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§ vii

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As there are three galleries among the state-rooms, so are there three principal bedrooms: the King’s, the Venetian Ambassador’s, and the Spangled Room. The King’s bedroom is the only vulgar room in the house. Not that the furniture put there for the reception of James the First is vulgar: it is excessively magnificent, the canopy of the immense bed reaching almost to the ceiling, decked with ostrich feathers, the hangings stiff with gold and silver thread, the coverlet and the interior of the curtains heavily embroidered with a design of pomegranates and tiger-lilies worked in silver on a coral satin ground, the royal cipher embossed over the pillows—all this is very magnificent, but not vulgar. What is vulgar is the set of furniture made entirely in silver: table, hanging mirror, and tripods—the florid and ostentatious product of the florid Restoration. There is a surprising amount of silver in the room: sconces, ginger-jars, mirrors, fire-dogs, toilet-set, rose-water sprinklers, even to a little eye-bath, all of silver, but these smaller objects have not the blatancy of the set of furniture. Charles Sackville, for whom it was made, cannot have known when he had had enough of a good thing.

It is almost a relief to go from here to the Venetian Ambassador’s Bedroom. Green and gold; Burgundian tapestry, mediaeval figures walking in a garden; a rosy Persian rug—of all rooms I never saw a room that so had over it a bloom like the bloom on a bowl of grapes and figs. I cannot keep the simile, which may convey nothing to those who have not seen the room, out of my mind. Greens and pinks originally bright, now dusted and tarnished over. It is a very grave, stately room, rather melancholy in spite of its stateliness. It seems to miss its inhabitants more than do any of the other rooms. Perhaps this is because the bed appears to be designed for three: it is of enormous breadth, and there are three pillows in a row. Presumably this is what the Italians call a letto matrimoniale.

Knole and the Sackvilles

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