"There It Is": Narratives of the Vietnam War

"There It Is": Narratives of the Vietnam War
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This book provides a critical survey of the literature on the Vietnam War and is intended both for academic and general readers. Earlier works of this kind constantly recycled criticism of a half-dozen of the same works. In this study, the aim was to discuss a much greater number of works, including a few that have never been discussed. To appeal to non-academic readers, Lit-Crit jargon was kept to a minimum, and parallels with earlier works of war literature, especially those of the two world wars, were established.

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Tom Burns. "There It Is": Narratives of the Vietnam War

Acknowledgments

Introduction

i. The Vietnam War

ii. The Soldiers

iii. The Narrative Literature of the War

iv. The Present Study

Chapter One. Early Adventurers

i. Lieutenant-Colonel Landsdale

ii. Graham Greene, The Quiet American (1955)

iii. William J. Lederer & Eugene Burdick, The Ugly American (1958)

iv. M. J. Bosse, The Journey of Tao Kim Nam (1959)

v. Jean Lartéguy, Yellow Fever (1962; English Translation, 1965)

vi. Epilogue: Ward Just, A Dangerous Friend (1999)

Chapter Two. Fictional History & Historical Fiction: The Fall of Diem

i. President Ngo Dinh Diem

ii. Stuart Hempstone, A Tract of Time (1966)

iii. Robert Vaughn, The Valkyrie Mandate (1974)

iv. Morris West, The Ambassador (1965)

v. Conclusions

Chapter Three. Advisors & Friendlies: Pro-War Novels

i. Optimism in the early phases

ii. Robin Moore, The Green Berets (1965)

iii. Scott C. S. Stone, The Coasts of War (1966)

iv. Richard Newhafer, No More Bugles in the Sky (1966)

v. Gene D. Moore’s The Killing at Ngo Tho (1967)

vi. James Crumley, One to Count Cadence (1969)

vii. Charles Larson, The Chinese Game (1969)

vii. Conclusions

Chapter Four. Advisors & Friendlies II: Ambivalent Warriors. i. Doubt sets in

ii. David Halberstam, One Very Hot Day (1967)

iii. Daniel Ford, Incident at Muc Wa (1968)

iv. John Rowe, Count Your Dead (1968),

v. Alan Clark, The Lion Heart: a Tale of the War in Vietnam (1969)

vi. Josiah Bunting, The Lionheads (1972)

vii. Bo Hathaway’s A World of Hurt (1981),

viii. Donald McQuinn, Targets (1980)

ix. Conclusions

Chapter Five. Soldiers & Civilians. i. Protestors & Reporters

ii. Norman Mailer, Armies of the Night (1968)

iii. Pamela Sanders, Miranda (1978)

iv. Thomas Fleming’s The Officers’ Wives (1981)

v. Joan Didion, Democracy (1984)

vi.Takeshi Kaiko’s Into a Black Sun: Vietnam 1964–65 (1968, English trans. 1983)

vii. Bernard Kalb and Martin Kalb, The Last Ambassador (1981)

viii. Conclusions

Chapter Six. Combat Memoirs. i. Autobiographical War Writings

ii. Ron Kovic, Born on the Fourth of July (1976)

iii. Philip Caputo, A Rumor of War (1977)

iv. Tim O’Brien, If I Die in a Combat Zone, Box Me Up and Ship Me Home (1975)

v. Frederick Downs, The Killing Zone (1978)

vi. W.D. Ehrhart, Vietnam-Perkasie—A Combat Marine’s Memoir (1983)

vii. Robert Mason, Chickenhawk (1983)

viii. Tobias Wolff, In Pharoah’s Army—Memoirs of the Last War (1994)

ix. Conclusions

Chapter Seven. Allegory. i. Allegorical Vietnam

ii. Jonathan Rubin, The Barking Deer (1974)

iii. Asa Baber, The Land of a Million Elephants (1971)

iv. Victor Kolpakoff, The Prisoners of Quai Dong (1967)

v. Norman Mailer, Why Are in Vietnam? (1967)

vi. Robert Stone, Dog Soldiers (1974)

vii. Joe Haldeman, The Forever War (1975)

viii. Conclusions

Chapter Eight. Combat Realism

i. Conventions of Realism

ii. Robert Roth, Sand in the Wind (1973)

iii. Stephen Philip Smith, American Boys (1975)

iv. Tom Suddick, A Few Good Men (1974)

v. William Pelfrey, The Big V (1972)

vi. William Turner Huggett, Body Count (1973)

vii. Larry Heinemann, Close Quarters (1974)

viii. Conclusion

Chapter Nine. Combat VS. Ideology

i. Two Authors

ii. James Webb, Fields of Fire (1978)

iii. John Del Vecchio, The 13th Valley (1983)

iv. Comparisons & Conclusions

v. Epilogue: Karl Marlantes, Matterhorn: A Novel of the Vietnam War (2010)

Chapter Ten. Deviations. i. Alternatives to Realism

ii. William Wilson, The LBJ Brigade (1966)

iii. James Park Sloan, War Games (1971)

iv. John Clark Pratt, The Laotian Fragments (1974) &Vietnam Voices (1984)

v. Ward Just, Stringer (1984)

vi. Lloyd Little, Parthian Shot (1975)

vii. Gustav Hasford, The Short-Timers (1979)

viii. Conclusion

Chapter Eleven. Inventions: Fantasy & Metafiction

i. Literature of the Optative Mode

ii. William Eastlake, The Bamboo Bed (1969)

iii. Tim O’Brien, Going After Cacciato (1975)

iv. Nicholas Rinaldi, Bridge Fall Down (1985)

v. Tim O’Brien, The Things They Carried

vi. Conclusions

Chapter Twelve. Correspondents

i. Reporters in the Nam

ii. Library of America collection: Reporting Vietnam (1998)

iii. John Sack, M (1966)

iv. Harrison E. Salisbury, Behind the Lines—Hanoi (1967)

v. Jonathan Schell, The Village of Ben Suc (1967) &The Military Half (1968)

vi. Gloria Emerson, Winners and Losers (1976)

vii Mary McCarthy, Vietnam (1967) and Hanoi (1968)

viii. James Jones’ Viet Journal (1973)

ix. Michael Herr, Dispatches (1968)

x. Conclusions

Chapter Thirteen. Ordinary People: Oral Memoirs. i. War Stories & Oral History

ii. Al Santoli, Everything We Had: an Oral History of the Vietnam War by Thirty-Three Soldiers Who Fought It (1981)

iii. Mark Baker, Nam—The Vietnam War in the Words of the Men and Women Who Fought There (1987)

iv. Keith Walker, A Piece of My Heart: The Stories of Twenty-Six American Women Who Served in Vietnam (1985)

v. Wallace Terry, Bloods: An Oral History of the Vietnam War by Black Veterans (1984)

vi. Conclusion

Chapter Fourteen. Vets: The Return of the Repressed

i. A.R. Flowers, De Mojo Blues (1985)

ii. Jack Fuller, Fragments (1984)

iii. Bobbie Ann Mason, In Country (1985)

iv. Larry Heineman, Paco’s Story (1986)

v. Stephen Wright, Meditations in Green (1983)

vi. Michael H. Cooper, Dues: a Novel of War and After (1994)

vii. Tim O’Brien’s In the Lake of the Woods (1994)

viii. Conclusion

Bibliography. Primary Works

Secondary Works

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ibidem-Press, Stuttgart

Acknowledgments

.....

ii. Jack Fuller, Fragments (1984)

iii. Bobbie Ann Mason, In Country (1985)

.....

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