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III. Spontaneous Automatic Phenomena
ОглавлениеThe automatisms which occur outside the seances in Mlle. Smith’s every-day life, those, at least, which she is able to recall and narrate, are of a frequency very variable and utterly independent of any known circumstances; sometimes presenting themselves two or three times in the same day; at others, two or three weeks will elapse without a single one. Extremely diverse in their form and content, these phenomena may be divided into three categories, based upon their origin. The first proceed from impressions received by Hélène in moments of special suggestibility; the second are the fortuitous apparitions above the ordinary level of her consciousness, the romances in process of elaboration to which we are coming; the last, which differ from the two preceding species (which are always useless, if not detrimental) by their beneficial character and their adaptation to the needs of the moment, are roused by those teleological automatisms to which I have already called attention as having occurred in her childhood, and which have shared in the general recrudescence of her subconscious life under the lash of the spiritistic experiences.
Let us pass these different cases rapidly in review.
1. Permanence of exterior suggestions.—The spiritistic reunions are naturally their principal source. I do not mean that she has there been subjected to experiments in post-hypnotic suggestion. Justice to all those who have attended the seances compels the statement that they have never abused the suggestibility which she shows on such occasions, by suggesting ideas of such a nature as to cause her annoyance on the following days. The most that has been attempted has been the suggestion of some small matters by way of harmless experiment, to be executed by her a few moments after awaking from her trance. There is no need of intentional suggestions to influence her in a lasting manner; therefore we have avoided as far as possible everything that might leave disagreeable traces behind, and have suggested to her before the end of the seance that she have on the morrow no headache, fatigue, etc.; but it sometimes happens that certain incidents, often absolutely insignificant, are engraved on her memory in a most unlooked-for manner and assail her as inexplicable obsessions during the ensuing week. The following are some specimens of involuntary suggestion, which generally linger for three or four days, but may occasionally continue for twelve or fifteen.
Hélène told me one Sunday that she had been possessed several times during the day by the hallucinatory image of a straw hat, the inside of which was turned towards her, and which remained vertically in the air about three or four feet in front of her, without being held by any one. She had the feeling that this hat belonged to me, and I happened finally to recollect that at the seance of the preceding Sunday I happened to fan myself with this very hat during her final trance, the image of which had been engraved on her mind in one of the flashes in which she opened her eyes and closed them again instantly before her final awaking. This obsession, said she, was very strong on Monday and the following day or two, but lessened somewhat towards the end of the week.
At another time she preserved during a whole week the sensation of the pressure of my thumb on her left eyebrow. (Compression of the external frontal and suborbital nerves is a means I often employ to hasten her awaking, after a hint given by Leopold.)
There happened to her also twice in the same day an auditive and visual hallucination of an aged person whom she did not recognize, but the extremely characteristic description of whom corresponds so well with that of a gentleman of Geneva who had been mentioned to her a few days previously, immediately before the commencement of a seance (when she was probably already in her state of suggestibility), that there is scarcely any doubt but that these apparitions were the consequence of that conversation.
Following another seance where she had, at the beginning of a Hindoo scene, made vain efforts to detach a bracelet from her left wrist, she preserved for three days the feeling of something grasping that wrist, without understanding what it could be.
In the same way, various feelings of sadness, anger, a desire to laugh or to weep, etc., the cause of which she was unable to explain, have often followed her for a considerable length of time after the seances of which these feelings were the manifest emotional echo. This is often the effect of our dreams on our waking state: we forget the dreams, but their influence remains, and is often more marked in the dreams of a hypnotized person or a somnambulist than in those of ordinary sleep.
The seances are not the exclusive source of the involuntary suggestions which trouble Mlle. Smith in her daily life without any benefit to herself. It is evident that on every occasion when she finds herself in that particular condition of least resistance which we, in our ignorance of its intrinsic nature, designate by the convenient name of “suggestibility,” she is exposed to impressions capable of returning to assail her in the course of her daily occupations. Fortunately this condition of suggestibility does not seem to develop itself readily in her outside of the spiritistic reunions.
2. Irruptions of subliminal reveries.—I shall have too many occasions to cite concrete examples of visions, voices, and other spontaneous outpourings of the work of imagination, which are continually going on under the ordinary consciousness of Mlle. Smith, to dwell long on this point. Some general remarks will suffice.
The connection which the unforeseen phenomena maintain with those of the seances themselves is very varied. Sometimes we are able to recognize them as reproductions, more or less incomplete, of episodes which occurred at the preceding seances, and consider them simple echoes or post-hypnotic repetitions of these last. Sometimes, on the contrary, it appears that we have to deal with preparatory rehearsals of scenes which will unfold themselves at length and will be continued at some later seance. Finally, sometimes it is a question of tableaux, having no connection with those which fill up the seances; they are like leaves, flying away never to return, romances which are continually being fabricated in the deep subliminal strata of Mlle. Smith’s consciousness.
Hélène, in fact, does not long remember, nor in much detail, with a few exceptions, those visions which take place in her ordinary state, and which occur most frequently early in the morning, while she is still in bed, or just after she has arisen and while working by the light of her lamp; sometimes in the evening, or during the brief moments of rest in the middle of the day, and, much more rarely, while in the full activity of waking hours she is at her desk. If she had not long since, at my request, and with great good will, acquired the habit of noting in pencil the essential content of these apparitions, either during the apparition itself (which she is not always able to do) or else immediately afterwards, we should have still more deficiencies in the plot of her romances to deplore. Hélène’s psychological state, during her spontaneous visions, is known to me only by her own descriptions. She is fortunately a very intelligent observer and a good psychologist.
Her narratives show that her visions are accompanied by a certain degree of obnubilation. For a few moments, for instance, the room, the light of the lamp, disappear from before her eyes; the noise of the wheels in the street ceases to be heard; she feels herself becoming inert and passive, while a feeling of bliss and ecstatic well-being permeates her entire individuality in the presence of the spectacle which appears to her; then the vision, to her great regret, slowly fades from her view, the lamp and the furniture reappear, the outside noises again make themselves heard, and she is astonished that the idea did not occur to her to put down in pencil the strange words she has heard, or that she did not touch or caress, for example, the beautiful birds of many-colored plumage flying and singing around her. Sometimes she has maintained sufficient presence of mind to scribble from dictation the words striking her ear; but the wretched handwriting proves that her attention, all absorbed by the apparition, could not follow the pencil, and that the hand directed it badly. At other times the reverse is the fact. It appears in the course of the vision as though some one took hold of her arm and guided it in spite of herself; the result is splendid calligraphies, wholly different from her own handwriting, executed without her knowledge, and during the execution of which her mind was wholly absent, if we can judge from the surprise she shows on awaking when she finds before her these strange writings, and from analogous scenes which transpire at the seances.
The preceding is applicable especially to the more frequent cases—that is, to the morning or evening visions which happen to her at home, in that intermediate condition between sleep and waking, always so favorable, as we know, to the development of unconscious cerebration. But there are innumerable shades and gradations between this middle type, so to speak, and its opposite extremes; on the one hand is the fortunately very exceptional case where she is seized with ecstasy while at her place of business; and, on the other hand, that in which the automatism limits itself to inscribing some unknown characters or words in another hand than her own in her correspondence and writings—peculiar lapsus calami, which she is not slow to perceive on coming to herself.
The following is an example of a case of ecstasy:
Having ascended one day to an upper story, to look for something in a dark store-room, she had an apparition of a man in a turban and large white cloak, whom she had the impression of recognizing,[4] and whose presence filled her with a delightful calm and profound happiness. She could not recall the conversation which passed between them, which, though in an unknown language, she nevertheless had the feeling of having perfectly comprehended. On the departure of the mysterious visitor she was astonished to find herself brought back to sombre reality, and stupefied on noting by her watch that the interview had lasted much longer than it had seemed to do. She preserved all that day a delicious feeling of well-being as the effect of the strange apparition.
The phenomenon of mingling strange writing with her own is of relatively frequent occurrence, and we shall see divers specimens of it in the following chapters, apropos of the romances to which it especially belongs. I will give here only one complex example, which will serve at the same time as an illustration of a special kind of automatism, very harmless, to which Hélène is also subject, and which consists in making verses, not without knowing, but at least without intending to do so, and in connection with the most trifling matters.
There are times when, in spite of herself, she feels compelled to speak in distinct rhymes of eight feet, which she does not prepare, and does not perceive until the moment she has finished uttering them.[5] In this particular case it is by a quatrain (a very unusual occurrence) that she replies to some one who had consulted her in regard to some blue ribbon. But this quatrain, by its style, by the vision of the blond head of a child which accompanies it, and by the manner also in which she writes it, causes us to hazard the conjecture that it is an inspiration depending on the underlying Royal cycle; while in the following letter, in which she narrates the affair to M. Lemaître, her pen inscribes, all unknown to her, strange characters evidently due to the cropping out of the Martian cycle, of which she speaks in the letter (see Fig. 1, a passage of that letter making a Martian M and V in the words vers and rimait):
Fig. 1. Fragment of a letter (normal handwriting) of Mlle. Smith, containing two Martian letters. (Collection of M. Lemaître.)
“I have heard some Martian words this afternoon, but have not been able to retain them in my mind. I send you those heard a few days ago, when I had the vision of which I am about to make you the design (Martian lamp). Yesterday morning I for the first time spoke in verse, without being aware of it; it was only on finishing the sentence that I perceived that it rhymed, and I reconstructed it to assure myself of the fact. A little later, on examining some ribbons, I began anew to speak in verse, and I send those also; they will amuse you. It is a curious thing that I had at that same moment the vision of the blond curly head of a child bound with a blue ribbon. The vision lasted more than a minute. What is still more curious, I do not at all recollect having worn ribbons of that shade as a child: I remember some rose-colored, some red, but I have no recollection whatever of any blue ribbons. I really do not know why I spoke these words; it is the more amusing. I was obliged to speak them, I assure you, in spite of myself. I was eager to put them on paper, and I noticed in writing them down that, for a moment, the handwriting was not regular, that is, it was slightly different from mine.”
Here is the quatrain, the pencil impression of which is too faint to enable a fac-simile to be reproduced here, and in it I have indicated by italics the words and syllables the calligraphy or orthography of which differs from that of Hélène and becomes the style of automatic handwriting called that of Marie Antoinette:
“Les nuances de ces rubans
Me rappelent mes jeunes ans;
Ce bleu verdi, je m’en souvien,
Sans mes cheveux alloit si bien!”
The head of curly blond hair, ornamented with blue ribbons, also figures in the visions of the Royal cycle, and appears to belong, as is here the case, sometimes to Marie Antoinette herself, sometimes to one or other of her children, especially the Dauphin.
While it is generally easy to connect these eruptions of the subliminal volcano with the various dreams from which they emanate, such is not always the case, and there are visions the origin of which is doubtful and ambiguous. We must not forget that, alongside of the grand cycles of Hélène which are better known, there also float in her latent imagination innumerable small accessory systems, more or less independent, which supply a large part of the seances, such as revelations of former events connected with the families of the sitters, etc.; it is not always possible to identify the fragments coming from these isolated dreams.
3. Teleological automatisms.—The spontaneous phenomena of this category, possessing as a common characteristic a practical utility for Hélène more or less marked, can be subdivided into two classes, according to their direct attachment to the personality of Leopold, or their not belonging to any distinct personality, and which only express in a vivid manner the result of the normal working, although more or less unconscious, of the faculties of memory and of reason. I confine myself now to citing one case of each of these classes, of which we shall see other examples in the chapters relating to Leopold and to supernormal appearances.
One day Mlle. Smith, wishing to take down a large and heavy object from a high shelf, was prevented from so doing by the fact that her uplifted arms seemed as though petrified and incapable of being moved for some seconds; she saw in this a warning and gave up her intention. In a later seance Leopold said that it was he himself who had caused Hélène’s arms to become rigid, in order to prevent her from attempting to lift the object which was too heavy for her and would have caused some accident to befall her.
On another occasion a clerk who sought vainly for a certain pattern asked Hélène if she knew what had become of it. Hélène replied mechanically and without reflection, “Yes, it was sent to Mr. J.” (a customer of the firm); at the same time there appeared before her in large black figures about eight or ten inches in height the number 18, and she added, instinctively, “It was eighteen days ago.” This statement caused the clerk to smile, because of its improbability, the rule of the house being that customers to whom patterns were lent for examination must return them inside of three days or a messenger would be sent for them. Hélène, struck by this objection, and having no conscious recollection of the affair, replied, “Really, perhaps I am wrong.” Meanwhile, an investigation of the date indicated in the records of the house showed that she was perfectly correct. It was through various negligences, with which she had nothing at all to do, that the pattern had not been sent for or recovered. Leopold, on being asked, has no recollection of this circumstance, and does not appear to have been the author of this automatism of cryptomnesia, nor of many other analogous phenomena through which Hélène’s subconscious memory renders her signal services and has gained for her a well-merited and highly valued reputation.
Thus we see that if the spontaneous automatisms of Mlle. Smith are often the vexatious result of her moments of suggestibility, or the tempestuous irruption of her subliminal reveries, they also often assume the form of useful messages. Such compensation is not to be despised.