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II. MR. FINLAY'S HISTORY OF GREECE
ОглавлениеIn attempting to appraise Mr. Finlay's work comprehensively, there is this difficulty. It comes before us in two characters; first, as a philosophic speculation upon history, to be valued against others speculating on other histories; secondly, as a guide, practical altogether and not speculative, to students who are navigating that great trackless ocean the Eastern Roman history. Now under either shape, this work traverses so much ground, that by mere multiplicity of details it denies to us the opportunity of reporting on its merits with that simplicity of judgment which would have been available in a case of severer unity. So many separate situations of history, so many critical continuations of political circumstances, sweep across the field of Mr. Finlay's telescope whilst sweeping the heavens of four centuries, that it is naturally impossible to effect any comprehensive abstractions, as to principles, from cases individual by their nature and separated by their period not less than by their relations in respect to things and persons. The mere necessity of the plan in such a work ensures a certain amount of dissent on the part of every reader; he that most frequently goes along with the author in his commentary, will repeatedly find himself diverging from it in one point or demurring to its inferences in another. Such, in fact, is the eternal disadvantage for an author upon a subject which recalls the remark of Juvenal:
'Vester porro labor fecundior, historiarum
Scriptores: petit hic plus temporis, atque olei plus:
Sic ingens rerum numerus jubet, atque operum lex.'
It is this ingens rerum numerus that constitutes at once the attraction of these volumes, and the difficulty of dealing with them in any adequate or satisfactory manner.
Indeed, the vistas opened up by Mr. Finlay are infinite; in that sense it is that he ascribes inexhaustibility to the trackless savannahs of history. These vast hunting-grounds for the imaginative understanding are in fact but charts and surveyors' outlines meagre and arid for the timid or uninspired student. To a grander intellect these historical delineations are not maps but pictures: they compose a forest wilderness, veined and threaded by sylvan lawns, 'dark with horrid shades,' like Milton's haunted desert in the 'Paradise Regained,' at many a point looking back to the towers of vanishing Jerusalem, and like Milton's desert, crossed dimly at uncertain intervals by forms doubtful and (considering the character of such awful deserts) suspicious.
Perhaps the reader, being rather 'dense,' does not understand, but we understand ourselves, which is the root of the matter. Let us try again: these historical delineations are not lifeless facts, bearing no sense or moral value, but living realities organized into the unity of some great constructive idea.
Perhaps we are obscure; and possibly (though it is treason in a writer to hint such a thing, as tending to produce hatred or disaffection towards his liege lord who is and must be his reader), yet, perhaps, even the reader—that great character—may be 'dense.' 'Dense' is the word used by young ladies to indicate a slight shade—a soupçon—of stupidity; and by the way it stands in close relationship of sound to Duns, the schoolman, who (it is well known) shared with King Solomon the glory of furnishing a designation for men weak in the upper quarters. But, reader, whether the fault be in you or in ourselves, certain it is that the truth which we wish to communicate is not trivial; it is the noblest and most creative of truths, if only we are not a Duns Scholasticus for explanation, nor you (most excellent reader!) altogether a Solomon for apprehension. Therefore, again lend us your ears.
It is not, it has not been, perhaps it never will be, understood—how vast a thing is combination. We remember that Euler, and some other profound Prussians, such as Lambert, etc., tax this word combination with a fault: for, say they, it indicates that composition of things which proceeds two by two (viz., com-bina); whereas three by three, ten by ten, fifty by fifty, is combination. It is so. But, once for all, language is so difficult a structure, being like a mail-coach and four horses required to turn round Lackington's counter12—required in one syllable to do what oftentimes would require a sentence—that it must use the artifices of a short-hand. The word bini-æ-a is here but an exponential or representative word: it stands for any number, for number in short generally as opposed to unity. And the secret truth which some years ago we suggested, but which doubtless perished as pearls to swine, is, that combination, or comternation, or comquaternation, or comdenation, possesses a mysterious virtue quite unobserved by men. All knowledge is probably within its keeping. What we mean is, that where A is not capable simply of revealing a truth (i.e., by way of direct inference), very possible it is that A viewed by the light of B (i.e., in some mode of combination with B) shall be capable; but again, if A + B cannot unlock the case, these in combination with C shall do so. And if not A + B + C, then, perhaps, shall A + B + C combined with D; and so on ad infinitum; or in other words that pairs, or binaries, ternaries, quaternaries, and in that mode of progression will furnish keys intricate enough to meet and to decipher the wards of any lock in nature.
Now, in studying history, the difficulty is about the delicacy of the lock, and the mode of applying the key. We doubt not that many readers will view all this as false refinement. But hardly, if they had much considered the real experimental cases in history. For instance, suppose the condition of a people known as respects (1) civilization, as respects (2) relation to the sovereign, (3) the prevailing mode of its industry, (4) its special circumstances as to taxation, (5) its physical conformation and temperament, (6) its local circumstances as to neighbours warlike or not warlike, (7) the quality and depth of its religion, (8) the framework of its jurisprudence, (9) the machinery by which these laws are made to act, (10) the proportion of its towns to its rural labour, and the particular action of its police; these and many other items, elements, or secondary features of a people being known, it yet remains unknown which of these leads, which is inert, and of those which are not inert in what order they arrange their action. The principium movendi, the central force which organizes and assigns its place in the system to all the other forces, these are quite undetermined by any mere arithmetical recitation of the agencies concerned. Often these primary principles can be deduced only tentatively, or by a regress to the steps, historically speaking, through which they have arisen. Sometimes, for instance, the population, as to its principle of expansion, and as to its rate, together with the particular influence socially of the female sex, exercises the most prodigious influence on the fortunes of a nation, and its movement backwards or forwards. Sometimes again as in Greece (from the oriental seclusion of women) these causes limit their own action, until they become little more than names.
In such a case it is essential that the leading outlines at least should be definite; that the coast line and the capes and bays should be well-marked and clear, whatever may become of the inland waters, and the separate heights in a continuous chain of mountains.
But we are not always sure that we understand Mr. Finlay, even in the particular use which he makes of the words 'Greece' and 'Grecian.' Sometimes he means beyond a doubt the people of Hellas and the Ægean islands, as opposed to the mixed population of Constantinople. Sometimes he means the Grecian element as opposed to the Roman element in the composition of this mixed Byzantine population. In this case the Greek does not mean (as in the former case) the non-Byzantine, but the Byzantine. Sometimes he means by preference that vast and most diffusive race which throughout Asia Minor, Syria, Egypt, the Euxine and the Euphrates, represented the Græco-Macedonian blood from the time of Alexander downwards. But why should we limit the case to an origin from this great Alexandrian æra? Then doubtless (330 b.c.) it received a prodigious expansion. But already, in the time of Herodotus (450 b.c.), this Grecian race had begun to sow itself broadcast over Asia and Africa. The region called Cyrenaica (viz., the first region which you would traverse in passing from the banks of the Nile and the Pyramids to Carthage and to Mount Atlas, i.e., Tunis, Algiers, Fez and Morocco, or what we now call the Barbary States) had been occupied by Grecians nearly seven hundred years before Christ. In the time of Crœsus (say 560 b.c.) it is clear that Grecians were swarming over Lydia and the whole accessible part of Asia Minor. In the time of Cyrus the younger (say 404 b.c.) his Grecian allies found their fiercest opponents in Grecian soldiers of Artaxerxes. In the time of Alexander, just a septuagint of years from the epoch of this unfortunate Cyrus, the most considerable troops of Darius were Greeks. The truth is, that, though Greece was at no time very populous, the prosperity of so many little republics led to as ample a redundancy of Grecian population as was compatible with Grecian habits of life; for, deceive not yourself, the harem
12
'Lackington's counter': Lackington, an extensive seller of old books and a Methodist (see his Confessions) in London, viz., at the corner of Finsbury Square, about the time of the French Revolution, feeling painfully that this event drew more attention than himself, resolved to turn the scale in his own favour by a ruse somewhat unfair. The French Revolution had no counter; he had, it was circular, and corresponded to a lighted dome above. Round the counter on a summer evening, like Phæton round the world, the Edinburgh, the Glasgow, the Holyhead, the Bristol, the Exeter, and the Salisbury Royal Mails, all their passengers on board, and canvas spread, swept in, swept round, and swept out at full gallop; the proximate object being to publish the grandeur of his premises, the ultimate object to publish himself.