The Tapestried Chamber, and Death of the Laird's Jock

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Вальтер Скотт. The Tapestried Chamber, and Death of the Laird's Jock

INTRODUCTION

THE LADY IN THE SACQUE

DEATH OF THE LAIRD’S JOCK

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The following narrative is given from the pen, so far as memory permits, in the same character in which it was presented to the author’s ear; nor has he claim to further praise, or to be more deeply censured, than in proportion to the good or bad judgment which he has employed in selecting his materials, as he has studiously avoided any attempt at ornament which might interfere with the simplicity of the tale.

At the same time, it must be admitted that the particular class of stories which turns on the marvellous possesses a stronger influence when told than when committed to print. The volume taken up at noonday, though rehearsing the same incidents, conveys a much more feeble impression than is achieved by the voice of the speaker on a circle of fireside auditors, who hang upon the narrative as the narrator details the minute incidents which serve to give it authenticity, and lowers his voice with an affectation of mystery while he approaches the fearful and wonderful part. It was with such advantages that the present writer heard the following events related, more than twenty years since, by the celebrated Miss Seward of Litchfield, who, to her numerous accomplishments, added, in a remarkable degree, the power of narrative in private conversation. In its present form the tale must necessarily lose all the interest which was attached to it by the flexible voice and intelligent features of the gifted narrator. Yet still, read aloud to an undoubting audience by the doubtful light of the closing evening, or in silence by a decaying taper, and amidst the solitude of a half-lighted apartment, it may redeem its character as a good ghost story. Miss Seward always affirmed that she had derived her information from an authentic source, although she suppressed the names of the two persons chiefly concerned. I will not avail myself of any particulars I may have since received concerning the localities of the detail, but suffer them to rest under the same general description in which they were first related to me; and for the same reason I will not add to or diminish the narrative by any circumstance, whether more or less material, but simply rehearse, as I heard it, a story of supernatural terror.

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The fresh horses, therefore, had only the brief task of conveying the General’s travelling carriage to Woodville Castle. A porter admitted them at a modern Gothic lodge, built in that style to correspond with the castle itself, and at the same time rang a bell to give warning of the approach of visitors. Apparently the sound of the bell had suspended the separation of the company, bent on the various amusements of the morning; for, on entering the court of the chateau, several young men were lounging about in their sporting dresses, looking at and criticizing the dogs which the keepers held in readiness to attend their pastime. As General Browne alighted, the young lord came to the gate of the hall, and for an instant gazed, as at a stranger, upon the countenance of his friend, on which war, with its fatigues and its wounds, had made a great alteration. But the uncertainty lasted no longer than till the visitor had spoken, and the hearty greeting which followed was such as can only be exchanged betwixt those who have passed together the merry days of careless boyhood or early youth.

“If I could have formed a wish, my dear Browne,” said Lord Woodville, “it would have been to have you here, of all men, upon this occasion, which my friends are good enough to hold as a sort of holiday. Do not think you have been unwatched during the years you have been absent from us. I have traced you through your dangers, your triumphs, your misfortunes, and was delighted to see that, whether in victory or defeat, the name of my old friend was always distinguished with applause.”

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