Читать книгу The Last Straw - Titus Harold - Страница 8

THE NESTER—AND ANOTHER

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"Now about the men, Miss Hunter," said Hepburn. When he reached this subject he looked through the deep window far down the creek and had Jane known him better she might have seen hesitancy with his deliberation, as though he approached the subject reluctantly.

"How many will you need?" she asked.

"Not many yet. Four besides myself. There's seven here now. That is, there'll be six, because one is pullin' out this mornin' of his own accord. We'll need more when the round-up starts, but until then—about June—we can get along. The fewer the better."

"That will be largely up to you. Of course, I will be consulted."

"I guess we'll keep Curtis and Oliver. Then there's Two-Bits—"

"Oh, keep Two-Bits by all means!" she laughed. "I'm in love with him already!"

"All right, we'll keep Two-Bits. As for the other, there's a chance to choose because—"

"Beck; how about him?"

Her manner was a bit too casual and she folded a sheet of memoranda with minute care before her foreman, who eyed her sharply, replied:

"He's settled that for himself, I guess. He was packin' his war bag when I come down here. I told him to come to the house for his time."

"You mean he's leaving?"

Hepburn nodded.

"Why?"

"Well, I guess his nose is out of joint at not bein' picked for foreman."

"But he wouldn't even draw. Said he wouldn't take a chance!"

"I know. He appeared not to give a hang for the job, but he's a funny man. He an' I never got along any too well. We don't hitch."

"Is he a good worker?"

"If he wants to be. He don't say much, but he always.... Why, he always seems to be laughin' at everybody and everything."

"I think I could persuade him to want to work for me."

"Perhaps. But then, too, he's hot tempered. In kind of bad with some of the boys over trouble he's had."

"What trouble?"

"Why, principally because he beat up a man—Sam McKee—on the beef ride last fall."

"What for?"

"Well.... He thought this man was a little rough with his horse."

"And he whipped him because he had abused a horse? That, it seems to me, isn't much against him."

"No; maybe not. He beat him a sight worse than he beat his horse," he explained, moving uneasily. "Anyhow, he's settled that. Here he comes now, after his time."

Jane stepped nearer the window. Beck approached, whistling softly. He wore leather chaps with a leather fringe and great, silver conchos. A revolver swung at his hip. His movements were easy and graceful. She opened the door and, seeing her, he removed his hat.

"I've come for my time, ma'am," he explained.

"Won't you come in? Maybe you're not going to go just yet."

He entered and she thought that as he glanced at Hepburn, who did not look up, his eyes danced with a flicker of delight.

"I don't know as I can stay, ma'am. I told your foreman a little while ago that I'd be going. Somebody's got to go, and it may as well be one as another."

"Don't you think my wishes should be consulted?" she asked.

He twirled his hat, looking at her with a half smile.

"This is your outfit, ma'am. I should think your wishes ought to go, but it won't do for you to start in with more trouble than's necessary."

"But if I want you and Mr. Hepburn wants you, where is the chance for trouble? You do want him, don't you, Mr. Hepburn?"

The older man looked up with a forced grin.

"Bless you, Miss Hunter, yes! Why, Tom, the only reason I thought we might as well part was because I figured you'd be discontented here."

"Now! You see, your employer wants you and your foreman wants you. What more can you ask?" the girl exclaimed, facing Beck.

"Nothin' much, of course, unless what I think about it might matter."

Her enthusiasm ebbed and she looked at him, clearly troubled.

"I am not urging you to stay because I need one more man. It is essential to have men I can trust. I can trust you. I need you. I ... I'm quite alone, you know, and I have decided to stay ... if I can stay."

She flushed ever so slightly at the indefinable change in his eyes.

"You told me last night some of the things I must do, which I can't do wholly alone. I should like very much to have you stay,"—ending with a girlish simplicity quite unlike her usual manner.

"Maybe my advice and help ain't what you'd call good," he said.

"I thought it over when you had gone," she said, "and I came to the conclusion that it was good advice." Her eyes remained on his, splendidly frank.

"Some of us are apt to be disconcerted when we listen to new things; and, again, when we know that they come sincerely and our pride quits hurting we're inclined, perhaps, to take a new point of view. I have, on some things."

His face sobered in the rare way it had and he said:

"I'm mighty glad."

Hepburn had watched them closely, not understanding, and in his usually amiable face was a cunning speculation.

"I wouldn't ask you to take a chance against your better judgment. If you must move on, I'm sorry. But ... I need you."

With those three words she had ended: I need you. But in them was a plea, frank, unabashed, and her eyes were filled with it and as he stood looking down at his hat, evidently undecided, she lifted one hand in appeal and spoke again in a tone that was low and sweet:

"Won't you, please?"

He nodded and said:

"I'll stay."

"I'm so glad!" she cried. "And you're glad, aren't you, Mr. Hepburn?"

The foreman had watched closely, trying to determine just what this all meant, but not knowing what had gone before, he was mystified. At her question he forced a show of heavy enthusiasm and said:

"Bet your life!" Then looking up to see the tall cowboy eyeing him with that half humorous smile, he rose and said:

"Now we can start doing business. Tom, Miss Hunter wants a horse, says she can ride and wants the best we've got, right off, to-day. There's that bunch that's been ranging in Little Piñon all winter. Guess we'd better bring 'em down this forenoon and let her pick one."

They departed. They had little to say to one another in the hours it required to gather the horses and bring them down, but when they were within sight of the corrals Hepburn began to speak as though what he had to say was the result of careful deliberation.

"I don't want us to have any misunderstandin', Tom. This mornin' I figured you wanted to move and I don't want any man in the outfit who'd rather be somewhere else, so long as I'm runnin' it." He shifted his weight in the saddle and glanced at Beck, who rode looking straight ahead. "'Course, you and I ain't been pals. I've thought sometimes you didn't just like me—"

"I s'pose she'll want a gentle horse," the other broke in.

"Prob'ly....

"You and I can be friends, I know. We can get along—"

"Look at this outfit!" Beck interrupted again, this time with better reason.

Around the bend in the road appeared a queer cavalcade. It was headed by a pair of ancient mules drawing a covered wagon, on the seat of which sat a scrawny, discouraged man with drooping lids, mustache and shoulders. To the wagon were tied three old mares and behind them trailed a half dozen colts, ranging from one only a few weeks old to a runty three-year-old.

These were followed by a score of cattle, mostly cows and yearling calves, and the rear was brought up by a girl, riding a big brown horse.

She was young, and yet her face was strangely mature. She wore a hat, the worse for wear, a red shirt, open at the throat, a riding skirt and dusty boots. She was slouched easily in the saddle, as one who has ridden much.

Tom spurred ahead to prevent their horses from entering a draw which opened on the road just where they must pass and as he slowed to a walk and looked back he saw Hepburn making a movement of one hand. That hand was just dropping to the fork of his saddle but—and he knew that this may have been purely a product of his imagination—he thought that it had been lifted in a gesture of warning.

The foreman halted and the wagon stopped with a creak, as of relief.

"Just foller on down and swing to the left. Keep right on. You'll pass the state boundry," Beck heard Hepburn say.

The wagon started again and Dad joined him.

"Goin' some place?" Tom asked.

"Utah. He was askin' the way."

Just then the girl came within easy talking distance.

"Goin' far?" Tom asked.

"Not so very fur," the other replied sullenly and swung a worn quirt against her boot.

They rode on after their horses.

"Nesters," Beck commented grimly. "They're a bad lot to see comin' in."

"Thank God, they're headed for Utah," Dad replied.

"Yeah. Utah's a long ways, though. The girl didn't seem to think they was going so very far."

The other made no answer and after a moment Beck said:

"Notice the brand on them cattle? THO? That ain't a good neighbor for the HC to have.... Unless it's an honest neighbor."

"Well, they're goin' into Utah," Dad said doggedly.

"You know, Hepburn, one of the first things I'd do if I was foreman of this outfit?" Beck asked.

"What's that?"

"Take up the water in Devil's Hole. That's the best early feed this outfit has got, but without water it's worthless. Nesters are comin' in, which would worry me, if I was foreman. The Colonel had somebody file on it once, planning to buy when he'd patented the claim. This party didn't make good, and the matter dropped."

The other did not reply for a moment, but looked hard at his horse's ears, as if struggling to control himself.

"I've already took that up with her," he said sulkily, and stirred in his saddle.

"If I wasn't foreman of an outfit, do you know what I'd do? I'd let the foreman do the worryin'."

Beck scratched his chin with a concern which surely could not have been genuine, for he said:

"Yeah. That's the best way. Only..."

"Well, you had your chance to be foreman; why didn't you take it?"

Beck pondered a moment.

"In the first place I wasn't crazy wild to stay with this outfit, 'cause when I lift my nose in the air and sniff real careful, I can smell a lot of hell coming this way, and I'm a mighty meek and peaceful citizen.

"In the second place, I don't care much about drawing the best job in the country like I'd draw a prize cake at a church social."

Hepburn sniffed.

"You passed it up, though. Now, why don't you pass up worryin' about my job?"

Beck did not reply at once, but turned on the other a taunting, maddening smile.

"You're right. I passed it up, but there's something that won't let me pass up the worry.

"You know what that is,"—nodding toward the distant ranch house. "You know she's in a jack pot. You heard her tell me she needed good men, men she could trust, and the good Lord knows that's so. You know I stayed on because she asked me like she meant it and not because I fancied the job.

"I've got a notion that makin' good out here means more to her than making money; I like her style, and I like to help her sort if I can. That's why I may do more 'n an ordinary hand's share of worryin'.

"You know, somebody's got to,"—significantly.

"What's meant by that, Beck?" Dad asked after a moment and the grit in his tone told that the insinuation had not missed its mark.

"If it was so awful hard for you to guess, Hepburn, I don't think you'd get on the peck so easy. I mean that since she's asked me to stay and work for her, I'm on the job. Not only with both hands and feet and what head I've got, but with my eyes and my ears and my heart.

"I don't want trouble, but if I've got to take trouble on, I'll do it on the run; you can tie to that! I don't like you, Hepburn; I don't trust you. Your way ain't my way—No, no, you listen to me!" as the other attempted to interrupt. "A while back you was trying to talk friendship to me when I'm about as popular with you as fever. I don't do things in that style. I ain't got a thing on you, but if this was my ranch I wouldn't want you for my foreman."

"You mean you think I'd double cross her an—"

"I don't recall bein' that specific. I just mentioned that I don't trust you. There's no use in your getting so wrought up over it. I may be wrong. If I am you'll win. I may be takin' a chance, which is against my religion, but I'm here to work for this Hunter girl and her only and it won't be healthy for anybody who is working against her to bring himself to my notice.

"I guess we understand each other. Maybe you can get me fired. If so, that's satisfactory to me. So long as I'm here and working for you, I'll be the best hand you've got. If you're lookin' for good hands I'll satisfy you. If you ain't ... we may not get along so well."

There was a seriousness in his eyes, but behind it was again the flicker of mockery as though this might not be such a serious matter after all.

"We'll see, Beck," Hepburn said with a slow nodding. "We understand each other. You've covered a lot of territory. Your cards are on the table. Bet!"

Tom stroked his horse's withers thoughtfully. He continued to smile, but the smile was not pleasant.

When they entered the big gate an automobile was standing before the bunkhouse and after turning the horses into a corral they dismounted and walked towards it.

"Hello, Larry!" exclaimed Hepburn. "What brings you out?"

"Nothin' much, judgin' by his conversation," replied the man who had driven the car.

"Visitor?"

"Dude. Regular dude from N'Yawk, b' Gosh!" He spat and grinned. "Come in yesterday and was busier 'n hell all day buzzin' around town. First thing this a. m. he wants to come here. Great attraction you've got, it seems."

"The new boss?"

"Th' same, indeed! I seen her. Quite a peach, I'll go on record. But ... Th' boys tell me she's going to run this outfit with her own lily white hands."

"So she says," replied Dad benevolently. "I think she'll do a good job, too."

"Like so much hell, you do! An' I hear you're foreman, Dad. You figurin' on marryin' the outfit or gettin' rich by honest endeavor?"

"Sho, Larry! You and your jokes!" the man grumbled good naturedly and entered the building.

"Well, if any of you waddies are calculatin' marryin' this filly you've got to build to her. This dude sure means business. He's found out more about the HC in one day than I ever knew. Besides, what I knew an' he didn't he got comin' out. Sure's a devil for obtainin' news.

"There he is now; see?"

He gestured toward the ranch house where Jane and the stranger stood on the veranda, the girl pointing to the great sweep of country which showed down creek. Then they turned and reentered the house.

"And so this is yours!" the man laughed. "Yours and your business!"

"My business, Dick! For the first time I feel as though I had a real object in living."

He smiled cynically.

"Jane, Queen of the Range!" he mocked.

She did not smile with him, but said soberly:

"I expect it is funny to you. It must be funny to all the old crowd. I can hear them, as soon as they know that I have decided to stay here, the girls at tea, the men in their clubs, talking it over. Jane Hunter, burying herself in the mountains and doing something, becoming earnest and serious minded, getting up with the sun and going to bed at dark! It is strange!"

"It's too strange for life, Jane," he said, pulling up his trousers gingerly and sitting on the davenport. He leaned back and smoothed his sleek hair. "It isn't real. You're going to wake up before long and find that out.

"It was absurd enough for you to come here, but this preposterous notion that you are going to stay.... Why, that's beyond words! What got into you, anyhow?"

He eyed her closely.

"I don't know, yet. It's a strange impulse but it's real, the first real thing that's ever gotten into me, I guess. I know only that ... except that it is a pleasant sensation.

"When I left New York I was desperate. I came here to take something tangible that was mine and go back with it and now I've found out that the thing I want is nothing that I can see or touch, that I can't take it away with me. Not for a long time, anyhow. It isn't waiting ready-made for me; I must create it from the materials that are in my hands."

He continued to look at her a thoughtful moment.

"You've told me a lot about yourself and about this ranch and about these men who are working for you. You've told me about this country and, rather vaguely, about your plans. I suspect you don't know much about them yet," he added parenthetically. "You've not asked a question about New York, nor why I came."

She picked a yellowed leaf from a geranium plant and turned to face him.

"As for New York," she said with a lift of the eyebrows and a quick tilt of her head, "I don't give a ... damn,"—softly. "As for your coming, I didn't need ask. When a man has followed a girl wherever she has gone, to sea, to other countries, for four years, there is nothing surprising in the fact that he should trail her only two-thirds of the way across this continent....

"But it's no use, Dick. I made up my mind that I would not marry you before I came here. I tried to convince you of the honesty of my purpose in my last letter, but perhaps I failed because I wasn't truly honest with myself then. I thought I was through, but, in reality, I was only planning a variation of the old way of doing things.

"Now I'm finished, absolutely, with the rot I've called life!"

She lifted her chin and shook her head in emphasis. The man laughed.

"You amuse as much as you thrill me," he said, looking at her hungrily.

"That's a splendid way to help a fellow: to laugh at the first effort I make to justify my existence."

"I want to help you, Jane. I've always wanted to help you. I've put myself and what I have at your disposal. I've not only done that, but I've begged and pleaded and schemed to make you take them. You'd never listen when I talked love to you.

"You've always seemed to be a peculiarly material-minded girl and I had to play on that. But when I've talked ease and comfort and luxury to you, you know that I've meant more than just those things. It's been love, Jane ... love in every syllable."

He rose and walked to stand before her.

"That hurt," she said, with a sharp little laugh. "That ... materialism. But I believe it was only too true. It had to be, you see. It was the only thing I could see to live for. There was the one thing I missed, the thing I had expected to find. It was the thing you talked about: Love. I wanted love, tried to find love and at twenty-five gave it up. That's a horrible thing, Dick. Giving that up at twenty-five!"

"But I have offered you love, continually, for four years."

"Dick ... oh, Dick! You don't know what that means. You showed that when you selected your tactics: trying to give me things that I could taste and touch and see.

"If it had been love, the real thing, that you felt, you'd have overwhelmed me with it, you would not have allowed another consideration to enter, you'd have swept me off my feet with making me understand that it was love. You wouldn't have talked places and motors, luxury and aimlessness."

Her voice shook. She was hurt, bordering on anger.

"You pass the buck," he retorted evenly. "You've told me, time after time, that love didn't matter to you."

The Last Straw

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