Читать книгу The Sentimental Adventures of Jimmy Bulstrode - Van Vorst Marie - Страница 2

Bulstrode was extremely fond of travel, and every now and then treated himself to a season in London or Paris, and in the May following his adventure with Waring he saw, from his apartments in the Hôtel Ritz, from Boulevard, Bois, and the Champs Elysées, as much of the maddeningly delicious Parisian springtime "as was good for him at his age," so he said! It gave the feeling that he was a mere boy, and with buoyant sensations astir in him, life had begun over again.

Any morning between eleven and twelve Bulstrode might have been seen in the Bois de Boulogne briskly walking along the Avenue des Acacias, his well-filled chest thrown out, his step light and assured; cane in hand, a boutonnière tinging the lapel of his coat; immaculate and fresh as a rose, he exhaled good-humor, kindliness, and well-being.

From their traps and motors charming women bowed and smiled, the fine fleur and the beau monde greeted him cordially.

"Regardez moi ce bon Bulstrode qui se promene," if it were a Frenchman, or, "There's dear old Jimmy Bulstrode!" if he were recognized by a compatriot.

Bulstrode was rather slight of build, yet with an evident strength of body that indicated a familiarity with exercise, a healthful habit of sport and activity. His eyes, clear-sighted and strong, looked through the medium of no glass happily and naïvely on the world. Many years before his hair had begun to turn gray, and had not nearly finished the process; it grew thickly, and was quite dark about his ears and on his brow. Having gained experience and kept his youth, he was as rare and delightful as fine wine – as inspiring as spring. It was his heart (Mrs. Falconer said) that made him so, his good, gentle, generous heart! – and she should know. His fastidiousness in point of dress, and his good taste kept him close to elegance of attire.

"You turn yourself out, Jimmy, on every occasion," she had said, "as if you were on the point of meeting the woman you loved." And Bulstrode had replied that such consistent hopefulness should certainly be ultimately rewarded.

He gave the impression of a man who in his youth starts out to take a long and pleasant journey and finds the route easy, the taverns agreeable, and the scenes all the guide-book promised. Midway – (he had turned the page of forty) – midway, pausing to look back, Bulstrode saw the experiences of his travels in their sunny valleys, full of goodly memories, and the future, to his sweet hopefulness, promised to be a pleasant journey to the end.

During the time that he spent in Paris every pet charity in the American colony took advantage of the philanthropic Mr. Bulstrode's passing through the city, and came to him to be set upon its feet, and every pretty woman with an interest, hobby, or scheme came as well to this generous millionaire, told him about her fad and went away with a donation.

One ravishing May morning Bulstrode, taking his usual constitutional in the Bois, paused at the end of the Avenue des Acacias to find it deserted and attractively quiet; he sat down on a little bench the more reposefully to enjoy the day and time.

There are, fortunately, certain things which, unlike money, can be shared only with certain people; and Bulstrode felt that the pleasure of this spring day, the charm of the opposite wood-glades into which he meditatively looked, the tranquil as well as the buoyant joy of life, were among those personal things so delightful when shared – and which, if too long enjoyed alone, bring (let it be scarcely whispered on this bewildering May morning) something like sadness!

Before his happier mood changed his attention was attracted by a woman who came rapidly toward the avenue from a little alley at the side. He looked up quickly at the feminine creature who so aptly appeared upon his musings. She was young; her form in its simple dress assured him this. He could not see her face, for it was covered by her hands. Abruptly taking the opposite direction, she went over to a farther seat, where she sat down, and when the young girl put her arms on the back of the seat, her head upon her arms, and in the remoteness this part of the avenue offered, cried without restraint, the kind-hearted Bulstrode felt that it was too cruel to be true.

But soft-hearted though he was, the gentleman was a worldling as well, and that the outburst was a ruse more than suggested itself to him as he went over to the lovely Niobe whose abundant fair hair sunned from under her simple straw hat and from beneath whose frayed skirt showed a worn little shoe.

He spoke in French.

"Pardon, madame, but you seem in great distress."

The poor thing started violently, and as soon as she displayed her pretty tearful face the American recognized in her a compatriot. She waved him emphatically away.

"Oh, please don't notice me – don't speak to me – I didn't see that anybody was there."

"I am an American, too: can't I do anything for you – won't you let me?"

And he saw at once that she wanted to be left alone. She averted her head determinedly.

"No, no, please don't notice me. Please go away!"

He had nothing to do but to obey her, and as he reluctantly did so a smart pony-cart driven by a lady alone came briskly along and drew up, for the occupant had recognized him.

"Get in!" she rather commanded. "My dear Jimmy, how nice to find you here, and how nice to drive you at least as far as the entrance!"

As the rebuffed philanthropist accepted he cast a ruthful glance at the solitary figure on the bench.

"Do you see that poor girl over there? She's an American, and in real trouble."

"My dear Jimmy!" His companion's tone left him in no doubt as to her scepticism.

"Oh, I know, I know," he interrupted, "but she's not a fraud. She's the real thing."

They were already gayly whirling away from the sad little figure.

"Did you make her cry?"

"I? Certainly not."

"Then let the man who did wipe her tears away!"

But Bulstrode had seen the face of the girl, and he was haunted by it all day until the Bois and its bright atmosphere became only the setting for an unhappy woman, young and lovely, whom it had been impossible for him to help.

Somebody had said that Bulstrode should have his portrait done with his hands in his pockets, and Mrs. Falconer had replied, "Or rather with other people's hands in his pockets!"

The next afternoon he found himself part of a group of people who, out of charity and curiosity, patronized the Western Artists' Exhibition in the Rue Monsieur.

Having made a ridiculously generous donation to the support of this league at the request of a certain lovely lady, Bulstrode followed his generosity by a personal effort, and with not much opposition on his part permitted himself to be taken to the exhibition.

He was not, in the ultra sense of the word, a connaisseur, but he thought he knew a horror when he saw it! So he said, and on this afternoon his eyes ached and his offended taste cried out before he had patiently travelled half-way down the line of canvases.

"My dear lady," he confided sotto voce to his friend, "I feel more inclined to establish a fund for sending all these young women back to the prairies, if that's where they come from, than to aid in this slaughter of public time and taste. Why don't they stay at home – and marry?"

"That's a vulgar and limited point of view to take," his friend reproached him. "Don't you acknowledge that a woman has many careers instead of one? You seem to be thoroughly enjoying your liberty! What if I should ask you why you don't stay at home, and marry?"

Bulstrode looked at his guide comprehensively and smiled gently. His response was irrelevant. "Look at this picture! It's too dreadful for words."

"Hush, you're not a judge. Here and there there is evidence of great talent."

They had drawn up before a portrait, and poor Bulstrode caught his breath with a groan:

"It's too awful! It's crime to encourage it."

Mrs. Falconer tried to lead him on.

"Well, this is an unfortunate place to stop," she confessed. "That portrait represents more tragedy than you can see."

"It couldn't," murmured Bulstrode.

"The poor girl who did it has struggled on here for two years, living sometimes on a franc a day. Just fancy! She has been trying to get orders so that she can stay on and study. Poor thing! The people who are interested say that she's been near to desperation. She is awfully proud, and won't take any assistance but orders. You can imagine they're not besieging her! She has come to her last cent, I believe, and has to go home to Idaho."

"Let her go, my dear friend." Bulstrode was earnest. "It's the best thing she could possibly do!"

His companion put her hand on his arm.

"Please be quiet," she implored. "There she is, standing over by the door. That rather pretty girl with the disorderly blonde hair."

Bulstrode looked up – saw her – looked again, and exclaimed:

"Is that the girl? Do you know her? Present me, will you?"

"Nonsense." She detained him. "How you go from hot to cold! Why should you want to meet her, pray?"

"Oh," he evaded, "it's a curious study. I want to talk to her about art, and if you don't present me I shall speak to her without an introduction."

Not many moments later Bulstrode was cornered in a dingy little room, where tea that tasted like the infusion of a haystack was being served. He had skilfully disassociated Miss Laura Desprey from her Bohemian companions and placed her on a little divan, before which, with a teacup in his hand, he stood.

She wore the same dress, the same hat – and he did not doubt the same shoes which characterized her miserable toilet when he had surprised her childlike display of grief on a bench in the Bois. He had done quite right in speaking to her, and he thanked his stars that she did not in the least remember him.

He thought with kind humor: "No wonder she cries if she paints like that!"

But it was not in a spirit of criticism that he bent his friendly eyes on the Bohemian. He had the pleasure of seeing her plainly this time, for the window back of her admitted a generous square of light against which her blonde head framed itself, and her untidy hair was like a dusty mesh of gold. She regarded the amiable gentleman out of eyes child-like and purely blue. Under her round chin the edges of a black bow tied loosely stood out like the wings of a butterfly. Her dress was careless and poor, but she was grace in it and youth – "and what," thought Bulstrode, "has one a right to expect more of any woman?" He remembered her boots and shuddered. He remembered the one franc a day and began his campaign.

"I want so much to meet the painter of that portrait over there," he began.

Her face lightened.

"Oh, did you like it?"

"I think it's wonderful, perfectly wonderful!"

A slow red crept up the thin contour of her cheek. She leaned forward!

"Do you really mean that?"

He said most seriously:

"Yes, I can frankly say I haven't seen a portrait in a long time which impressed me so much."

His praise was not in Latin Quarter vernacular, and coming from a Philistine, had only a certain value to the artist. But to a lonely stranded girl the words were balm. Bulstrode, in his immaculate dress, his conventional manner, was as foreign a person to the Bohemian student as if he had been an inhabitant of another planet. Her speech was brusque and quick, with a generous burr in her "rs" when she replied.

"I've studied at Julian's two years now. This was my Salon picture, but it didn't get in."

"If one can judge by those that did" – Bulstrode's tact was delightful – "you should feel honorably refused. I suppose you are at work on another portrait?"

The face which his interest had brightened clouded.

"No, I'm going home – to Idaho – I'm not painting any more."

All the tragedy to a whole-souled Latin Quarter art student that this implied was not revealed to Bulstrode, but, as it was, his sensitive kindness felt so much already that it ached. He hastened toward his goal with eagerness:

"I'm so awfully sorry! Because, do you know, I was going to ask you if you couldn't possibly paint my portrait?" It came from him on the spur of the moment. His frank eyes met hers and might have quailed at his hypocrisy, but the expression of joy on her face, eclipsing everything else, dazzled him.

She cried out impulsively:

"Oh – goodness!" so loud that one or two tea-drinkers turned about. After a second, having gained control and half as though she expected some motive she did not understand:

"But you never heard of me before to-day! I don't believe you really liked that portrait over there so very much."

With a candor that impressed her he assured her: "I give you my word of honor I've never felt quite so about any portrait before."

Here Miss Desprey had a cup of tea handed her by a vague-eyed girl who stumbled over Bulstrode in her ministrations, much to her confusion.

Laura Desprey drank her tea with avidity, put the cup down on the table near, and leaning over to her patron, exclaimed:

"I just can't believe I've got an order!"

Bulstrode affirmed smiling: "You have, and if you could arrange to stay over for it – if it would," he delicately put, "be worth your while – "

She said quietly:

"Yes, it would be worth my while."

A distrait look passed over her face for a second, and Bulstrode saw he was forgotten in, as he supposed, a painter's vision of an order and its contingent technicalities.

"I can begin at once." He lost no time. "I'm quite free."

"But – I have no studio."

"There must be studios to rent."

Yes. She knew of one; she could secure it for a month. It would take that time – she was a slow worker.

"But we haven't discussed the price." Before so much poverty and struggle – not that it was new to him, but clothed like this in beauty it was rare and appealed to him – he was embarrassed by his riches. "Now the price. I want," he meditated, "a full-length portrait, with a great deal of background, just as handsome and expensive looking as you can paint it."

He exquisitely sacrificed himself and winced at his own words, and saw her color with amusement and a little scorn, but he went on bravely:

"Now for a man like me, Miss Desprey – I am sure you will know what I mean – a man who has never been painted before – this picture will have to cost me a lot of money. You see otherwise my friends would not appreciate it."

In the vulgarian he was making himself out to be his friends would not have recognized the unpretentious Bulstrode.

"Get the place, Miss Desprey, and let me come as soon as you can. All this change of plans will give you extra expenses – I understand about that! Every time I change my rooms it costs me a fortune. Now if you will let me send you over a check for half payment on the picture, for, let us say" – he made it as large as he dared and a quarter of what he wanted. They were alone in the tea-room, the motley gathering had weeded itself out. Miss Desprey turned pale.

"No," she gasped; "I couldn't take anything like half so much for the whole thing."

Bulstrode said coldly:

"I'm afraid I must insist, Miss Desprey; I couldn't order less than a fifteen-hundred dollar portrait. It's the sum I have planned to pay when I'm painted."

"But a celebrated painter would paint it for that."

Bulstrode smiled fatuously.

"Can't a man pay for his fads? I want to be painted by the person who did that portrait over there, Miss Desprey."

In a tiny studio – the dingy chrysalis of a Bohemian art student – Bulstrode posed for his portrait.

Each morning saw him set forth from the Ritz alert and debonaire in his fastidious toilet – saw him cross the Place Vendôme, the bridge, and lose his worldly figure in the lax nonchalant crowd of the Quarter Latin. At the end of an alley as narrow and picturesque as a lane in a colored print he knocked at a green door, and was admitted to the studio by his protégée. In another second he had assumed his prescribed position according to the pose, and Miss Desprey before her easel began the séance.

On these May days the glass roof admitted delightful gradations of glory to the commonplace atelier. A few cheap casts, a few yards of mustard-toned burlaps, some Botticelli and Manet photographs, a mangy divan, and a couple of chairs were the furnishings. It had been impossible for Bulstrode to pass indifferently the venders of flowers in the festive, brilliant streets, and great bunches of giroflé, hyacinths, and narcissi overflowed the earthenware pitchers and vases with which the studio was plentifully supplied. The soft, sharp fragrance rose above the shut-in odor of the atelier, and, while Miss Desprey worked, her patron looked at her across waves of spring perfume.

Her painting-dress, a garment of beige linen, half belted in at the waist and entirely covering her, made her to Bulstrode, from the crown of her fair hair to the tip of her old tan shoes, seem all of one color. He had taken tremendous interest in his pose, in the progress of the work. He would have looked at the portrait every few moments, but Miss Desprey refused him even a glimpse. He was to wait until all manner of strange things took place on the canvas, till "schemes and composition" were determined, "proper values" arrived at, and he listened to her glib school terms with respect and a sanguine hope that with the aid of such potent technicalities and his interest she might be able to achieve this time something short of atrocious.

He posed faithfully for Miss Desprey, and smiled at her with friendly eyes whenever he caught anything more personal than the squinting glance with which she professionally regarded him, putting him far away or fetching him near, according to her art's requirements. They talked in his rest, and he took pleasure in telling her how he enjoyed his morning walks from his hôtel, how the outdoor life delighted him, and how all the suburban gardens seemed to have been brought to Paris to glow and blossom in the venders' carts or in little baskets on the backs of women and boys, and how thoroughly well worth living he thought life in Paris was.

"There is," he finished, "nothing in the world which compares to the Paris spring-time, I believe, but I have never been West. What is spring like in Idaho?"

Miss Desprey laughed, touched her ruffled hair with painty fingers, blushed, and mused.

"Oh, it's all right, I guess. There's a trolley-line in Centreville, an electric plant and the oil works – no trees, no flowers, and the people all look alike. So you see" – she had a dazzling way of shaking her head, when her fine white teeth, her sunny dishevelled hair, her bright cheeks and eyes seemed all to flash and chime together – "so you see, spring in Centreville and Paris isn't the same thing at all! Things are beautiful everywhere," she assured him slowly as she painted, "if you're happy – and I was very unhappy in Centreville, so I thought I'd come away and try to have a career." She poured out a long stream of garance from the tube on to her palette. Bulstrode watched, fascinated.

"And here in Paris, are you – have you been happy here?"

"Oh, dear no!" she laughed; "perfectly miserable. And it used to seem as though it was cruel of the city to be so gay and happy when I couldn't join in – " Bulstrode, remembering the one franc a day and the very questionable inspiration her poor art could impart, understood; his face was full of feeling – "until," she went slowly on, "lately." She stepped behind the canvas and was lost to sight. "I've been awfully happy in Paris for the first time. I do like beautiful things – but I like beautiful people better – and you're beautiful – beautiful."

She finished with a blush and a smile.

Bulstrode grew to think nothing at all about his portrait further than fervently to hope it would not shock him beyond power to disguise. But Miss Desprey was frightfully in earnest, and worked until her eyes glowed with excitement and her cheeks burned. Strong and vigorous and (Bulstrode over and over again said) "young, so young!" she never evinced any signs of fatigue, but stood when his limbs trembled under him and looked up radiant when he was ready to cry "Grâce!" In her enthusiasm she would have given him two sittings a day, but this his worldly relations would not permit. As she painted, painted, her head on one side sometimes, sometimes thrown back, her eyes half closed, he studied her with pleasure and delight.

"What a pity she paints so dreadfully ill! What a pity she paints at all! What difference, after all, does it make what she does? She's so pretty and feminine!" She was a clinging, sweet creature, and the walk and the flower debauch he permitted himself, the long quiet hours of companionship with this lovely girl in the atelier, illumined, accentuated, and intensified Bulstrode's already fatuous appreciation of the spring in Paris.

During Bulstrode's artistic mornings there distilled itself into the studio a magic to which he was not insensitive. Whether or not it came with the flowers or with the delicate filtering of the sun through the studio light, who can say, but as he stood in his assumed position of nonchalance he was more and more charmed by his painter. The spell he naturally felt should, and for long indeed did, emanate from the slender figure, lost at times behind her canvas, and at times completely in his view.

For years Bulstrode had been the victim of hope, or rather in this case of intent, to love again– to love anew! Neither of these statements is the correct way of putting it. He tried with good faith to prove himself to be what was so generally claimed for him by his friends – susceptible; alas, he knew better!

As he meditatively studied the blonde young girl he spun for himself to its end the idea of picking her up, carrying her off, marrying her, shutting Idaho away definitely, and opening to her all that his wealth and position could of life and the world. He grew tender at the thought of her poor struggle, her insufficient art, her ambition. It fascinated him to think of playing the good fairy, of touching her gray, hard life to color and beauty, and as the beauty and the holy intimacy of home occurred to him, and marriage, his thoughts wandered as pilgrims whose feet stray back in the worn ways and find their own old footprints there, … and after a few moments Miss Desprey was like to be farther away from his meditations than Centreville is from Paris, and the personality of the dream-woman was another. Once Miss Desprey's voice startled him out of such a reverie by bidding him, "Please take the pose, Mr. Bulstrode!" As he laughed and apologized he caught her eyes fixed on him with, as he thought, a curious expression of affection and sympathy – indeed, tears sprang to them. She reddened and went furiously back to work. She was more personal that day than she had yet been. She seemed, after having surprised his absent-mindedness, to feel that she had a right to him – quite ordered him about, and was almost petulant in her exactions of his positions.

Her work evidently advanced to her satisfaction.

As she stood elated before her easel, her hair in sunny disorder, her eyes like stars, Bulstrode was conscious there was a change in her – she was excited and tremulous. In her frayed dress, sagging at the edges, her paint-smeared apron, her slender thumb through the hole in the palette, she came over to him at the close of the sitting, started to speak, faltered, and said:

"You don't know what it means to me – all you have done. And I can't ever tell you."

"Oh, don't," he pleaded, "pray don't speak of it!"

Miss Desprey, half radiant and half troubled, turned away as if she were afraid of his eyes.

"No, I won't try to tell you. I couldn't, I don't dare," she whispered, and impulsively caught his hand and kissed it.

When he had left the studio finally it was with a bewildering sense of having kissed her hand – no, both of her hands! but one held her palette and he couldn't have kissed that one without having got paint on his nose – perhaps he had! He was not at peace.

That same night a telegram brought him news to the effect that Miss Desprey was ill and would not expect him to pose the following day; and relieved that it was not required of him to resume immediately the over-charged relations, he went back to his old habit, rudely broken into by his artistic escapade, and walked far into the Bois.

He thought with alarming persistency of Miss Desprey. He was chivalrous with women, old-fashioned and clean-minded and straight-lived. In the greatest, in the only passion of his life, he had been a Chevalier Bayard, and he could look back upon no incidents in which he had played the part which men of the world pride themselves on playing well. Women were mysterious and wonderful to him. Because of one he approached them all with a feeling not far from worship; and he had no intention of doing a dishonorable thing. Puzzled, self-accusing – although he did not quite know of what he was guilty – he sat down as he had done several weeks before on the bench in the Avenue des Acacias. With extraordinary promptness, as if arranged by a scene-setter, a girl's figure came quickly out of a side alley. She was young – her figure betrayed it. She went quickly over to a seat and sat down. She was weeping and covered her face with her hands. Bulstrode, this time without hesitation, went directly over to her:

"My dear Miss Desprey – "

She sprang up and displayed a face disfigured with weeping.

"You!" she exclaimed with something like terror. "Oh, Mr. Bulstrode!"

Her words shuddered in sobs.

"Don't stay here! Why did you come? Please go – please."

Bulstrode sat down beside her and took her hands.

"I'm not going away – not until I know what your trouble is. You were in distress when I first saw you here and you wouldn't let me help you then. Now you can't refuse me. What is it?"

He found she was clinging to his hands as she found voice enough to say:

"No, I can't tell you. I couldn't ever tell you. It's not the same trouble, it's a new one and worse. I guess it's the worst thing in the world."

Bulstrode was pitiless:

"One that has come lately to you?"

"Oh, yes!"

She was weeping more quietly now.

"Please leave me: please go, Mr. Bulstrode."

"A trouble with which I have had anything to do?"

She waited a long time, then faintly breathed:

"Yes."

The hand he firmly held was gloveless and cold – before he could say anything further she drew it away from him and cried:

"Oh, I ought never to have let you guess! You were so good and kind, you meant to help me so, but it's been the worst help of all, only you couldn't know that," she pleaded for him. "Please forgive me if I seem ungrateful, but if I had known that I was going to suffer like this I would have wished never to see you in the world."

Bulstrode was trying to speak, but she wouldn't let him:

"I never can see you again. Never! You mustn't come any more."

But here she half caught her breath and sobbed with what seemed naïve and adorable daring:

"Unless you can help me through, Mr. Bulstrode – it is your fault, after all."

If this were a virtual throwing of herself into his arms, they were all but open to her and the generous heart was all but ready "to see her through." Bulstrode was about to do, and say, the one rash and irrevocable perfect thing when at this minute fate again at the ring of the curtain opportuned. The tap, tapping, of a pony's feet was heard and a gay little cart came brightly along. Bulstrode saw it. He sprang to his feet. It was close upon them.

"You will let me come to-morrow?" he asked eagerly,

"Oh, yes," she whispered; "yes, I shall count on you. I beg you will come."

"Jimmy," said the lady severely as he accepted her invitation to get into the cart, "this is the second wicked rendezvous I have interrupted. I didn't know you were anything like this, and I've seen that girl before, but I can't remember where."

"Don't try," said Bulstrode.

"And she was crying. Of course you made her cry."

"Well," said Bulstrode desperately, "if I did, it's the first woman that has ever cried for me."

As the reason why Bulstrode had never married was again in Paris, he went up in the late afternoon to see her.

The train of visitors who showed their appreciation of her by thronging her doors had been turned away, but Bulstrode was admitted. The man told him, "Mrs. Falconer will see you, sir," by which he had the agreeably flattered feeling that she would see nobody else.

When he was opposite her the room at once dwindled, contracted, as invariably did every place in which they found themselves together, into one small circle containing himself and one woman. Mrs. Falconer said at once to Bulstrode:

"Jimmy, you're in trouble – in one of your quandaries. What useless good have you been doing, and who has been sharper than a serpent's tooth to you?"

Bulstrode's late companionship with youth had imparted to him a boyish look. His friend narrowly observed him, and her charming face clouded with one of those almost imperceptible nuances that the faces of those women wear who feel everything and by habit reveal nothing.

"I'm not a victim." Bulstrode's tone was regretful. "One might say, on the contrary, this time that I was possibly overpaid."

"Yes?"

"I haven't," he explained and regretted, "seen you for a long time."

"I've been automobiling in Touraine." Mrs. Falconer gave him no opportunity to be delinquent.

"And I," he confessed, "have been posing for my portrait. Don't," he pleaded, "laugh at me – it isn't for a miniature or a locket; it's life-size, horribly life-size. I've had to stand, off and on with the rests, three hours a day, and I've done so every day for three weeks."

Mrs. Falconer regarded him with indulgent amusement.

"It's your fault – you took me to see those awful school-girl paintings and pointed out that poor young creature to me." And he was interrupted by her exclamation:

"Oh, how dear of you, Jimmy! how sweet and kind and ridiculous! It won't be fit to be seen."

"Oh, never mind that," he waved; "no one need see it. I haven't – she won't let me."

He had accepted a cup of tea from the lady's hand; he drank it off and sat down, holding the empty cup as if he held his fate.

"Tell me," she urged, "all about it. It was just like you – any other man would have found means to show charity, but you have shown unselfish goodness, and that's the rarest thing in the world. Fancy posing every day! How ghastly and how wonderful of you!"

"No," he said slowly, "it wasn't any of these things. I wanted to do it. It amused me at first, you see. But now I am a little annoyed – rather bothered to tell the truth – He met her eyes with almost an appeal in his. Mrs. Falconer was in kindness bound to help him.

"Bothered? How, pray? With what part of it? You're not chivalrous about it, are you? You're not by the way of feeling that you have compromised her by posing?"

"Oh, no, no," he hurried; "but I do feel, and I am frank to acknowledge, that it was a mistake. Because – do you know – that for some absurd reason I am afraid she has become fond of me." He blushed like a boy. Mrs. Falconer said coldly:

"Yes? Well, what of it?"

"This – " Bulstrode's voice was quiet and determined – "if I am right I shall marry her."

Mrs. Falconer had the advantage over most women of completely understanding the man with whom she dealt. She knew that to attempt to turn from its just and generous source any intent of Mr. Bulstrode would have been as futile as to attempt to turn a river from its parent fountain.

"You're quixotic, I know, but you're not demented, and you won't certainly marry this nobody – whose fancies or love-affairs have not the least importance. You won't ever see her again unless you are in love with her yourself."

Bulstrode interrupted her hastily:

"Oh, yes, I shall."

He got up and walked over to the window that looked down on Mrs. Falconer's trim little garden. A couple of iron chairs and a table stood under the trees. Early roses had begun to bloom in the beds whose outlines were thick and dark with heart's-ease. Beyond the iron rail of the high wall the distant rumble of Paris came to his ears. Mrs. Falconer's voice behind him said:

"She's a very pretty girl, and young enough to be your daughter."

"No," he said quietly, "not by many years."

As he turned about and came back to the lady the room seemed to have grown darker and she to sit in the shadow. She leaned toward him, laughing:

"So you have come to announce at last the famous marriage of yours we have so often planned together."

Bulstrode stood looking down on her.

"I feel myself responsible," he said gravely. "She was going home, and by a mistaken impulse I came in and changed her plans. She is perfectly alone and perfectly poor, and I am not going to add to her perplexities. I have no one in the world to care what I do. I have no ties and no duties."

"No," said Mrs. Falconer; "you are wonderfully free."

He said vehemently:

"I am all of a sudden wonderfully miserable."

He had been in the habit for years of suddenly leaving her without any warning, and now he put out his hand and bade her good-by, and before she could detain him had made one of many brusque exits from her presence.

On the following day – a Sunday, as from his delightful apartments in the Ritz he set forth for the studio, Bulstrode bade good-by to his bachelor existence. He knew when he should next see the Place Vendôme it would be with the eyes of an engaged man. His life hereafter was to be shared by a "total stranger." So he pathetically put it, and his sentimental yearning to share everything with a lovely woman had died a sudden death.

"There's no one in the world to care a rap what I do – really," he reflected, "and in this case I have run up against it – that's the long and the short of the matter – and I shall see it through."

As he set out for Miss Desprey's along his favorite track he remarked that the gala, festive character of Paris had entirely disappeared. The season had gone back on him by several months, and the melancholy of autumn and dreary winter cast a gloom over his boyish spirits. A very slight rain was falling. Bulstrode began to feel a twinge of rheumatism in his arm and as he irritably opened his umbrella his spirits dropped beneath it and his brisk, springy walk sagged to something resembling the gait of a middle-aged gentleman. But he urged himself into a better mood, however, at the sight of a flower-shop whose delicate wares huddled appealingly close to the window. He went in and purchased an enormous bunch of – he hesitated – there were certain flowers he could not, would not send! The selection his sentimental reserve imposed therefore consisted of sweet-peas, giroflés, and a big cluster of white roses, all very girlish and virginal. His bridal offering in his hand, he took a cab and drove to the other side of the river with lead at his good heart and, he almost fancied, a lump in his throat. He paid the coachman, whose careless spirits he envied, and slowly walked down the picturesque alley of Impasse du Maine.

"There isn't a man I know – not a man in the Somerset Club – who would be as big a fool as this!"

He had more than a mind to leave the flowers on the doorstep and run. Bulstrode would have done so now that he was face to face with his quixotic folly, but his cab had been heard as well as his steps on the walk, and the door was opened by Miss Desprey herself. The girl's colorless face, her eyes spoiled with tears, and a pretty, sad dignity, which became her well, struck her friend with the sincerity and depth of her grief, and as the good gentleman shook hands with her he realized that less than ever in the world could he add a featherweight of grief to the burden of this helpless creature.

"My dearest child!" He lifted her hand to his lips.

"Oh, Mr. Bulstrode, I'm so glad you've come, I was so afraid you wouldn't – after yesterday!"

His arms were still full of white paper, roses, and sweet-peas.

"Oh, don't give them to me, Mr. Bulstrode! Oh, why, did you bring them? Oh, dear, what will you think of me?" She had possessed herself of the flowers and with agitation and distress hastily thrust them, as if she wanted to hide them, behind the draperies of the couch. Bulstrode murmured something of whose import he was scarcely conscious. As she came tearfully back to him she let him take her hands. He felt that she clung to him. "It would have spoiled my life if you hadn't come. I would have just gone and jumped in the Seine. I may yet. Oh, you don't understand! It's been hard to be poor – I've been often hungry – but this last thing was too much. When you found me yesterday I didn't want to live any more."

Bulstrode's kind clasp warmed the cold little hands. As tenderly as he could he looked at her agitated prettiness.

"Don't talk like that" – he tried for her first name and found it. "Laura, you will let me make it all right, my dear? You will let me, won't you? You shall never know another care if I can prevent it."

She interrupted with hasty gratitude:

"Nobody else can make it all right but you."

He tried softly:

"Did I, then, make it so very wrong?"

She murmured, too overcome to trust herself to say much:

"Yes!"

She was standing close to him, and lifted her appealing face to his. Her excitement communicated itself to him; he bent toward her about to kiss her, when the door of the studio sharply opened, and before Bulstrode could do more than swiftly draw back and leave Miss Desprey free an exceedingly tall and able-bodied man entered without ceremony.

The girl gave a cry, ran from Bulstrode, and, so to speak, threw herself against the arms of the stranger, for there were none open to receive her.

"Oh, here's Mr. Bulstrode, Dan! I knew he'd come; and he'll tell you – won't you, Mr. Bulstrode? Tell him, please, that I don't care anything at all about you and you don't care anything about me… That you don't want to marry me or anything. Oh, please make him believe it!"

The poor gentleman's senses and brain whirling together made him giddy. He felt as though he had just been whisked up from the edge of a precipice over which he ridiculously dangled. Dan, who represented the rescuer, was not prepossessing. He was the complete and unspoiled type of Western youth; the girl herself was an imperfect and exquisite hybrid.

"I don't know that this gentleman can explain to me" – the young fellow threw his boyish head back – "or that I care to hear him."

She gave a cry, sharp and wounded. The sound touched the now normal, thoroughly grateful patron, who had come out of his ordeal with as much kindly sensibility as he went in.

"Of course, my dear young lady" – he perfectly understood the situation – "I will tell your friend the facts of our acquaintance. That's what you want me to do, isn't it?"

She was weeping and hanging on to the unyielding arm of her cross lover, who glared at the intruding Bulstrode with a youthful jealousy at which the older man smiled while he envied it. He pursued impressively:

"Miss Desprey has been painting my portrait for the past few weeks. I gave her the order at the Art League; other than painter and sitter we have no possible interest in each other – Mr. – "

"Gregs," snapped the stranger, "Daniel Gregs!"

The slender creature, whose eyes never left the stolid, uncompromising face, repeated eagerly:

"No possible interest– Dan – none! He doesn't care anything about me at all! You heard what he said, didn't you? I only like him like a kind, kind friend."

Her voice, soft as a flower, caressed and pleaded with the passionate tenderness of a woman who feels that an inadvertent word may keep for her or lose for her the man she adores.

"My dear man," exclaimed Bulstrode in great irritation, "you ought to be ashamed to let her cry like that! Can't you understand– don't you see?"

"No," shortly caught up the other, "I don't! I've come here from South Africa, where I'm prospecting some mines for a company at Centreville, and I heard she was poor and unhappy, and I hurried up my things so I could come to Paris and marry her and take her with me, and here I find her painting every day alone with a rich man, her place all fixed up with flowers, and a thousand dollars in the bank" – his cheek reddened – "I don't like it! And that's all there is to it!" he finished shortly.

"No, my friend," said the other severely, "there's a great deal more. If, from what you say, and the way you speak, you wish me to understand you have a real interest in Miss Desprey, you can follow me when I say that I came here and found her a lonely, forsaken girl, obliged to return to Idaho when she didn't want to go, without any money or any friends. May I ask you why, if there was any one in the world who cared for her, she should be left so deserted?"

The girl here turned her face from her lover to her champion.

"Don't please blame Dan for that. He was so poor, too. He didn't have anything when he went to South Africa; it was just a chance if he would succeed. And he was working for me, so that he could get married."

Gregs interrupted:

"I don't owe this gentleman any explanation!"

"No," accepted the other gently, "perhaps not, but you mustn't, on the other hand, refuse to hear mine. Be reasonable. Why shouldn't Miss Desprey have an order for a portrait?"

Gregs, over the golden head against his arm, looked at Bulstrode:

"She can't paint!" His tone was gentler. "Laura can't paint, and you know it!"

"Dan!" she whispered; "how cruel you are to me!"

And here the desperate Bulstrode broke in:

"He is, indeed, Miss Desprey, cruel and unjust, and I frankly ask leave to tell him so. You don't deserve the girl, Mr. Gregs, if she's yours, as she seems to be."

But the girl clung closer, as if she still feared Bulstrode might try to rescue her.

"That's all right," frowned the miner. "I am no better and no worse than any man about his girl, and I'm going to know just where I stand!"

The gentleman's reply was caustic. "I should be inclined to say you'd find it hard to be in a better place."

Laura Desprey had wound her arms around Mr. Gregs. Bulstrode held out his hand. She couldn't take it, nor could her lover. With arrogant obstinacy he had folded his arms across his chest.

"Come, can't we be friends?" urged the amiable gentleman. "I seem to have made trouble when I only wanted to be friendly. Let me set it right before I go. I am lunching in Versailles, and I have to take the noon train from the Gare Montparnasse."

But Daniel Gregs did not unbend to the affable proposition. Miss Desprey said:

"When you saw me yesterday in the park, Mr. Bulstrode, Dan had just come back the day before. I was putting the flowers you sent me in fresh water when he came in on me all of a sudden. Oh, it was so splendid at first! I was so happy – until he asked all about you, and then he grew so angry and said unless you could explain to him a lot of things he would go away and never see me again, and when you found me I was crying because I thought he had left me forever. I hadn't seen him for two years, and if you hadn't helped me to stay on here I should have had to go to Idaho, and I wouldn't have seen him at all. You ought to thank him, Dan."

Bulstrode interrupted:

"Indeed, Mr. Gregs, you should, you know! – you should thank me; come, be generous."

Dan relaxed his grim humor a little.

"When I get through with this South African business I'm going back to Centreville, and if I ever get her out of this Paris she'll never see it again!"

"Dan," she breathed, "I don't want to. Centreville is good enough for me."

(Centreville! The horrible environment he was to have snatched her from. Bulstrode smiled softly.)

"But this money," pursued the dogged lover, returning to his grudge. "You've got to take it back, Mr. Bulstrode. No picture on earth is worth a thousand dollars, and certainly not Laura's."

"Oh, Dan!" she exclaimed.

But her friend said firmly: "The portrait is mine. Come, don't be foolish. If Miss Desprey is willing to marry you and go out to Idaho, take the money and buy her some pretty clothes and things."

Here the girl herself interrupted excitedly:

"No, no! We couldn't take it. I don't want any new clothes. If Dan doesn't care how shabby I am, I don't. I don't want anything in the world but just to go with Dan."

At this sweet tenderness Dan's face entirely changed, his arms unfolded; he put them around her.

"That's all right, little girl." His tone thrilled through Bulstrode more than the woman's tears had done. He understood why she wanted to go to him, and how she could be drawn. He had at times in his life lost money, and sometimes heavily, and he had never felt poor before. In the same words, but in a vastly different tone, Dan Gregs held out his hand to Bulstrode.

"That's all right, sir. When a fellow travels thousands and thousands of miles to get his girl and hasn't much more than his car fare and he runs up against another fellow who has got the rocks and all and who he thinks is sweet on his girl, it makes him crazy – just crazy!"

"I see" – Bulstrode sympathetically understood – "and I don't at all wonder."

They were all three shaking hands together and Bulstrode said:

"Would you believe it, I haven't seen my portrait, Miss Desprey."

Dan Gregs grinned.

"Don't," he said, "don't look at it. It's what made all the trouble. When I saw it yesterday and Laura told me it had drawn a thousand dollars – why I said 'there isn't a man living who would give you fifty cents for it.' That made her mad at first. Then she told me you thought she was a great portrait-painter, and I knew you must be sweet on her. I'm fond of her all right, but I decided that you were bound to have her and didn't care how you dealt your cards, and I thought I'd clear out."

His face fell and threatened to cloud over, but it cleared again as with the remembrance of his doubts came the actual sense of the woman whose face was hidden on his breast, and he lightly touched the dusty golden hair.

When in a few seconds Bulstrode took leave of them, Miss Desprey, in her dingy painting-dress, seemed completely swallowed up in the embrace of the big Dan Gregs. From where he stood by the door Bulstrode could see the white corner of his fiançailles bouquet sticking out from the draperies of the couch. The paper was open and in the heat of the warm little atelier the fresh odor of the pungent flowers came strongly on the air.

Bulstrode as he said good-by seemed to say it – and to look at the lovers – through a haze of perfume – a perfume that, like the most precious things in the world, pervades and affects, suggests and impresses, while its existence is unseen, unknown to the world.

Once in his train, he had been able to catch it at the Invalides after all, Jimmy drew a long breath and settled back into himself, for, he had been, poor dear, during the past three weeks, in another man's shoes and profiting by another man's identity. It was perfectly heavenly to feel that he had been liberated by the merciful providence which takes care to provide the right lover for the right place. He couldn't be too grateful for the miracle which saved him from a sacrifice alongside of which Abraham's would have been a jest indeed.

The June morning was warm and through the open car window, as the train went comfortably along, the perfume of the country came into him where he sat. Opposite, a pair of lovers frankly and naturally showed their annoyance at the third person's intrusion, and Bulstrode, sympathetically turned himself about and became absorbed in Suburban Paris. His heart beat high at the fact of his deliverance. His gratitude was sincere – moreover, his thoughts were of an agreeable trend, and he was able to forget everybody else within twelve miles. Secure in his impersonality and in the indifference of his broad unseeing back, the lovers kissed and held hands.

Bulstrode wandered slowly up from the Versailles station to the Hôtel des Reservoirs, crossed the broad square of the Palace Court, found the pink and yellow façade more mellow and perfect than ever, and toward twelve-thirty strolled into the yard of the old hostelry. Breakfast had been set for twelve-thirty, but his host was not there.

"Ah – mais, bon jour, Monsieur Bulstrode!" The proprietor knew and appreciated this client greatly.

Monsieur Falconer, it seemed, had been called suddenly to Paris… Yes – well – there were, now and then, in the course of life, bits of news that could be borne with fortitude. "And Madame has also been called to Paris?"

"Mais non!" Madame had a few minutes since gone out in the Park, the proprietor thought she would not be very far away.

Bulstrode thanked him, and crossed over to the hedge and the gateway and through it to the Palace Gardens. On all sides the paths stretched broad and inviting toward the various alleys, and upon the terrace to his left there shone a thousand flowers in June abundance. The gentleman chose the first path that opened, and went carelessly down it, and in a few moments the pretty ring of an embowered circle spread before him, but, although there was an inviting marble bench under a big tree at one side, and several eighteenth century marbles on their pedestals, illuminated by the bland eighteenth century smile, there was not a living woman in sight to make him, the visitor, welcome! He went a little further along and found another felicitous, harmonious circle, where a small fountain threw its jets on the June air. At the sound of the water Bulstrode remembered that the Grands Eaux were to play on this afternoon at Versailles.

"Ah, that is why they especially wanted me to come out to-day," he decided.

On the other side of the fountain, the vivid white of her summer dress making a flash like moonlight on the obscurity of the woods, a lady was standing looking across at Mr. Bulstrode.

"Hush!" she said; "come over softly, Jimmy; there is a timid third party here."

On a branch at her side, where an oriole sat, his head thrown back, his throat swelling, there was a little stir and flutter of leaves, for although the lady had put her finger to her lips, her voice broke the spell, and a bit of yellow flashed through the trees.

"I don't believe he will ever forgive you!" she cried; "you spoiled his solo, but I'll forgive you. What brought you out to Versailles to-day?"

"The fountains," Bulstrode told her; "I have never seen them play. Then, too – there are certain places to which, when I am asked to luncheon, I always go."

"That's quite true," she accepted; "you were invited! – but, to be perfectly frank, I did not expect you, so your coming on this occasion has only the pleasure of a surprise. As a rule, I hate them. My husband informed me that he would telephone you to meet him in Paris, but I think he must have forgotten you, Jimmy."

She was taking him in from his fresh panama to his boots, and she apparently found an air of festivity about him.

"Was it," she asked, "in honor of the fountains' playing that you have made yourself so beautiful?"

Bulstrode took the boutonnière out of his coat lapel and handed it to her. "Can't you pin it in somewhere?" Mrs. Falconer laughed and thrust the carnation into her bodice.

"I dressed to-day, more or less," Mr. Bulstrode confessed, "in order to attend – well, what shall I call it – a betrothal? That's a good old-fashioned word."

"Oh!" exclaimed the lady, "a fiançailles?"

"Yes."

The two had wandered slowly along, out of the Bosquet towards the canals.

"They make a great deal of these functions in France," Mrs. Falconer said.

Her companion agreed. "They made a great deal, rather more than usual, out of this one." And his tone was so suggestive that his companion looked up at him quickly.

"Who are your mysterious lovers?" she asked, "are they French? Do I know them?"

"They are not in the least mysterious," Bulstrode assured her. "I never saw anything less complex and more simple. They are Americans."

She seemed now to understand that she was to hear of "one of Jimmy's adventures," as she called his dashes in other people's affairs.

"I hope, Jimmy, in this case, that you have pulled the affair off to your credit, and that if you have made a match the creatures will be grateful to you for once! And, by the way," she bethought; "whatever has happened to the pretty girl whom you were quixotic enough to think you had to marry?"

"The last time I saw her she appeared to be in the best of circumstances," Bulstrode answered cheerfully. "In point of fact – it was, singularly enough, to her engagement party that I went to-day!"

And Mrs. Falconer now showed real interest and feeling. "No! how delightful. So she is really off your hands, Jimmy. Well, that is too good to be true. There's one at least whom you don't have to marry, Jimmy!"

"Oh, they grow beautifully less," he agreed.

Mrs. Falconer smiled softly.

"They are narrowing down every year," Jimmy went on; "when I am about sixty the number will be reduced, I dare say, to the proper quantity."

"What a goose you are," she said jestingly. "What a tease and a bother you are, Jimmy Bulstrode; I'll find you a proper wife!"

He accepted warmly. "Do, do! I leave myself quite in your hands."

His companion extended him her hand as she spoke, and after lifting it to his lips, Bulstrode drew it through his arm. It was clothed in a glove of pale coffee-color suede. It was a soft, dear hand, and rested as if it were at home on Bulstrode's gray sleeve. Side by side the two friends walked slowly out toward the broader avenues leading to the canals. The sky was faintly blue, touched with the edges of some drifting cloud, like dashes of foam. The trees about them lifted dark velvet masses and the air was sweet with the scent of the woods and flowers.

"Isn't this the most beautiful garden in the world?" murmured Mrs. Falconer. "Isn't it too beautiful!"

"Very," he incorrectly and vaguely answered. And the lady went on to say how brilliant she found the place with the suggestions and memories of the past royal times, whilst Bulstrode said nothing at all, because he did not want to tell her that Versailles and the charming alleys, and France, and the great big world, from limit to limit, was full of no ghosts to him, but of just one woman.