Читать книгу Albert Dürer - T. Sturge Moore - Страница 15

I

Оглавление

Table of Contents

There are some artists of whom one would naturally write in a lyrical strain, with praise of the flesh, and those things which add to its beauty, freshness, and mystery--fair scenes of mountain, woodland, or sea-shore; blue sky, white cloud and sunlight, or the deep and starry night; youth and health, strength and fertility, frankness and freedom. And, in such a strain, one would insist that the fondness and intoxication which these things quicken was natural, wise, and lovely. But, quite as naturally, when one has to speak of Dürer, the mind becomes filled with the exhilaration and the staidness that the desire to know and the desire to act rightly beget; with the dignity of conscious comprehension, the serenity of accomplished duty with all the strenuousness and ardour of which the soul is capable; with science and religion.

It is natural to refer often to the towering eminence of these virtues in Michael Angelo; both he and Dürer were not only great artists, and active and powerful minds, but men imbued with, and conservative of, piety. And it seems to me, if we are to appreciate and sympathise deeply with such men, we must try to understand the religion they believed in; to estimate, not only what its value was supposed to be in those days, but what value it still has for us. Surely what they prized so highly must have had real and lasting worth? Surely it can only be the relation of that value to common speech and common thought which has changed, not its relation to man's most essential nature? Therefore I will first try to arrive at a general notion of the real worth of their ideas,--that is, the worth that is equally great from their point of view and ours.

The whole of that period, the period of the so belauded Renascence, had within it (or so it seems to me) an incurable insufficiency, which troubles the affections of those who praise or condemn it; so that they show themselves more passionate than those who praise or condemn the art and life of ancient Greece. This insufficiency I believe to have been due to the fact that Christian ideas were more firmly rooted in, than they were understood by, the society of those days. And to-day I think the same cause continues to propagate a like insufficiency, a like lack of correspondence between effort and aim. Certain ideas found in the reported sayings of Jesus have so fastened upon the European intellect that they seem well-nigh inseparable from it. We are told that the effort of the Greek, of Aristotle, was to "submit to the empire of fact." The effort of the Jew was very similar; for the prophets, what happened was the will of God, what will happen is what God intends. Now it is noteworthy that Aristotle did not wish to submit to ignorance, though it and the causes which produce it and preserve it in human minds are among the most horrible and tremendous of facts; and it is the imperishable glory of the prophets, that, whatever the priest the king, the Sadducee or Pharisee might do, they could not rest in or abide the idea that God's will was ever evil; no inconsistency was too glaring to check their indignation at Eastern fatalism which quietly supposed that as things went wrong it was their nature to do so;--vanity, vanity, all is vanity!--or that if men did wrong and prospered, it was God's doing, and showed that they had pleased Him with sacrifices and performances.

Albert Dürer

Подняться наверх