| | Preface |
| I. | Description of Farmer Oak—An Incident |
| II. | Night—The Flock—An Interior—Another Interior |
| III. | A Girl on Horseback—Conversation |
| IV. | Gabriel's Resolve—The Visit—The Mistake |
| V. | Departure of Bathsheba—A Pastoral Tragedy |
| VI. | The Fair—The Journey—The Fire |
| VII. | Recognition—A Timid Girl |
| VIII. | The Malthouse—The Chat—News |
| IX. | The Homestead—A Visitor—Half-Confidences |
| X. | Mistress and Men |
| XI. | Outside the Barracks—Snow—A Meeting |
| XII. | Farmers—A Rule—An Exception |
| XIII. | Sortes Sanctorum—The Valentine |
| XIV. | Effect of the Letter—Sunrise |
| XV. | A Morning Meeting—The Letter Again |
| XVI. | All Saints' and All Souls' |
| XVII. | In the Market-Place |
| XVIII. | Boldwood in Meditation—Regret |
| XIX. | The Sheep-Washing—The Offer |
| XX. | Perplexity—Grinding the Shears—A Quarrel |
| XXI. | Troubles in the Fold—A Message |
| XXII. | The Great Barn and the Sheep-Shearers |
| XXIII. | Eventide—A Second Declaration |
| XXIV. | The Same Night—The Fir Plantation |
| XXV. | The New Acquaintance Described |
| XXVI. | Scene on the Verge of the Hay-Mead |
| XXVII. | Hiving the Bees |
| XXVIII. | The Hollow Amid the Ferns |
| XXIX. | Particulars of a Twilight Walk |
| XXX. | Hot Cheeks and Tearful Eyes |
| XXXI. | Blame—Fury |
| XXXII. | Night—Horses Tramping |
| XXXIII. | In the Sun—A Harbinger |
| XXXIV. | Home Again—A Trickster |
| XXXV. | At an Upper Window |
| XXXVI. | Wealth in Jeopardy—The Revel |
| XXXVII. | The Storm—The Two Together |
| XXXVIII. | Rain—One Solitary Meets Another |
| XXXIX. | Coming Home—A Cry |
| XL. | On Casterbridge Highway |
| XLI. | Suspicion—Fanny Is Sent For |
| XLII. | Joseph and His Burden—Buck's Head |
| XLIII. | Fanny's Revenge |
| XLIV. | Under a Tree—Reaction |
| XLV. | Troy's Romanticism |
| XLVI. | The Gurgoyle: Its Doings |
| XLVII. | Adventures by the Shore |
| XLVIII. | Doubts Arise—Doubts Linger |
| XLIX. | Oak's Advancement—A Great Hope |
| L. | The Sheep Fair—Troy Touches His Wife's Hand |
| LI. | Bathsheba Talks with Her Outrider |
| LII. | Converging Courses |
| LIII. | Concurritur—Horae Momento |
| LIV. | After the Shock |
| LV. | The March Following—"Bathsheba Boldwood" |
| LVI. | Beauty in Loneliness—After All |
| LVII. | A Foggy Night and Morning—Conclusion |