Читать книгу Brothers of Peril - Theodore Goodridge Roberts - Страница 5

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Montaw, the arrow-maker, dwelt alone at the head of a small bay. His home was half-wigwam, half-hut. The roof was of poles, partly covered with the hides of caribou and partly with a square of sail-cloth, which had been given him by a Basque fisherman in exchange for six beaver skins. The walls of the unusual lodge were of turf and stone. Here and there were signs of intercourse with the strangers out of the Eastern sea,—an iron fishhook, a scrap of gold lace, and a highly polished copper pot. Of these treasures the recluse was justly proud, for had he not acquired them at risk of sudden extinction by the breath of the clapping fire-stick?

The arrow-maker was an old man. In his youth he had been a hunter of renown and a great traveller, and had sojourned long in the lodges of the Southern nation. He had loved a woman of that people,—and she had given him laughter in return for his devotion. Journeying back to his own hunting-grounds, he had planned a huge revenge. At once all his skill and bravery had been turned to less open ways than those of the lover and warrior. In little more than a year's time he had driven the tribes to a lasting and bitter war. Even now as he sat before the door of his lodge, he was shaping spear-heads and arrow-heads for the fighting men of Soft Hand's nation. Some arrows he made of jasper, and some of flint, and some of purple slate. Those of slate would break off in the wound. They were the grim old craftsman's pets.

One day a young man from the valley of the River of Three Fires brought Montaw a string of fine trout, in payment for a spear-head. For awhile they talked together in the sunlight at the door of the lodge.

"For the chase," said the old man, "I make the long shape of flint, three fingers wide, and to this I bind a long and heavy shaft. Such an arrow will hold in the side of the running deer, and may be plucked out after death."

"I have even seen it, father," replied the young man, in supercilious tones; for he considered himself a mighty hunter.

"For the battle," continued the arrow-maker, "I chip the flint and shape the narrow splinters of slate. All three are good in their way if the bow be strong—and the arm."

The old craftsman made a song. It was rough as his arrow-heads.

"Arrows of gray and arrows of black

Soon shall be red.

What will the white moon say to the proud

Warriors, dead?

"Arrows of jasper, arrows of flint,

Arrows of slate.

So, with the skill of my hands, I shape

Arrows of hate.

"Fly, my little ones, straight and true,

Silent as sleep.

Tell me, wind, of the flints I sow,

What shall I reap?

"Sorrow will come to their council-fires.

Weeping and fear

Will stalk to the heart of their great chief's lodge,

Year after year.

"When the moon rides on the purple hills,

Joyous of face,

Then do I give, to the men of my tribe,

Heads for the chase.

"When the chief's fire on the hilltop glows

Like a red star,

Then do I give, to the men of my tribe,

Heads for the war.

"Arrows of jasper, arrows of flint,

Arrows of slate.

Thus, in the door of my lodge, I nurse

Battle and hate!"

One evening, as he sat before his lodge looking seaward, his trained ears caught the sound of a faint call from the wooded hills behind. He did not turn his head or change his position. But he held his breath, the better to listen. Again came the cry, very weak and far away.

"It is the voice of a woman," he said, and smiled grimly.

Cheerless and desolately gray, the light of the east faded into the desolate gray of the sea. Black, like stalking shadows, stood the little islands of the headlands. The last of the light died out like the heart of fire in the shroud of cooling ashes. Again came the cry, whispering across the stillness.

"It may be the voice of a child, lost in the woods," said the arrow-maker. He rose from his seat and entered the lodge. He blew the coals of his fire back to a tiny flame. He drew up to it the burnt ends of faggots. Then he took in his hand another of his Eastern prizes—a broad-bladed knife—and started across the tumbled rocks toward the edge of the wood. Though old, he was still strong and tough of limb and courageous of heart. Sure and swift he made his way through the heavy growth of spruce. Once he paused for the space of a heart-beat, to make sure of his direction. Again and again was the piteous cry repeated.

The old man kept up his tireless trot through underbrush and swamp, and displayed neither fatigue nor caution until he reached the bank of a narrow and turbulent stream. Here he drew into the shadow of a clump of firs. He lay close, and breathed heavily. By this time the moon had cleared the knolls. Its thin radiance flooded the wilderness. In the air was a whisper of gathering frost. The water of the little river twisted black and silver, and worried at the fanged rocks that tore it, with a voice of agony.

The crying had ceased; but the eyes of the old craftsman questioned the farther shore with a gaze steady and keen. There seemed to be something wrong with the shadows. A bent figure slipped down to the edge of the stream where the water spun in an eddy. It dropped on hands and knees and crawled to the black and unstable lip of the tide. Again the cry rang abroad, thin and high above the complaining tumult of the current. The watcher left his hiding-place and waded the stream. At the edge of the spinning eddy he found a woman. She lay exhausted. A long shaft hung to her left shoulder. Blood trickled down her bare and rounded arm. The arrow-maker lifted her against his shoulder and bathed her face in the cool water until her eyelids lifted.

"Chief," she whispered, "pluck out the arrow."

He shook his head. His trade was with battle and death, but it was half a lifetime since he had felt the gushing of human blood on his hands.

"Father," she cried, faintly, "I pray you, pluck it out. The pain of it eats into my spirit. It sprang to me from a little wood, bitter and noiseless—and I heard not so much as the twang of the string."

The old man held her with his left arm. With strong and gentle fingers he worked the arrow in the wound. She quivered with the pain of it. Blood came more freely. He trembled at the hot touch of it across his fingers. He had dwelt so long in the quiet of his craft. Then the barbed blade came away from the wound, and he clutched it in his reeking palm. The woman sobbed with mingled pain and relief. The old man stepped into the moonlight and lifted the arrow to his eyes.

"It is none of my making," he said.

He heard the woman sobbing in the dark. Returning to her he bound her shoulder with his belt of dressed leather. Then, lifting her tenderly, he again forded the flashing current of the complaining river.