Читать книгу The Essential Wilkie Collins Collection - Уилки Коллинз - Страница 5

Very dreary was the moaning of the night storm; but it was not more dreary than the thoughts which now occupied him in his solitude--thoughts darkened and distorted by the terrible superstitions of his country and his race. Ever since the period of his mother's death he had been oppressed by the conviction that some curse hung over the family. At first they had been prosperous, they had got money, a little legacy had been left them. But this good fortune had availed only for a time; disaster on disaster strangely and suddenly succeeded. Losses, misfortunes, poverty, want itself had overwhelmed them; his father's temper had become so soured, that the oldest friends of Francois Sarzeau declared he was changed beyond recognition. And now, all this past misfortune--the steady, withering, household blight of many years--had ended in the last, worst misery of all--in death. The fate of his father and his brother admitted no longer of a doubt; he knew it, as he listened to the storm, as he reflected on his grandfather's words, as he called to mind his own experience of the perils of the sea. And this double bereavement had fallen on him just as the time was approaching for his marriage with Perrine; just when misfortune was most ominous of evil, just when it was hardest to bear! Forebodings, which he dared not realize, began now to mingle with the bitterness of his grief, whenever his thoughts wandered from the present to the future; and as he sat by the lonely fireside, murmuring from time to time the Church prayer for the repose of the dead, he almost involuntarily mingled with it another prayer, expressed only in his own simple words, for the safety of the living--for the young girl whose love was his sole earthly treasure; for the motherless children who must now look for protection to him alone.

He had sat by the hearth a long, long time, absorbed in his thoughts, not once looking round toward the bed, when he was startled by hearing the sound of his grandfather's voice once more.

"Gabriel," whispered the old man, trembling and shrinking as he spoke, "Gabriel, do you hear a dripping of water--now slow, now quick again--on the floor at the foot of my bed?"

"I hear nothing, grandfather, but the crackling of the fire, and the roaring of the storm outside."

"Drip, drip, drip! Faster and faster; plainer and plainer. Take the torch, Gabriel; look down on the floor--look with all your eyes. Is the place wet there? Is it the rain from heaven that is dropping through the roof?"

Gabriel took the torch with trembling fingers and knelt down on the floor to examine it closely. He started back from the place, as he saw that it was quite dry--the torch dropped upon the hearth--he fell on his knees before the statue of the Virgin and hid his face.

"Is the floor wet? Answer me, I command you--is the floor wet?" asked the old man, quickly and breathlessly.

Gabriel rose, went back to the bedside, and whispered to him that no drop of rain had fallen inside the cottage. As he spoke the words, he saw a change pass over his grandfather's face--the sharp features seemed to wither up on a sudden; the eager expression to grow vacant and death-like in an instant. The voice, too, altered; it was harsh and querulous no more; its tones became strangely soft, slow, and solemn, when the old man spoke again.

"I hear it still," he said, "drip! drip! faster and plainer than ever. That ghostly dropping of water is the last and the surest of the fatal signs which have told of your father's and your brother's deaths to-night, and I know from the place where I hear it--the foot of the bed I lie on--that it is a warning to me of my own approaching end. I am called where my son and my grandson have gone before me; my weary time in this world is over at last. Don't let Perrine and the children come in here, if they should awake--they are too young to look at death."

Gabriel's blood curdled when he heard these words--when he touched his grandfather's hand, and felt the chill that it struck to his own--when he listened to the raging wind, and knew that all help was miles and miles away from the cottage. Still, in spite of the storm, the darkness, and the distance, he thought not for a moment of neglecting the duty that had been taught him from his childhood--the duty of summoning the priest to the bedside of the dying. "I must call Perrine," he said, "to watch by you while I am away."

"Stop!" cried the old man. "Stop, Gabriel; I implore, I command you not to leave me!"

"The priest, grandfather--your confession--"

"It must be made to you. In this darkness and this hurricane no man can keep the path across the heath. Gabriel, I am dying--I should be dead before you got back. Gabriel, for the love of the Blessed Virgin, stop here with me till I die--my time is short--I have a terrible secret that I must tell to somebody before I draw my last breath! Your ear to my mouth--quick! quick!"

As he spoke the last words, a slight noise was audible on the other side of the partition, the door half opened, and Perrine appeared at it, looking affrightedly into the room. The vigilant eyes of the old man--suspicious even in death--caught sight of her directly.

"Go back!" he exclaimed faintly, before she could utter a word; "go back--push her back, Gabriel, and nail down the latch in the door, if she won't shut it of herself!"

"Dear Perrine! go in again," implored Gabriel. "Go in, and keep the children from disturbing us. You will only make him worse--you can be of no use here!"

She obeyed without speaking, and shut the door again.

While the old man clutched him by the arm, and repeated, "Quick! quick! your ear close to my mouth," Gabriel heard her say to the children (who were both awake), "Let us pray for grandfather." And as he knelt down by the bedside, there stole on his ear the sweet, childish tones of his little sisters, and the soft, subdued voice of the young girl who was teaching them the prayer, mingling divinely with the solemn wailing of wind and sea, rising in a still and awful purity over the hoarse, gasping whispers of the dying man.

"I took an oath not to tell it, Gabriel--lean down closer! I'm weak, and they mustn't hear a word in that room--I took an oath not to tell it; but death is a warrant to all men for breaking such an oath as that. Listen; don't lose a word I'm saying! Don't look away into the room: the stain of blood-guilt has defiled it forever! Hush! hush! hush! Let me speak. Now your father's dead, I can't carry the horrid secret with me into the grave. Just remember, Gabriel--try if you can't remember the time before I was bedridden, ten years ago and more--it was about six weeks, you know, before your mother's death; you can remember it by that. You and all the children were in that room with your mother; you were asleep, I think; it was night, not very late--only nine o'clock. Your father and I were standing at the door, looking out at the heath in the moonlight. He was so poor at that time, he had been obliged to sell his own boat, and none of the neighbors would take him out fishing with them--your father wasn't liked by any of the neighbors. Well; we saw a stranger coming toward us; a very young man, with a knapsack on his back. He looked like a gentleman, though he was but poorly dressed. He came up, and told us he was dead tired, and didn't think he could reach the town that night and asked if we would give him shelter till morning. And your father said yes, if he would make no noise, because the wife was ill, and the children were asleep. So he said all he wanted was to go to sleep himself before the fire. We had nothing to give him but black bread. He had better food with him than that, and undid his knapsack to get at it, and--and--Gabriel! I'm sinking--drink! something to drink--I'm parched with thirst."

Silent and deadly pale, Gabriel poured some of the cider from the pitcher on the table into a drinking-cup, and gave it to the old man. Slight as the stimulant was, its effect on him was almost instantaneous. His dull eyes brightened a little, and he went on in the same whispering tones as before:

"He pulled the food out of his knapsack rather in a hurry, so that some of the other small things in it fell on the floor. Among these was a pocketbook, which your father picked up and gave him back; and he put it in his coat-pocket--there was a tear in one of the sides of the book, and through the hole some bank-notes bulged out. I saw them, and so did your father (don't move away, Gabriel; keep close, there's nothing in me to shrink from). Well, he shared his food, like an honest fellow, with us; and then put his hand in his pocket, and gave me four or five livres, and then lay down before the fire to go to sleep. As he shut his eyes, your father looked at me in a way I didn't like. He'd been behaving very bitterly and desperately toward us for some time past, being soured about poverty, and your mother's illness, and the constant crying out of you children for more to eat. So when he told me to go and buy some wood, some bread, and some wine with money I had got, I didn't like, somehow, to leave him alone with the stranger; and so made excuses, saying (which was true) that it was too late to buy things in the village that night. But he told me in a rage to go and do as he bid me, and knock the people up if the shop was shut. So I went out, being dreadfully afraid of your father--as indeed we all were at that time--but I couldn't make up my mind to go far from the house; I was afraid of something happening, though I didn't dare to think what. I don't know how it was, but I stole back in about ten minutes on tiptoe to the cottage; I looked in at the window, and saw--O God! forgive him! O God! forgive me!--I saw--I--more to drink, Gabriel! I can't speak again--more to drink!"

The voices in the next room had ceased; but in the minute of silence which now ensued, Gabriel heard his sisters kissing Perrine, and wishing her good-night. They were all three trying to go asleep again.

"Gabriel, pray yourself, and teach your children after you to pray, that your father may find forgiveness where he is now gone. I saw him as plainly as I now see you, kneeling with his knife in one hand over the sleeping man. He was taking the little book with the notes in it out of the stranger's pocket. He got the book into his possession, and held it quite still in his hand for an instant, thinking. I believe--oh no! no! I'm sure--he was repenting; I'm sure he was going to put the book back; but just at that moment the stranger moved, and raised one of his arms, as if he was waking up. Then the temptation of the devil grew too strong for your father--I saw him lift the hand with the knife in it--but saw nothing more. I couldn't look in at the window--I couldn't move away--I couldn't cry out; I stood with my back turned toward the house, shivering all over, though it was a warm summer-time, and hearing no cries, no noises at all, from the room behind me. I was too frightened to know how long it was before the opening of the cottage door made me turn round; but when I did, I saw your father standing before me in the yellow moonlight, carrying in his arms the bleeding body of the poor lad who had shared his food with us and slept on our hearth. Hush! hush! Don't groan and sob in that way! Stifle it with the bedclothes. Hush! you'll wake them in the next room!"

"Gabriel--Gabriel!" exclaimed a voice from behind the partition. "What has happened? Gabriel! let me come out and be with you!"

"No! no!" cried the old man, collecting the last remains of his strength in the attempt to speak above the wind, which was just then howling at the loudest; "stay where you are--don't speak, don't come out--I command you! Gabriel" (his voice dropped to a faint whisper), "raise me up in bed--you must hear the whole of it now; raise me; I'm choking so that I can hardly speak. Keep close and listen--I can't say much more. Where was I?--Ah, your father! He threatened to kill me if I didn't swear to keep it secret; and in terror of my life I swore. He made me help him to carry the body--we took it all across the heath--oh! horrible, horrible, under the bright moon--(lift me higher, Gabriel). You know the great stones yonder, set up by the heathens; you know the hollow place under the stones they call 'The Merchant's Table'; we had plenty of room to lay him in that, and hide him so; and then we ran back to the cottage. I never dared to go near the place afterward; no, nor your father either! (Higher, Gabriel! I'm choking again.) We burned the pocket-book and the knapsack--never knew his name--we kept the money to spend. (You're not lifting me; you're not listening close enough!) Your father said it was a legacy, when you and your mother asked about the money. (You hurt me, you shake me to pieces, Gabriel, when you sob like that.) It brought a curse on us, the money; the curse has drowned your father and your brother; the curse is killing me; but I've confessed--tell the priest I confessed before I died. Stop her; stop Perrine! I hear her getting up. Take his bones away from the Merchant's Table, and bury them for the love of God! and tell the priest (lift me higher, lift me till I am on my knees)--if your father was alive, he'd murder me; but tell the priest--because of my guilty soul--to pray, and--remember the Merchant's Table--to bury, and to pray--to pray always for--"

As long as Perrine heard faintly the whispering of the old man, though no word that he said reached her ear, she shrank from opening the door in the partition. But, when the whispering sounds, which terrified her she knew not how or why, first faltered, then ceased altogether; when she heard the sobs that followed them; and when her heart told her who was weeping in the next room--then, she began to be influenced by a new feeling which was stronger than the strongest fear, and she opened the door without hesitation, almost without trembling.

The coverlet was drawn up over the old man; Gabriel was kneeling by the bedside, with his face hidden. When she spoke to him, he neither answered nor looked at her. After a while the sobs that shook him ceased; but still he never moved, except once when she touched him, and then he shuddered--shuddered under _her_ hand! She called in his little sisters, and they spoke to him, and still he uttered no word in reply. They wept. One by one, often and often, they entreated him with loving words; but the stupor of grief which held him speechless and motionless was beyond the power of human tears, stronger even than the strength of human love.

It was near daybreak, and the storm was lulling, but still no change occurred at the bedside. Once or twice, as Perrine knelt near Gabriel, still vainly endeavoring to arouse him to a sense of her presence, she thought she heard the old man breathing feebly, and stretched out her hand toward the coverlet; but she could not summon courage to touch him or to look at him. This was the first time she had ever been present at a death-bed; the stillness in the room, the stupor of despair that had seized on Gabriel, so horrified her, that she was almost as helpless as the two children by her side. It was not till the dawn looked in at the cottage window--so coldly, so drearily, and yet so re-assuringly--that she began to recover her self-possession at all. Then she knew that her best resource would be to summon assistance immediately from the nearest house. While she was trying to persuade the two children to remain alone in the cottage with Gabriel during her temporary absence, she was startled by the sound of footsteps outside the door. It opened, and a man appeared on the threshold, standing still there for a moment in the dim, uncertain light.

She looked closer--looked intently at him. It was Francois Sarzeau himself.

CHAPTER II.

The fisherman was dripping with wet; but his face, always pale and inflexible, seemed to be but little altered in expression by the perils through which he must have passed during the night. Young Pierre lay almost insensible in his arms. In the astonishment and fright of the first moment, Perrine screamed as she recognized him.

"There, there, there!" he said, peevishly, advancing straight to the hearth with his burden; "don't make a noise. You never expected to see us alive again, I dare say. We gave ourselves up as lost, and only escaped after all by a miracle."

He laid the boy down where he could get the full warmth of the fire; and then, turning round, took a wicker-covered bottle from his pocket, and said, "If it hadn't been for the brandy--" He stopped suddenly--started--put down the bottle on the bench near him--and advanced quickly to the bedside.

Perrine looked after him as he went; and saw Gabriel, who had risen when the door was opened, moving back from the bed as Francois approached. The young man's face seemed to have been suddenly struck to stone--its blank, ghastly whiteness was awful to look at. He moved slowly backward and backward till he came to the cottage wall--then stood quite still, staring on his father with wild, vacant eyes, moving his hands to and fro before him, muttering, but never pronouncing one audible word.

Francois did not appear to notice his son; he had the coverlet of the bed in his hand.

"Anything the matter here?" he asked, as he drew it down.

Still Gabriel could not speak. Perrine saw it, and answered for him.

"Gabriel is afraid that his poor grandfather is dead," she whispered, nervously.

"Dead!" There was no sorrow in the tone as he echoed the word. "Was he very bad in the night before his death happened? Did he wander in his mind? He has been rather light-headed lately."

"He was very restless, and spoke of the ghostly warnings that we all know of; he said he saw and heard many things which told him from the other world that you and Pierre--Gabriel!" she screamed, suddenly interrupting herself, "look at him! Look at his face! Your grandfather is not dead!"

At this moment, Francois was raising his father's head to look closely at him. A faint spasm had indeed passed over the deathly face; the lips quivered, the jaw dropped. Francois shuddered as he looked, and moved away hastily from the bed. At the same instant Gabriel started from the wall; his expression altered, his pale cheeks flushed suddenly, as he snatched up the wicker-cased bottle, and poured all the little brandy that was left in it down his grandfather's throat.

The effect was nearly instantaneous; the sinking vital forces rallied desperately. The old man's eyes opened again, wandered round the room, then fixed themselves intently on Francois as he stood near the fire. Trying and terrible as his position was at that moment, Gabriel still retained self-possession enough to whisper a few words in Perrine's ear. "Go back again into the bedroom, and take the children with you," he said. "We may have something to speak about which you had better not hear."

"Son Gabriel, your grandfather is trembling all over," said Francois. "If he is dying at all, he is dying of cold; help me to lift him, bed and all, to the hearth."

"No, no! don't let him touch me!" gasped the old man. "Don't let him look at me in that way! Don't let him come near me, Gabriel! Is it his ghost? or is it himself?"

As Gabriel answered he heard a knocking at the door. His father opened it, and disclosed to view some people from the neighboring fishing village, who had come--more out of curiosity than sympathy--to inquire whether Francois and the boy Pierre had survived the night. Without asking any one to enter, the fisherman surlily and shortly answered the various questions addressed to him, standing in his own doorway. While he was thus engaged, Gabriel heard his grandfather muttering vacantly to himself, "Last night--how about last night, grandson? What was I talking about last night? Did I say your father was drowned? Very foolish to say he was drowned, and then see him come back alive again! But it wasn't that--I'm so weak in my head, I can't remember. What was it, Gabriel? Something too horrible to speak of? Is that what you're whispering and trembling about? I said nothing horrible. A crime! Bloodshed! I know nothing of any crime or bloodshed here--I must have been frightened out of my wits to talk in that way! The Merchant's Table? Only a big heap of old stones! What with the storm, and thinking I was going to die, and being afraid about your father, I must have been light-headed. Don't give another thought to that nonsense, Gabriel! I'm better now. We shall all live to laugh at poor grandfather for talking nonsense about crime and bloodshed in his sleep. Ah, poor old man--last night--light-headed--fancies and nonsense of an old man--why don't you laugh at it? I'm laughing--so light-headed, so light--"

He stopped suddenly. A low cry, partly of terror and partly of pain, escaped him; the look of pining anxiety and imbecile cunning which had distorted his face while he had been speaking, faded from it forever. He shivered a little, breathed heavily once or twice, then became quite still.

Had he died with a falsehood on his lips?

Gabriel looked round and saw that the cottage door was closed, and that his father was standing against it. How long he had occupied that position, how many of the old man's last words he had heard, it was impossible to conjecture, but there was a lowering suspicion in his harsh face as he now looked away from the corpse to his son, which made Gabriel shudder; and the first question that he asked, on once more approaching the bedside, was expressed in tones which, quiet as they were, had a fearful meaning in them.

"What did your grandfather talk about last night?" he asked.

Gabriel did not answer. All that he had heard, all that he had seen, all the misery and horror that might yet be to come, had stunned his mind. The unspeakable dangers of his present position were too tremendous to be realized. He could only feel them vaguely in the weary torpor that oppressed his heart; while in every other direction the use of his faculties, physical and mental, seemed to have suddenly and totally abandoned him.

"Is your tongue wounded, son Gabriel, as well as your arm?" his father went on, with a bitter laugh. "I come back to you, saved by a miracle; and you never speak to me. Would you rather I had died than the old man there? He can't hear you now--why shouldn't you tell me what nonsense he was talking last night? You won't? I say you shall!" (He crossed the room and put his back to the door.) "Before either of us leave this place, you shall confess it! You know that my duty to the Church bids me to go at once and tell the priest of your grandfather's death. If I leave that duty unfulfilled, remember it is through your fault! _You_ keep me here--for here I stop till I'm obeyed. Do you hear that, idiot? Speak! Speak instantly, or you shall repeat it to the day of your death! I ask again--what did your grandfather say to you when he was wandering in his mind last night?"

"He spoke of a crime committed by another, and guiltily kept secret by him," answered Gabriel, slowly and sternly. "And this morning he denied his own words with his last living breath. But last night, if he spoke the truth--"

"The truth!" echoed Francois. "What truth?"

He stopped, his eyes fell, then turned toward the corpse. For a few minutes he stood steadily contemplating it; breathing quickly, and drawing his hand several times across his forehead. Then he faced his son once more. In that short interval he had become in outward appearance a changed man; expression, voice, and manner, all were altered.

"Heaven forgive me!" he went on, "but I could almost laugh at myself, at this solemn moment, for having spoken and acted just now so much like a fool! Denied his words, did he? Poor old man! they say sense often comes back to light-headed people just before death; and he is a proof of it. The fact is, Gabriel, my own wits must have been a little shaken--and no wonder--by what I went through last night, and what I have come home to this morning. As if you, or anybody, could ever really give serious credit to the wandering speeches of a dying old man! (Where is Perrine? Why did you send her away?) I don't wonder at your still looking a little startled, and feeling low in your mind, and all that--for you've had a trying night of it, trying in every way. He must have been a good deal shaken in his wits last night, between fears about himself and fears about me. (To think of my being angry with you, Gabriel, for being a little alarmed--very naturally--by an old man's queer fancies!) Come out, Perrine--come out of the bedroom whenever you are tired of it: you must learn sooner or later to look at death calmly. Shake hands, Gabriel; and let us make it up, and say no more about what has passed. You won't? Still angry with me for what I said to you just now? Ah! you'll think better about it by the time I return. Come out, Perrine; we've no secrets here."

"Where are you going to?" asked Gabriel, as he saw his father hastily open the door.

"To tell the priest that one of his congregation is dead, and to have the death registered," answered Francois. "These are _my_ duties, and must be performed before I take any rest."

He went out hurriedly as he said these words. Gabriel almost trembled at himself when he found that he breathed more freely, that he felt less horribly oppressed both in mind and body, the moment his father's back was turned. Fearful as thought was now, it was still a change for the better to be capable of thinking at all. Was the behavior of his father compatible with innocence? Could the old man's confused denial of his own words in the morning, and in the presence of his son, be set for one instant against the circumstantial confession that he had made during the night alone with his grandson? These were the terrible questions which Gabriel now asked himself, and which he shrank involuntarily from answering. And yet that doubt, the solution of which would, one way or the other, irrevocably affect the whole future of his life, must sooner or later be solved at any hazard!

Was there any way of setting it at rest? Yes, one way--to go instantly, while his father was absent, and examine the hollow place under the Merchant's Table. If his grandfather's confession had really been made while he was in possession of his senses, this place (which Gabriel knew to be covered in from wind and weather) had never been visited since the commission of the crime by the perpetrator, or by his unwilling accomplice; though time had destroyed all besides, the hair and the bones of the victim would still be left to bear witness to the truth--if truth had indeed been spoken. As this conviction grew on him, the young man's cheek paled; and he stopped irresolute half-way between the hearth and the door. Then he looked down doubtfully at the corpse on the bed; and then there came upon him suddenly a revulsion of feeling. A wild, feverish impatience to know the worst without another instant of delay possessed him. Only telling Perrine that he should be back soon, and that she must watch by the dead in his absence, he left the cottage at once, without waiting to hear her reply, even without looking back as he closed the door behind him.

There were two tracks to the Merchant's Table. One, the longer of the two, by the coast cliffs; the other across the heath. But this latter path was also, for some little distance, the path which led to the village and the church. He was afraid of attracting his father's attention here, so he took the direction of the coast. At one spot the track trended inland, winding round some of the many Druid monuments scattered over the country. This place was on high ground, and commanded a view, at no great distance, of the path leading to the village, just where it branched off from the heathy ridge which ran in the direction of the Merchant's Table. Here Gabriel descried the figure of a man standing with his back toward the coast.

This figure was too far off to be identified with absolute certainty, but it looked like, and might well be, Francois Sarzeau. Whoever he was, the man was evidently uncertain which way he should proceed. When he moved forward, it was first to advance several paces toward the Merchant's Table; then he went back again toward the distant cottages and the church. Twice he hesitated thus; the second time pausing long before he appeared finally to take the way that led to the village.

Leaving the post of observation among the stones, at which he had instinctively halted for some minutes past, Gabriel now proceeded on his own path. Could this man really be his father? And if it were so, why did Francois Sarzeau only determine to go to the village where his business lay, after having twice vainly attempted to persevere in taking the exactly opposite direction of the Merchant's Table? Did he really desire to go there? Had he heard the name mentioned, when the old man referred to it in his dying words? And had he failed to summon courage enough to make all safe by removing--This last question was too horrible to be pursued; Gabriel stifled it affrightedly in his own heart as he went on.

He reached the great Druid monument without meeting a living soul on his way. The sun was rising, and the mighty storm-clouds of the night were parting asunder wildly over the whole eastward horizon. The waves still leaped and foamed gloriously: but the gale had sunk to a keen, fresh breeze. As Gabriel looked up, and saw how brightly the promise of a lovely day was written in the heavens, he trembled as he thought of the search which he was now about to make. The sight of the fair, fresh sunrise jarred horribly with the suspicions of committed murder that were rankling foully in his heart. But he knew that his errand must be performed, and he nerved himself to go through with it; for he dared not return to the cottage until the mystery had been cleared up at once and forever.

The Merchant's Table was formed by two huge stones resting horizontally on three others. In the troubled times of more than half a century ago, regular tourists were unknown among the Druid monuments of Brittany; and the entrance to the hollow place under the stones--since often visited by strangers--was at this time nearly choked up by brambles and weeds. Gabriel's first look at this tangled nook of briers convinced him that the place had not been entered perhaps for years, by any living being. Without allowing himself to hesitate (for he felt that the slightest delay might be fatal to his resolution), he passed as gently as possible through the brambles, and knelt down at the low, dusky, irregular entrance of the hollow place under the stones.

His heart throbbed violently, his breath almost failed him; but he forced himself to crawl a few feet into the cavity, and then groped with his hand on the ground about him.

He touched something! Something which it made his flesh creep to handle; something which he would fain have dropped, but which he grasped tight in spite of himself. He drew back into the outer air and sunshine. Was it a human bone? No! he had been the dupe of his own morbid terror--he had only taken up a fragment of dried wood!

Feeling shame at such self-deception as this, he was about to throw the wood from him before he re-entered the place, when another idea occurred to him.

Though it was dimly lighted through one or two chinks in the stones, the far part of the interior of the cavity was still too dusky to admit of perfect examination by the eye, even on a bright sunshiny morning. Observing this, he took out the tinder-box and matches, which, like the other inhabitants of the district, he always carried about with him for the purpose of lighting his pipe, determining to use the piece of wood as a torch which might illuminate the darkest corner of the place when he next entered it. Fortunately the wood had remained so long and had been preserved so dry in its sheltered position, that it caught fire almost as easily as a piece of paper. The moment it was fairly aflame Gabriel went into the cavity, penetrating at once--this time--to its furthest extremity.

He remained among the stones long enough for the wood to burn down nearly to his hand. When he came out, and flung the burning fragment from him, his face was flushed deeply, his eyes sparkled. He leaped carelessly on to the heath, over the bushes through which he had threaded his way so warily but a few minutes before, exclaiming, "I may marry Perrine with a clear conscience now; I am the son of as honest a man as there is in Brittany!"

He had closely examined the cavity in every corner, and not the slightest sign that any dead body had ever been laid there was visible in the hollow place under the Merchant's Table.

CHAPTER III.

"I may marry Perrine with a clear conscience now!"

There are some parts of the world where it would be drawing no natural picture of human nature to represent a son as believing conscientiously that an offense against life and the laws of hospitality, secretly committed by his father, rendered him, though innocent of all participation in it, unworthy to fulfill his engagement with his affianced wife. Among the simple inhabitants of Gabriel's province, however, such acuteness of conscientious sensibility as this was no extraordinary exception to all general rules. Ignorant and superstitious as they might be, the people of Brittany practiced the duties of hospitality as devoutly as they practiced the duties of the national religion. The presence of the stranger-guest, rich or poor, was a sacred presence at their hearths. His safety was their especial charge, his property their especial responsibility. They might be half starved, but they were ready to share the last crust with him, nevertheless, as they would share it with their own children.

Any outrage on the virtue of hospitality, thus born and bred in the people, was viewed by them with universal disgust, and punished with universal execration. This ignominy was uppermost in Gabriel's thoughts by the side of his grandfather's bed; the dread of this worst dishonor, which there was no wiping out, held him speechless before Perrine, shamed and horrified him so that he felt unworthy to look her in the face; and when the result of his search at the Merchant's Table proved the absence there of all evidence of the crime spoken of by the old man, the blessed relief, the absorbing triumph of that discovery, was expressed entirely in the one thought which had prompted his first joyful words: He could marry Perrine with a clear conscience, for he was the son of an honest man!

When he returned to the cottage, Francois had not come back. Perrine was astonished at the change in Gabriel's manner; even Pierre and the children remarked it. Rest and warmth had by this time so far recovered the younger brother, that he was able to give some account of the perilous adventures of the night at sea. They were still listening to the boy's narrative when Francois at last returned. It was now Gabriel who held out his hand, and made the first advances toward reconciliation.

To his utter amazement, his father recoiled from him. The variable temper of Francois had evidently changed completely during his absence at the village. A settled scowl of distrust darkened his face as he looked at his son.

"I never shake hands with people who have once doubted me," he exclaimed, loudly and irritably; "for I always doubt them forever after. You are a bad son! You have suspected your father of some infamy that you dare not openly charge him with, on no other testimony than the rambling nonsense of a half-witted, dying old man. Don't speak to me! I won't hear you! An innocent man and a spy are bad company. Go and denounce me, you Judas in disguise! I don't care for your secret or for you. What's that girl Perrine doing here still? Why hasn't she gone home long ago? The priest's coming; we don't want strangers in the house of death. Take her back to the farmhouse, and stop there with her, if you like; nobody wants you here!"

There was something in the manner and look of the speaker as he uttered these words, so strange, so sinister, so indescribably suggestive of his meaning much more than he said, that Gabriel felt his heart sink within him instantly; and almost at the same moment this fearful question forced itself irresistibly on his mind: might not his father have followed him to the Merchant's Table?

Even if he had been desired to speak, he could not have spoken now, while that question and the suspicion that it brought with it were utterly destroying all the re-assuring hopes and convictions of the morning. The mental suffering produced by the sudden change from pleasure to pain in all his thoughts, reacted on him physically. He felt as if he were stifling in the air of the cottage, in the presence of his father; and when Perrine hurried on her walking attire, and with a face which alternately flushed and turned pale with every moment, approached the door, he went out with her as hastily as if he had been flying from his home. Never had the fresh air and the free daylight felt like heavenly and guardian influences to him until now!

He could comfort Perrine under his father's harshness, he could assure her of his own affection, which no earthly influence could change, while they walked together toward the farmhouse; but he could do no more. He durst not confide to her the subject that was uppermost in his mind; of all human beings she was the last to whom he could reveal the terrible secret that was festering at his heart. As soon as they got within sight of the farmhouse, Gabriel stopped; and, promising to see her again soon, took leave of Perrine with assumed ease in his manner and with real despair in his heart. Whatever the poor girl might think of it, he felt, at that moment, that he had not courage to face her father, and hear him talk happily and pleasantly, as his custom was, of Perrine's approaching marriage.

Left to himself, Gabriel wandered hither and thither over the open heath, neither knowing nor caring in what direction he turned his steps. The doubts about his father's innocence which had been dissipated by his visit to the Merchant's Table, that father's own language and manner had now revived--had even confirmed, though he dared not yet acknowledge so much to himself. It was terrible enough to be obliged to admit that the result of his morning's search was, after all, not conclusive--that the mystery was, in very truth, not yet cleared up. The violence of his father's last words of distrust; the extraordinary and indescribable changes in his father's manner while uttering them--what did these things mean? Guilt or innocence? Again, was it any longer reasonable to doubt the death-bed confession made by his grandfather? Was it not, on the contrary, far more probable that the old man's denial in the morning of his own words at night had been made under the influence of a panic terror, when his moral consciousness was bewildered, and his intellectual faculties were sinking? The longer Gabriel thought of these questions, the less competent--possibly also the less willing--he felt to answer them. Should he seek advice from others wiser than he? No; not while the thousandth part of a chance remained that his father was innocent.

This thought was still in his mind, when he found himself once more in sight of his home. He was still hesitating near the door, when he saw it opened cautiously. His brother Pierre looked out, and then came running toward him. "Come in, Gabriel; oh, do come in!" said the boy, earnestly. "We are afraid to be alone with father. He's been beating us for talking of you."

Gabriel went in. His father looked up from the hearth where he was sitting, muttered the word "Spy!" and made a gesture of contempt but did not address a word directly to his son. The hours passed on in silence; afternoon waned into evening, and evening into night; and still he never spoke to any of his children. Soon after it was dark, he went out, and took his net with him, saying that it was better to be alone on the sea than in the house with a spy.

When he returned the next morning there was no change in him. Days passed--weeks, months, even elapsed, and still, though his manner insensibly became what it used to be toward his other children, it never altered toward his eldest son At the rare periods when they now met, except when absolutely obliged to speak, he preserved total silence in his intercourse with Gabriel. He would never take Gabriel out with him in the boat; he would never sit alone with Gabriel in the house; he would never eat a meal with Gabriel; he would never let the other children talk to him about Gabriel; and he would never hear a word in expostulation, a word in reference to anything his dead father had said or done on the night of the storm, from Gabriel himself.

The young man pined and changed, so that even Perrine hardly knew him again, under this cruel system of domestic excommunication; under the wearing influence of the one unchanging doubt which never left him; and, more than all, under the incessant reproaches of his own conscience, aroused by the sense that he was evading a responsibility which it was his solemn, his immediate duty to undertake. But no sting of conscience, no ill treatment at home, and no self-reproaches for failing in his duty of confession as a good Catholic, were powerful enough in their influence over Gabriel to make him disclose the secret, under the oppression of which his very life was wasting away. He knew that if he once revealed it, whether his father was ultimately proved to be guilty or innocent, there would remain a slur and a suspicion on the family, and on Perrine besides, from her approaching connection with it, which in their time and in their generation could never be removed. The reproach of the world is terrible even in the crowded city, where many of the dwellers in our abiding-place are strangers to us--but it is far more terrible in the country, where none near us are strangers, where all talk of us and know of us, where nothing intervenes between us and the tyranny of the evil tongue. Gabriel had not courage to face this, and dare the fearful chance of life-long ignominy--no, not even to serve the sacred interests of justice, of atonement, and of truth.

CHAPTER IV.

While Gabriel still remained prostrated under the affliction that was wasting his energies of body and mind, Brittany was visited by a great public calamity, in which all private misfortunes were overwhelmed for a while.

It was now the time when the ever-gathering storm of the French Revolution had risen to its hurricane climax. Those chiefs of the new republic were in power whose last, worst madness it was to decree the extinction of religion and the overthrow of everything that outwardly symbolized it throughout the whole of the country that they governed. Already this decree had been executed to the letter in and around Paris; and now the soldiers of the Republic were on their way to Brittany, headed by commanders whose commission was to root out the Christian religion in the last and the surest of the strongholds still left to it in France.

These men began their work in a spirit worthy of the worst of their superiors who had sent them to do it. They gutted churches, they demolished chapels, they overthrew road-side crosses wherever they found them. The terrible guillotine devoured human lives in the villages of Brittany as it had devoured them in the streets of Paris; the musket and the sword, in highway and byway, wreaked havoc on the people--even on women and children kneeling in the act of prayer; the priests were tracked night and day from one hiding-place, where they still offered up worship, to another, and were killed as soon as overtaken--every atrocity was committed in every district; but the Christian religion still spread wider than the widest bloodshed; still sprang up with ever-renewed vitality from under the very feet of the men whose vain fury was powerless to trample it down. Everywhere the people remained true to their Faith; everywhere the priests stood firm by them in their sorest need. The executioners of the Republic had been sent to make Brittany a country of apostates; they did their worst, and left it a country of martyrs.

One evening, while this frightful persecution was still raging, Gabriel happened to be detained unusually late at the cottage of Perrine's father. He had lately spent much of his time at the farm house; it was his only refuge now from that place of suffering, of silence, and of secret shame, which he had once called home! Just as he had taken leave of Perrine for the night, and was about to open the farmhouse door, her father stopped him, and pointed to a chair in the chimney-corner.

"Leave us alone, my dear," said the old man to his daughter; "I want to speak to Gabriel. You can go to your mother in the next room."

The words which Pere Bonan--as he was called by the neighbors--had now to say in private were destined to lead to very unexpected events. After referring to the alteration which had appeared of late in Gabriel's manner, the old man began by asking him, sorrowfully but not suspiciously, whether he still preserved his old affection for Perrine. On receiving an eager answer in the affirmative, Pere Bonan then referred to the persecution still raging through the country, and to the consequent possibility that he, like others of his countrymen, might yet be called to suffer, and perhaps to die, for the cause of his religion. If this last act of self-sacrifice were required of him, Perrine would be left unprotected, unless her affianced husband performed his promise to her, and assumed, without delay, the position of her lawful guardian. "Let me know that you will do this," concluded the old man; "I shall be resigned to all that may be required of me, if I can only know that I shall not die leaving Perrine unprotected." Gabriel gave the promise--gave it with his whole heart. As he took leave of Pere Bonan, the old man said to him:

"Come here to-morrow; I shall know more then than I know now--I shall be able to fix with certainty the day for the fulfillment of your engagement with Perrine."

Why did Gabriel hesitate at the farmhouse door, looking back on Pere Bonan as though he would fain say something, and yet not speaking a word? Why, after he had gone out and had walked onward several paces, did he suddenly stop, return quickly to the farmhouse, stand irresolute before the gate, and then retrace his steps, sighing heavily as he went, but never pausing again on his homeward way? Because the torment of his horrible secret had grown harder to bear than ever, since he had given the promise that had been required of him. Because, while a strong impulse moved him frankly to lay bare his hidden dread and doubt to the father whose beloved daughter was soon to be his wife, there was a yet stronger passive influence which paralyzed on his lips the terrible confession that he knew not whether he was the son of an honest man, or the son of an assassin, and a robber. Made desperate by his situation, he determined, while he hastened homeward, to risk the worst, and ask that fatal question of his father in plain words. But this supreme trial for parent and child was not to be. When he entered the cottage, Francois was absent. He had told the younger children that he should not be home again before noon on the next day.

Early in the morning Gabriel repaired to the farmhouse, as he had been bidden. Influenced, by his love for Perrine, blindly confiding in the faint hope (which, in despite of heart and conscience, he still forced himself to cherish) that his father might be innocent, he now preserved the appearance at least of perfect calmness. "If I tell my secret to Perrine's father, I risk disturbing in him that confidence in the future safety of his child for which I am his present and only warrant." Something like this thought was in Gabriel's mind, as he took the hand of Pere Bonan, and waited anxiously to hear what was required of him on that day.

"We have a short respite from danger, Gabriel," said the old man. "News has come to me that the spoilers of our churches and the murderers of our congregations have been stopped on their way hitherward by tidings which have reached them from another district. This interval of peace and safety will be a short one--we must take advantage of it while it is yet ours. My name is among the names on the list of the denounced. If the soldiers of the Republic find me here--but we will say nothing more of this; it is of Perrine and of you that I must now speak. On this very evening your marriage may be solemnized with all the wonted rites of our holy religion, and the blessing may be pronounced over you by the lips of a priest. This evening, therefore, Gabriel, you must become the husband and the protector of Perrine. Listen to me attentively, and I will tell you how."

This was the substance of what Gabriel now heard from Pere Bonan:

Not very long before the persecutions broke out in Brittany, a priest, known generally by the name of Father Paul, was appointed to a curacy in one of the northern districts of the province. He fulfilled all the duties of his station in such a manner as to win the confidence and affection of every member of his congregation, and was often spoken of with respect, even in parts of the country distant from the scene of his labors. It was not, however, until the troubles broke out, and the destruction and bloodshed began, that he became renowned far and wide, from one end of Brittany to another. From the date of the very first persecutions the name of Father Paul was a rallying-cry of the hunted peasantry; he was their great encouragement under oppression, their example in danger, their last and only consoler in the hour of death. Wherever havoc and ruin raged most fiercely, wherever the pursuit was hottest and the slaughter most cruel, there the intrepid priest was sure to be seen pursuing his sacred duties in defiance of every peril. His hair-breadth escapes from death; his extraordinary re-appearances in parts of the country where no one ever expected to see him again, were regarded by the poorer classes with superstitious awe. Wherever Father Paul appeared, with his black dress, his calm face, and the ivory crucifix which he always carried in his hand, the people reverenced him as more than mortal; and grew at last to believe, that, single-handed, he would successfully defend his religion against the armies of the Republic. But their simple confidence in his powers of resistance was soon destined to be shaken. Fresh re-enforcements arrived in Brittany, and overran the whole province from one end to the other. One morning, after celebrating service in a dismantled church, and after narrowly escaping with his life from those who pursued him, the priest disappeared. Secret inquiries were made after him in all directions; but he was heard of no more.

Many weary days had passed, and the dispirited peasantry had already mourned him as dead, when some fishermen on the northern coast observed a ship of light burden in the offing, making signals to the shore. They put off to her in their boats; and on reaching the deck saw standing before them the well-remembered figure of Father Paul.

The priest had returned to his congregations, and had founded the new altar that they were to worship at on the deck of the ship! Razed from the face of the earth, their church had not been destroyed--for Father Paul and the priests who acted with him had given that church a refuge on the sea. Henceforth, their children could still be baptized, their sons and daughters could still be married, the burial of their dead could still be solemnized, under the sanction of the old religion for which, not vainly, they had suffered so patiently and so long.

Throughout the remaining time of trouble the services were uninterrupted on board the ship. A code of signals was established by which those on shore were always enabled to direct their brethren at sea toward such parts of the coast as happened to be uninfested by the enemies of their worship. On the morning of Gabriel's visit to the farmhouse these signals had shaped the course of the ship toward the extremity of the peninsula of Quiberon. The people of the district were all prepared to expect the appearance of the vessel some time in the evening, and had their boats ready at a moment's notice to put off, and attend the service. At the conclusion of this service Pere Bonan had arranged that the marriage of his daughter and Gabriel was to take place.

They waited for evening at the farmhouse. A little before sunset the ship was signaled as in sight; and then Pere Bonan and his wife, followed by Gabriel and Perrine, set forth over the heath to the beach. With the solitary exception of Francois Sarzeau, the whole population of the neighborhood was already assembled there, Gabriel's brother and sisters being among the number.

It was the calmest evening that had been known for months. There was not a cloud in the lustrous sky--not a ripple on the still surface of the sea. The smallest children were suffered by their mothers to stray down on the beach as they pleased; for the waves of the great ocean slept as tenderly and noiselessly on their sandy bed as if they had been changed into the waters of an inland lake. Slow, almost imperceptible, was the approach of the ship--there was hardly a breath of wind to carry her on--she was just drifting gently with the landward set of the tide at that hour, while her sails hung idly against the masts. Long after the sun had gone down, the congregation still waited and watched on the beach. The moon and stars were arrayed in their glory of the night before the ship dropped anchor. Then the muffled tolling of a bell came solemnly across the quiet waters; and then, from every creek along the shore, as far as the eye could reach, the black forms of the fishermen's boats shot out swift and stealthy into the shining sea.

By the time the boats had arrived alongside of the ship, the lamp had been kindled before the altar, and its flame was gleaming red and dull in the radiant moonlight. Two of the priests on board were clothed in their robes of office, and were waiting in their appointed places to begin the service. But there was a third, dressed only in the ordinary attire of his calling, who mingled with the congregation, and spoke a few words to each of the persons composing it, as, one by one, they mounted the sides of the ship. Those who had never seen him before knew by the famous ivory crucifix in his hand that the priest who received them was Father Paul. Gabriel looked at this man, whom he now beheld for the first time, with a mixture of astonishment and awe; for he saw that the renowned chief of the Christians of Brittany was, to all appearance, but little older than himself.

The expression on the pale, calm face of the priest was so gentle and kind, that children just able to walk tottered up to him, and held familiarly by the skirts of his black gown, whenever his clear blue eyes rested on theirs, while he beckoned them to his side. No one would ever have guessed from the countenance of Father Paul what deadly perils he had confronted, but for the scar of a saber-wound, as yet hardly healed, which ran across his forehead. That wound had been dealt while he was kneeling before the altar in the last church in Brittany which had escaped spoliation. He would have died where he knelt, but for the peasants who were praying with him, and who, unarmed as they were, threw themselves like tigers on the soldiery, and at awful sacrifice of their own lives saved the life of their priest. There was not a man now on board the ship who would have hesitated, had the occasion called for it again, to have rescued him in the same way.

The service began. Since the days when the primitive Christians worshiped amid the caverns of the earth, can any service be imagined nobler in itself, or sublimer in the circumstances surrounding it, than that which was now offered up? Here was no artificial pomp, no gaudy profusion of ornament, no attendant grandeur of man's creation. All around this church spread the hushed and awful majesty of the tranquil sea. The roof of this cathedral was the immeasurable heaven, the pure moon its one great light, the countless glories of the stars its only adornment. Here were no hired singers or rich priest-princes; no curious sight-seers, or careless lovers of sweet sounds. This congregation and they who had gathered it together, were all poor alike, all persecuted alike, all worshiping alike, to the overthrow of their worldly interests, and at the imminent peril of their lives. How brightly and tenderly the moonlight shone upon the altar and the people before it! how solemnly and divinely the deep harmonies, as they chanted the penitential Psalms, mingled with the hoarse singing of the freshening night breeze in the rigging of the ship! how sweetly the still rushing murmur of many voices, as they uttered the responses together, now died away, and now rose again softly into the mysterious night!

Of all the members of the congregation--young or old--there was but one over whom that impressive service exercised no influence of consolation or of peace; that one was Gabriel. Often, throughout the day, his reproaching conscience had spoken within him again and again. Often when he joined the little assembly on the beach, he turned away his face in secret shame and apprehension from Perrine and her father. Vainly, after gaining the deck of the ship, did he try to meet the eye of Father Paul as frankly, as readily, and as affectionately as others met it. The burden of concealment seemed too heavy to be borne in the presence of the priest--and yet, torment as it was, he still bore it! But when he knelt with the rest of the congregation and saw Perrine kneeling by his side--when he felt the calmness of the solemn night and the still sea filling his heart--when the sounds of the first prayers spoke with a dread spiritual language of their own to his soul--then the remembrance of the confession which he had neglected, and the terror of receiving unprepared the sacrament which he knew would be offered to him--grew too vivid to be endured; the sense that he merited no longer, though once worthy of it, the confidence in his perfect truth and candor placed in him by the woman with whom he was soon to stand before the altar, overwhelmed him with shame: the mere act of kneeling among that congregation, the passive accomplice by his silence and secrecy, for aught he knew to the contrary, of a crime which it was his bounden duty to denounce, appalled him as if he had already committed sacrilege that could never be forgiven. Tears flowed down his cheeks, though he strove to repress them: sobs burst from him, though he tried to stifle them. He knew that others besides Perrine were looking at him in astonishment and alarm; but he could neither control himself, nor move to leave his place, nor raise his eyes even--until suddenly he felt a hand laid on his shoulder. That touch, slight as it was, ran through him instantly He looked up, and saw Father Paul standing by his side.

Beckoning him to follow, and signing to the congregation not to suspend their devotions, he led Gabriel out of the assembly--then paused for a moment, reflecting--then beckoning him again, took him into the cabin of the ship, and closed the door carefully.

"You have something on your mind," he said, simply and quietly, taking the young man by the hand. "I may be able to relieve you, if you tell me what it is."

As Gabriel heard these gentle words, and saw, by the light of a lamp which burned before a cross fixed against the wall, the sad kindness of expression with which the priest was regarding him, the oppression that had lain so long on his heart seemed to leave it in an instant. The haunting fear of ever divulging his fatal suspicions and his fatal secret had vanished, as it were, at the touch of Father Paul's hand. For the first time he now repeated to another ear--the sounds of prayer and praise rising grandly the while from the congregation above--his grandfather's death-bed confession, word for word almost, as he had heard it in the cottage on the night of the storm.

Once, and once only, did Father Paul interrupt the narrative, which in whispers was addressed to him. Gabriel had hardly repeated the first two or three sentences of his grandfather's confession, when the priest, in quick, altered tones, abruptly asked him his name and place of abode.

As the question was answered, Father Paul's calm face became suddenly agitated; but the next moment, resolutely resuming his self-possession, he bowed his head as a sign that Gabriel was to continue; clasped his trembling hands, and raising them as if in silent prayer, fixed his eyes intently on the cross. He never looked away from it while the terrible narrative proceeded. But when Gabriel described his search at the Merchant's Table; and, referring to his father's behavior since that time, appealed to the priest to know whether he might even yet, in defiance of appearances, be still filially justified in doubting whether the crime had been really perpetrated--then Father Paul moved near to him once more, and spoke again.

"Compose yourself, and look at me," he said, with his former sad kindness of voice and manner. "I can end your doubts forever. Gabriel, your father was guilty in intention and in act; but the victim of his crime still lives. I can prove it."

Gabriel's heart beat wildly; a deadly coldness crept over him as he saw Father Paul loosen the fastening of his cassock round the throat.

At that instant the chanting of the congregation above ceased; and then the sudden and awful stillness was deepened rather than interrupted by the faint sound of one voice praying. Slowly and with trembling fingers the priest removed the band round his neck--paused a little--sighed heavily--and pointed to a scar which was now plainly visible on one side of his throat. He said something at the same time; but the bell above tolled while he spoke. It was the signal of the elevation of the Host. Gabriel felt an arm passed round him, guiding him to his knees, and sustaining him from sinking to the floor. For one moment longer he was conscious that the bell had stopped, that there was dead silence, that Father Paul was kneeling by him beneath the cross, with bowed head--then all objects around vanished; and he saw and knew nothing more.

When he recovered his senses, he was still in the cabin; the man whose life his father had attempted was bending over him, and sprinkling water on his face; and the clear voices of the women and children of the congregation were joining the voices of the men in singing the _Agnus Dei._

"Look up at me without fear, Gabriel," said the priest. "I desire not to avenge injuries: I visit not the sins of the father on the child. Look up, and listen! I have strange things to speak of; and I have a sacred mission to fulfill before the morning, in which you must be my guide."

Gabriel attempted to kneel and kiss his hand but Father Paul stopped him, and said, pointing to the cross: "Kneel to that--not to me; not to your fellow-mortal, and your friend--for I will be your friend, Gabriel; believing that God's mercy has ordered it so. And now listen to me," he proceeded, with a brotherly tenderness in his manner which went to Gabriel's heart. "The service is nearly ended. What I have to tell you must be told at once; the errand on which you will guide me must be performed before to-morrow dawns. Sit here near me, and attend to what I now say!"

Gabriel obeyed; Father Paul then proceeded thus:

"I believe the confession made to you by your grandfather to have been true in every particular. On the evening to which he referred you, I approached your cottage, as he said, for the purpose of asking shelter for the night. At that period I had been studying hard to qualify myself for the holy calling which I now pursue; and, on the completion of my studies, had indulged in the recreation of a tour on foot through Brittany, by way of innocently and agreeably occupying the leisure time then at my disposal, before I entered the priesthood. When I accosted your father I had lost my way, had been walking for many hours, and was glad of any rest that I could get for the night. It is unnecessary to pain you now, by reference to the events which followed my entrance under your father's roof. I remember nothing that happened from the time when I lay down to sleep before the fire, until the time when I recovered my senses at the place which you call the Merchant's Table. My first sensation was that of being moved into the cold air; when I opened my eyes I saw the great Druid stones rising close above me, and two men on either side of me rifling my pockets. They found nothing valuable there, and were about to leave me where I lay, when I gathered strength enough to appeal to their mercy through their cupidity. Money was not scarce with me then, and I was able to offer them a rich reward (which they ultimately received as I had promised) if they would take me to any place where I could get shelter and medical help. I supposed they inferred by my language and accent--perhaps also by the linen I wore, which they examined closely--that I belonged to the higher ranks of the community, in spite of the plainness of my outer garments; and might, therefore, be in a position to make good my promise to them. I heard one say to the other, 'Let us risk it'; and then they took me in their arms, carried me down to a boat on the beach, and rowed to a vessel in the offing. The next day they disembarked me at Paimboeuf, where I got the assistance which I so much needed. I learned, through the confidence they were obliged to place in me in order to give me the means of sending them their promised reward, that these men were smugglers, and that they were in the habit of using the cavity in which I had been laid as a place of concealment for goods, and for letters of advice to their accomplices. This accounted for their finding me. As to my wound, I was informed by the surgeon who attended me that it had missed being inflicted in a mortal part by less than a quarter of an inch, and that, as it was, nothing but the action of the night air in coagulating the blood over the place, had, in the first instance, saved my life. To be brief, I recovered after a long illness, returned to Paris, and was called to the priesthood. The will of my superiors obliged me to perform the first duties of my vocation in the great city; but my own wish was to be appointed to a cure of souls in your province, Gabriel. Can you imagine why?"

The answer to this question was in Gabriel's heart; but he was still too deeply awed and affected by what he had heard to give it utterance.

"I must tell you, then, what my motive was," said Father Paul. "You must know first that I uniformly abstained from disclosing to any one where and by whom my life had been attempted. I kept this a secret from the men who rescued me--from the surgeon--from my own friends even. My reason for such a proceeding was, I would fain believe, a Christian reason. I hope I had always felt a sincere and humble desire to prove myself, by the help of God, worthy of the sacred vocation to which I was destined. But my miraculous escape from death made an impression on my mind, which gave me another and an infinitely higher view of this vocation--the view which I have since striven, and shall always strive for the future, to maintain. As I lay, during the first days of my recovery, examining my own heart, and considering in what manner it would be my duty to act toward your father when I was restored to health, a thought came into my mind which calmed, comforted, and resolved all my doubts. I said within myself, 'In a few months more I shall be called to be one of the chosen ministers of God. If I am worthy of my vocation, my first desire toward this man who has attempted to take my life should be, not to know that human justice has overtaken him, but to know that he has truly and religiously repented and made atonement for his guilt. To such repentance and atonement let it be my duty to call him; if he reject that appeal, and be hardened only the more against me because I have forgiven him my injuries, then it will be time enough to denounce him for his crimes to his fellow-men. Surely it must be well for me, here and hereafter, if I begin my career in the holy priesthood by helping to save from hell the soul of the man who, of all others, has most cruelly wronged me.' It was for this reason, Gabriel--it was because I desired to go straightway to your father's cottage, and reclaim him after he had believed me to be dead--that I kept the secret and entreated of my superiors that I might be sent to Brittany. But this, as I have said, was not to be at first, and when my desire was granted, my place was assigned me in a far district. The persecution under which we still suffer broke out; the designs of my life were changed; my own will became no longer mine to guide me. But, through sorrow and suffering, and danger and bloodshed, I am now led, after many days, to the execution of that first purpose which I formed on entering the priesthood. Gabriel, when the service is over, and the congregation are dispersed, you must guide me to the door of your father's cottage."

He held up his hand, in sign of silence, as Gabriel was about to answer. Just then the officiating priests above were pronouncing the final benediction. When it was over, Father Paul opened the cabin door. As he ascended the steps, followed by Gabriel, Pere Bonan met them. The old man looked doubtfully and searchingly on his future son-in-law, as he respectfully whispered a few words in the ear of the priest. Father Paul listened attentively, answered in a whisper, and then turned to Gabriel, first begging the few people near them to withdraw a little.

"I have been asked whether there is any impediment to your marriage," he said, "and have answered that there is none. What you have said to me has been said in confession, and is a secret between us two. Remember that; and forget not, at the same time, the service which I shall require of you to-night, after the marriage-ceremony is over. Where is Perrine Bonan?" he added, aloud, looking round him. Perrine came forward. Father Paul took her hand and placed it in Gabriel's. "Lead her to the altar steps," he said, "and wait there for me."

It was more than an hour later; the boats had left the ship's side; the congregation had dispersed over the face of the country--but still the vessel remained at anchor. Those who were left in her watched the land more anxiously than usual; for they knew that Father Paul had risked meeting the soldiers of the Republic by trusting himself on shore. A boat was awaiting his return on the beach; half of the crew, armed, being posted as scouts in various directions on the high land of the heath. They would have followed and guarded the priest to the place of his destination; but he forbade it; and, leaving them abruptly, walked swiftly onward with one young man only for his companion.

Gabriel had committed his brother and his sisters to the charge of Perrine. They were to go to the farmhouse that night with his newly-married wife and her father and mother. Father Paul had desired that this might be done. When Gabriel and he were left alone to follow the path which led to the fisherman's cottage, the priest never spoke while they walked on--never looked aside either to the right or the left--always held his ivory crucifix clasped to his breast. They arrived at the door.

"Knock," whispered Father Paul to Gabriel, "and then wait here with me."

The door was opened. On a lovely moonlight night Francois Sarzeau had stood on that threshold, years since, with a bleeding body in his arms. On a lovely moonlight night he now stood there again, confronting the very man whose life he had attempted, and knowing him not.

Father Paul advanced a few paces, so that the moonlight fell fuller on his features, and removed his hat.

Francois Sarzeau looked, started, moved one step back, then stood motionless and perfectly silent, while all traces of expression of any kind suddenly vanished from his face. Then the calm, clear tones of the priest stole gently on the dead silence. "I bring a message of peace and forgiveness from a guest of former years," he said; and pointed, as he spoke, to the place where he had been wounded in the neck.

For one moment, Gabriel saw his father trembling violently from head to foot--then his limbs steadied again--stiffened suddenly, as if struck by catalepsy. His lips parted, but without quivering; his eyes glared, but without moving in the orbits. The lovely moonlight itself looked ghastly and horrible, shining on the supernatural panic deformity of that face! Gabriel turned away his head in terror. He heard the voice of Father Paul saying to him: "Wait here till I come back."

Then there was an instant of silence again--then a low groaning sound that seemed to articulate the name of God; a sound unlike his father's voice, unlike any human voice he had ever heard--and then the noise of a closing door. He looked up, and saw that he was standing alone before the cottage.

Once, after an interval, he approached the window.

He just saw through it the hand of the priest holding on high the ivory crucifix; but stopped not to see more, for he heard such words, such sounds, as drove him back to his former place. There he stayed, until the noise of something falling heavily within the cottage struck on his ear. Again he advanced toward the door; heard Father Paul praying; listened for several minutes; then heard a moaning voice, now joining itself to the voice of the priest, now choked in sobs and bitter wailing. Once more he went back out of hearing, and stirred not again from his place. He waited a long and a weary time there--so long that one of the scouts on the lookout came toward him, evidently suspicious of the delay in the priest's return. He waved the man back, and then looked again toward the door. At last he saw it open--saw Father Paul approach him, leading Francois Sarzeau by the hand.

The fisherman never raised his downcast eyes to his son's face; tears trickled silently over his cheeks; he followed the hand that led him, as a little child might have followed it, listened anxiously and humbly at the priest's side to every word that he spoke.

"Gabriel," said Father Paul, in a voice which trembled a little for the first time that night--"Gabriel, it has pleased God to grant the perfect fulfillment of the purpose which brought me to this place; I tell you this, as all that you need--as all, I believe, that you would wish--to know of what has passed while you have been left waiting for me here. Such words as I have now to speak to you are spoken by your father's earnest desire. It is his own wish that I should communicate to you his confession of having secretly followed you to the Merchant's Table, and of having discovered (as you discovered) that no evidence of his guilt remained there. This admission, he thinks, will be enough to account for his conduct toward yourself from that time to this. I have next to tell you (also at your father's desire) that he has promised in my presence, and now promises again in yours, sincerity of repentance in this manner: When the persecution of our religion has ceased--as cease it will, and that speedily, be assured of it--he solemnly pledges himself henceforth to devote his life, his strength and what worldly possessions he may have, or may acquire, to the task of re-erecting and restoring the road-side crosses which have been sacrilegiously overthrown and destroyed in his native province, and to doing good, go where he may. I have now said all that is required of me, and may bid you farewell--bearing with me the happy remembrance that I have left a father and son reconciled and restored to each other. May God bless and prosper you, and those dear to you, Gabriel! May God accept your father's repentance, and bless him also throughout his future life!"

He took their hands, pressed them long and warmly, then turned and walked quickly down the path which led to the beach. Gabriel dared not trust himself yet to speak; but he raised his arm, and put it gently round his father's neck. The two stood together so, looking out dimly through the tears that filled their eyes to the sea. They saw the boat put off in the bright track of the moonlight, and reach the vessel's side; they watched the spreading of the sails, and followed the slow course of the ship till she disappeared past a distant headland from sight.

After that, they went into the cottage together. They knew it not then, but they had seen the last, in this world, of Father Paul.

CHAPTER V.

The events foretold by the good priest happened sooner even than he had anticipated. A new government ruled the destinies of France, and the persecution ceased in Brittany.

Among other propositions which were then submitted to the Parliament, was one advocating the restoration of the road-side crosses throughout the province. It was found, however, on inquiry, that these crosses were to be counted by thousands, and that the mere cost of wood required to re-erect them necessitated an expenditure of money which the bankrupt nation could ill afford to spare. While this project was under discussion, and before it was finally rejected, one man had undertaken the task which the Government shrank from attempting. When Gabriel left the cottage, taking his brother and sisters to live with his wife and himself at the farmhouse, Francois Sarzeau left it also, to perform in highway and byway his promise to Father Paul. For months and months he labored without intermission at his task; still, always doing good, and rendering help and kindness and true charity to any whom he could serve. He walked many a weary mile, toiled through many a hard day's work, humbled himself even to beg of others, to get wood enough to restore a single cross. No one ever heard him complain, ever saw him impatient, ever detected him in faltering at his task. The shelter in an outhouse, the crust of bread and drink of water, which he could always get from the peasantry, seemed to suffice him. Among the people who watched his perseverance, a belief began to gain ground that his life would be miraculously prolonged until he had completed his undertaking from one end of Brittany to the other. But this was not to be.

He was seen one cold autumn evening, silently and steadily at work as usual, setting up a new cross on the site of one which had been shattered to splinters in the troubled times. In the morning he was found lying dead beneath the sacred symbol which his own hands had completed and erected in its place during the night. They buried him where he lay; and the priest who consecrated the ground allowed Gabriel to engrave his father's epitaph in the wood of the cross. It was simply the initial letters of the dead man's name, followed by this inscription: "Pray for the repose of his soul: he died penitent, and the doer of good works."

Once, and once only, did Gabriel hear anything of Father Paul. The good priest showed, by writing to the farmhouse, that he had not forgotten the family so largely indebted to him for their happiness. The letter was dated "Rome." Father Paul said that such services as he had been permitted to render to the Church in Brittany had obtained for him a new and a far more glorious trust than any he had yet held. He had been recalled from his curacy, and appointed to be at the head of a mission which was shortly to be dispatched to convert the inhabitants of a savage and far distant land to the Christian faith. He now wrote, as his brethren with him were writing, to take leave of all friends forever in this world, before setting out--for it was well known to the chosen persons intrusted with the new mission that they could only hope to advance its object by cheerfully risking their own lives for the sake of their religion. He gave his blessing to Francois Sarzeau, to Gabriel, and to his family; and bade them affectionately farewell for the last time.

There was a postscript to the letter, which was addressed to Perrine, and which she often read afterward with tearful eyes. The writer begged that, if she should have any children, she would show her friendly and Christian remembrance of him by teaching them to pray (as he hoped she herself would pray) that a blessing might attend Father Paul's labors in the distant land.

The priest's loving petition was never forgotten. When Perrine taught its first prayer to her first child, the little creature was instructed to end the few simple words pronounced at its mother's knees, with, "God bless Father Paul."

In those words the nun concluded her narrative. After it was ended, she pointed to the old wooden cross, and said to me:

"That was one of the many that he made. It was found, a few years since, to have suffered so much from exposure to the weather that it was unfit to remain any longer in its old place. A priest in Brittany gave it to one of the nuns in this convent. Do you wonder now that the Mother Superior always calls it a Relic?"

"No," I answered. "And I should have small respect indeed for the religious convictions of any one who could hear the story of that wooden cross, and not feel that the Mother Superior's name for it is the very best that could have been chosen."

PROLOGUE TO THE SIXTH STORY.

On the last occasion when I made a lengthened stay in London, my wife and I were surprised and amused one morning by the receipt of the following note, addressed to me in a small, crabbed, foreign-looking handwriting.

"Professor Tizzi presents amiable compliments to Mr. Kerby, the artist, and is desirous of having his portrait done, to be engraved from, and placed at the beginning of the voluminous work on 'The Vital Principle; or, Invisible Essence of Life,' which the Professor is now preparing for the press--and posterity.

"The Professor will give five pounds; and will look upon his face with satisfaction, as an object perpetuated for public contemplation at a reasonable rate, if Mr. Kerby will accept the sum just mentioned.

"In regard to the Professor's ability to pay five pounds, as well as to offer them, if Mr. Kerby should, from ignorance, entertain injurious doubts, he is requested to apply to the Professor's honorable friend, Mr. Lanfray, of Rockleigh Place."

But for the reference at the end of this strange note, I should certainly have considered it as a mere trap set to make a fool of me by some mischievous friend. As it was, I rather doubted the propriety of taking any serious notice of Professor Tizzi's offer; and I might probably have ended by putting the letter in the fire without further thought about it, but for the arrival by the next post of a note from Mr. Lanfray, which solved all my doubts, and sent me away at once to make the acquaintance of the learned discoverer of the Essence of Life.

"Do not be surprised" (Mr. Lanfray wrote) "if you get a strange note from a very eccentric Italian, one Professor Tizzi, formerly of the University of Padua. I have known him for some years. Scientific inquiry is his monomania, and vanity his ruling passion. He has written a book on the principle of life, which nobody but himself will ever read; but which he is determined to publish, with his own portrait for frontispiece. If it is worth your while to accept the little he can offer you, take it by all means, for he is a character worth knowing. He was exiled, I should tell you, years ago, for some absurd political reason, and has lived in England ever since. All the money he inherits from his father, who was a mail contractor in the north of Italy, goes in books and experiments; but I think I can answer for his solvency, at any rate, for the large sum of five pounds. If you are not very much occupied just now, go and see him. He is sure to amuse you."

Professor Tizzi lived in the northern suburb of London. On approaching his house, I found it, so far as outward appearance went, excessively dirty and neglected, but in no other respect different from the "villas" in its neighborhood. The front garden door, after I had rang twice, was opened by a yellow-faced, suspicious old foreigner, dressed in worn-out clothes, and completely and consistently dirty all over, from top to toe. On mentioning my name and business, this old man led me across a weedy, neglected garden, and admitted me into the house. At the first step into the passage, I was surrounded by books. Closely packed in plain wooden shelves, they ran all along the wall on either side to the back of the house; and when I looked up at the carpetless staircase, I saw nothing but books again, running all the way up the wall, as far as my eye could reach. "Here is the Artist Painter!" cried the old servant, throwing open one of the parlor doors, before I had half done looking at the books, and signing impatiently to me to walk into the room.

Books again! all round the walls, and all over the floor--among them a plain deal table, with leaves of manuscript piled high on every part of it--among the leaves a head of long, elfish white hair covered with a black skull-cap, and bent down over a book--above the head a sallow, withered hand shaking itself at me as a sign that I must not venture to speak just at that moment--on the tops of the bookcases glass vases full of spirits of some kind, with horrible objects floating in the liquid--dirt on the window panes, cobwebs hanging from the ceiling, dust springing up in clouds under my intruding feet. These were the things I observed on first entering the study of Professor Tizzi.

After I had waited for a minute or so, the shaking hand stopped, descended with a smack on the nearest pile of manuscript, seized the book that the head had been bending over, and flung it contemptuously to the other end of the room. "I've refuted _you,_ at any rate!" said Professor Tizzi, looking with extreme complacency at the cloud of dust raised by the fall of the rejected volume.

He turned next to me. What a grand face it was! What a broad, white forehead---what fiercely brilliant black eyes--what perfect regularity and refinement in the other features; with the long, venerable hair, framing them in, as it were, on either side! Poor as I was, I felt that I could have painted his portrait for nothing. Titian, Vandyke, Valasquez--any of the three would have paid him to sit to them!

"Accept my humblest excuses, sir," said the old man, speaking English with a singularly pure accent for a foreigner. "That absurd book plunged me so deep down in the quagmires of sophistry and error, Mr. Kerby, that I really could not get to the surface at once when you came into the room. So you are willing to draw my likeness for such a small sum as five pounds?" he continued, rising, and showing me that he wore a long black velvet gown, instead of the paltry and senseless costume of modern times.

I informed him that five pounds was as much as I generally got for a drawing.

"It seems little," said the professor; "but if you want fame, I can make it up to you in that way. There is my great work" (he pointed to the piles of manuscript), "the portrait of my mind and the mirror of my learning; put a likeness of my face on the first page, and posterity will then be thoroughly acquainted with me, outside and in. Your portrait will be engraved, Mr. Kerby, and your name shall be inscribed under the print. You shall be associated, sir, in that way, with a work which will form an epoch in the history of human science. The Vital Principle--or, in other words, the essence of that mysterious Something which we call Life, and which extends down from Man to the feeblest insect and the smallest plant--has been an unguessed riddle from the beginning of the world to the present time. I alone have found the answer; and here it is!" He fixed his dazzling eyes on me in triumph, and smacked the piles of manuscript fiercely with both his sallow hands.

I saw that he was waiting for me to say something; so I asked if his great work had not cost a vast expenditure of time and pains.

"I am seventy, sir," said the Professor; "and I began preparing myself for that book at twenty. After mature consideration, I have written it in English (having three other foreign languages at my fingers' ends), as a substantial proof of my gratitude to the nation that has given me an asylum. Perhaps you think the work looks rather long in its manuscript state? It will occupy twelve volumes, sir, and it is not half long enough, even then, for the subject. I take two volumes (and no man could do it in less) to examine the theories of all the philosophers in the world, ancient and modern, on the Vital Principle. I take two more (and little enough) to scatter every one of the theories, _seriatim_, to the winds. I take two more (at the risk, for brevity's sake, of doing things by halves) to explain the exact stuff, or vital compound, of which the first man and woman in the world were made--calling them Adam and Eve, out of deference to popular prejudices. I take two more--but you are standing all this time, Mr. Kerby; and I am talking instead of sitting for my portrait. Pray take any books you want, anywhere off the floor, and make a seat of any height you please. Furniture would only be in my way here, so I don't trouble myself with anything of the kind."

I obediently followed the Professor's directions, and had just heaped up a pile of grimy quartos, when the old servant entered the room with a shabby little tray in his hand. In the middle of the tray I saw a crust of bread and a bit of garlic, encircled by a glass of water, a knife, salt, pepper, a bottle of vinegar, and a flask of oil.

"With your permission, I am going to breakfast," said Professor Tizzi, as the tray was set down before him on the part of his great work relating to the vital compound of Adam and Eve. As he spoke, he took up the piece of bread, and rubbed the crusty part of it with the bit of garlic, till it looked as polished as a new dining-table. That done, he turned the bread, crumb uppermost, and saturated it with oil, added a few drops of vinegar, sprinkled with pepper and salt, and, with a gleam of something very like greediness in his bright eyes, took up the knife to cut himself a first mouthful of the horrible mess that he had just concocted. "The best of breakfasts," said the Professor, seeing me look amazed. "Not a cannibal meal of chicken-life in embryo (vulgarly called an egg); not a dog's gorge of a dead animal's flesh, blood and bones, warmed with fire (popularly known as a chop); not a breakfast, sir, that lions, tigers, Caribbees, and costermongers could all partake of alike; but an innocent, nutritive, simple, vegetable meal; a philosopher's refection, a breakfast that a prize-fighter would turn from in disgust, and that a Plato would share with relish."

I have no doubt that he was right, and that I was prejudiced; but as I saw the first oily, vinegary, garlicky morsel slide noiselessly into his mouth, I began to feel rather sick. My hands were dirty with moving the books, and I asked if I could wash them before beginning to work at the likeness, as a good excuse for getting out of the room, while Professor Tizzi was unctuously disposing of his simple vegetable meal.

The philosopher looked a little astonished at my request, as if the washing of hands at irregular times and seasons offered a comparatively new subject of contemplation to him; but he rang a hand-bell on his table immediately, and told the old servant to take me up into his bedroom.

The interior of the parlor had astonished me; but a sight of the bedroom was a new sensation--not of the most agreeable kind. The couch on which the philosopher sought repose after his labors was a truckle-bed that would not have fetched half a crown at a sale. On one side of it dangled from the ceiling a complete male skeleton, looking like all that was left of a man who might have hung himself about a century ago, and who had never been disturbed since the moment of his suicide. On the other side of the bed stood a long press, in which I observed hideous colored preparations of the muscular system, and bottles with curious, twining, thread-like substances inside them, which might have been remarkable worms or dissections of nerves, scattered amicably side by side with the Professor's hair-brush (three parts worn out), with remnants of his beard on bits of shaving-paper, with a broken shoe-horn, and with a traveling looking-glass of the sort usually sold at sixpence apiece. Repetitions of the litter of books in the parlor lay all about over the floor; colored anatomical prints were nailed anyhow against the walls; rolled-up towels were scattered here, there, and everywhere in the wildest confusion, as if the room had been bombarded with them; and last, but by no means least remarkable among the other extraordinary objects in the bed-chamber, the stuffed figure of a large unshaven poodle-dog, stood on an old card-table, keeping perpetual watch over a pair of the philosopher's black breeches twisted round his forepaws.

I had started, on entering the room, at the skeleton, and I started once more at the dog. The old servant noticed me each time with a sardonic grin. "Don't be afraid," he said; "one is as dead as the other." With these words, he left me to wash my hands.

Finding little more than a pint of water at my disposal, and failing altogether to discover where the soap was kept, I was not long in performing my ablutions. Before leaving the room, I looked again at the stuffed poodle. On the board to which he was fixed, I saw painted in faded letters the word "Scarammuccia," evidently the comic Italian name to which he had answered in his lifetime. There was no other inscription; but I made up my mind that the dog must have been the Professor's pet, and that he kept the animal stuffed in his bedroom as a remembrance of past times. "Who would have suspected so great a philosopher of having so much heart!" thought I, leaving the bedroom to go downstairs again.

The Professor had done his breakfast, and was anxious to begin the sitting; so I took out my chalks and paper, and set to work at once--I seated on one pile of books and he on another.

"Fine anatomical preparations in my room, are there not, Mr. Kerby?" said the old gentleman. "Did you notice a very interesting and perfect arrangement of the intestinal ganglia? They form the subject of an important chapter in my great work."

"I am afraid you will think me very ignorant," I replied. "But I really do not know the intestinal ganglia when I see them. The object I noticed with most curiosity in your room was something more on a level with my own small capacity."

"And what was that?" asked the Professor.

"The figure of the stuffed poodle. I suppose he was a favorite of yours?"

"Of mine? No, no; a young woman's favorite, sir, before I was born; and a very remarkable dog, too. The vital principle in that poodle, Mr. Kerby, must have been singularly intensified. He lived to a fabulous old age, and he was clever enough to play an important part of his own in what you English call a Romance of Real Life! If I could only have dissected that poodle, I would have put him into my book; he should have headed my chapter on the Vital Principle of Beasts."

"Here is a story in prospect," thought I, "if I can only keep his attention up to the subject."

"He should have figured in my great work, sir," the Professor went on. "Scarammuccia should have taken his place among the examples that prove my new theory; but unfortunately he died before I was born. His mistress gave him, stuffed, as you see upstairs, to my father to take care of for her, and he has descended as an heirloom to me. Talking of dogs, Mr. Kerby, I have ascertained, beyond the possibility of doubt, that the brachial plexus in people who die of hydrophobia--but stop! I had better show you how it is--the preparation is upstairs under my wash-hand stand."

He left his seat as he spoke. In another minute he would have sent the servant to fetch the "preparation," and I should have lost the story. At the risk of his taking offense, I begged him not to move just then, unless he wished me to spoil his likeness. This alarmed, but fortunately did not irritate him. He returned to his seat, and I resumed the subject of the stuffed poodle, asking him boldly to tell me the story with which the dog was connected. The demand seemed to impress him with no very favorable opinion of my intellectual tastes; but he complied with it, and related, not without many a wearisome digression to the subject of his great work, the narrative which I propose calling by the name of "The Yellow Mask." After the slight specimens that I have given of his character and style of conversation, it will be almost unnecessary for me to premise that I tell this story as I have told the last, and "Sister Rose," in my own language, and according to my own plan in the disposition of the incidents--adding nothing, of course, to the facts, but keeping them within the limits which my disposable space prescribes to me.

I may perhaps be allowed to add in this place, that I have not yet seen or heard of my portrait in an engraved state. Professor Tizzi is still alive; but I look in vain through the publishers' lists for an announcement of his learned work on the Vital Principle. Possibly he may be adding a volume or two to the twelve already completed, by way of increasing the debt which a deeply obliged posterity is, sooner or later, sure of owing to him.

THE PROFESSOR'S STORY OF THE YELLOW MASK.

PART FIRST.

CHAPTER I.

About a century ago, there lived in the ancient city of Pisa a famous Italian milliner, who, by way of vindicating to all customers her familiarity with Paris fashions, adopted a French title, and called herself the Demoiselle Grifoni. She was a wizen little woman with a mischievous face, a quick tongue, a nimble foot, a talent for business, and an uncertain disposition. Rumor hinted that she was immensely rich, and scandal suggested that she would do anything for money.

The one undeniable good quality which raised Demoiselle Grifoni above all her rivals in the trade was her inexhaustible fortitude. She was never known to yield an inch under any pressure of adverse circumstances Thus the memorable occasion of her life on which she was threatened with ruin was also the occasion on which she most triumphantly asserted the energy and decision of her character. At the height of the demoiselle's prosperity her skilled forewoman and cutter-out basely married and started in business as her rival. Such a calamity as this would have ruined an ordinary milliner; but the invincible Grifoni rose superior to it almost without an effort, and proved incontestably that it was impossible for hostile Fortune to catch her at the end of her resources. While the minor milliners were prophesying that she would shut up shop, she was quietly carrying on a private correspondence with an agent in Paris. Nobody knew what these letters were about until a few weeks had elapsed, and then circulars were received by all the ladies in Pisa, announcing that the best French forewoman who could be got for money was engaged to superintend the great Grifoni establishment. This master-stroke decided the victory. All the demoiselle's customers declined giving orders elsewhere until the forewoman from Paris had exhibited to the natives of Pisa the latest fashions from the metropolis of the world of dress.

The Frenchwoman arrived punctual to the appointed day--glib and curt, smiling and flippant, tight of face and supple of figure. Her name was Mademoiselle Virginie, and her family had inhumanly deserted her. She was set to work the moment she was inside the doors of the Grifoni establishment. A room was devoted to her own private use; magnificent materials in velvet, silk, and satin, with due accompaniment of muslins, laces, and ribbons were placed at her disposal; she was told to spare no expense, and to produce, in the shortest possible time, the finest and nearest specimen dresses for exhibition in the show-room. Mademoiselle Virginie undertook to do everything required of her, produced her portfolios of patterns and her book of colored designs, and asked for one assistant who could speak French enough to interpret her orders to the Italian girls in the work-room.

"I have the very person you want," cried Demoiselle Grifoni. "A work-woman we call Brigida here--the idlest slut in Pisa, but as sharp as a needle--has been in France, and speaks the language like a native. I'll send her to you directly."

Mademoiselle Virginie was not left long alone with her patterns and silks. A tall woman, with bold black eyes, a reckless manner, and a step as firm as a man's, stalked into the room with the gait of a tragedy-queen crossing the stage. The instant her eyes fell on the French forewoman, she stopped, threw up her hands in astonishment, and exclaimed, "Finette!"

"Teresa!" cried the Frenchwoman, casting her scissors on the table, and advancing a few steps.

"Hush! call me Brigida."

"Hush! call me Virginie."

These two exclamations were uttered at the same moment, and then the two women scrutinized each other in silence. The swarthy cheeks of the Italian turned to a dull yellow, and the voice of the Frenchwoman trembled a little when she spoke again.

"How, in the name of Heaven, have you dropped down in the world as low as this?" she asked. "I thought you were provided for when--"

"Silence!" interrupted Brigida. "You see I was not provided for. I have had my misfortunes; and you are the last woman alive who ought to refer to them."

"Do you think I have not had my misfortunes, too, since we met?" (Brigida's face brightened maliciously at those words.) "You have had your revenge," continued Mademoiselle Virginie, coldly, turning away to the table and taking up the scissors again.

Brigida followed her, threw one arm roughly round her neck, and kissed her on the cheek. "Let us be friends again," she said. The Frenchwoman laughed. "Tell me how I have had my revenge," pursued the other, tightening her grasp. Mademoiselle Virginie signed to Brigida to stoop, and whispered rapidly in her ear. The Italian listened eagerly, with fierce, suspicious eyes fixed on the door. When the whispering ceased, she loosened her hold, and, with a sigh of relief, pushed back her heavy black hair from her temples. "Now we are friends," she said, and sat down indolently in a chair placed by the worktable.

"Friends," repeated Mademoiselle Virginie, with another laugh. "And now for business," she continued, getting a row of pins ready for use by putting them between her teeth. "I am here, I believe, for the purpose of ruining the late forewoman, who has set up in opposition to us? Good! I _will_ ruin her. Spread out the yellow brocaded silk, my dear, and pin that pattern on at your end, while I pin at mine. And what are your plans, Brigida? (Mind you don't forget that Finette is dead, and that Virginie has risen from her ashes.) You can't possibly intend to stop here all your life? (Leave an inch outside the paper, all round.) You must have projects? What are they?"

"Look at my figure," said Brigida, placing herself in an attitude in the middle of the room.

"Ah," rejoined the other, "it's not what it was. There's too much of it. You want diet, walking, and a French stay-maker," muttered Mademoiselle Virginie through her chevaus-defrise of pins.

"Did the goddess Minerva walk, and employ a French stay-maker? I thought she rode upon clouds, and lived at a period before waists were invented."

"What do you mean?"

"This--that my present project is to try if I can't make my fortune by sitting as a model for Minerva in the studio of the best sculptor in Pisa."

"And who is he! (Unwind me a yard or two of that black lace.)"

"The master-sculptor, Luca Lomi--an old family, once noble, but down in the world now. The master is obliged to make statues to get a living for his daughter and himself."

"More of the lace--double it over the bosom of the dress. And how is sitting to this needy sculptor to make your fortune?"

"Wait a minute. There are other sculptors besides him in the studio. There is, first, his brother, the priest--Father Rocco, who passes all his spare time with the master. He is a good sculptor in his way--has cast statues and made a font for his church--a holy man, who devotes all his work in the studio to the cause of piety."

"Ah, bah! we should think him a droll priest in France. (More pins.) You don't expect _him_ to put money in your pocket, surely?"

"Wait, I say again. There is a third sculptor in the studio--actually a nobleman! His name is Fabio d'Ascoli. He is rich, young, handsome, an only child, and little better than a fool. Fancy his working at sculpture, as if he had his bread to get by it--and thinking that an amusement! Imagine a man belonging to one of the best families in Pisa mad enough to want to make a reputation as an artist! Wait! wait! the best is to come. His father and mother are dead--he has no near relations in the world to exercise authority over him--he is a bachelor, and his fortune is all at his own disposal; going a-begging, my friend; absolutely going a-begging for want of a clever woman to hold out her hand and take it from him."

"Yes, yes--now I understand. The goddess Minerva is a clever woman, and she will hold out her hand and take his fortune from him with the utmost docility."

"The first thing is to get him to offer it. I must tell you that I am not going to sit to him, but to his master, Luca Lomi, who is doing the statue of Minerva. The face is modeled from his daughter; and now he wants somebody to sit for the bust and arms. Maddalena Lomi and I are as nearly as possible the same height, I hear--the difference between us being that I have a good figure and she has a bad one. I have offered to sit, through a friend who is employed in the studio. If the master accepts, I am sure of an introduction to our rich young gentleman; and then leave it to my good looks, my various accomplishments, and my ready tongue, to do the rest."

"Stop! I won't have the lace doubled, on second thoughts. I'll have it single, and running all round the dress in curves--so. Well, and who is this friend of yours employed in the studio? A fourth sculptor?"

"No, no; the strangest, simplest little creature--"

Just then a faint tap was audible at the door of the room.

Brigida laid her finger on her lips, and called impatiently to the person outside to come in.

The door opened gently, and a young girl, poorly but very neatly dressed, entered the room. She was rather thin and under the average height; but her head and figure were in perfect proportion. Her hair was of that gorgeous auburn color, her eyes of that deep violet-blue, which the portraits of Giorgione and Titian have made famous as the type of Venetian beauty. Her features possessed the definiteness and regularity, the "good modeling" (to use an artist's term), which is the rarest of all womanly charms, in Italy as elsewhere. The one serious defect of her face was its paleness. Her cheeks, wanting nothing in form, wanted everything in color. That look of health, which is the essential crowning-point of beauty, was the one attraction which her face did not possess.

She came into the room with a sad and weary expression in her eyes, which changed, however, the moment she observed the magnificently-dressed French forewoman, into a look of astonishment, and almost of awe. Her manner became shy and embarrassed; and after an instant of hesitation, she turned back silently to the door.

"Stop, stop, Nanina," said Brigida, in Italian. "Don't be afraid of that lady. She is our new forewoman; and she has it in her power to do all sorts of kind things for you. Look up, and tell us what you want You were sixteen last birthday, Nanina, and you behave like a baby of two years old!"

"I only came to know if there was any work for me to-day," said the girl, in a very sweet voice, that trembled a little as she tried to face the fashionable French forewoman again.

"No work, child, that is easy enough for you to do," said Brigida. "Are you going to the studio to-day?"

Some of the color that Nanina's cheeks wanted began to steal over them as she answered "Yes."

"Don't forget my message, darling. And if Master Luca Lomi asks where I live, answer that you are ready to deliver a letter to me; but that you are forbidden to enter into any particulars at first about who I am, or where I live."

"Why am I forbidden?" inquired Nanina, innocently.

"Don't ask questions, baby! Do as you are told. Bring me back a nice note or message to-morrow from the studio, and I will intercede with this lady to get you some work. You are a foolish child to want it, when you might make more money here and at Florence, by sitting to painters and sculptors; though what they can see to paint or model in you I never could understand."

"I like working at home better than going abroad to sit," said Nanina, looking very much abashed as she faltered out the answer, and escaping from the room with a terrified farewell obeisance, which was an eccentric compound of a start, a bow, and a courtesy.

"That awkward child would be pretty," said Mademoiselle Virginie, making rapid progress with the cutting-out of her dress, "if she knew how to give herself a complexion, and had a presentable gown on her back. Who is she?"

"The friend who is to get me into Master Luca Lomi's studio," replied Brigida, laughing. "Rather a curious ally for me to take up with, isn't she?"

"Where did you meet with her?"

"Here, to be sure; she hangs about this place for any plain work she can get to do, and takes it home to the oddest little room in a street near the Campo Santo. I had the curiosity to follow her one day, and knocked at her door soon after she had gone in, as if I was a visitor. She answered my knock in a great flurry and fright, as you may imagine. I made myself agreeable, affected immense interest in her affairs, and so got into her room. Such a place! A mere corner of it curtained off to make a bedroom. One chair, one stool, one saucepan on the fire. Before the hearth the most grotesquely hideous unshaven poodle-dog you ever saw; and on the stool a fair little girl plaiting dinner-mats. Such was the household--furniture and all included. 'Where is your father?' I asked. 'He ran away and left us years ago,' answers my awkward little friend who has just left the room, speaking in that simple way of hers, with all the composure in the world. 'And your mother?'--'Dead.' She went up to the little mat-plaiting girl as she gave that answer, and began playing with her long flaxen hair. 'Your sister, I suppose,' said I. 'What is her name?'--'They call me La Biondella,' says the child, looking up from her mat (La Biondella, Virginie, means The Fair). 'And why do you let that great, shaggy, ill-looking brute lie before your fireplace?' I asked. 'Oh!' cried the little mat-plaiter, 'that is our dear old dog, Scarammuccia. He takes care of the house when Nanina is not at home. He dances on his hind legs, and jumps through a hoop, and tumbles down dead when I cry Bang! Scarammuccia followed us home one night, years ago, and he has lived with us ever since. He goes out every day by himself, we can't tell where, and generally returns licking his chops, which makes us afraid that he is a thief; but nobody finds him out, because he is the cleverest dog that ever lived!' The child ran on in this way about the great beast by the fireplace, till I was obliged to stop her; while that simpleton Nanina stood by, laughing and encouraging her. I asked them a few more questions, which produced some strange answers. They did not seem to know of any relations of theirs in the world. The neighbors in the house had helped them, after their father ran away, until they were old enough to help themselves; and they did not seem to think there was anything in the least wretched or pitiable in their way of living. The last thing I heard, when I left them that day, was La Biondella crying 'Bang!'--then a bark, a thump on the floor, and a scream of laughter. If it was not for their dog, I should go and see them oftener. But the ill-conditioned beast has taken a dislike to me, and growls and shows his teeth whenever I come near him."

"The girl looked sickly when she came in here. Is she always like that?"

"No. She has altered within the last month. I suspect our interesting young nobleman has produced an impression. The oftener the girl has sat to him lately, the paler and more out of spirits she has become."

"Oh! she has sat to him, has she?"

"She is sitting to him now. He is doing a bust of some Pagan nymph or other, and prevailed on Nanina to let him copy from her head and face. According to her own account the little fool was frightened at first, and gave him all the trouble in the world before she would consent."

"And now she has consented, don't you think it likely she may turn out rather a dangerous rival? Men are such fools, and take such fancies into their heads--"

"Ridiculous! A thread-paper of a girl like that, who has no manner, no talk, no intelligence; who has nothing to recommend her but an awkward, babyish prettiness! Dangerous to me? No, no! If there is danger at all, I have to dread it from the sculptor's daughter. I don't mind confessing that I am anxious to see Maddalena Lomi. But as for Nanina, she will simply be of use to me. All I know already about the studio and the artists in it, I know through her. She will deliver my message, and procure me my introduction; and when we have got so far, I shall give her an old gown and a shake of the hand; and then, good-by to our little innocent!"

"Well, well, for your sake I hope you are the wiser of the two in this matter. For my part, I always distrust innocence. Wait one moment, and I shall have the body and sleeves of this dress ready for the needle-women. There, ring the bell, and order them up; for I have directions to give, and you must interpret for me."

While Brigida went to the bell, the energetic Frenchwoman began planning out the skirt of the new dress. She laughed as she measured off yard after yard of the silk.

"What are you laughing about?" asked Brigida, opening the door and ringing a hand-bell in the passage.

"I can't help fancying, dear, in spite of her innocent face and her artless ways, that your young friend is a hypocrite."

"And I am quite certain, love, that she is only a simpleton."

CHAPTER II.

The studio of the master-sculptor, Luca Lomi, was composed of two large rooms unequally divided by a wooden partition, with an arched doorway cut in the middle of it.

While the milliners of the Grifoni establishment were industriously shaping dresses, the sculptors in Luca Lomi's workshop were, in their way, quite as hard at work shaping marble and clay. In the smaller of the two rooms the young nobleman (only addressed in the studio by his Christian name of Fabio) was busily engaged on his bust, with Nanina sitting before him as a model. His was not one of those traditional Italian faces from which subtlety and suspicion are always supposed to look out darkly on the world at large. Both countenance and expression proclaimed his character frankly and freely to all who saw him. Quick intelligence looked brightly from his eyes; and easy good humor laughed out pleasantly in the rather quaint curve of his lips. For the rest, his face expressed the defects as well as the merits of his character, showing that he wanted resolution and perseverance just as plainly as it showed also that he possessed amiability and intelligence.

At the end of the large room, nearest to the street door, Luca Lomi was standing by his life-size statue of Minerva; and was issuing directions, from time to time, to some of his workmen, who were roughly chiseling the drapery of another figure. At the opposite side of the room, nearest to the partition, his brother, Father Rocco, was taking a cast from a statuette of the Madonna; while Maddalena Lomi, the sculptor's daughter, released from sitting for Minerva's face, walked about the two rooms, and watched what was going on in them.

There was a strong family likeness of a certain kind between father, brother and daughter. All three were tall, handsome, dark-haired, and dark-eyed; nevertheless, they differed in expression, strikingly as they resembled one another in feature. Maddalena Lomi's face betrayed strong passions, but not an ungenerous nature. Her father, with the same indications of a violent temper, had some sinister lines about his mouth and forehead which suggested anything rather than an open disposition. Father Rocco's countenance, on the other hand, looked like the personification of absolute calmness and invincible moderation; and his manner, which, in a very firm way, was singularly quiet and deliberate, assisted in carrying out the impression produced by his face. The daughter seemed as if she could fly into a passion at a moment's notice, and forgive also at a moment's notice. The father, appearing to be just as irritable, had something in his face which said, as plainly as if in words, "Anger me, and I never pardon." The priest looked as if he need never be called on either to ask forgiveness or to grant it, for the double reason that he could irritate nobody else, and that nobody else could irritate him.

"Rocco," said Luca, looking at the face of his Minerva, which was now finished, "this statue of mine will make a sensation."

"I am glad to hear it," rejoined the priest, dryly

"It is a new thing in art," continued Luca, enthusiastically. "Other sculptors, with a classical subject like mine, limit themselves to the ideal classical face, and never think of aiming at individual character. Now I do precisely the reverse of that. I get my handsome daughter, Maddalena, to sit for Minerva, and I make an exact likeness of her. I may lose in ideal beauty, but I gain in individual character. People may accuse me of disregarding established rules; but my answer is, that I make my own rules. My daughter looks like a Minerva, and there she is exactly as she looks."

"It is certainly a wonderful likeness," said Father Rocco, approaching the statue.

"It the girl herself," cried the other. "Exactly her expression, and exactly her features. Measure Maddalena, and measure Minerva, and from forehead to chin, you won't find a hair-breadth of difference between them."

"But how about the bust and arms of the figure, now the face is done?" asked the priest, returning, as he spoke, to his own work.

"I may have the very model I want for them to-morrow. Little Nanina has just given me the strangest message. What do you think of a mysterious lady admirer who offers to sit for the bust and arms of my Minerva?"

"Are you going to accept the offer?" inquired the priest.

"I am going to receive her to-morrow; and if I really find that she is the same height as Maddalena, and has a bust and arms worth modeling, of course I shall accept her offer; for she will be the very sitter I have been looking after for weeks past. Who can she be? That's the mystery I want to find out. Which do you say, Rocco--an enthusiast or an adventuress?"

"I do not presume to say, for I have no means of knowing."

"Ah, there you are with your moderation again. Now, I do presume to assert that she must be either one or the other--or she would not have forbidden Nanina to say anything about her in answer to all my first natural inquiries. Where is Maddalena? I thought she was here a minute ago."

"She is in Fabio's room," answered Father Rocco, softly. "Shall I call her?"

"No, no!" returned Luca. He stopped, looked round at the workmen, who were chipping away mechanically at their bit of drapery; then advanced close to the priest, with a cunning smile, and continued in a whisper, "If Maddalena can only get from Fabio's room here to Fabio's palace over the way, on the Arno--come, come, Rocco! don't shake your head. If I brought her up to your church door one of these days, as Fabio d'Ascoli's betrothed, you would be glad enough to take the rest of the business off my hands, and make her Fabio d'Ascoli's wife. You are a very holy man, Rocco, but you know the difference between the clink of the money-bag and the clink of the chisel for all that!"

"I am sorry to find, Luca," returned the priest, coldly, "that you allow yourself to talk of the most delicate subjects in the coarsest way. This is one of the minor sins of the tongue which is growing on you. When we are alone in the studio, I will endeavor to lead you into speaking of the young man in the room there, and of your daughter, in terms more becoming to you, to me, and to them. Until that time, allow me to go on with my work."

Luca shrugged his shoulders, and went back to his statue. Father Rocco, who had been engaged during the last ten minutes in mixing wet plaster to the right consistency for taking a cast, suspended his occupation; and crossing the room to a corner next the partition, removed from it a cheval-glass which stood there. He lifted it away gently, while his brother's back was turned, carried it close to the table at which he had been at work, and then resumed his employment of mixing the plaster. Having at last prepared the composition for use, he laid it over the exposed half of the statuette with a neatness and dexterity which showed him to be a practiced hand at cast-taking. Just as he had covered the necessary extent of surface, Luca turned round from his statue.

"How are you getting on with the cast?" he asked. "Do you want any help?"

"None, brother, I thank you," answered the priest. "Pray do not disturb either yourself or your workmen on my account."

Luca turned again to the statue; and, at the same moment, Father Rocco softly moved the cheval-glass toward the open doorway between the two rooms, placing it at such an angle as to make it reflect the figures of the persons in the smaller studio. He did this with significant quickness and precision. It was evidently not the first time he had used the glass for purposes of secret observation.

Mechanically stirring the wet plaster round and round for the second casting, the priest looked into the glass, and saw, as in a picture, all that was going forward in the inner room. Maddalena Lomi was standing behind the young nobleman, watching the progress he made with his bust. Occasionally she took the modeling tool out of his hand, and showed him, with her sweetest smile, that she, too, as a sculptor's daughter, understood something of the sculptor's art; and now and then, in the pauses of the conversation, when her interest was especially intense in Fabio's work, she suffered her hand to drop absently on his shoulder, or stooped forward so close to him that her hair mingled for a moment with his. Moving the glass an inch or two, so as to bring Nanina well under his eye, Father Rocco found that he could trace each repetition of these little acts of familiarity by the immediate effect which they produced on the girl's face and manner. Whenever Maddalena so much as touched the young nobleman--no matter whether she did so by premeditation, or really by accident--Nanina's features contracted, her pale cheeks grew paler, she fidgeted on her chair, and her fingers nervously twisted and untwisted the loose ends of the ribbon fastened round her waist.

"Jealous," thought Father Rocco; "I suspected it weeks ago."

He turned away, and gave his whole attention for a few minutes to the mixing of the plaster. When he looked back again at the glass, he was just in time to witness a little accident which suddenly changed the relative positions of the three persons in the inner room.

He saw Maddalena take up a modeling tool which lay on a table near her, and begin to help Fabio in altering the arrangement of the hair in his bust. The young man watched what she was doing earnestly enough for a few moments; then his attention wandered away to Nanina. She looked at him reproachfully, and he answered by a sign which brought a smile to her face directly. Maddalena surprised her at the instant of the change; and, following the direction of her eyes, easily discovered at whom the smile was directed. She darted a glance of contempt at Nanina, threw down the modeling tool, and turned indignantly to the young sculptor, who was affecting to be hard at work again.

"Signor Fabio," she said, "the next time you forget what is due to your rank and yourself, warn me of it, if you please, beforehand, and I will take care to leave the room." While speaking the last words, she passed through the doorway. Father Rocco, bending abstractedly over his plaster mixture, heard her continue to herself in a whisper, as she went by him, "If I have any influence at all with my father, that impudent beggar-girl shall be forbidden the studio."

"Jealousy on the other side," thought the priest. "Something must be done at once, or this will end badly."

He looked again at the glass, and saw Fabio, after an instant of hesitation, beckon to Nanina to approach him. She left her seat, advanced half-way to his, then stopped. He stepped forward to meet her, and, taking her by the hand, whispered earnestly in her ear. When he had done, before dropping her hand, he touched her cheek with his lips, and then helped her on with the little white mantilla which covered her head and shoulders out-of-doors. The girl trembled violently, and drew the linen close to her face as Fabio walked into the larger studio, and, addressing Father Rocco, said:

"I am afraid I am more idle, or more stupid, than ever to-day. I can't get on with the bust at all to my satisfaction, so I have cut short the sitting, and given Nanina a half-holiday."

At the first sound of his voice, Maddalena, who was speaking to her father, stopped, and, with another look of scorn at Nanina standing trembling in the doorway, left the room. Luca Lomi called Fabio to him as she went away, and Father Rocco, turning to the statuette, looked to see how the plaster was hardening on it. Seeing them thus engaged, Nanina attempted to escape from the studio without being noticed; but the priest stopped her just as she was hurrying by him.

"My child," said he, in his gentle, quiet way, "are you going home?"

Nanina's heart beat too fast for her to reply in words; she could only answer by bowing her head.

"Take this for your little sister," pursued Father Rocco, putting a few silver coins in her hand; "I have got some customers for those mats she plaits so nicely. You need not bring them to my rooms; I will come and see you this evening, when I am going my rounds among my parishioners, and will take the mats away with me. You are a good girl, Nanina--you have always been a good girl--and as long as I am alive, my child, you shall never want a friend and an adviser."

Nanina's eyes filled with tears. She drew the mantilla closer than ever round her face, as she tried to thank the priest. Father Rocco nodded to her kindly, and laid his hand lightly on her head for a moment, then turned round again to his cast.

"Don't forget my message to the lady who is to sit to me to-morrow," said Luca to Nanina, as she passed him on her way out of the studio.

After she had gone, Fabio returned to the priest, who was still busy over his cast.

"I hope you will get on better with the bust to-morrow," said Father Rocco, politely; "I am sure you cannot complain of your model."

"Complain of her!" cried the young man, warmly; "she has the most beautiful head I ever saw. If I were twenty times the sculptor that I am, I should despair of being able to do her justice."

He walked into the inner room to look at his bust again--lingered before it for a little while--and then turned to retrace his steps to the larger studio. Between him and the doorway stood three chairs. As he went by them, he absently touched the backs of the first two, and passed the third; but just as he was entering the larger room, stopped, as if struck by a sudden recollection, returned hastily, and touched the third chair. Raising his eyes, as he approached the large studio again after doing this, he met the eyes of the priest fixed on him in unconcealed astonishment.

"Signor Fabio!" exclaimed Father Rocco, with a sarcastic smile, "who would ever have imagined that you were superstitious?"

"My nurse was," returned the young man, reddening, and laughing rather uneasily. "She taught me some bad habits that I have not got over yet." With those words he nodded and hastily went out.

"Superstitious," said Father Rocco softly to himself. He smiled again, reflected for a moment, and then, going to the window, looked into the street. The way to the left led to Fabio's palace, and the way to the right to the Campo Santo, in the neighborhood of which Nanina lived. The priest was just in time to see the young sculptor take the way to the right.

After another half-hour had elapsed, the two workmen quitted the studio to go to dinner, and Luca and his brother were left alone.

"We may return now," said Father Rocco, "to that conversation which was suspended between us earlier in the day."

"I have nothing more to say," rejoined Luca, sulkily.

"Then you can listen to me, brother, with the greater attention," pursued the priest. "I objected to the coarseness of your tone in talking of our young pupil and your daughter; I object still more strongly to your insinuation that my desire to see them married (provided always that they are sincerely attached to each other) springs from a mercenary motive."

"You are trying to snare me, Rocco, in a mesh of fine phrases; but I am not to be caught. I know what my own motive is for hoping that Maddalena may get an offer of marriage from this wealthy young gentleman--she will have his money, and we shall all profit by it. That is coarse and mercenary, if you please; but it is the true reason why I want to see Maddalena married to Fabio. You want to see it, too--and for what reason, I should like to know, if not for mine?"

"Of what use would wealthy relations be to me? What are people with money--what is money itself--to a man who follows my calling?"

"Money is something to everybody."

"Is it? When have you found that I have taken any account of it? Give me money enough to buy my daily bread, and to pay for my lodging and my coarse cassock, and though I may want much for the poor, for myself I want no more. Then have you found me mercenary? Do I not help you in this studio, for love of you and of the art, without exacting so much as journeyman's wages? Have I ever asked you for more than a few crowns to give away on feast-days among my parishioners? Money! money for a man who may be summoned to Rome to-morrow, who may be told to go at half an hour's notice on a foreign mission that may take him to the ends of the earth, and who would be ready to go the moment when he was called on! Money to a man who has no wife, no children, no interests outside the sacred circle of the Church! Brother, do you see the dust and dirt and shapeless marble chips lying around your statue there? Cover that floor instead with gold, and, though the litter may have changed in color and form, in my eyes it would be litter still."

"A very noble sentiment, I dare say, Rocco, but I can't echo it. Granting that you care nothing for money, will you explain to me why you are so anxious that Maddalena should marry Fabio? She has had offers from poorer men--you knew of them--but you have never taken the least interest in her accepting or rejecting a proposal before."

"I hinted the reason to you, months ago, when Fabio first entered the studio."

"It was rather a vague hint, brother; can't you be plainer to-day?"

"I think I can. In the first place, let me begin by assuring you that I have no objection to the young man himself. He may be a little capricious and undecided, but he has no incorrigible faults that I have discovered."

"That is rather a cool way of praising him, Rocco."

"I should speak of him warmly enough, if he were not the representative of an intolerable corruption, and a monstrous wrong. Whenever I think of him I think of an injury which his present existence perpetuates; and if I do speak of him coldly, it is only for that reason."

Luca looked away quickly from his brother, and began kicking absently at the marble chips which were scattered over the floor around him.

"I now remember," he said, "what that hint of yours pointed at. I know what you mean."

"Then you know," answered the priest, "that while part of the wealth which Fabio d'Ascoli possesses is honestly and incontestably his own; part, also, has been inherited by him from the spoilers and robbers of the Church--"

"Blame his ancestors for that; don't blame him."

"I blame him as long as the spoil is not restored."

"How do you know that it was spoil, after all?"

"I have examined more carefully than most men the records of the civil wars in Italy; and I know that the ancestors of Fabio d'Ascoli wrung from the Church, in her hour of weakness, property which they dared to claim as their right. I know of titles to lands signed away, in those stormy times, under the influence of fear, or through false representations of which the law takes no account. I call the money thus obtained spoil, and I say that it ought to be restored, and shall be restored, to the Church from which it was taken."

"And what does Fabio answer to that, brother?"

"I have not spoken to him on the subject."

"Why not?"

"Because I have, as yet, no influence over him. When he is married, his wife will have influence over him, and she shall speak."

"Maddalena, I suppose? How do you know that she will speak?"

"Have I not educated her? Does she not understand what her duties are toward the Church, in whose bosom she has been reared?"

Luca hesitated uneasily, and walked away a step or two before he spoke again.

"Does this spoil, as you call it, amount to a large sum of money?" he asked, in an anxious whisper.

"I may answer that question, Luca, at some future time," said the priest. "For the present, let it be enough that you are acquainted with all I undertook to inform you of when we began our conversation. You now know that if I am anxious for this marriage to take place, it is from motives entirely unconnected with self-interest. If all the property which Fabio's ancestors wrongfully obtained from the Church were restored to the Church to-morrow, not one paulo of it would go into my pocket. I am a poor priest now, and to the end of my days shall remain so. You soldiers of the world, brother, fight for your pay; I am a soldier of the Church, and I fight for my cause."

Saying these words, he returned abruptly to the statuette; and refused to speak, or leave his employment again, until he had taken the mold off, and had carefully put away the various fragments of which it consisted. This done, he drew a writing-desk from the drawer of his working-table, and taking out a slip of paper wrote these lines:

"Come down to the studio to-morrow. Fabio will be with us, but Nanina will return no more."

Without signing what he had written, he sealed it up, and directed it to "Donna Maddalena"; then took his hat, and handed the note to his brother.

"Oblige me by giving that to my niece," he said.

"Tell me, Rocco," said Luca, turning the note round and round perplexedly between his finger and thumb; "do you think Maddalena will be lucky enough to get married to Fabio?"

"Still coarse in your expressions, brother!"

"Never mind my expressions. Is it likely?"

"Yes, Luca, I think it is likely."

With those words he waved his hand pleasantly to his brother, and went out.

CHAPTER III.

From the studio Father Rocco went straight to his own rooms, hard by the church to which he was attached. Opening a cabinet in his study, he took from one of its drawers a handful of small silver money, consulted for a minute or so a slate on which several names and addresses were written, provided himself with a portable inkhorn and some strips of paper, and again went out.

He directed his steps to the poorest part of the neighborhood; and entering some very wretched houses, was greeted by the inhabitants with great respect and affection. The women, especially, kissed his hands with more reverence than they would have shown to the highest crowned head in Europe. In return, he talked to them as easily and unconstrainedly as if they were his equals; sat down cheerfully on dirty bedsides and rickety benches; and distributed his little gifts of money with the air of a man who was paying debts rather than bestowing charity. Where he encountered cases of illness, he pulled out his inkhorn and slips of paper, and wrote simple prescriptions to be made up from the medicine-chest of a neighboring convent, which served the same merciful purpose then that is answered by dispensaries in our days. When he had exhausted his money, and had got through his visits, he was escorted out of the poor quarter by a perfect train of enthusiastic followers. The women kissed his hand again, and the men uncovered as he turned, and, with a friendly sign, bade them all farewell.

As soon as he was alone again, he walked toward the Campo Santo, and, passing the house in which Nanina lived, sauntered up and down the street thoughtfully for some minutes. When he at length ascended the steep staircase that led to the room occupied by the sisters, he found the door ajar. Pushing it open gently, he saw La Biondella sitting with her pretty, fair profile turned toward him, eating her evening meal of bread and grapes. At the opposite end of the room, Scarammuccia was perched up on his hindquarters in a corner, with his mouth wide open to catch the morsel of bread which he evidently expected the child to throw to him. What the elder sister was doing, the priest had not time to see; for the dog barked the moment he presented himself, and Nanina hastened to the door to ascertain who the intruder might be. All that he could observe was that she was too confused, on catching sight of him, to be able to utter a word. La Biondella was the first to speak.

"Thank you, Father Rocco," said the child, jumping up, with her bread in one hand and her grapes in the other--"thank you for giving me so much money for my dinner-mats. There they are, tied up together in one little parcel, in the corner. Nanina said she was ashamed to think of your carrying them; and I said I knew where you lived, and I should like to ask you to let me take them home!"

"Do you think you can carry them all the way, my dear?" asked the priest.

"Look, Father Rocco, see if I can't carry them!" cried La Biondella, cramming her bread into one of the pockets of her little apron, holding her bunch of grapes by the stalk in her mouth, and hoisting the packet of dinner-mats on her head in a moment. "See, I am strong enough to carry double," said the child, looking up proudly into the priest's face.

"Can you trust her to take them home for me?" asked Father Rocco, turning to Nanina. "I want to speak to you alone, and her absence will give me the opportunity. Can you trust her out by herself?"

"Yes, Father Rocco, she often goes out alone." Nanina gave this answer in low, trembling tones, and looked down confusedly on the ground.

"Go then, my dear," said Father Rocco, patting the child on the shoulder; "and come back here to your sister, as soon as you have left the mats."

La Biondella went out directly in great triumph, with Scarammuccia walking by her side, and keeping his muzzle suspiciously close to the pocket in which she had put her bread. Father Rocco closed the door after them, and then, taking the one chair which the room possessed, motioned to Nanina to sit by him on the stool.

"Do you believe that I am your friend, my child, and that I have always meant well toward you?" he began.

"The best and kindest of friends," answered Nanina.

"Then you will hear what I have to say patiently, and you will believe that I am speaking for your good, even if my words should distress you?" (Nanina turned away her head.) "Now, tell me; should I be wrong, to begin with, if I said that my brother's pupil, the young nobleman whom we call 'Signor Fabio,' had been here to see you to-day?" (Nanina started up affrightedly from her stool.) "Sit down again, my child; I am not going to blame you. I am only going to tell you what you must do for the future."

He took her hand; it was cold, and it trembled violently in his.

"I will not ask what he has been saying to you," continued the priest; "for it might distress you to answer, and I have, moreover, had means of knowing that your youth and beauty have made a strong impression on him. I will pass over, then, all reference to the words he may have been speaking to you; and I will come at once to what I have now to say, in my turn. Nanina, my child, arm yourself with all your courage, and promise me, before we part to-night, that you will see Signor Fabio no more."

Nanina turned round suddenly, and fixed her eyes on him, with an expression of terrified incredulity. "No more?"

"You are very young and very innocent," said Father Rocco; "but surely you must have thought before now of the difference between Signor Fabio and you. Surely you must have often remembered that you are low down among the ranks of the poor, and that he is high up among the rich and the nobly born?"

Nanina's hands dropped on the priest's knees. She bent her head down on them, and began to weep bitterly.

"Surely you must have thought of that?" reiterated Father Rocco.

"Oh, I have often, often thought of it!" murmured the girl "I have mourned over it, and cried about it in secret for many nights past. He said I looked pale, and ill, and out of spirits to-day, and I told him it was with thinking of that!"

"And what did he say in return?"

There was no answer. Father Rocco looked down. Nanina raised her head directly from his knees, and tried to turn it away again. He took her hand and stopped her.

"Come!" he said; "speak frankly to me. Say what you ought to say to your father and your friend. What was his answer, my child, when you reminded him of the difference between you?"

"He said I was born to be a lady," faltered the girl, still struggling to turn her face away, "and that I might make myself one if I would learn and be patient. He said that if he had all the noble ladies in Pisa to choose from on one side, and only little Nanina on the other, he would hold out his hand to me, and tell them, 'This shall be my wife.' He said love knew no difference of rank; and that if he was a nobleman and rich, it was all the more reason why he should please himself. He was so kind, that I thought my heart would burst while he was speaking; and my little sister liked him so, that she got upon his knee and kissed him. Even our dog, who growls at other strangers, stole to his side and licked his hand. Oh, Father Rocco! Father Rocco!" The tears burst out afresh, and the lovely head dropped once more, wearily, on the priest's knee.

Father Rocco smiled to himself, and waited to speak again till she was calmer.

"Supposing," he resumed, after some minutes of silence, "supposing Signor Fabio really meant all he said to you--"

Nanina started up, and confronted the priest boldly for the first time since he had entered the room.

"Supposing!" she exclaimed, her cheeks beginning to redden, and her dark blue eyes flashing suddenly through her tears "Supposing! Father Rocco, Fabio would never deceive me. I would die here at your feet, rather than doubt the least word he said to me!"

The priest signed to her quietly to return to the stool. "I never suspected the child had so much spirit in her," he thought to himself.

"I would die," repeated Nanina, in a voice that began to falter now. "I would die rather than doubt him."

"I will not ask you to doubt him," said Father Rocco, gently; "and I will believe in him myself as firmly as you do. Let us suppose, my child, that you have learned patiently all the many things of which you are now ignorant, and which it is necessary for a lady to know. Let us suppose that Signor Fabio has really violated all the laws that govern people in his high station and has taken you to him publicly as his wife. You would be happy then, Nanina; but would he? He has no father or mother to control him, it is true; but he has friends--many friends and intimates in his own rank--proud, heartless people, who know nothing of your worth and goodness; who, hearing of your low birth, would look on you, and on your husband too, my child, with contempt. He has not your patience and fortitude. Think how bitter it would be for him to bear that contempt--to see you shunned by proud women, and carelessly pitied or patronized by insolent men. Yet all this, and more, he would have to endure, or else to quit the world he has lived in from his boyhood--the world he was born to live in. You love him, I know--"

Nanina's tears burst out afresh. "Oh, how dearly--how dearly!" she murmured.

"Yes, you love him dearly," continued the priest; "but would all your love compensate him for everything else that he must lose? It might, at first; but there would come a time when the world would assert its influence over him again; when he would feel a want which you could not supply--a weariness which you could not solace. Think of his life then, and of yours. Think of the first day when the first secret doubt whether he had done rightly in marrying you would steal into his mind. We are not masters of all our impulses. The lightest spirits have their moments of irresistible depression; the bravest hearts are not always superior to doubt. My child, my child, the world is strong, the pride of rank is rooted deep, and the human will is frail at best! Be warned! For your own sake and for Fabio's, be warned in time."

Nanina stretched out her hands toward the priest in despair.

"Oh, Father Rocco! Father Rocco!" she cried, "why did you not tell me this before?"

"Because, my child, I only knew of the necessity for telling you to-day. But it is not too late; it is never too late to do a good action. You love Fabio, Nanina? Will you prove that love by making a great sacrifice for his good?"

"I would die for his good!"

"Will you nobly cure him of a passion which will be his ruin, if not yours, by leaving Pisa to-morrow?"

"Leave Pisa!" exclaimed Nanina. Her face grew deadly pale; she rose and moved back a step or two from the priest.

"Listen to me," pursued Father Rocco; "I have heard you complain that you could not get regular employment at needle-work. You shall have that employment, if you will go with me--you and your little sister too, of course--to Florence to-morrow."

"I promised Fabio to go to the studio," began Nanina, affrightedly. "I promised to go at ten o'clock. How can I--"

She stopped suddenly, as if her breath were failing her.

"I myself will take you and your sister to Florence," said Father Rocco, without noticing the interruption. "I will place you under the care of a lady who will be as kind as a mother to you both. I will answer for your getting such work to do as will enable you to keep yourself honestly and independently; and I will undertake, if you do not like your life at Florence, to bring you back to Pisa after a lapse of three months only. Three months, Nanina. It is not a long exile."

"Fabio! Fabio!" cried the girl, sinking again on the seat, and hiding her face.

"It is for his good," said Father Rocco, calmly: "for Fabio's good, remember."

"What would he think of me if I went away? Oh, if I had but learned to write! If I could only write Fabio a letter!"

"Am I not to be depended on to explain to him all that he ought to know?"

"How can I go away from him! Oh! Father Rocco, how can you ask me to go away from him?"

"I will ask you to do nothing hastily. I will leave you till to-morrow morning to decide. At nine o'clock I shall be in the street; and I will not even so much as enter this house, unless I know beforehand that you have resolved to follow my advice. Give me a sign from your window. If I see you wave your white mantilla out of it, I shall know that you have taken the noble resolution to save Fabio and to save yourself. I will say no more, my child; for, unless I am grievously mistaken in you, I have already said enough."

He went out, leaving her still weeping bitterly. Not far from the house, he met La Biondella and the dog on their way back. The little girl stopped to report to him the safe delivery of her dinner-mats; but he passed on quickly with a nod and a smile. His interview with Nanina had left some influence behind it, which unfitted him just then for the occupation of talking to a child.

Nearly half an hour before nine o'clock on the following morning, Father Rocco set forth for the street in which Nanina lived. On his way thither he overtook a dog walking lazily a few paces ahead in the roadway; and saw, at the same time, an elegantly-dressed lady advancing toward him. The dog stopped suspiciously as she approached, and growled and showed his teeth when she passed him. The lady, on her side, uttered an exclamation of disgust, but did not seem to be either astonished or frightened by the animal's threatening attitude. Father Rocco looked after her with some curiosity as she walked by him. She was a handsome woman, and he admired her courage. "I know that growling brute well enough," he said to himself, "but who can the lady be?"

The dog was Scarammuccia, returning from one of his marauding expeditions The lady was Brigida, on her way to Luca Lomi's studio.