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1. FRIEDRICH THEN, AND FRIEDRICH NOW.

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This was a man of infinite mark to his contemporaries; who had witnessed surprising feats from him in the world; very questionable notions and ways, which he had contrived to maintain against the world and its criticisms. As an original man has always to do; much more an original ruler of men. The world, in fact, had tried hard to put him down, as it does, unconsciously or, consciously, with all such; and after the most conscious exertions, and at one time a dead-lift spasm of all its energies for Seven Years, had not been able. Principalities and powers, Imperial, Royal, Czarish, Papal, enemies innumerable as the seasand, had risen against him, only one helper left among the world's Potentates (and that one only while there should be help rendered in return); and he led them all such a dance as had astonished mankind and them.

No wonder they thought him worthy of notice. Every original man of any magnitude is;—nay, in the long-run, who or what else is? But how much more if your original man was a king over men; whose movements were polar, and carried from day to day those of the world along with them. The Samson Agonistes—were his life passed like that of Samuel Johnson in dirty garrets, and the produce of it only some bits of written paper—the Agonistes, and how he will comport himself in the Philistine mill; this is always a spectacle of truly epic and tragic nature. The rather, if your Samson, royal or other, is not yet blinded or subdued to the wheel; much more if he vanquish his enemies, not by suicidal methods, but march out at last flourishing his miraculous fighting implement, and leaving their mill and them in quite ruinous circumstances. As this King Friedrich fairly managed to do.

For he left the world all bankrupt, we may say; fallen into bottomless abysses of destruction; he still in a paying condition, and with footing capable to carry his affairs and him. When he died, in 1786, the enormous Phenomenon since called FRENCH REVOLUTION was already growling audibly in the depths of the world; meteoric-electric coruscations heralding it, all round the horizon. Strange enough to note, one of Friedrich's last visitors was Gabriel Honore Riquetti, Comte de Mirabeau. These two saw one another; twice, for half an hour each time. The last of the old Gods and the first of the modern Titans;—before Pelion leapt on Ossa; and the foul Earth taking fire at last, its vile mephitic elements went up in volcanic thunder. This also is one of the peculiarities of Friedrich, that he is hitherto the last of the Kings; that he ushers in the French Revolution, and closes an Epoch of World-History. Finishing off forever the trade of King, think many; who have grown profoundly dark as to Kingship and him.

The French Revolution may be said to have, for about half a century, quite submerged Friedrich, abolished him from the memories of men; and now on coming to light again, he is found defaced under strange mud-incrustations, and the eyes of mankind look at him from a singularly changed, what we must call oblique and perverse point of vision. This is one of the difficulties in dealing with his History;—especially if you happen to believe both in the French Revolution and in him; that is to say, both that Real Kingship is eternally indispensable, and also that the destruction of Sham Kingship (a frightful process) is occasionally so. On the breaking-out of that formidable Explosion, and Suicide of his Century, Friedrich sank into comparative obscurity; eclipsed amid the ruins of that universal earthquake, the very dust of which darkened all the air, and made of day a disastrous midnight. Black midnight, broken only by the blaze of conflagrations;—wherein, to our terrified imaginations, were seen, not men, French and other, but ghastly portents, stalking wrathful, and shapes of avenging gods. It must be owned the figure of Napoleon was titanic; especially to the generation that looked on him, and that waited shuddering to be devoured by him. In general, in that French Revolution, all was on a huge scale; if not greater than anything in human experience, at least more grandiose. All was recorded in bulletins, too, addressed to the shilling-gallery; and there were fellows on the stage with such a breadth of sabre, extent of whiskerage, strength of windpipe, and command of men and gunpowder, as had never been seen before. How they bellowed, stalked and flourished about; counterfeiting Jove's thunder to an amazing degree! Terrific Drawcansir figures, of enormous whiskerage, unlimited command of gunpowder; not without sufficient ferocity, and even a certain heroism, stage-heroism, in them; compared with whom, to the shilling-gallery, and frightened excited theatre at large, it seemed as if there had been no generals or sovereigns before; as if Friedrich, Gustavus, Cromwell, William Conqueror and Alexander the Great were not worth speaking of henceforth.

All this, however, in half a century is considerably altered. The Drawcansir equipments getting gradually torn off, the natural size is seen better; translated from the bulletin style into that of fact and history, miracles, even to the shilling-gallery, are not so miraculous. It begins to be apparent that there lived great men before the era of bulletins and Agamemnon. Austerlitz and Wagram shot away more gunpowder—gunpowder probably in the proportion of ten to one, or a hundred to one; but neither of them was tenth-part such a beating to your enemy as that of Rossbach, brought about by strategic art, human ingenuity and intrepidity, and the loss of 165 men. Leuthen, too, the battle of Leuthen (though so few English readers ever heard of it) may very well hold up its head beside any victory gained by Napoleon or another. For the odds were not far from three to one; the soldiers were of not far from equal quality; and only the General was consummately superior, and the defeat a destruction. Napoleon did indeed, by immense expenditure of men, and gunpowder, overrun Europe for a time: but Napoleon never, by husbanding and wisely expending his men and gunpowder, defended a little Prussia against all Europe, year after year for seven years long, till Europe had enough, and gave up the enterprise as one it could not manage. So soon as the Drawcansir equipments are well torn off, and the shilling-gallery got to silence, it will be found that there were great kings before Napoleon—and likewise an Art of War, grounded on veracity and human courage and insight, not upon Drawcansir rodomontade, grandiose Dick-Turpinism, revolutionary madness, and unlimited expenditure of men and gunpowder. "You may paint with a very big brush, and yet not be a great painter," says a satirical friend of mine! This is becoming more and more apparent, as the dust-whirlwind, and huge uproar of the last generation, gradually dies away again.


History of Friedrich II of Prussia (All 21 Volumes)

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