Читать книгу A History of the Reformation (Vol. 1&2) - Thomas M. Lindsay - Страница 26

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The seed-beds of the German Renaissance were at first not so much the Universities, as associations of intimates in some of the cities. Three were pre-eminent—Strassburg, Augsburg, and Nürnberg—all wealthy imperial cities, having intimate relations with the imperial court on the one hand and with Italy on the other.

The Humanist circle at Nürnberg was perhaps the most distinguished, and it stood in closer relations than any other with the coming Reformation. Its best known member was Willibald Pirkheimer31 (1470–1528), whose training had been more that of a young Florentine patrician than of the son of a German burgher. His father, a wealthy Nürnberg merchant of great intellectual gifts and attainments, a skilled diplomatist, and a confidential friend of the Emperor Maximilian, superintended his son's education. He took the boy with him on the journeys which trade or the diplomatic business of his city compelled him to make, and initiated him into the mysteries of commerce and of German politics. The lad was also trained in the knightly accomplishments of horsemanship and the skilful use of weapons. He was sent, like many a young German patrician, to Padua and Pavia (1490–1497) to study jurisprudence and the science of diplomacy, and was advised not to neglect opportunities to acquire the New Learning. When he returned, in his twenty-seventh year, he was appointed one of the counsellors of the city, and was entrusted with an important share in the management of its business. In this capacity it was necessary for him to make many a journey to the Diet or to the imperial court, and he soon became a favourite with the Emperor Maximilian, who rejoiced in converse with a mind as versatile as his own. No German so nearly approached the many-sided culture of the leading Italian Humanists as did this citizen of Nürnberg. On the other hand, he possessed a fund of earnestness which no Italian seems to have possessed. He was deeply anxious about reformation in Church and State, and after the Leipzig disputation had shown that Luther's quarrel with the Pope was no mere monkish dispute, but went to the roots of things, he was a sedate supporter of the Reformation in its earlier stages. His sisters Charitas and Clara, both learned ladies, were nuns in the Convent of St. Clara at Nürnberg. The elder, who was the abbess of her convent, has left an interesting collection of letters, from which it seems probable that she had great influence over her brother, and prevented him from joining the Lutheran Church after it had finally separated from the Roman obedience.

Pirkheimer gave the time which was not occupied with public affairs to learning and intercourse with scholars. His house was a palace filled with objects of art. His library, well stocked with MSS. and books, was open to every student who came with an introduction to its owner. At his banquets, which were famous, he delighted to assemble round his table the most distinguished men of the day. He was quite at home in Greek, and made translations from the works of Plato, Xenophon, Plutarch, and Lucian into Latin or German. The description which he gives, in his familiar letters to his sisters and intimate friends, of his life on his brother-in-law's country estate is like a picture of the habits of a Roman patrician of the fifth century in Gaul. The morning was spent in study, in reading Plato or Cicero; and in the afternoon, if the gout chanced to keep him indoors, he watched from his windows the country people in the fields, or the sportsman and the fisher at their occupations. He was fond of entertaining visitors from the neighbourhood. Sometimes he gathered round him his upper servants or his tenants, with their wives and families. The evening was usually devoted to the study of history and archæology, in both of which he was greatly interested. He was in the habit of sitting up late at night, and when the sky was clear he followed the motions of the planets with a telescope; for, like many others in that age, he had faith in astrology, and believed that he could read future events and the destinies of nations in the courses of the wandering stars.

In all those civic circles, poets and artists were found as members—Hans Holbein at Augsburg; Albert Dürer, with Hans Sebaldus Beham, at Nürnberg. The contemporary Italian painters, when they ceased to select their subjects from Scripture or from the Lives of the Saints, turned instinctively to depict scenes from the ancient pagan mythology. The German artists strayed elsewhere. They turned for subjects to the common life of the people. But the change was gradual. The Virgin ceased to be the Queen of Heaven and became the purest type of homely human motherhood, and the attendant angels, sportive children plucking flowers, fondling animals, playing with fruit. In Lucas Cranach's “Rest on the Flight to Egypt” two cherubs have climbed a tree to rob a bird's nest, and the parent birds are screaming at them from the branches. In one of Albert Dürer's representations of the Holy Family, the Virgin and Child are seated in the middle of a farmyard, surrounded by all kinds of rural accessories. Then German art plunged boldly into the delineation of the ordinary commonplace life—knights and tournaments, merchant trains, street scenes, pictures of peasant life, and especially of peasant dances, university and school scenes, pictures of the camp and of troops on the march. The coming revolution in religion was already proclaiming that all human life, even the most commonplace, could be sacred; and contemporary art discovered the picturesque in the ordinary life of the people—in the castles of the nobles, in the markets of the cities, and in the villages of the peasants.