Читать книгу Chambers's Edinburgh Journal, No. 424 - Various - Страница 2

MY TRAVELLING COMPANION

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My picture was a failure. Partial friends had guaranteed its success; but the Hanging Committee and the press are not composed of one's partial friends. The Hanging Committee thrust me into the darkest corner of the octagon-room, and the press ignored my existence—excepting in one instance, when my critic dismissed me in a quarter of a line as a 'presumptuous dauber.' I was stunned with the blow, for I had counted so securely on the L.200 at which my grand historical painting was dog-cheap—not to speak of the deathless fame which it was to create for me—that I felt like a mere wreck when my hopes were flung to the ground, and the untasted cup dashed from my lips. I took to my bed, and was seriously ill. The doctor bled me till I fainted, and then said, that he had saved me from a brain-fever. That might be, but he very nearly threw me into a consumption, only that I had a deep chest and a good digestion. Pneumonic expansion and active chyle saved me from an early tomb, yet I was too unhappy to be grateful.

But why did my picture fail? Surely it possessed all the elements of success! It was grandly historical in subject, original in treatment, pure in colouring; what, then, was wanting? This old warrior's head, of true Saxon type, had all the majesty of Michael Angelo; that young figure, all the radiant grace of Correggio; no Rembrandt shewed more severe dignity than yon burnt umber monk in the corner; and Titian never excelled the loveliness of this cobalt virgin in the foreground. Why did it not succeed? The subject, too—the 'Finding of the Body of Harold by Torch-light'—was sacred to all English hearts; and being conceived in an entirely new and original manner, it was redeemed from the charge of triteness and wearisomeness. The composition was pyramidal, the apex being a torch borne aloft for the 'high light,' and the base shewing some very novel effects of herbage and armour. But it failed. All my skill, all my hope, my ceaseless endeavour, my burning visions, all—all had failed; and I was only a poor, half-starved painter, in Great Howland Street, whose landlady was daily abating in her respect, and the butcher daily abating in his punctuality; whose garments were getting threadbare, and his dinners hypothetical, and whose day-dreams of fame and fortune had faded into the dull-gray of penury and disappointment. I was broken-hearted, ill, hungry; so I accepted an invitation from a friend, a rich manufacturer in Birmingham, to go down to his house for the Christmas holidays. He had a pleasant place in the midst of some ironworks, the blazing chimneys of which, he assured me, would afford me some exquisite studies of 'light' effects.

By mistake, I went by the Express train, and so was thrown into the society of a lady whose position would have rendered any acquaintance with her impossible, excepting under such chance-conditions as the present; and whose history, as I learned it afterwards, led me to reflect much on the difference between the reality and the seeming of life.

She moved my envy. Yes—base, mean, low, unartistic, degrading as is this passion, I felt it rise up like a snake in my breast when I saw that feeble woman. She was splendidly dressed—wrapped in furs of the most costly kind, trailing behind; her velvets and lace worth a countess's dowry. She was attended by obsequious menials; surrounded by luxuries; her compartment of the carriage was a perfect palace in all the accessories which it was possible to collect in so small a space; and it seemed as though 'Cleopatra's cup' would have been no impracticable draught for her. She gave me more fully the impression of luxury, than any person I had ever met with before; and I thought I had reason when I envied her.

She was lifted into the carriage carefully; carefully swathed in her splendid furs and lustrous velvets; and placed gently, like a wounded bird, in her warm nest of down. But she moved languidly, and fretfully thrust aside her servants' busy hands, indifferent to her comforts, and annoyed by her very blessings. I looked into her face: it was a strange face, which had once been beautiful; but ill-health, and care, and grief, had marked it now with deep lines, and coloured it with unnatural tints. Tears had washed out the roses from her cheeks, and set large purple rings about her eyes; the mouth was hard and pinched, but the eyelids swollen; while the crossed wrinkles on her brow told the same tale of grief grown petulant, and of pain grown soured, as the thin lip, quivering and querulous, and the nervous hand, never still and never strong.

The train-bell rang, the whistle sounded, the lady's servitors stood bareheaded and courtesying to the ground, and the rapid rush of the iron giant bore off the high-born dame and the starveling painter in strange companionship. Unquiet and unresting—now shifting her place—now letting down the glass for the cold air to blow full upon her withered face—then drawing it up, and chafing her hands and feet by the warm-water apparatus concealed in her chauffe-pied, while shivering as if in an ague-fit—sighing deeply—lost in thought—wildly looking out and around for distraction—she soon made me ask myself whether my envy of her was as true as deep sympathy and pity would have been.

'But her wealth—her wealth!' I thought. 'True she may suffer, but how gloriously she is solaced! She may weep, but the angels of social life wipe off her tears with perfumed linen, gold embroidered; she may grieve, but her grief makes her joys so much the more blissful. Ah! she is to be envied after all!—envied, while I, a very beggar, might well scorn my place now!'

Something of this might have been in my face, as I offered my sick companion some small attention—I forget what—gathering up one of her luxurious trifles, or arranging her cushions. She seemed almost to read my thoughts as her eyes rested on my melancholy face; and saying abruptly: 'I fear you are unhappy, young man?' she settled herself in her place like a person prepared to listen to a pleasant tale.

'I am unfortunate, madam,' I answered.

'Unfortunate?' she said impatiently. 'What! with youth and health, can you call yourself unfortunate? When the whole world lies untried before you, and you still live in the golden atmosphere of hope, can you pamper yourself with sentimental sorrows? Fie upon you!—fie upon you! What are your sorrows compared with mine?'

'I am ignorant of yours, madam,' I said respectfully; 'but I know my own; and, knowing them, I can speak of their weight and bitterness. By your very position, you cannot undergo the same kind of distress as that overwhelming me at this moment: you may have evils in your path of life, but they cannot equal mine.'

'Can anything equal the evils of ruined health and a desolated hearth?' she cried, still in the same impatient manner. 'Can the worst griefs of wayward youth equal the bitterness of that cup which you drink at such a time of life as forbids all hope of after-assuagement? Can the first disappointment of a strong heart rank with the terrible desolation of a wrecked old age? You think because you see about me the evidences of wealth, that I must be happy. Young man, I tell you truly, I would gladly give up every farthing of my princely fortune, and be reduced to the extreme of want, to bring back from the grave the dear ones lying there, or pour into my veins one drop of the bounding blood of health and energy which used to make life a long play-hour of delight. Once, no child in the fields, no bird in the sky, was more blessed than I; and what am I now?—a sickly, lonely old woman, whose nerves are shattered and whose heart is broken, without hope or happiness on the earth! Even death has passed me by in forgetfulness and scorn!'

Her voice betrayed the truth of her emotion. Still, with an accent of bitterness and complaint, rather than of simple sorrow, it was the voice of one fighting against her fate, more than of one suffering acutely and in despair: it was petulant rather than melancholy; angry rather than grieving; shewing that her trials had hardened, not softened her heart.

'Listen to me,' she then said, laying her hand on my arm, 'and perhaps my history may reconcile you to the childish depression, from what cause soever it may be, under which you are labouring. You are young and strong, and can bear any amount of pain as yet: wait until you reach my age, and then you will know the true meaning of the word despair! I am rich, as you may see,' she continued, pointing to her surroundings—'in truth, so rich that I take no account either of my income or my expenditure. I have never known life under any other form; I have never known what it was to be denied the gratification of one desire which wealth could purchase, or obliged to calculate the cost of a single undertaking. I can scarcely realise the idea of poverty. I see that all people do not live in the same style as myself, but I cannot understand that it is from inability: it always seems to me to be from their own disinclination. I tell you, I cannot fully realise the idea of poverty; and you think this must make me happy, perhaps?' she added sharply, looking full in my face.

'I should be happy, madam, if I were rich,' I replied. 'Suffering now from the strain of poverty, it is no marvel if I place an undue value on plenty.'

'Yet see what it does for me!' continued my companion. 'Does it give me back my husband, my brave boys, my beautiful girl? Does it give rest to this weary heart, or relief to this aching head? Does it soothe my mind or heal my body? No! It but oppresses me, like a heavy robe thrown round weakened limbs: it is even an additional misfortune, for if I were poor, I should be obliged to think of other things beside myself and my woes; sand the very mental exertion necessary to sustain my position would lighten my miseries. I have seen my daughter wasting year by year and day by day, under the warm sky of the south—under the warm care of love! Neither climate nor affection could save her: every effort was made—the best advice procured—the latest panacea adopted; but to no effect. Her life was prolonged, certainly; but this simply means, that she was three years in dying, instead of three months. She was a gloriously lovely creature, like a fair young saint for beauty and purity—quite an ideal thing, with her golden hair and large blue eyes! She was my only girl—my youngest, my darling, my best treasure! My first real sorrow—now fifteen years ago—was when I saw her laid, on her twenty-first birthday, in the English burial-ground at Madeira. It is on the gravestone, that she died of consumption: would that it had been added—and her mother of grief! From the day of her death, my happiness left me!'

Here the poor lady paused, and buried her face in her hands. The first sorrow was evidently also the keenest; and I felt my own eyelids moist as I watched this outpouring of the mother's anguish. After all, here was grief beyond the power of wealth to assuage: here was sorrow deeper than any mere worldly disappointment.

'I had two sons,' she went on to say after a short time—'only two. They were fine young men, gifted and handsome. In fact, all my children were allowed to be very models of beauty. One entered the army, the other the navy. The eldest went with his regiment to the Cape, where he married a woman of low family—an infamous creature of no blood; though she was decently conducted for a low-born thing as she was. She was well-spoken of by those who knew her; but what could she be with a butcher for a grandfather! However, my poor infatuated son loved her to the last. She was very pretty, I have heard—young, and timid; but being of such fearfully low origin, of course she could not be recognised by my husband or myself! We forbade my son all intercourse with us, unless he would separate himself from her; but the poor boy was perfectly mad, and he preferred this low-born wife to his father and mother. They had a little baby, who was sent over to me when the wife died—for, thank God! she did die in a few years' time. My son was restored to our love, and he received our forgiveness; but we never saw him again. He took a fever of the country, and was a corpse in a few hours. My second boy was in the navy—a fine high-spirited fellow, who seemed to set all the accidents of life at defiance. I could not believe in any harm coming to him. He was so strong, so healthy, so beautiful, so bright: he might have been immortal, for all the elements of decay that shewed themselves in him. Yet this glorious young hero was drowned—wrecked off a coral-reef, and flung like a weed on the waters. He lost his own life in trying to save that of a common sailor—a piece of pure gold bartered for the foulest clay! Two years after this, my husband died of typhus fever, and I had a nervous attack, from which I have never recovered. And now, what do you say to this history of mine? For fifteen years, I have never been free from sorrow. No sooner did one grow so familiar to me, that I ceased to tremble at its hideousness, than another, still more terrible, came to overwhelm me in fresh misery. For fifteen years, my heart has never known an hour's peace; and to the end of my life, I shall be a desolate, miserable, broken-hearted woman. Can you understand, now, the valuelessness of my riches, and how desolate my splendid house must seem to me? They have been given me for no useful purpose here or hereafter; they encumber me, and do no good to others. Who is to have them when I die? Hospitals and schools? I hate the medical profession, and I am against the education of the poor. I think it the great evil of the day, and I would not leave a penny of mine to such a radical wrong. What is to become of my wealth?'—

'Your grandson,' I interrupted hastily: 'the child of the officer.'

The old woman's face gradually softened. 'Ah! he is a lovely boy,' she said; 'but I don't love him—no, I don't,' she repeated vehemently. 'If I set my heart on him, he will die or turn out ill: take to the low ways of his wretched mother, or die some horrible death. I steel my heart against him, and shut him out from my calculations of the future. He is a sweet boy: interesting, affectionate, lovely; but I will not allow myself to love him, and I don't allow him to love me! But you ought to see him. His hair is like my own daughter's—long, glossy, golden hair; and his eyes are large and blue, and the lashes curl on his cheek like heavy fringes. He is too pale and too thin: he looks sadly delicate; but his wretched mother was a delicate little creature, and he has doubtless inherited a world of disease and poor blood from her. I wish he was here though, for you to see; but I keep him at school, for when he is much with me, I feel myself beginning to be interested in him; and I do not wish to love him—I do not wish to remember him at all! With that delicate frame and nervous temperament, he must

Chambers's Edinburgh Journal, No. 424

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