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Box 1546

‘So what’s new in the world of literature, Tom?’

She said the same thing every week. It was pretty obvious that she saw creative writing as a valuable tool in his rehabilitation. He took a surreptitious glance at his watch and sighed: Ten more minutes to go. Casting around for an answer, he hit upon e-publishing. Before long, he found himself trying to explain the phenomenon to her, while she took notes.

‘You’re sitting on the 8.15 to Waterloo, surrounded by commuters. Imagine if you pulled out a well-thumbed paperback, with a huge naked bum on the cover.’

‘A huge what?’ She looked up from her note-pad.

‘Bottom, Cynthia. Or anything naughty. What I mean is that the cover of the book looks smutty. Maybe boasting a tasteful title like Gladys is Taken Roughly from Behind, or whatever.’

‘Is there a book with that title, Tom?’ She was writing again.

‘What? No … or maybe. I don’t know. The title’s not important. Just imagine the scene. You’re sitting on the train, reading porn. It’s a fairly safe bet you would get some very disapproving looks from your fellow commuters.’

‘Well, I should think so, too.’

‘That’s the point I’m trying to make. E-books give you anonymity. I’m sure that’s why Fifty Shades of Grey has sold so well. She started out with it as an e-book, and it sold like hot cakes. You download it onto your tablet, and you can read it anywhere you like. I daresay you can even read it on your phone, if your eyesight’s up to it. And nobody has a clue as to what you are reading. Now do you see?’

‘I suppose so. So what are you saying? Do you want to write a … rude book?’

‘Erotic novel, Cynthia. That’s what they’re called. And, no, I don’t. We were talking about e-books, and I was just giving you an example.’ He sighed inwardly. What had he done? He watched her scribbling furiously. Now she had a whole new line of attack. She didn’t waste much time in launching into it.

‘Do you read a lot of … this sort of book?’ She was looking at him over the rims of her glasses. She often did that. Maybe she thought he would feel less under analysis that way.

‘No, I don’t. And, Cynthia, before we get onto the subject once more, I’m not sexually repressed or frustrated.’

‘Of course you’re not, Tom. Although it would be quite understandable, quite normal, given the circumstances.’

‘Well I’m not. Really.’

‘Of course you’re not.’ As she repeated her words, he could plainly hear that she wasn’t convinced. ‘But writing is very good therapy, you know.’

‘I know, Cynthia. I spend hours every day doing it.’

‘Yes, but your books are a bit bleak, a bit morbid.’ Ever since he had been persuaded to give her his latest manuscript, she had been like a dog with a bone.

‘I’ve told you, the Middle Ages were a cruel time. Some terrible things were happening back then.’

‘Of course, Tom. That’s why I think you should go for a change of subject. Try something lighter, something frivolous.’

‘To be perfectly honest, Cynthia, I really haven’t felt light or frivolous for a hell of a long time now.’

In spite of her best efforts, the session ended, as so often, on a depressing note.

The following Sunday morning was grey and cold, even for February. He was reading the books section of Saturday’s Western Morning News. As usual, he scanned the new releases with brooding resentment.

‘What have they got that my three haven’t?’ He prodded the dog with his foot. ‘Look, Noah, two of them are historical novels, too.’ All he got in response was a long-suffering sigh.

An article headed EROTIC HISTORIES AND MURDER MYSTERIES FOR THE YEAR AHEAD caught his attention. The writer was interviewing the new fiction previewer of The Bookseller magazine, Cathy Rentzenbrink. When asked if erotic fiction had had its day, she replied. ‘No. Erotica will continue to do well … I think there will be more historical erotica – think Fifty Shades of Lady Jane Grey … ’

He put the newspaper down. Pulling himself to his feet, he filled the kettle and stuck it on the stove. Sensing movement, the dog opened one eye. There was just a chance that the chocolate Hobnobs might be brought out of the fridge. Noticing this sign of interest, Tom addressed him.

‘Cynthia might be right after all, Noah. Maybe that really is what I should go for. Another historical novel, but an erotic one this time. If the publishers don’t want my serious stuff, I’ll give them a bit of smut. And they can pump it out as an e-book. An erotic e-book.’

He spooned coffee into his mug and added hot water. What was it Cynthia had said? ‘Something light, something frivolous’? Maybe something lightweight would do him good. It might even be fun. And, in this house, fun had been in short supply for two long years now.

He was unconcerned that he had no previous experience of either erotic or electronic literature. He remembered a battered copy of Emanuel does Somewhere or Other that lived in the staff lounge of his first place of work. Unfortunately he had only flicked through the photos and could recall none of the text. Over the years, he had occasionally seen bits of dirty movies, but the dialogue rarely got beyond ‘Oh my God, that’s huge’ or ‘Yes, yes, yes’. But surely, with a fertile imagination, in spite of his far from encyclopaedic experience in the subject, he could give it a go.

The secret of success in historical fiction is research. His previous books were all set in the Middle Ages. He had read a huge amount about the period between the First Crusade and the trial of the Knights Templar. As a result, he felt he knew a good deal about that period. So what about an erotic novel set way back then?

The problem that immediately faced him was one of degree. The modern reader is regularly blasted with images of near-naked men and women. It wasn’t like that back then. A loose lock of hair, hanging out of a lady’s wimple would have been enough to give all the Knights of the Round Table a hard-on. A bare ankle and they would have been bursting out of their codpieces.

‘And don’t let’s forget that personal hygiene was very different in those days. Are you listening, dog? That’s never been your strong suit.’

All his reading had told him that water was, quite rightly at the time, deemed dangerous. Washing only took place in the Middle Ages if one was unfortunate enough to fall into a river. So it was a fairly safe bet that, as the Marquise pulled down Sir Shagalot’s undergarments, a toxic cloud, possibly accompanied by blood-sucking parasites, would have assaulted her.

So, regretfully, he decided to set his novel in a different, more hygienic period. The question was which? This would mean research. The research, he realised, would have to encompass more than the historical setting. He would need experience of other erotic novels, particularly those with a historical setting. He turned to the internet.

A search for ‘historical sex’ brought 195,000,000 results in 0.25 seconds. Clearly he was not the first to think of this topic. The websites varied from encyclopaedia entries, through cases of historical sex abuse, to explicit sex sites. He tried again. This time he added the word ‘stories’. This came up with 4,906,000 results, including a wide selection of titles and collections. He started to read.

It didn’t take long before he was disgusted and appalled.

‘I don’t believe it: “He pined me down and riped off my bloomers.” Has the writer no shame? How could anybody call that literature, Noah?’ He found himself snorting again. ‘And what about this? “He managed to undone his breachers.” It isn’t even the right tense – undo, undid, undone, everybody knows that! The writer is semi-literate at best. Maybe a foreign student practising his English. A Labrador could do better. And yet this story has been viewed 46,600 times. It’s unbelievable.’

Apart from eccentric spelling, some of the punctuation left a lot to be desired. His eyes fell on the line ‘Why are you still up Anna?’ He checked the context. Yes, there was definitely a comma missing before the girl’s name; a comma that could make quite a difference to Anna. There was no doubt that the spelling and grammar were, to his eyes, far more obscene than the graphic description. But some people shock more easily than others.

Gradually, as he clicked his way through the websites, he managed to find better quality writing. As far as the period in history was concerned, there seemed to be a distinct preference for the nineteenth century. Regency romps outnumbered the others by far. The characters enjoyed names like Rafe, Marcus, Hermione or Jocasta. Maids seemed to have a particularly bad time of it. Masters were universally sadistic, mistresses of the house overwhelmingly Sapphic. As a critique of the British aristocracy, it was pretty uncompromising. The vast majority of lords, earls and duchesses of that era were kinky as hell. Orangeries, boathouses and pergolas were the venues of choice, if the dungeons were otherwise engaged. Bodices were indeed ripped, silk hose laddered and whalebone snapped. The men were, without exception, amazingly well-endowed. The women, whether willing partners or not, always capable of arousal: ‘I’m sorry, my lord, but I’ve got a headache,’ was not a common line in this genre.

An amazing amount of whipping, beating, slapping and spanking went on. Riding crops were particularly popular, although leather belts could be pressed into service if a crop was unavailable. Scented candles, mood music and gentle foreplay were spectacularly missing at that time, at least as portrayed by writers with names like Lacy Bows, Virginia Silk or Moon Love.

Those names set him thinking. He knew that a woman had written Fifty Shades of Grey. From the reviews he had read, she had aimed it at women. At first sight, it looked as though these internet stories were also the work of female writers. Was he getting out of his depth here?

‘Do we know enough about women, Noah?’

The Labrador’s interest in the opposite sex had been removed by the vet some years previously. He was going to be of little help.

‘If you can’t beat them, join them. No pun intended, old chum. What I need is some female input.’

And so it was that the idea came to him. He needed a female co-author, maybe with a name like Lacy Bows or Virginia Silk. He would place an advert.

As for himself, should he also adopt a nom de plume? If so, should it be masculine or feminine? As he intended collaborating with a woman, it seemed sensible to go with a man’s name. Indeed, the book itself should bear the names of both writers. But adopting an alias would be wise. If the book were to hit the headlines, then it might be better if the postman did not recognise him as the writer of a pile of filth.

‘Not filth, though, Noah. It’s erotica we’re purveying. This will not be a dirty book. The trick is to produce something erotic and arousing, but still tasteful. We have to ensure that we are graphic enough to titillate, but not vile enough to disgust.’

Easier said than done.