Читать книгу Love's Labour's Lost - Уильям Шекспир, William Szekspir, the Simon Studio - Страница 3

  ARMADO. Boy, what sign is it when a man of great spirit grows

    melancholy?

  MOTH. A great sign, sir, that he will look sad.

  ARMADO. Why, sadness is one and the self-same thing, dear imp.

  MOTH. No, no; O Lord, sir, no!

  ARMADO. How canst thou part sadness and melancholy, my tender

    juvenal?

  MOTH. By a familiar demonstration of the working, my tough

signior.

  ARMADO. Why tough signior? Why tough signior?

  MOTH. Why tender juvenal? Why tender juvenal?

  ARMADO. I spoke it, tender juvenal, as a congruent epitheton

    appertaining to thy young days, which we may nominate tender.

  MOTH. And I, tough signior, as an appertinent title to your old

    time, which we may name tough.

  ARMADO. Pretty and apt.

  MOTH. How mean you, sir? I pretty, and my saying apt? or I apt,

and

    my saying pretty?

  ARMADO. Thou pretty, because little.

  MOTH. Little pretty, because little. Wherefore apt?

  ARMADO. And therefore apt, because quick.

  MOTH. Speak you this in my praise, master?

  ARMADO. In thy condign praise.

  MOTH. I will praise an eel with the same praise.

  ARMADO. that an eel is ingenious?

  MOTH. That an eel is quick.

  ARMADO. I do say thou art quick in answers; thou heat'st my

blood.

  MOTH. I am answer'd, sir.

  ARMADO. I love not to be cross'd.

  MOTH. [Aside] He speaks the mere contrary: crosses love not

him.

  ARMADO. I have promised to study three years with the Duke.

  MOTH. You may do it in an hour, sir.

  ARMADO. Impossible.

  MOTH. How many is one thrice told?

  ARMADO. I am ill at reck'ning; it fitteth the spirit of a

tapster.

  MOTH. You are a gentleman and a gamester, sir.

  ARMADO. I confess both; they are both the varnish of a complete

    man.

  MOTH. Then I am sure you know how much the gross sum of

deuce-ace

    amounts to.

  ARMADO. It doth amount to one more than two.

  MOTH. Which the base vulgar do call three.

  ARMADO. True.

  MOTH. Why, sir, is this such a piece of study? Now here is

three

    studied ere ye'll thrice wink; and how easy it is to put

'years'

    to the word 'three,' and study three years in two words, the

    dancing horse will tell you.

  ARMADO. A most fine figure!

  MOTH. [Aside] To prove you a cipher.

  ARMADO. I will hereupon confess I am in love. And as it is base

for

    a soldier to love, so am I in love with a base wench. If

drawing

    my sword against the humour of affection would deliver me

from

    the reprobate thought of it, I would take Desire prisoner,

and

    ransom him to any French courtier for a new-devis'd curtsy. I

    think scorn to sigh; methinks I should out-swear Cupid.

Comfort

    me, boy; what great men have been in love?

  MOTH. Hercules, master.

  ARMADO. Most sweet Hercules! More authority, dear boy, name

more;

    and, sweet my child, let them be men of good repute and

carriage.

  MOTH. Samson, master; he was a man of good carriage, great

    carriage, for he carried the town gates on his back like a

    porter; and he was in love.

  ARMADO. O well-knit Samson! strong-jointed Samson! I do excel

thee

    in my rapier as much as thou didst me in carrying gates. I am

in

    love too. Who was Samson's love, my dear Moth?

  MOTH. A woman, master.

  ARMADO. Of what complexion?

  MOTH. Of all the four, or the three, or the two, or one of the

    four.

  ARMADO. Tell me precisely of what complexion.

  MOTH. Of the sea-water green, sir.

  ARMADO. Is that one of the four complexions?

  MOTH. As I have read, sir; and the best of them too.

  ARMADO. Green, indeed, is the colour of lovers; but to have a

love

    of that colour, methinks Samson had small reason for it. He

    surely affected her for her wit.

  MOTH. It was so, sir; for she had a green wit.

  ARMADO. My love is most immaculate white and red.

  MOTH. Most maculate thoughts, master, are mask'd under such

    colours.

  ARMADO. Define, define, well-educated infant.

  MOTH. My father's wit my mother's tongue assist me!

  ARMADO. Sweet invocation of a child; most pretty, and

pathetical!

  MOTH. If she be made of white and red,

               Her faults will ne'er be known;

             For blushing cheeks by faults are bred,

               And fears by pale white shown.

             Then if she fear, or be to blame,

               By this you shall not know;

             For still her cheeks possess the same

               Which native she doth owe.

    A dangerous rhyme, master, against the reason of white and

red.

  ARMADO. Is there not a ballad, boy, of the King and the Beggar?

  MOTH. The world was very guilty of such a ballad some three

ages

    since; but I think now 'tis not to be found; or if it were,

it

    would neither serve for the writing nor the tune.

  ARMADO. I will have that subject newly writ o'er, that I may

    example my digression by some mighty precedent. Boy, I do

love

    that country girl that I took in the park with the rational

hind

    Costard; she deserves well.

  MOTH. [Aside] To be whipt; and yet a better love than my

master.

  ARMADO. Sing, boy; my spirit grows heavy in love.

  MOTH. And that's great marvel, loving a light wench.

  ARMADO. I say, sing.

  MOTH. Forbear till this company be past.

  DULL. Sir, the Duke's pleasure is that you keep Costard safe;

and

    you must suffer him to take no delight nor no penance; but 'a

    must fast three days a week. For this damsel, I must keep her

at

    the park; she is allow'd for the day-woman. Fare you well.

  ARMADO. I do betray myself with blushing. Maid!

  JAQUENETTA. Man!

  ARMADO. I will visit thee at the lodge.

  JAQUENETTA. That's hereby.

  ARMADO. I know where it is situate.

  JAQUENETTA. Lord, how wise you are!

  ARMADO. I will tell thee wonders.

  JAQUENETTA. With that face?

  ARMADO. I love thee.

  JAQUENETTA. So I heard you say.

  ARMADO. And so, farewell.

  JAQUENETTA. Fair weather after you!

  DULL. Come, Jaquenetta, away. Exit with JAQUENETTA

  ARMADO. Villain, thou shalt fast for thy offences ere thou be

    pardoned.

  COSTARD. Well, sir, I hope when I do it I shall do it on a full

    stomach.

  ARMADO. Thou shalt be heavily punished.

  COSTARD. I am more bound to you than your fellows, for they are

but

    lightly rewarded.

  ARMADO. Take away this villain; shut him up.

  MOTH. Come, you transgressing slave, away.

  COSTARD. Let me not be pent up, sir; I will fast, being loose.

  MOTH. No, sir; that were fast, and loose. Thou shalt to prison.

  COSTARD. Well, if ever I do see the merry days of desolation

that I

    have seen, some shall see.

  MOTH. What shall some see?

  COSTARD. Nay, nothing, Master Moth, but what they look upon. It

is

    not for prisoners to be too silent in their words, and

therefore

    I will say nothing. I thank God I have as little patience as

    another man, and therefore I can be quiet.

                                         Exeunt MOTH and COSTARD

  ARMADO. I do affect the very ground, which is base, where her

shoe,

    which is baser, guided by her foot, which is basest, doth

tread.

    I shall be forsworn- which is a great argument of falsehood-

if I

    love. And how can that be true love which is falsely

attempted?

    Love is a familiar; Love is a devil. There is no evil angel

but

    Love. Yet was Samson so tempted, and he had an excellent

    strength; yet was Solomon so seduced, and he had a very good

wit.

    Cupid's butt-shaft is too hard for Hercules' club, and

therefore

    too much odds for a Spaniard's rapier. The first and second

cause

    will not serve my turn; the passado he respects not, the

duello

    he regards not; his disgrace is to be called boy, but his

glory

    is to subdue men. Adieu, valour; rust, rapier; be still,

drum;

    for your manager is in love; yea, he loveth. Assist me, some

    extemporal god of rhyme, for I am sure I shall turn sonnet.

    Devise, wit; write, pen; for I am for whole volumes in folio.

 Exit