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Thomas Bushell, the Superlative Prodigall, from Thomas Bushell, ‘The First Part of Youth Errors’ (London, 1628). The British Library, London

Golden Age, from ‘Ovid’s Metamorphoses’ (London, 1732). The British Library, London (ref: 11375.aa.23)

Ranters and Shakers, from George Hall ‘The Declaration of John Robins, the false Prophet, otherwise called the Shakers God’ (London, 1651). The British Library, London

A naked rout of Ranters, from John Collins ‘Strange Newes from Newgate’ (London, 1650/1). The British Library, London (ref: E.622.3)

Naked Adamites, from Obadiah Couchman, ‘The Adamites Sermon’ (F. Cowles: London, 1641). The British Library, London

Roger Crab’s horoscope consultation with William Lilly, ‘de Revelatione’. The Bodleian Library, University of Oxford, England. (ref: MS Ashmole 427 f. 51v)

Roger Crab, ‘The English Hermite’ (London, 1655). The National Portrait Gallery, London (NPG D2220)

Illuminated letter S, from Roger Crab, ‘The English Hermite’ (London, 1655), p. 2. The British Library, London (ref: G.1024.E.826.1)

Jan van Grevenbroeck, Marco Polo in Tartar Attire. Museo Correr, Venice/ The Bridgeman Art Library, London (ref: XIR 34703)

Indian cow worship, from the frontispiece of Thomas Herbert, ‘A Relation of Some Yeares Travaile, Begunne Anno 1626 Into Afrique … and some parts of the Orientall Indies’ (William Stansby: London, 1634). The British Library, London

Brahmin with cow, from Frontispiece of Henry Lord, ‘A Display of two forraigne sects in the East Indies’ (London, 1630). The British Library, London (ref: 147.a.20)

Horoscope of the Nativity of Thomas Tryon’s daughter, from John Gadbury, ‘Collectio Geniturarum’ (London, 1661/2), p. 195. The British Library, London

Robert White, Portrait of Thomas Tryon after unknown artist. From Thomas Tryon, ‘The Knowledge Of A Man’s Self ’ (T. Bennet: London, 1703). The National Portrait Gallery, London (ref: NPG D8242)

Naked Adamites, from Bernard Picart, ‘Ceremonies et Coutumes Religieuses de Tous Les Peuples Du Monde ( J.F. Bernard: Amsterdam, 1736). The British Library, London (ref: IV.213)

Drawing by John Evelyn of the Evelyn family house at Wotton, Surrey, from the terrace above the gardens, 1653. The Trustees of the British Museum, London

From Knorr von Rosenroth et al., eds, ‘Kabbalæ Denudatæ’, Volume II. ( J.D. Zunneri: Frankfurt, 1684). The British Library, London

Illustration of a Slaughterhouse and Butchering Tools from Denis Diderot et al., ‘Encyclopedia’ 1751. Archivo Iconografico, S.A./Corbis

Isaac Newton, ‘Irenicum’. King’s College Library, Cambridge (ref: Keynes 3, f.5)

Illustration from the eight volumes of ‘Letters Writ by a Turkish Spy’ (London, 1692– 4). The British Library, London (ref: 1482.bb.25)

Edward Tyson’s chimpanzee before and after dissection, from Edward Tyson, ‘Orang-Outang, sive Homo Sylvestris’ (Thomas Bennet et al.: London, 1699). The British Library, London

Portrait of George Cheyne. Edinburgh University Library, Sir William Thomason-Walker Collection (Licensor www.scran.ac.uk)

William Hogarth’s Stage One from the ‘Four Stages of Cruelty’. William Hogarth/V&A Images/Victoria and Albert Museum, London (ref: JX1832)

‘Equality’ engraved by L. Gautier, c.1793/4 after Antoine Boizot. Musee de la Revolution Francaise, Visille, France/The Bridgeman Art Library, London (ref: REV 131559)

‘The Interior of a Native Hut’ from A. Colin, ‘Twenty four Plates illustrating Hindoo & European Manners in Bengal … after sketches by Mrs c. Belnos’ (Smith & Elder: London, 1832), plate 14. V&A Images/ Victoria and Albert Museum, London (ref: CT69834)

Roberto de Nobili dressed as Indian ‘sanyassin’. The British Library, London (ref: 4869.dd.15.T17343)

James Gillray, frontispiece of John Oswald, ‘The Cry of Nature’ ( J. Johnson: London, 1791). The British Library, London (ref: 1388b.26)

James Sayers, ‘John Bull’s sacrifice to Janus’ (Hannah Humphrey: London,1794). The National Portrait Gallery, London (ref: NPG D12257)

Woodcut by Bewick, from George Nicholson, ‘On the Conduct of Man to Inferior Animals’ (G. Nicholson: Manchester; Whitrow: London, 1797). Bodleian Library, University of Oxford, England (ref: Johnson f. 235)

Richard Newton, ‘A Blow Up at Breakfast!’ (W. Holland: London, 1792). The Trustees of the British Museum, London (ref: PD 8092)

‘John Stewart’ by Henry Hoppner Meyer, after J.E.H. Robinson. The National Portrait Gallery, London (ref: NPG D4935)

James Sayers, ‘Caricature of Joseph Ritson’, 1803. The National Portrait Gallery, London (ref: NPG D9623)

Title illustration from ‘Frankenstein’ by Mary Shelley (1797– 1851). Engraved by Theodor M. von Holst. Bridgeman Art Library (ref: XJF 105430)

Mahatma Gandhi at the Vegetarian Society, 1931, seated next to the socialist reformer, Henry Salt. Courtesy of Jon Wynne Tyson/West Sussex Wildlife Protection

‘Waldesfrieden’ from Richard Ungewitter, ‘Nacktheit und Kultur’, 1913. The British Library, London

‘Heil Goring!’ from Kladderadatsch, 1933. From ‘The Nazi War on Cancer’ by Robert N. Proctor. (Princeton University Press, New Jersey, 1999)

Der Führer als Tierfreund. Nazi propaganda material, c.1936. AKG Images, London

The Bloodless Revolution: Radical Vegetarians and the Discovery of India

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