Читать книгу The French Revolution (Vol.1-3) - Taine Hippolyte - Страница 41

I.—These conditions absent in the Assembly

Оглавление

Table of Contents

Causes of disorder and irrationality—The place of meeting

—The large number of deputies—Interference of the galleries

—Rules of procedure wanting, defective, or disregarded.—The

parliamentary leaders—Susceptibility and over-excitement of

the Assembly—Its paroxysms of enthusiasm.—Its tendency to

emotion.—It encourages theatrical display—Changes which

these displays introduce in its good intentions.

We have only to look at it outwardly to have some doubts about it. At Versailles, and then at Paris, the sessions are held in an immense hall capable of seating 2,000 persons, in which the most powerful voice must be strained in order to be heard. It is not calculated for the moderate tone suitable for the discussion of business; the speaker is obliged to shout, and the strain on the voice communicates itself to the mind; the place itself suggests declamation; and this all the more readily because the assemblage consists of 1,200, that is to say, a crowd, and almost a mob. 'At the present day (1877), in our assemblies of five or six hundred deputies, there are constant interruptions and an incessant buzz; there is nothing so rare as self-control, and the firm resolve to give an hour's attention to a discourse opposed to the opinions of the hearers.—What can be done here to compel silence and patience? Arthur Young on different occasions sees "a hundred members on the floor at once," shouting and gesticulating. "Gentlemen, you are killing me!" says Bailly, one day, sinking with exhaustion. Another president exclaims in despair, "Two hundred speaking at the same time cannot be heard; will you make it impossible then to restore order in the Assembly?" The rumbling, discordant din is further increased by the uproar of the galleries.2101

"In the British Parliament," writes Mallet du Pan, "I saw the galleries cleared in a trice because the Duchess of Gordon happened unintentionally to laugh too loud."

Here, the thronging crowd of spectators, stringers, delegates from the Palais-Royal, soldiers disguised as citizens, and prostitutes collected and marshaled, applaud, clap their hands, stamp and hoot, at their pleasure. This is carried to so great an extent that M. de Montlosier ironically proposes "to give the galleries a voice in the deliberations."2102 Another member wishes to know whether the representatives are so many actors, whom the nation sends there to endure the hisses of the Paris public. Interruptions, in fact, take place as in a theater, and, frequently, if the members do not give satisfaction, they are forced to desist. On the other hand, the deputies who are popular with this energetic audience, on which they keep and eye, are actors before the footlights: they involuntarily yield to its influence, and exaggerate their ideas as well as their words to be in unison with it. Tumult and violence, under such circumstances, become a matter of course, and the chances of an Assembly acting wisely are diminished by one-half; on becoming a club of agitators, it ceases to be a conclave of legislators.

Let us enter and see how this one proceeds. Thus encumbered, thus surrounded and agitated, does it take at least those precautions without which no assembly of men can govern itself. When several hundred persons assemble together for deliberation, it is evident that some sort of an internal police is necessary; first of all, some code of accepted usage, some written precedents, by which its acts may be prepared and defined, considered in detail, and properly passed. The best of these codes it ready to hand: at the request of Mirabeau, Romilly has sent over the standing orders of the English House of Commons.2103 But with the presumption of novices, they pay no attention to this code; they imagine it is needless for them; they will borrow nothing from foreigners; they accord no authority to experience, and, not content with rejecting the forms it prescribes, "it is with difficulty they can be made to follow any rule whatever." They leave the field open to the impulsiveness of individuals; any kind of influence, even that of a deputy, even of one elected by themselves, is suspected by them; hence their choice of a new president every fortnight.—They submit to no constraint or control, neither to the legal authority of a parliamentary code, nor to the moral authority of parliamentary chiefs. They are without any such; they are not organized in parties; neither on one side nor on the other is a recognized leader found who fixes the time, arranges the debate, draws up the motion, assigns parts, and gives the rein to or restrains his supporters. Mirabeau is the only one capable of obtaining this ascendancy; but, on the opening of the Assembly, he is discredited by the notoriety of his vices, and, towards the last, is compromised by his connections with the Court. No other is of sufficient eminence to have any influence; there is too much of average and too little of superior talent.—Their self-esteem is, moreover, as yet too strong to allow any concessions. Each of these improvised legislators has come satisfied with his own system, and to submit to a leader to whom he would entrust his political conscience, to make of him what three out of four of these deputies should be, a voting machine, would require an apprehension of danger, some painful experience, an enforced surrender which he is far from realizing.2104 For this reason, save in the violent party, each acts as his own chief, according to the impulse of the moment, and the confusion may be imagined. Strangers who witness it, lift their hands in pity and astonishment. "They discuss nothing in their Assembly," writes Gouverneur Morris,2105 "One large half of the time is spent in hallowing and bawling. … Each Man permitted to speak delivers the Result of his Lubrications," amidst this noise, taking his turn as inscribed, without replying to his predecessor, or being replied to by his successor, without ever meeting argument by argument; so that while the firing is interminable, "all their shots are fired in the air." Before this "frightful clatter" can be reported, the papers of the day are obliged to make all sorts of excisions, to prune away "nonsense," and reduce the "inflated and bombastic style." Chatter and clamor, that is the whole substance of most of these famous sittings.

"You would hear," says a journalist, "more yells than speeches; the sittings seemed more likely to end in fights than in decrees. … Twenty times I said to myself, on leaving, that if anything could arrest and turn the tide of the Revolution, it would be a picture of these meetings traced without caution or adaptation … All my efforts were therefore directed to represent the truth, without rendering it repulsive. Out of what had been merely a row, I concocted a scene … I gave all the sentiments, but not always in the same words. I translated their yells into words, their furious gestures into attitudes, and when I could not inspire esteem, I endeavored to rouse the emotions."

There is no remedy for this evil; for, besides the absence of discipline, there is an inward and fundamental cause for the disorder. These people are too susceptible. They are Frenchmen, and Frenchmen of the eighteenth century; brought up in the amenities of the utmost refinement, accustomed to deferential manners, to constant kind attentions and mutual obligations, so thoroughly imbued with the instinct of good breeding that their conversation seems almost insipid to strangers.2106—And suddenly they find themselves on the thorny soil of politics, exposed to insulting debates, flat contradictions, venomous denunciation, constant detraction and open invective; engaged in a battle in which every species of weapon peculiar to a parliamentary life is employed, and in which the hardiest veterans are scarcely able to keep cool. Judge of the effect of all this on inexperienced, highly strung nerves, on men of the world accustomed to the accommodations and amiabilities of universal urbanity. They are at once beside themselves.—And all the more so because they never anticipated a battle; but, on the contrary, a festival, a grand and charming idyll, in which everybody, hand in hand, would assemble in tears around the throne and save the country amid mutual embraces. Necker himself arranges, like a theater, the chamber in which the sessions of the Assembly are to be held.2107 "He was not disposed to regard the Assemblies of the States-General as anything but a peaceful, imposing, solemn, august spectacle, which the people would enjoy;" and when the idyll suddenly changes into a drama, he is so frightened that it seems to him as if a landslide had occurred that threatened, during the night, to break down the framework of the building.—At the time of the meeting of the States-General, everybody is delighted; all imagine that they are about to enter the promised land. During the procession of the 4th of May,

"tears of joy," says the Marquis de Ferrières, "filled my eyes. … In a state of sweet rapture I beheld France supported by Religion" exhorting us all to concord. "The sacred ceremonies, the music, the incense, the priests in their sacrificial robes, that dais, that orb radiant with precious stones … I called to my mind the words of the prophet. … My God, my country, and my countrymen, all were one with myself!"

Such emotions repeatedly explode in the course of the session, and resulted in the passage of laws which no one could have imagined.

"Sometimes,"2108 writes the American ambassador, "a speaker gets up in the midst of a deliberation, makes a fine discourse on a different subject, and closes with a nice little resolution which is carried with a hurrah. Thus, in considering the plan of a national bank proposed by M. Necker, one of them took it into his head to move that every member should give his silver buckles, which was agreed to at once, and the honorable mover laid his upon the table, after which the business went on again."

Thus, over-excited, they do not know in the morning what they will do in the afternoon, and they are at the mercy of every surprise. When they are seized with these fits of enthusiasm, infatuation spreads over all the benches; prudence gives way, all foresight disappears and every objection is stifled. During the night of the 4th of August,2109 "nobody is master of himself. The Assembly presents the spectacle of an inebriated crowd in a shop of valuable furniture, breaking and smashing at will whatever they can lay their hands on."

"That which would have required a year of care and reflection," says a competent foreigner, "was proposed, deliberated over, and passed by general acclamation. The abolition of feudal rights, of titles, of the privileges of the provinces, three articles which alone embraced a whole system of jurisprudence and statesmanship, were decided with ten or twelve other measures in less time than is required in the English Parliament for the first reading of an important bill."

"Such are our Frenchmen," says Mirabeau again, "they spend a month in disputes about syllables, and overthrow, in a single night, the whole established system of the Monarchy!"2110

The truth is, they display the nervousness of women, and, from one end of the Revolution to the other, this excitability keeps on increasing.

Not only are they excited, but the pitch of excitement must be maintained, and, like the drunkard who, once stimulated, has recourse again to strong waters, one would say that they carefully try to expel the last remnants of calmness and common sense from their brains. They delight in pompous phrases, in high-sounding rhetoric, in declamatory sentimental strokes of eloquence: this is the style of nearly all their speeches, and so strong is their taste, they are not satisfied with the orations made amongst themselves. Lally and Necker, having made "affecting and sublime" speeches at the Hôtel-de-Ville, the Assembly wish them to be repeated before them:2111 this being the heart of France, it is proper for it to answer to the noble emotions of all Frenchmen. Let this heart throb on, and as strongly as possible, for that is its office, and day by day it receives fresh impulses. Almost all sittings begin with the reading of flattering addresses or of threatening denunciations. The petitioners frequently appear in person, and read their enthusiastic effusions, their imperious advice, their doctrines of dissolution. To-day it is Danton, in the name of Paris, with his bull visage and his voice that seems a tocsin of insurrection; to-morrow, the vanquishers of the Bastille, or some other troop, with a band of music which continues playing even into the hall. The meeting is not a conference for business, but a patriotic opera, where the eclogue, the melodrama, and sometimes the masquerade, mingle with the cheers and the clapping of hands.2112—A serf of the Jura is brought to the bar of the Assembly aged one hundred and twenty years, and one of the members of the cortège, "M. Bourbon de la Crosnière, director of a patriotic school, asks permission to take charge of an honorable old man, that he may be waited on by the young people of all ranks, and especially by the children of those whose fathers were killed in the attack on the Bastille." 2113 Great is the hubbub and excitement. The scene seems to be in imitation of Berquin,2114 with the additional complication of a mercenary consideration.

But small matters are not closely looked into, and the Assembly, under the pressure of the galleries, stoops to shows, such as are held at fairs. Sixty vagabonds who are paid twelve francs a head, in the costumes of Spaniards, Dutchmen, Turks, Arabs, Tripolitans, Persians, Hindus, Mongols, and Chinese, conducted by the Prussian Anacharsis Clootz, enter, under the title of Ambassadors of the Human Race, to declaim against tyrants, and they are admitted to the honors of the sitting. On this occasion the masquerade is a stroke devised to hasten and extort the abolition of nobility.2115 At other times, there is little or no object in it; its ridiculousness is inexpressible, for the farce is played out as seriously and earnestly as in a village award of prizes. For three days, the children who have taken their first communion before the constitutional bishop have been promenaded through the streets of Paris; at the Jacobin club they recite the nonsense they have committed to memory; and, on the fourth day, admitted to the bar of the Assembly, their spokesman, a poor little thing of twelve years, repeats the parrot-like tirade. He winds up with the accustomed oath, upon which all the others cry out in their piping, shrill voices, "We swear!" As a climax, the President, Trejlhard, a sober lawyer, replies to the little gamins with perfect gravity in a similar strain, employing metaphors, personifications, and everything else belonging to the stock-in-trade of a pedant on his platform:

"You merit a share in the glory of the founders of liberty, prepared as you are to shed your blood in her behalf."

Immense applause from the "left" and the galleries, and a decree ordering the speeches of both president and children to be printed. The children, probably, would rather have gone out to play; but, willingly or unwillingly, they receive or endure the honors of the sitting.2116

Such are the tricks of the stage and of the platform by which the managers here move their political puppets. Emotional susceptibility, once recognized as a legitimate force, thus becomes an instrument of intrigue and constraint. The Assembly, having accepted theatrical exhibitions when these were sincere and earnest, is obliged to tolerate them when they become mere sham and buffoonery. At this vast national banquet, over which it meant to preside, and to which, throwing the doors wide open, it invited all France, its first intoxication was due to wine of a noble quality; but it has touched glasses with the populace, and by degrees, under the pressure of its associates, it has descended to adulterated and burning drinks, to a grotesque unwholesome inebriety which is all the more grotesque and unwholesome, because it persists in believing itself to be reason.

The French Revolution (Vol.1-3)

Подняться наверх