Читать книгу Gaze Regimes - Tsitsi Dangarembga - Страница 11

1 Versions of this article have been published in: Kelly & Robson (2014) and in Ellerson (2012).

2 See Institut Panos Afrique de l’Ouest (The Panos Institute West Africa). ‘Femmes africaines des médias: Portraits de journalists et de cinéastes africaines’. January 2005. [Online]. Available: http://www.panos-ao.org/ipao/IMG/Femmes_Afric_Medias.pdf (accessed 1 March 2014).

3 While in Moscow, Maldoror met the late Ousmane Sembene, who is regarded as the father of African cinema, while studying on a scholarship at the Gerasimov Institute of Cinematography (VGIK) (formerly known as the All- Union-State Institute of Cinematography). Josephine Woll traces the connection between the Soviet Union and francophone African filmmakers who trained there, noting that in the 1960s and 1970s the Soviet Union offered support to sub-Saharan African countries (In Pfaff 2004).

4 Interview with author, February 1997 at FESPACO in Ouagadaougou,Burkina Faso.

5 The Association of African Women for Research and Development (AAWORD) was created in order to address Western feminist hegemony on women’s studies, feminist ideology and research on women in general, which became increasing visible during the United Nations Programme for International Women’s Year in 1975 (see AAWORD 1982).