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II

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She thought she would never see him again. She lay in her hammock, slim and beautiful, opened her left eye slightly to see June come in and then closed it and retired contentedly back into her dreams.

But one day when the midsummer vines had climbed the precarious sides of the red swing in the lawn, Mr. Jim Powell of Tarleton, Georgia, came vibrating back into her life. They sat on the wide porch as before.

“I’ve got a great scheme,” he told her.

“Did you drive your taxi like you said?”

“Yes mamm, but the business was right bad. I waited around in front of all those hotels and theatres an’ nobody ever got in.”

Nobody?”

“Well, one night there was some drunk fellas they got in—only just as I was gettin’ started my automobile came apart. And another night it was rainin’ and there wasn’t no other taxis and a lady got in because she said she had to go a long ways. But before we got there she made me stop and she got out. She seemed kinda mad and went walkin’ off in the rain. Mighty proud lot of people they got up in New York.”

“And so you’re going home?” asked Amanthis sympathetically.

“No mamm. I got an idea.” His blue eyes looked closely at her. “Has that barber been around here—with hair on his sleeves?”

“No. He’s—he’s gone away.”

“Well, then, first thing is I want to leave this car of mine here with you. It ain’t the right color for a taxi. To pay for its keep I’d like to have you drive it just as much as you want. Long as you got a hammer an’ nails with you there ain’t much bad that can happen——”

“I’ll take care of it,” interrupted Amanthis, “but where are you going?”

“Southampton. It’s one of the swellest places they got up here, so that’s where I’m going.”

She sat up in amazement.

“What are you going to do there?”

“Listen.” He leaned toward her confidentially. “Were you serious about wanting to be a New York society girl?”

“Deadly serious.”

“That’s all I wanted to know,” he said inscrutably. “You just wait here on this porch a couple of weeks and—and sleep. And if any barbers come to see you with hair on their sleeves you tell ’em you’re too sleepy to see ’em.”

“What then?”

“Then you’ll hear from me, mamm,” he continued decisively. “You talk about society! Before one month I’m goin’ to have you in more society than there is.”

Further than this he would say nothing. His manner conveyed that she was going to be suspended over a pool of gaiety and periodically immersed: “Is it gay enough for you, mamm? Shall I let in a little more excitement, mamm?”

“Well,” answered Amanthis, lazily considering, “there are few things for which I’d forego the luxury of sleeping through July and August—but if you’ll write me a letter I’ll run up to Southampton.”

Three days later a young man wearing a yellow feather in his hat rang the doorbell of the enormous and astounding Madison Harlan house at Southampton. He asked the butler if there were any people in the house between the ages of sixteen and twenty. He was informed that Miss Genevieve Harlan and Mr. Ronald Harlan answered that description and thereupon he handed in a most peculiar card and requested in fetching Georgian that it be brought to their attention.

As a result he was closeted for almost an hour with Mr. Ronald Harlan (who was a student at the Hillkiss School) and Miss Genevieve Harlan (who was not uncelebrated at Southampton dances). When he left he bore a short note in Miss Harlan’s handwriting which he presented together with his peculiar card at the next large estate. It happened to be that of the Clifton Garneaus. Here, as if by magic, the same audience was granted him.

He went on—it was a hot day, and men who could not afford to do so were carrying their coats on the public highway, but Jim, a native of southernmost Georgia, was as fresh and cool at the last house as at the first. He visited ten houses that day. Anyone following him in his course might have taken him to be some gifted bootlegger.

There was something in his unexpected demand for the adolescent members of the family which made hardened butlers lose their critical acumen. As he left each house a close observer might have seen that fascinated eyes followed him to the door and excited voices whispered something which hinted at a future meeting.

The second day he visited twelve houses. He might have kept on his round for a week and never seen the same butler twice but it was only the palatial, the amazing houses which intrigued him.

On the third day he did a thing that many people have been told to do and few have done—he hired a hall. Exactly one week later he sent a wire to Miss Amanthis Powell saying that if she still aspired to the gaiety of the highest society she should set out for Southampton by the earliest possible train. He himself would meet her at the station.

Jim Powell was no longer a man of leisure, so when she failed to arrive at the time her wire had promised he grew restless. He supposed she was coming on a later train, turned to go back to his project—and met her entering the station from the street side.

“Why, how did you——”

“Well,” said Amanthis, “I arrived this morning instead, and I didn’t want to bother you so I found a respectable boarding house on the Ocean Road.”

She was quite different from the indolent Amanthis of the porch hammock, he thought. She wore a suit of robin’s-egg blue and a rakish young hat with a curling feather—she was attired not unlike those young ladies between sixteen and twenty who of late were absorbing his attention. Yes, she would do very well.

He bowed her profoundly into a taxi-cab and got in beside her.

“Isn’t it about time you told me your scheme?” she suggested.

“Well, it’s about these society girls up here.” He waved his hand airily. “I know ’em all.”

“Where are they?”

“Right now they’re with Hugo. You remember—that’s my body-servant.”

“With Hugo!” Her eyes widened. “Why? What’s it all about?”

“Well, I got—I got sort of a school, I guess you’d call it.”

“A school?”

“It’s a sort of academy. And I’m the head of it. I invented it.”

He flipped a card from his case as though he were shaking down a thermometer.

“Look.”

She took the card. In large lettering it bore the legend

JAMES POWELL; J. M.

“Dice, Brassknuckles and Guitar”

She stared in amazement.

“Dice, Brassknuckles and Guitar?” she repeated in awe.

“Yes mamm.”

“What does it mean? What——do you sell ’em?”

“No mamm, I teach ’em. It’s a profession.”

“Dice, Brassknuckles and Guitar? What’s the J. M.?”

“That stands for Jazz Master.”

“But what is it? What’s it about?”

“Well, you see, it’s like this. One night when I was in New York I got talkin’ to a young fella who’d been drinking some. He was one of my fares. And he’d taken some society girl somewhere and lost her.”

Lost her?”

“Yes mamm. He forgot her, I guess. And he was right worried. Well, I got to thinkin’ that these girls nowadays—these society girls—they lead a sort of dangerous life and my course of study offers a means of protection against these dangers.”

“You teach ’em to use brassknuckles?”

“Yes mamm, if necessary. Look here, you take a girl and she goes into some café where she’s got no business to go. Well then, her escort he gets a little too much to drink an’ he goes to sleep an’ then some other fella comes up and says ‘Hello, sweet mamma’ or whatever one of those mashers says up here. What does she do? She can’t scream, on account of no real lady’ll scream nowadays. She just reaches down in her pocket and slips her fingers into a pair of Powell’s Defensive Brassknuckles, debutante’s size, executes what I call the Society Hook, and Wham! that big fella’s on his way to the cellar.”

“Well—what’s the guitar for?” whispered the awed Amanthis. “Do they have to knock somebody over with the guitar?”

“No, mamm!” exclaimed Jim in horror. “No mamm! In my course no lady would be taught to raise a guitar against anybody. I teach ’em to play. Shucks! you ought to hear ’em. Why, when I’ve given ’em two lessons you’d think some of ’em was colored.”

“And the dice?”

“Dice? I’m related to a dice. My grandfather was a dice. I teach ’em how to make those dice perform. I protect pocketbook as well as person.”

“Did you——Have you got any pupils?”

“Mamm I got all the really nice, rich people in the place. What I told you ain’t all. I teach lots of things. I teach ’em the Boodlin’ Bend—and the Mississippi Sunrise. Why, there was one girl she came to me and said she wanted to learn to snap her fingers. I mean really snap ’em—like they do. She said she never could snap her fingers since she was little. I gave her two lessons and now Wham! Her daddy says he’s goin’ to leave home.”

“When do you have it?” demanded the weak and shaken Amanthis.

“Three times a week. You’ll just be one of the pupils. I got it fixed up that you come from very high-tone people down in New Jersey. I told ’em your daddy was the man that had the original patent on lump sugar.”

She gasped.

“So all you got to do,” he went on, “is to pretend you never saw any barber.”

They were now at the south end of the village and Amanthis saw a row of cars parked in front of a two-story building. The cars were all low, long, rakish and of a brilliant hue. Then she was ascending a narrow stairs to the second story. Here, painted on a door from which came the sounds of music and voices were the words:

JAMES POWELL; J. M.

“Dice, Brassknuckles and Guitar”

Mon.—Wed.—Fri.

Hours 3-5 P.M.

“Now if you’ll just step this way——” said the Principal, pushing open the door.

Amanthis found herself in a long, bright room, populated with girls and men of about her own age. The scene presented itself to her at first as a sort of animated afternoon tea but after a moment she began to see, here and there, a motive and a pattern to the proceedings.

The students were scattered into groups, sitting, kneeling, standing, but all rapaciously intent on the subjects which engrossed them. From six young ladies gathered in a ring around some indistinguishable objects came a medley of cries and exclamations—plaintive, pleading, supplicating, exhorting, imploring and lamenting—their voices serving as tenor to an undertone of mysterious clatters.

Next to this group, four young men were surrounding an adolescent black, who proved to be none other than Mr. Powell’s late body-servant. The young men were roaring at Hugo apparently unrelated phrases, expressing a wide gamut of emotion. Now their voices rose to a sort of clamor, now they spoke softly and gently, with mellow implication. Every little while Hugo would answer them with words of approbation, correction or disapproval.

“What are they doing?” whispered Amanthis to Jim.

“That there’s a course in southern accent. Lot of young men up here want to learn southern accent—so we teach it—Georgia, Florida, Alabama, Eastern Shore, Ole Virginian. Some of ’em even want straight nigger—for song purposes.”

They walked around among the groups. Some girls with metal knuckles were furiously insulting two punching bags on each of which was painted the leering, winking face of a masher. A mixed group, led by a banjo tom-tom, were rolling harmonic syllables from their guitars; there were couples dancing flat-footed in the corner to a record made by Rastus Muldoon’s Savannah Band. “Now, Miss Powell, if you’re ready I’ll ask you to take off your hat and go over and join Miss Genevieve Harlan at that punching bag in the corner.” He raised his voice. “Hugo,” he called, “there’s a new student here. Equip her with a pair of Powell’s Defensive Brassknuckles—debutante size.”

The Complete Works of F. Scott Fitzgerald

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