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PREFATORY MEMOIR.

THE PLEASURES OF HOPE. PART I.

ANALYSIS OF PART I.

PLEASURES OF HOPE. PART I.

THE PLEASURES OF HOPE. PART II.

ANALYSIS OF PART II

PLEASURES OF HOPE. PART II.

GERTRUDE OF WYOMING.

ADVERTISEMENT.

GERTRUDE OF WYOMING. PART I.

GERTRUDE OF WYOMING. PART II.

GERTRUDE OF WYOMING. PART III.

O’CONNOR’S CHILD; OR, THE “FLOWER OF LOVE LIES BLEEDING.”

O’CONNOR’S CHILD; OR, THE “FLOWER OF LOVE LIES BLEEDING.”

THEODRIC; A DOMESTIC TALE.

THEODRIC; A DOMESTIC TALE.

LOCHIEL’S WARNING.

LOCHIEL’S WARNING.

MISCELLANEOUS POEMS.

BATTLE OF THE BALTIC.

YE MARINERS OF ENGLAND: A NAVAL ODE.

TO THE RAINBOW.

THE LAST MAN.

VALEDICTORY STANZAS To J. P. KEMBLE, Esq. COMPOSED FOR A PUBLIC MEETING, Held June, 1817 .

A DREAM.

LINES WRITTEN AT THE REQUEST OF THE HIGHLAND SOCIETY IN LONDON, WHEN MET TO COMMEMORATE THE 21ST OF MARCH, THE DAY OF VICTORY IN EGYPT.

STANZAS TO THE MEMORY OF THE SPANISH PATRIOTS LATEST KILLED IN RESISTING THE REGENCY AND THE DUKE OF ANGOULEME.

SONG OF THE GREEKS.

ODE TO WINTER.

LINES SPOKEN BY MR. ***, AT DRURY-LANE THEATRE, ON THE FIRST OPENING OF THE HOUSE AFTER THE DEATH OF THE PRINCESS CHARLOTTE, 1817.

LINES ON THE GRAVE OF A SUICIDE.

THE TURKISH LADY.

THE WOUNDED HUSSAR.

LINES INSCRIBED ON THE MONUMENT LATELY FINISHED BY MR. CHANTREY, WHICH HAS BEEN ERECTED BY THE WIDOW OF ADMIRAL SIR G. CAMPBELL K.C.B., TO THE MEMORY OF HER HUSBAND.

THE BRAVE ROLAND.

THE SPECTRE BOAT. A BALLAD.

THE LOVER TO HIS MISTRESS ON HER BIRTH-DAY.

HOHENLINDEN.

GLENARA.

LINES ON RECEIVING A SEAL WITH THE CAMPBELL CREST, FROM K. M——, BEFORE HER MARRIAGE.

GILDEROY.

ADELGITHA.

ABSENCE.

THE RITTER BANN.

THE HARPER.

SONG TO THE EVENING STAR.

SONG. “MEN OF ENGLAND.”

THE MAID’S REMONSTRANCE.

SONG.

SONG.

THE BEECH-TREE’S PETITION.

SONG.

LOVE AND MADNESS. AN ELEGY. WRITTEN IN 1795.

SONG.

STANZAS ON THE THREATENED INVASION 1803.

EXILE OF ERIN.

LORD ULLIN’S DAUGHTER.

ODE TO THE MEMORY OF BURNS.

THE SOLDIER’S DREAM.

LINES WRITTEN ON VISITING A SCENE IN ARGYLESHIRE.

SPANISH PATRIOT’S SONG.

VERSES ON MARIE ANTOINETTE.

DIRGE OF WALLACE.

JEMIMA, ROSE, AND ELEANORE; THREE CELEBRATED SCOTTISH BEAUTIES.

THE DEATH-BOAT OF HELIGOLAND

SONG.

LINES ON THE DEPARTURE OF EMIGRANTS FOR NEW SOUTH WALES.

FAREWELL TO LOVE.

LINES ON A PICTURE OF A GIRL IN THE ATTITUDE OF PRAYER, BY THE ARTIST GRUSE, IN THE POSSESSION OF LADY STEPNEY.

STANZAS ON THE BATTLE OF NAVARINO.

LINES ON LEAVING A SCENE IN BAVARIA.

STANZAS TO PAINTING.

DRINKING-SONG OF MUNICH.

LINES ON REVISITING A SCOTTISH RIVER.

LINES ON REVISITING CATHCART.

THE “NAME UNKNOWN;” IN IMITATION OF KLOPSTOCK.

SONG.

HALLOWED GROUND.

CAROLINE. PART I.

CAROLINE. PART II. TO THE EVENING STAR.

FIELD FLOWERS.

LINES ON THE VIEW FROM ST. LEONARD’S.

LINES ON POLAND.

LINES ON THE CAMP HILL, NEAR HASTINGS.

LINES WRITTEN IN A BLANK LEAF OF LA PEROUSE’S VOYAGES.

THE POWER OF RUSSIA.

REULLURA.

ODE TO THE GERMANS.

FLORINE. [98]

TRANSLATIONS.

SONG OF HYBRIAS THE CRETAN.

FRAGMENT FROM THE GREEK OF ALCMAN.

MARTIAL ELEGY FROM THE GREEK OF TYRTÆUS.

SPECIMENS OF TRANSLATION FROM “MEDEA.”

SPEECH OF THE CHORUS IN THE SAME TRAGEDY, TO DISSUADE MEDEA FROM HER PURPOSE OF PUTTING HER CHILDREN TO DEATH, AND FLYING FOR PROTECTION TO ATHENS.

THE PILGRIM OF GLENCOE.

PART II.

PART III.