Читать книгу The Silver Chalice - Thomas B. Costain - Страница 19

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It was the custom in Jerusalem to face the Temple when out of doors. To abide by this rule men had to control their walking and standing so that the great white building would always be partially in the eye, even looking back over the shoulder when going in the opposite direction.

This was a simple matter from the house of Joseph of Arimathea. It stood on the brink of the western hill above the Cheesemakers’ Valley, and from there the horizon was dominated by the house of the one God on the slope of Mount Moriah, its marble walls brilliant against the turquoise of the sky, its gold-sheeted roof with tall spikes of the precious metal proclaiming the wealth and power and the reverence of the race which had raised it.

By way of contrast, the Cheesemakers’ Valley was a belt of squalor separating the mount of the Temple from the activities of the upper and lower cities. As though striving to escape from its stifling heat and noisome discomfort, the houses of the cheesemakers climbed up the slopes, one on top of another, tiny structures of stone with flat roofs and a thick overgrowth of stout vines. It was a simple matter to mount from roof to roof, and many a fugitive from the law had escaped in that way, with the help of the repressed people who lived on the slope. The route most commonly taken was called the Goat’s Walk; and at the end of it the climber found himself facing a door of imposing proportions in a wall of marble. This was the house of Joseph of Arimathea, the wealthiest man in Jerusalem, some said in the whole world. As Joseph had not placed a foot outside the great bronze-studded door in ten years, he had grown into a myth to the poor people whose homes clung precariously below him like pods on a beanstalk. Boys, who are always lacking in proper reverence, sometimes clambered up from the Valley in noisy groups and chanted in front of the door: “Ha, rich man, we are cubs of the poor cheesemakers; give us of your abundance.” If they had not been doing this too often, the door would open and something satisfying would be distributed among them, dates, oaten cakes, sometimes even a copper coin for each.

It was to this splendid door that Adam ben Asher escorted Basil on the morning of their arrival in the Holy City. A current of air from the Cheesemakers’ Valley came up blisteringly hot on their backs as they waited to be admitted. Adam did not seem to mind the discomfort. He turned so he could feast his eyes on the blazing white marble of the Temple at the far end of the bridge across the valley, being careful not to permit the Castle of Antonia to obtrude itself on his vision. This solid pile at the northwest corner had been built by the hated Herod and was now the headquarters of the Roman governor; and so no Jewish eye rested voluntarily on its high stone battlements.

They were escorted into a cool room off the entrance hall and in a few minutes they were greeted by Aaron. Remembering what Adam had told him about the son of the house, Basil was not surprised to find Aaron a middle-aged man of spare build with a face as arid as the desert lands beyond the Jordan and a quick darting eye that passed over each of them in turn with no indication of welcome or pleasure.

“You are back,” said Aaron to Adam. “Has it been a successful journey?”

“Was I not in charge? Is it not certain, then, that the camels have brought wealth on their backs?”

“Perhaps,” said Aaron dryly. “That will be seen.” He glanced coldly at Basil. “Who is this?”

“This is the artist selected by Luke the Physician in Antioch. On instructions from your father.”

Aaron had been holding both of his hands behind his back and at this point he made a loud snapping sound with his fingers. A servant had accompanied him into the room, carrying his head bent over so far that it was impossible to see much of his face. The click of his master’s fingers conveyed some special intelligence to this attendant, for he turned immediately and left the room, the arch of his back and neck lending him a close resemblance to a condor.

“Ebenezer will tell my father you are here,” declared Aaron. “If he is in one of his more lucid moments, he will probably see you at once.” He studied Basil with an eye as cold as outer space and then said to Adam, “He is very young. Were his qualifications weighed carefully before he was selected?”

“I was so told by Luke.” Adam’s voice carried a bristling note. “Is it not claimed that one Jesus disputed with learned doctors at the age of twelve?”

“That has no bearing,” declared the other sharply. He motioned toward a room opening off the one where they were standing and then addressed Basil. “You will find water there to remove the stains of travel. There will be wine brought in. You,” to Adam, “will have other matters to attend to elsewhere, no doubt.”

“When my master dies, this ungrateful son of a good father will have no further use for my services,” muttered Adam when Aaron had left.

Alone in the inner room, Basil looked about him with speculative eyes, mentally comparing the house of Joseph of Arimathea with the palace on the Antioch Colonnade. It was furnished with a beauty he found somewhat strange, although he realized that the hangings had a fineness of color and texture that gave him a sense of voluptuous pleasure and that the rugs were the best product of the weavers who wrought magic with skilled fingers. It seemed to him that an air of mystery was fostered purposely, whereas the house of Ignatius had been kept wide open, a little noisy by contrast, with the sunlight free to invade every nook and corner. There were other differences. The ornamentation in Antioch had been pure and with a certain feeling for the ascetic; here it approached the point of overelaboration.

The nature of the message the fingers of Aaron had conveyed to the ears of his servant became clear when the latter returned with a jug of wine. It was vinum acetum, thin and metallic in flavor. Basil made a wry face and replaced his cup after one taste.

A sound of voices from the interior court of the house drew him to the window overlooking it. He was surprised at the size and beauty of the garden upon which he found himself gazing. It was oblong in shape and filled with a profusion of flowers and small trees. A magnificent fountain stood in the center; throwing a spray of water into the air as high as the latticed windows of the second floor. Birds of brilliant plumage nestled sulkily in the green foliage and occasionally drew attention to themselves with a flap of scarlet wings or an unmelodious cawing. Basil made a mental acknowledgment to Joseph of Arimathea: in the matter of gardens Jerusalem ranked well above Antioch.

A very old man had entered the court, leaning on the arm of a girl, and progressing with slow and unsteady steps. Certain that this was the great Hebrew merchant, Basil studied him with eager eyes. The brow of Joseph of Arimathea was unusually broad, and his deep-sunk eyes had both nobility and intelligence. It was a beautiful and generous face. Basil’s fingers itched for his finely balanced hammers and the coolness of his modeling clay.

He was so concerned with the countenance of the venerable merchant that he did not notice the girl with him. This was an oversight, for she was worth a long glance: a small figure in a white palla that covered her from neck to sandaled foot; her hair, as black as midnight, in braids hanging over her shoulders; her eyes so concerned with guiding her grandfather’s steps that it was only when she glanced up for a casual moment that they were seen to be bright under finely arched brows.

The voices of the pair in the garden carried clearly to the room where the visitor waited, and Basil realized that they were engaged in an affectionate bickering.

“My dear child!” the old man was saying. “You are getting to be the same kind of tyrant as your grandmother. I must do this, I must not do that. Why must I be blamed so much because I had a good meal this morning?”

“You are no better than a disobedient boy,” protested the girl in a high but pleasant voice. “Why, oh why, did you allow yourself a cucumber? Did not the kind physician who came to see you no more than three days ago tell you to be more careful? He mentioned cucumbers particularly. You will suffer for this! And you will have to take those medicines he left. Young hemlock and syrup of squills——”

“They turn my stomach,” complained the old man. “Such things are unfit for wild dogs!”

“And now you insist on seeing this artist,” went on the girl. “Do you think you have the strength today? There is plenty of time. The artist can wait.”

“He has come all the way from Antioch, my child, on the bidding of my good friend Luke. And there are reasons, of which you do not know, for showing him every courtesy.”

The girl’s voice displayed more interest at once. “What is there about him that I haven’t been told, Grandfather? You must let me know now.” Without waiting for any response, she linked an arm firmly in his. “I shall go with you, then. And I shall see that the talk is a short one. You are getting tired, I can tell, and ready for a nice long nap.”

Joseph of Arimathea shook his snow-white head sadly in agreement. “Yes, a very long nap, my little Deborra.”

Basil had transferred his attention finally to the girl, and he found himself admiring the purity of her white throat and the animation of her eyes. He had little time to study her because Adam ben Asher joined him at the window.

“You like her?” asked the caravan captain in a brusque tone.

Basil answered cautiously. “Yes—if one may judge at this distance.”

“You think her attractive?”

“Yes, of course.”

“I knew you did. I could see it in your eye.” Adam was keeping his gaze fixed on Basil’s face. “And now what will she think of you? I am more concerned about that.” His breathing seemed labored, an indication that his emotions were deeply involved. “I give you a word of warning, young silversmith. You must stick to your hammers and tools. We want no airs here, no posturing and posing.”

Basil turned and looked steadily at him. “I know no reason for accounting to you for my conduct.”

Adam seemed on the point of explosion. “I shall find a reason,” he said.

The Silver Chalice

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