the boomerang onto the back seat.

“What are those?” Linda asked, pointing at at two wooden sticks.

“Those are the real thing,” Fletcher said. “What you sailed this morning are toys—George was right about that, at least.”

He picked up one of the sticks to show them. It was over a metre in length and looked like the branch of a tree with the bark removed and worn smooth by handling. There was a slight curve to it that was not as pronounced as the curve in a boomerang. The wood was hard and the stick heavy.

“These are what the abos use to hunt with—killing sticks.”

“Do they return too?” Linda asked.

Fletcher shook his head. “They’re not meant to. When one of these hits a ’roo, that animal is meat. A killing stick has a different action from a boomerang. It doesn’t go through the air, but end over end along the ground.”

Casually, Fletcher tossed the stick into the back of his car.

Keith Parry said. “I hope you keep your car locked, Jim. Those things look lethal to me.”

Fletcher seemed mildly irritated. “I’ve just explained—they are. And I’m not stupid, you know.”

He locked the car and they went in to breakfast.