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Principibus placuisse viris non ultima laus est.—

Hor., Ep. 17, Lib. I.[5]

Besides the writers mentioned in my Introduction, Campistron, a pupil of Racine, founded a play called Andronic on this same history of Don Carlos. Some Spanish historians, in the interest of Philip, have tried to blacken the character of his son. But the Abbé de San Real (who has been called the French Sallust) seems to have estimated him rightly, while the dramatists have, on the whole, adopted the Frenchman's conception, which was apparently derived from reliable Spanish sources. The motto prefixed from Horace is in allusion to the fact that this play received the approbation of the King and the Duke of York. It had a long success at the theatre, and we may agree with those who called it, as Otway tells us in the preface, the best "heroic" play of the time—containing, as it does, far less of rant and confusion, but more of nature and passion, than the "heroic" plays of Dryden—though Aurungzebe may not be far behind it. Booth, the actor, was informed by Betterton that Don Carlos continued for several years to attract larger audiences than The Orphan or Venice Preserved. It was first represented at the Duke's Theatre in the year 1676, and was published in the same year.

Philip II., son of the Emperor Charles V., became King of Naples and Sicily in 1554 on his father's abdication, and King Consort of England by his marriage with Mary two years after he ascended the Spanish throne. In 1557 he gained the victory of St. Quentin, which might have made him master of France, but he did not follow it up, being, it is said, so elated and yet terrified that he vowed: first, never to engage in another fight, and secondly, to found a monastery in honour of St. Lawrence at Escorial. Later came the great rebellion of the Low Countries, which, in spite of Alva's ability, sanguinary cruelty, and persecutions, resulted in the independence of "the United Provinces," and the triumph of the reformed faith. Philip subdued Portugal, and sent the huge Spanish Armada to conquer England, the illustrious heretic Elizabeth having succeeded to Mary. But the storms and the English together were too much for him. He showed resignation and dignity, however, when the admiral in command announced this misfortune to him. He married Elizabeth of Valois after Mary's death.

It is probable that Don Carlos inherited the personal pride and hauteur of his race, and he is said to have treated Alva with rudeness on a public occasion, only because the Duke was a little late in paying his respects to him. Alva, as a noble, had his share of pride, and being, moreover, malignant, never forgave this.

But the rivalry of these two personages in desiring the government of the revolted Netherlands is a more probable cause of the affront, for it seems to have been just before the Duke proceeded thither as Governor, when he went to take leave of Carlos, that it occurred. Philip had refused the post to his son, and given it to Alva. Carlos is even said by some to have threatened the Duke with his sword; but, if so, it seems likely that something in the words or triumphant demeanour of the latter provoked the hotheaded youth beyond endurance. This spirited and aspiring Prince was evidently far more liberal in religion and politics than his father, a disposition likely to be intensified by the fact that his father persistently kept him in tutelage, and forbade him all participation in the management of public affairs, which he so ardently coveted. That he entered into correspondence with the gallant men striving for liberty of conscience and nationality in the Low Countries seems certain. This was a pretext and motive for his arrest, imprisonment, and murder. But jealous suspicion that the Queen, promised and betrothed by Philip himself to his own son, cared too much for that son, and more than suspicion that Carlos cared too much for her, afforded a motive yet more powerful. Elizabeth of France (daughter of Henry II.) was put to death about the same time, and the Prince of Orange openly accused Philip of these murders, alleging that they were committed in order that he might be free to marry his own niece, Anne of Austria. Carlos is variously reported to have been killed by poison, strangulation, or opening his veins in a bath. Philip died in 1598. His character has been well suggested and outlined in a recent play, Lord Tennyson's "Queen Mary."