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CHAPTER TWENTY-ONE
WHEN TWO AND TWO MAKE FOUR

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It would not be overstating the case if one were to say that Cleek's mind was absolutely in a whirl when he closed the door of the dining-room behind him and stood alone in the brilliantly lighted hall; for, added to the loathing contempt he felt for the young reprobate he had just left, there was the knowledge that this new and unexpected development threatened to destroy the whole fabric of his theories in almost every particular.

Not for one moment, heretofore, had he looked upon young Raynor as other than a shallow, empty-headed wastrel; a mere cuckoo hatched in an eagle's nest; a thing to be scorned, not dreaded; a mere mischievous atom that hadn't the courage to be a bird of prey, nor blood enough in its veins to be dangerous. Now, however—— God! what a riddle life is! You never know!

The door that led out into the grounds of the Grange was but a rope's cast distant. He felt that he couldn't trust himself to go in and face the ladies just yet a while; that he must think over this new and staggering turn which events had taken: think over it for a time in the hush and darkness of the outer world; and, turning on his heel, went swiftly to the door and let himself out.

By this time the night had closed in, the moon had risen, and the gardens were simply a shadowy place of dark and fragrant mystery, with here and there a silver arabesque on the earth where the moonlight shafted through the boughs of trees, and here and there a streak of yellower radiance where the windows of the house threw man-made light across the lawn and against the massed green of crowded leaves. Cleek took to the grass that his footsteps might not be heard, and there, in the darkest shadow of all the darkened land, walked up and down, up and down, with his lower lip pinched up between his thumb and forefinger, his brows knotted, and the elbow of one arm in the hand of the other: a quiet, slow-moving figure, as silent as the other soundless shades that were about it.

So that was how the cat jumped, was it? Directing suspicion—not openly, not with any positive hint of what, but with deadly seriousness, considering that last night a man had been mysteriously murdered and the police were out for the assassin—directing suspicion against his own father, and at such an appallingly significant time.

What a cur the fellow was! Even if his father could in any way have been implicated in the crime, by any means, upon any pretext, what a devil's act it was to lead the law into the right channel. But when there was not one solitary circumstance that pointed, when it was merely to save his own skin, merely to divert suspicion away from himself, what an act of unspeakable atrocity! Couldn't the fellow reason? Couldn't he see that the very thing he was doing to mislead justice was the one circumstance which directed its sword against himself? That the simple fact of his endeavouring to direct suspicion against one who was in no way implicated was absolute proof that he had a purpose in wishing it to be misdirected. And if he had a purpose in doing that, the inference was so obvious that a child might read between the lines.

Heigho! It was just another exemplification of the truth of the old adage that "when the wine's in the wit's out." If he'd let that brandy decanter alone, if he hadn't fuddled his reason and clogged his wretched brain with alcohol, he must have seen what an ass thing he was doing, and what a fool his loosened tongue was making of him.

True, as yet there did not seem any just cause for connecting him with the murder of De Louvisan, any reason why he should have killed the man; any single purpose he might serve, any solitary thing he might gain by slaying him; but still—— Oh, well, you never know how deep a well is until you have reached the bottom of it. The thing had every appearance of being an Apache crime, and he was "in" with Margot—Margot, who played for money and money alone; so if—— Good God! the little reptile hadn't let her lead him into that folly, had he? Hadn't let her lure him into taking the oath and enrolling himself a member of the Apache?

If he had been mad enough to do that, if that were the explanation, why, then, all the rest was possible. The law of the Apache is the law of the commonwealth; and he would find that out, as Lovetski had found it out—too late. If St. Ulmer was in any way implicated, St. Ulmer's fortune would be one stake. And if this brainless weakling should fall heir to his father's money, ho! there was the other "stake"; there the possible motive, there the first connecting link!

Was that Margot's little game? Was that the way the idiot had been tricked into becoming an accomplice? Just so! let's put the jumbled bits together and see if they fit; let's sum up two and two and learn if they really do make four.

First bit: De Louvisan with such a hold upon St. Ulmer that he can compel his lordship to cancel his daughter's engagement and force her to accept him as a fiancé. Quite so! Second bit: De Louvisan, without any rupture occurring between himself and St. Ulmer, suddenly murdered in cold blood. And not only murdered, but spiked up to the wall after the manner of Lanisterre and other traitors to the Apache. A clear proof that this De Louvisan himself was an Apache; and being a traitor to the cause—— Quite so! quite so! Prevented from marrying Lady Katharine, because that was not part of the agreement; because he was making an effort to obtain for himself and his own personal use a fortune which it was intended should come into the commonwealth. Hum-m-m! Those two pieces seem to fit together. Now for the next:

If St. Ulmer, over whom this De Louvisan undoubtedly had a hold of some sort, bought that fellow's silence by promising him his daughter for a wife, then it is quite certain that he was acquiescing in his traitorship to the Apache and quite willing that the man should have Lady Katharine's dower for himself. That bit fits also. Now for another: if in doing that thing this De Louvisan merited the name of traitor, it must have been that he came between the Apache and the possession of the St. Ulmer fortune, and if the owner of that fortune had to make terms such as he did with the man, the inference is as plain as the nose on your face. In other words, St. Ulmer, too, had reason to dread the Apache, and there must, therefore, be some connection between him and Margot. Two and two—and it makes four exactly! St. Ulmer, then, is the game, St. Ulmer the pivot upon which the whole case revolves.

Where, then, does young Raynor come in? Hum-m-m! Ah! Of course, of course. Very crafty, very crafty indeed. A beautiful woman could do anything in the world with such a worm as he. The stage-door Johnnie will be best caught by a chorus girl. Yes, yes, just so. Get one who is out of an engagement or in debt—anything that will make her willing and eager to accept a bribe. She will do the introducing; the rest you can do yourself. Easy enough with such an ass as that fellow. Lovely women and jolly chaps for companionship; a lonely house, music, dancing, champagne; a famous French variety star heels over head in love with him, letters, photographs, nights of revelry, and quarts of wine; and then—voilà, the fish is hooked!

Sworn in, by heaven! sworn in in a drunken fit, to wake and find himself not only an Apache, but to have his vanity tickled, his empty head turned, and his love of being thought a regular ladies' man pampered to the full by being told that he is in reality the king of the Apaches, and that hundreds and hundreds of just such jolly fellows and girls as he sees about him are willing and eager to do the little worm homage and to be ruled by him as though he were actually royal.

It is an old, old game of yours, that, isn't it, Margot? So you have caught many a fool in your day, wiser fools than this one, and sillier, too, in their way, but none of them ever held his kingship beyond the space of a month; none at all but that bolder rascal, the Vanishing Cracksman.

And this little maggot of a Harry Raynor is the latest dupe, eh? Hooked in a drunken moment, the silly gudgeon, hooked that you may get at St. Ulmer and—get even—with the chap called De Louvisan. It must have been a shock when you found what a cowardly cur the fellow is at heart. Still there must be an accomplice, and there must be a strong incentive to command the services of this one.

How did you work it, then? How get him to assist in that thing, if he did assist? How lead him up to this abominable act regarding his own father? Yes! To be sure, to be sure. Help you and your crew to St. Ulmer's money and you'd help him to his: to be rid of a father who kept him upon a short allowance, who disapproved of all the things and all the people he cared for, and who treated him as though he were a little foolish boy instead of a great, noble, splendid man, who ought to be free to live like the king he was.

Oh, it would be easy: just the mere turning of suspicion after the other thing was done. A letter would do that—a forged letter—and that would be prepared for him nicely. Oh, no, no! of course he wouldn't be hanged. Means would be provided to prevent that. He would be so deeply compromised, however, that there would be no possibility of his escaping but by death, and the means of bringing that about would be conveniently supplied him. A swift but painless poison; or, perhaps, a bottle of ether—something of the sort. No pain, no suffering, all over in a minute or two; then "darling Harry" would come into everything, and the clever little forged letter would explain everything away.

Would it? Cleek's jaws clamped together as the thought came, Would it, indeed? Well, he'd see that it wouldn't, then! If any one was to suffer it should be the guilty, not the innocent; they should never pull that game off to the end of time.

The forged letter, eh? Ah, be sure that Harry Raynor would take means to preserve it and to have it handy against the time of need. And be sure, too, that Margot would instruct him with the utmost carefulness just how to act with regard to it, and just where to keep it in order to make everything appear natural and in accordance with what he was to tell to his friend, Mr. Barch, in order to set the ball rolling. Claimed to have received it this afternoon, didn't he? So, of course, it would be in the pocket of the coat he had worn at the time. Had to change into evening clothes for dinner, and was in evening clothes still. So, of course——

The thought had no more than shaped itself in Cleek's mind before he put it into action. As swiftly and as soundlessly as he had left the house he now returned to it. But whereas he had gone out unsuspected and unseen, it now became manifest that he was not to be permitted to enjoy the same privilege in returning, for as he stepped into the hall he came face to face with Hawkins advancing from the direction of the servants' staircase.

"Out for another ramble in quest of a new plot you see, Hawkins," he said gayly as he entered. "The woes of the novelist are many when plots come slowly. Where's Mr. Harry—upstairs or in the drawing-room with the ladies?"

"Neither, Mr. Barch, sir. Still sitting in the dining-room. Just on my way there with a message. Shall I say that you will rejoin him there, sir?"

"No, not at present, thanks. Just going upstairs to change my shoes—the grass is very damp. By the way, Hawkins, do you happen to know what time Mr. Harry got home last night? Your mistress was asking Miss Lorne earlier in the evening, and as he was with me until ten I shouldn't like to contradict anything he may have said, you know, should she conclude to ask me. Know when he got back?"

"No, sir, that I don't. All I can tell you is that he wasn't home at half-past twelve when I went to bed."

Cleek made a mental tally. Wasn't home at half-past twelve; and it was at half-past eleven, according to Mr. Narkom, that the limousine arrived at the head of Mulberry Lane and the first cry of murder was heard.

"Oh, all right," he said. "Don't worry him by mentioning that I asked. See him myself when I come down." Cleek then passed by and went up the stairs two steps at a time.

He did not stop at the second floor, however, but went up still another flight, and then, stopping a moment to look about to see if anybody was watching and to lean over the bannisters and listen if anybody was following, went fleetly to Harry Raynor's den, passed in, and shut the door behind him.

The place was quite black, but a touch of the electric button flooded it with light, and showed him at once what he had come to seek. On a chair close to the open bedroom door lay the clothes which young Raynor had worn this afternoon, neatly folded, just as Hamer had placed them after brushing and pressing, in case the young man should, by any chance, elect to wear the same suit to-morrow.

Cleek moved rapidly to the chair, partly unfolded the coat and slipped his hand into the inside breast pocket. A letter was there—the letter, as he learned when he drew it out and opened it—typewritten by what was clearly the hand of a novice, and setting forth just such a message as young Raynor had stated.

"A bad move, Margot, and a little less carefully done than I should have thought you would have countenanced, knowing how clever and cunning you are," was his mental comment as he read the thing. Then carefully refolding it, he slipped it into his own pocket, snicked off the light, and left the room.

In the lower passage he encountered Hamer.

"Begging pardon, Mr. Barch," the footman said, "but I was just going up to see you, sir. Hawkins tells me that you were anxious to know at what hour Mr. Harry returned home last night, and it happens that I know."

"Do you?" said Cleek. "That's jolly. At what hour did he return last night, then?"

"He didn't return last night at all, sir. It was four this morning and day just beginning to break, sir, when I heard a noise, and getting up, looked out of my window, and there he was, a-coming up the drive very cautious-like and acting as though he didn't want to be seen, as no doubt he didn't, sir, considering that master and mistress didn't know he was out at all."

"Didn't know he was out? How do you know that?"

"Because, sir, he said he was going to sit up and write letters when the master gave the order for Johnston to lock up after Lady Katharine and Miss Lorne returned from Clavering Close; and Mr. Harry he gave me a half a crown to see that the door wasn't bolted before I went to bed, as he intended to slip out and visit a friend. Of course I wouldn't have said anything about it to anybody, sir, if Hawkins hadn't told me that you said he was with you, which, of course, means that you were the friend he was going to see, and not, as I'd supposed, the Lady in Pink."

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