Thinking Contemporary Curating
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Terry Smith. Thinking Contemporary Curating
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ICI PERSPECTIVES IN CURATING NO. 1
Contemporary
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I mean a practice that goes beyond curating, which I see as the technical modality of making art go public in various ways. “Curating” is “business as usual” in terms of putting together an exhibition, organizing a commission, programming a screening series, etcetera. “The curatorial” goes further, implying a methodology that takes art as its starting point, but then situates it in relation to specific contexts, times, and questions in order to challenge the status quo. And it does so from various positions, such as that of curator, an editor, an educator, a communications person, and so on. This means that the curatorial can be employed, or performed, by people in a number of different capacities in the ecosystem of art. For me, there is a qualitative difference between curating and the curatorial. The latter, like Chantal Mouffe’s notion of the political in relation to politics, carries a potential for change.18
Irit Rogoff offers a more deconstructive version, one that moves the idea more firmly beyond its efforts to first recognize, then “unbound,” the various art world roles:
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