Читать книгу Red Cap Tales, Stolen from the Treasure Chest of the Wizard of the North - Вальтер Скотт - Страница 6

The tale-telling had at this point to be broken off. Clouds began to spin themselves from Eildon top. Dinner also was in prospect, and, most of all, having heard so much of the tale, the four listeners desired to begin to "play Waverley."

Sweetheart made a stately, if skirted, Bradwardine. Besides, she was in Cæsar, and had store of Latin quotations—mostly, it is true, from the examples in the grammar, such as "Illa incedit regina!" Certainly she walked like a queen. Or, as it might be expressed, more fittingly with the character of the Baron in the original:

"Stately stepped she east the wa',

And stately stepped she west."

Hugh John considered the hero's part in any story only his due. His only fault with that of Waverley was that so far he had done so little. He specially resented the terrible combat "in the dawning" between the Baron and the overbold Balmawhapple (played by Maid Margaret). Sir Toady Lion as low comedian ("camelion" he called it) performed numerous antics as Daft Davie Gellatley. He had dressed the part to perfection by putting his striped jersey on outside his coat, and sticking in his cricket cap such feathers as he could find.

"Lie down, Hugh John," he cried, in the middle of his dancing and singing round and round the combatants; "why, you are asleep in bed!"

This, according to the authorities, being obvious, the baffled hero had to succumb, with the muttered reflection that "Jim Hawkins wouldn't have had to stay asleep, when there was a fight like that going on!"

Still, however, Hugh John could not restrain the natural rights of criticism. He continually raised his head from his pillow of dried branches to watch Sweetheart and Maid Margaret.

"You fight just like girls," he cried indignantly; "keep your left hand behind you, Bradwardine—or Balmawhapple will hack it off! I say—girls are silly things. You two are afraid of hurting each other. Now me and Toady Lion—"

And he gave details of a late fraternal combat much in the manner of Froissart.

It is to be noted that thus far both Sweetheart and Maid Margaret disdained the female parts, the latter even going the length of saying that she preferred Celie Stubbs, the Squire's daughter at Waverley-Honour, to Rose Bradwardine. On being asked for an explanation of this heresy, she said, "Well, at any rate, Celie Stubbs got a new hat to come to church in!"

And though I read the "Repentance and a Reconciliation" chapter, which makes number Twelve of Waverley, to the combatants, I was conscious that I must hasten on to scenes more exciting if I meant to retain the attention of my small but exacting audience. Furthermore, it was beginning to rain. So, hurriedly breaking off the tale, we drove back to Melrose across the green holms of St. Boswells.

It was after the hour of tea, and the crowd of visitors had ebbed away from the precincts of the Abbey before the tale was resumed. A flat "throuch" stone sustained the narrator, while the four disposed themselves on the sunny grass, in the various attitudes of severe inattention which youth assumes when listening to a story. Sweetheart pored into the depths of a buttercup. Hugh John scratched the freestone of a half-buried tomb with a nail till told to stop. Sir Toady Lion, having a "pinch-bug" coralled in his palms, sat regarding it cautiously between his thumbs. Only Maid Margaret, her dimpled chin on her knuckles, sat looking upward in rapt attention. For her there was no joy like that of a story. Only, she was too young to mind letting the tale-teller know it. That made the difference.

Above our heads the beautiful ruin mounted, now all red gold in the lights, and purple in the shadows, while round and round, and through and through, from highest tower to lowest arch, the swifts shrieked and swooped.