Читать книгу The Atlantic Monthly, Volume 20, No. 118, August, 1867 - Various - Страница 3

MYRTLE HAZARD AT THE CITY SCHOOL

Mr. Bradshaw was obliged to leave town for a week or two on business connected with the great land-claim. On his return, feeling in pretty good spirits, as the prospects looked favorable, he went to make a call at The Poplars. He asked first for Miss Hazard.

"Bliss your soul, Mr. Bridshaw," answered Mistress Kitty Fagan, "she's been gahn nigh a wake. It's to the city, to the big school, they've sint her."

This announcement seemed to make a deep impression on Murray Bradshaw, for his feelings found utterance in one of the most energetic forms of language to which ears polite or impolite are accustomed. He next asked for Miss Silence, who soon presented herself. Mr. Bradshaw asked, in a rather excited way, "Is it possible, Miss Withers, that your niece has quitted you to go to a city school?"

Miss Silence answered, with her chief-mourner expression, and her death-chamber tone: "Yes, she has left us for a season. I trust it may not be her destruction. I had hoped in former years that she would become a missionary, but I have given up all expectation of that now. Two whole years, from the age of four to that of six, I had prevailed upon her to give up sugar,—the money so saved to go to a graduate of our institution—who was afterwards–he labored among the cannibal-islanders. I thought she seemed to take pleasure in this small act of self-denial, but I have since suspected that Kitty gave her secret lumps. It was by Mr. Gridley's advice that she went, and by his pecuniary assistance. What could I do? She was bent on going, and I was afraid she would have fits, or do something dreadful, if I did not let her have her way. I am afraid she will come back to us spoiled. She has seemed so fond of dress lately, and once she spoke of learning—yes, Mr. Bradshaw, of learning to—dance! I wept when I heard of it. Yes, I wept."

That was such a tremendous thing to think of, and especially to speak of in Mr. Bradshaw's presence,—for the most pathetic image in the world to many women is that of themselves in tears,—that it brought a return of the same overflow, which served as a substitute for conversation until Miss Badlam entered the apartment.

Miss Cynthia followed the same general course of remark. They could not help Myrtle's going if they tried. She had always maintained that, if they had only once broke her will when she was little, they would have kept the upper hand of her; but her will never was broke. They came pretty near it once, but the child wouldn't give in.

Miss Cynthia went to the door with Mr. Bradshaw, and the conversation immediately became short and informal.

"Demonish pretty business! All up for a year or more,—hey?"

"Don't blame me,—I couldn't stop her."

"Give me her address,—I'll write to her. Any young men teach in the school?"

"Can't tell you. She'll write to Olive and Bathsheba, and I'll find out all about it."

Murray Bradshaw went home and wrote a long letter to Mrs. Clymer Ketchum, of 24 Carat Place, containing many interesting remarks and inquiries, some of the latter relating to Madam Delacoste's institution for the education of young ladies.

While this was going on at Oxbow Village, Myrtle was establishing herself at the rather fashionable school to which Mr. Gridley had recommended her. Mrs. or Madam Delacoste's boarding-school had a name which on the whole it deserved pretty well. She had some very good instructors for girls who wished to get up useful knowledge in case they might marry professors or ministers. They had a chance to learn music, dancing, drawing, and the way of behaving in company. There was a chance, too, to pick up available acquaintances, for many rich people sent their daughters to the school, and it was something to have been bred in their company.

There was the usual division of the scholars into a first and second set, according to the social position, mainly depending upon the fortune, of the families to which they belonged. The wholesale dealer's daughter very naturally considered herself as belonging to a different order from the retail dealer's daughter. The keeper of a great hotel and the editor of a widely circulated newspaper were considered as ranking with the wholesale dealers, and their daughters belonged also to the untitled nobility which has the dollar for its armorial bearing. The second set had most of the good scholars, and some of the prettiest girls; but nobody knew anything about their families, who lived off the great streets and avenues, or vegetated in country towns.

Myrtle Hazard's advent made something like a sensation. They did not know exactly what to make of her. Hazard? Hazard? No great firm of that name. No leading hotel kept by any Hazard, was there? No newspaper of note edited by anybody called Hazard, was there? Came from where? Oxbow Village. O, rural district. Yes.—Still they could not help owning that she was handsome,—a concession which of course had to be made with reservations.

"Don't you think she's vurry good-lookin'?" said a Boston girl to a New York girl. "I think she's real pooty."

"I dew, indeed. I didn't think she was haäf so handsome the f[)e]eest time I saw her," answered the New York girl.

"What a pity she hadn't been bawn in Bawston!"

"Yes, and moved very young to Ne Yock!"

"And married a sarsaparilla man, and lived in Fiff Avenoo, and moved in the fust society."

"Better dew that than be strong-mainded, and dew your own cook'n, and live in your own kitch'n."

"Don't forgit to send your card when you are Mrs. Old Dr. Jacob!"

"Indeed I shaän't. What's the name of the alley, and which bell?" The New York girl took out a memorandum-book as if to put it down.

"Hadn't you better let me write it for you, dear?" said the Boston girl. "It is as well to have it legible, you know."

"Take it," said the New York girl. "There's tew York shill'ns in it when I hand it to you."

"Your wh[)o]le quarter's allowance, I bullieve,—ain't it?" said the Boston girl.

"Elegant manners, correct deportment, and propriety of language will be strictly attended to in this institution. The most correct standards of pronunciation will be inculcated by precept and example. It will be the special aim of the teachers to educate their pupils out of all provincialisms, so that they may be recognized as well-bred English scholars wherever the language is spoken in its purity."—Extract from the Prospectus of Madam Delacoste's Boarding-School.

Myrtle Hazard was a puzzle to all the girls. Striking, they all agreed, but then the criticisms began. Many of the girls chattered a little broken French, and one of them, Miss Euphrosyne De Lacy, had been half educated in Paris, so that she had all the phrases which are to social operators what his cutting instruments are to the surgeon. Her face she allowed was handsome; but her style, according to this oracle, was a little bourgeoise, and her air not exactly comme il faut. More specifically, she was guilty of contours fortement prononcés,—corsage de paysanne,—quelque chose de sauvage, etc., etc. This girl prided herself on her figure.

Miss Bella Pool, (La Belle Poule as the demi-Parisian girl had christened her,) the beauty of the school, did not think so much of Myrtle's face, but considered her figure as better than the De Lacy girl's.

The two sets, first and second, fought over her as the Greeks and Trojans over a dead hero, or the Yale College societies over a live freshman. She was nobody by her connections, it is true, so far as they could find out, but then, on the other hand, she had the walk of a queen, and she looked as if a few stylish dresses and a season or two would make her a belle of the first water. She had that air of indifference to their little looks and whispered comments which is surest to disarm all the critics of a small tattling community. On the other hand, she came to this school to learn, and not to play; and the modest and more plainly dressed girls, whose fathers did not sell by the cargo, or keep victualling establishments for some hundreds of people, considered her as rather in sympathy with them than with the daughters of the rough-and-tumble millionnaires who were grappling and rolling over each other in the golden dust of the great city markets.

She did not mean to belong exclusively to either of their sets. She came with that sense of manifold deficiencies, and eager ambition to supply them, which carries any learner upward, as if on wings, over the heads of the mechanical plodders and the indifferent routinists. She learned, therefore, in a way to surprise the experienced instructors. Her somewhat rude sketching soon began to show something of the artist's touch. Her voice, which had only been taught to warble the simplest melodies, after a little training began to show its force and sweetness and flexibility in the airs that enchant drawing-room audiences. She caught with great readiness the manner of the easiest girls, unconsciously, for she inherited old social instincts which became nature with the briefest exercise. Not much license of dress was allowed in the educational establishment of Madam Delacoste, but every girl had an opportunity to show her taste within the conventional limits prescribed. And Myrtle soon began to challenge remark by a certain air she contrived to give her dresses, and the skill with which she blended their colors.

"Tell you what, girls," said Miss Berengaria Topping, female representative of the great dynasty that ruled over the world-famous Planet Hotel, "she's got style, lots of it. I call her perfectly splendid, when she's got up in her swell clothes. That oriole's wing she wears in her bonnet makes her look gorgeous,—she'll be a stunning Pocahontas for the next tableau."

Miss Rose Bugbee, whose family opulence grew out of the only merchantable article a Hebrew is never known to seek profit from, thought she could be made presentable in the first circles if taken in hand in good season. So it came about that, before many weeks had passed over her as a scholar in the great educational establishment, she might be considered as on the whole the most popular girl in the whole bevy of them. The studious ones admired her for her facility of learning, and her extraordinary appetite for every form of instruction, and the showy girls, who were only enduring school as the purgatory that opened into the celestial world of society, recognized in her a very handsome young person, who would be like to make a sensation sooner or later.

There were, however, it must be confessed, a few who considered themselves the thickest of the cream of the school-girls, who submitted her to a more trying ordeal than any she had yet passed.

"How many horses does your papa keep?" asked Miss Florence Smythe. "We keep nine and a pony for Edgar."

Myrtle had to explain that she had no papa, and that they did not keep any horses. Thereupon Miss Florence Smythe lost her desire to form an acquaintance, and wrote home to her mother (who was an ex-bonnet-maker) that the school was getting common, she was afraid,—they were letting in persons one knew nothing about.

Miss Clara Browne had a similar curiosity about the amount of plate used in the household from which Myrtle came. Her father had just bought a complete silver service. Myrtle had to own that they used a good deal of china at her own home,—old china, which had been a hundred years in the family, some of it.

"A hundred years old!" exclaimed Miss Clara Browne. "What queer-looking stuff it must be! Why, everything in our house is just as new and bright! Papaä had all our pictures painted on purpose for us. Have you got any handsome pictures in your house?"

"We have a good many portraits of members of the family," she said, "some of them older than the china."

"How very very odd! What do the dear old things look like?"

"One was a great beauty in her time."

"How jolly!"

"Another was a young woman who was put to death for her religion,—burned to ashes at the stake in Queen Mary's time."

"How very very wicked! It wasn't nice a bit, was it? Ain't you telling me stories? Was that a hundred years ago?—But you've got some new pictures and things, haven't you? Who furnished your parlors?"

"My great-grandfather, or his father, I believe."

"Stuff and nonsense. I don't believe it. What color are your carriage-horses?"

"Our woman, Kitty Fagan, told somebody once we didn't keep any horse but a cow."

"Not keep any horses! Do for pity's sake let me look at your feet."

Myrtle put out as neat a little foot as a shoemaker ever fitted with a pair of number two. What she would have been tempted to do with it, if she had been a boy, we will not stop to guess. After all, the questions amused her quite as much as the answers instructed Miss Clara Browne. Of that young lady's ancestral claims to distinction there is no need of discoursing. Her "papaä" commonly said sir in talking with a gentleman, and her "mammaä" would once in a while forget, and go down the area steps instead of entering at the proper door; but they lived in a brown-stone front, which veneers everybody's antecedents with a facing of respectability.

Miss Clara Browne wrote home to her mother in the same terms as Miss Florence Smythe,—that the school was getting dreadful common, and they were letting in very queer folks.

Still another trial awaited Myrtle, and one which not one girl in a thousand would have been so unprepared to meet. She knew absolutely nothing of certain things with which the vast majority of young persons were quite familiar.

There were literary young ladies, who had read everything of Dickens and Thackeray, and something at least of Sir Walter, and occasionally, perhaps, a French novel, which they had better have left alone. One of the talking young ladies of this set began upon Myrtle one day.

"O, isn't Pickwick nice?" she asked.

"I don't know," Myrtle replied; "I never tasted any."

The girl stared at her as if she were a crazy creature. "Tasted any! Why, I mean the Pickwick Papers, Dickens's story. Don't you think they're nice?"

Poor Myrtle had to confess that she had never read them, and didn't know anything about them.

"What! did you never read any novels?" said the young lady.

"O, to be sure I have," said Myrtle, blushing as she thought of the great trunk and its contents. "I have read Caleb Williams, and Evelina, and Tristram Shandy" (naughty girl!), "and the Castle of Otranto, and the Mysteries of Udolpho, and the Vicar of Wakefield, and Don Quixote—"

The young lady burst out laughing. "Stop! stop! for mercy's sake," she cried. "You must be somebody that's been dead and buried and come back to life again. Why you're Rip Van Winkle in a petticoat! You ought to powder your hair and wear patches."

"We've got the oddest girl here," this young lady wrote home. "She hasn't read any book that isn't a thousand years old. One of the girls says she wears a trilobite for a breastpin; some horrid old stone, I believe that is, that was a bug ever so long ago. Her name, she says, is Myrtle Hazard, but I call her Rip Van Myrtle."

Notwithstanding the quiet life which these young girls were compelled to lead, they did once in a while have their gatherings, at which a few young gentlemen were admitted. One of these took place about a month after Myrtle had joined the school. The girls were all in their best, and by and by they were to have a tableau. Myrtle came out in all her force. She dressed herself as nearly as she dared like the handsome woman of the past generation whom she resembled. The very spirit of the dead beauty seemed to animate every feature and every movement of the young girl, whose position in the school was assured from that moment. She had a good solid foundation to build upon in the jealousy of two or three of the leading girls of the style of pretensions illustrated by some of their talk which has been given. There is no possible success without some opposition as a fulcrum: force is always aggressive, and crowds something or other, if it does not hit or trample on it.

The cruelest cut of all was the remark attributed to Mr. Livingston Jenkins, who was what the opposition girls just referred to called the great "swell" among the privileged young gentlemen who were present at the gathering.

"Rip Van Myrtle, you call that handsome girl, do you, Miss Clara? By Jove, she's the stylishest of the whole lot, to say nothing of being a first-class beauty. Of course you know I except one, Miss Clara. If a girl can go to sleep and wake up after twenty years looking like that, I know a good many who had better begin their nap without waiting. If I were Florence Smythe, I'd try it, and begin now,—eh, Clara?"

Miss Browne felt the praise of Myrtle to be slightly alleviated by the depreciation of Miss Smythe, who had long been a rival of her own. A little later in the evening Miss Smythe enjoyed almost precisely the same sensation, produced in a very economical way by Mr. Livingston Jenkins's repeating pretty nearly the same sentiments to her, only with a change in two of the proper names. The two young ladies were left feeling comparatively comfortable with regard to each other, each intending to repeat Mr. Livingston Jenkins's remark about her friend to such of her other friends as enjoyed clever sayings, but not at all comfortable with reference to Myrtle Hazard, who was evidently considered by the leading "swell" of their circle as the most noticeable personage of the assembly. The individual exception in each case did very well as a matter of politeness, but they knew well enough what he meant.

It seemed to Myrtle Hazard, that evening, that she felt the bracelet on her wrist glow with a strange, unaccustomed warmth. It was as if it had just been unclasped from the arm of a young woman full of red blood and tingling all over with swift nerve-currents. Life had never looked to her as it did that evening. It was the swan's first breasting the water,—bred on the desert sand, with vague dreams of lake and river, and strange longings as the mirage came and dissolved, and at length afloat upon the sparkling wave. She felt as if she had for the first time found her destiny. It was to please, and so to command,—to rule with gentle sway in virtue of the royal gift of beauty,—to enchant with the commonest exercise of speech, through the rare quality of a voice which could not help being always gracious and winning, of a manner which came to her as an inheritance of which she had just found the title. She read in the eyes of all that she was more than any other the centre of admiration. Blame her who may, the world was a very splendid vision as it opened before her eyes in its long vista of pleasures and of triumphs. How different the light of these bright saloons from the glimmer of the dim chamber at The Poplars! Silence Withers was at that very moment looking at the portraits of Anne Holyoake and of Judith Pride. "The old picture seems to me to be fading faster than ever," she was thinking. But when she held her lamp before the other, it seemed to her that the picture never was so fresh before, and that the proud smile upon its lips was more full of conscious triumph than she remembered it. A reflex, doubtless, of her own thoughts, for she believed that the martyr was weeping even in heaven over her lost descendant, and that the beauty, changed to the nature of the malignant spiritual company with which she had long consorted in the under-world, was pleasing herself with the thought that Myrtle was in due time to bring her news from the Satanic province overhead, where she herself had so long indulged in the profligacy of embonpoint and loveliness.

The evening at the school-party was to terminate with some tableaux. The girl who had suggested that Myrtle would look "stunning" or "gorgeous" or "jolly," or whatever the expression was, as Pocahontas, was not far out of the way, and it was so evident to the managing heads that she would make a fine appearance in that character, that the "Rescue of Captain John Smith" was specially got up to show her off.

Myrtle had sufficient reason to believe that there was a hint of Indian blood in her veins. It was one of those family legends which some of the members are a little proud of, and others are willing to leave uninvestigated. But with Myrtle it was a fixed belief that she felt perfectly distinct currents of her ancestral blood at intervals, and she had sometimes thought there were instincts and vague recollections which must have come from the old warriors and hunters and their dusky brides. The Indians who visited the neighborhood recognized something of their own race in her dark eyes, as the reader may remember they told the persons who were searching after her. It had almost frightened her sometimes to find how like a wild creature she felt when alone in the woods. Her senses had much of that delicacy for which the red people are noted, and she often thought she could follow the trail of an enemy, if she wished to track one through the forest, as unerringly as if she were a Pequot or a Mohegan.

It was a strange feeling that came over Myrtle, as they dressed her for the part she was to take. Had she never worn that painted robe before? Was it the first time that these strings of wampum had ever rattled upon her neck and arms? And could it be that the plume of eagle's feathers with which they crowned her dark, fast-lengthening locks had never shadowed her forehead until now? She felt herself carried back into the dim ages when the wilderness was yet untrodden save by the feet of its native lords. Think of her wild fancy as we may, she felt as if that dusky woman of her midnight vision on the river were breathing for one hour through her lips. If this belief had lasted, it is plain enough where it would have carried her. But it came into her imagination and vivifying consciousness with the putting on of her unwonted costume, and might well leave her when she put it off. It is not for us, who tell only what happened, to solve these mysteries of the seeming admission of unhoused souls into the fleshly tenements belonging to air-breathing personalities. A very little more, and from that evening forward the question would have been treated in full in all the works on medical jurisprudence published throughout the limits of Christendom. The story must be told, or we should not be honest with the reader.

Tableau 1. Captain John Smith (Miss Euphrosyne de Lacy) was to be represented prostrate and bound, ready for execution; Powhatan (Miss Florence Smythe) sitting upon a log; savages with clubs (Misses Clara Browne, A. Van Boodle, E. Van Boodle, Heister, Booster, etc., etc.) standing around; Pocahontas holding the knife in her hand, ready to cut the cords with which Captain John Smith is bound.—Curtain.

Tableau 2. Captain John Smith released and kneeling before Pocahontas, whose hand is extended in the act of raising him and presenting him to her father. Savages in various attitudes of surprise. Clubs fallen from their hands. Strontian flame to be kindled.—Curtain.

This was a portion of the programme for the evening, as arranged behind the scenes. The first part went off with wonderful éclat, and at its close there were loud cries for Pocahontas. She appeared for a moment. Bouquets were flung to her; and a wreath, which one of the young ladies had expected for herself in another part, was tossed upon the stage, and laid at her feet. The curtain fell.

"Put the wreath on her for the next tableau," some of them whispered, just as the curtain was going to rise, and one of the girls hastened to place it upon her head.

The disappointed young lady could not endure it, and, in a spasm of jealous passion, sprang at Myrtle, snatched it from her head, and trampled it under her feet at the very instant the curtain was rising. With a cry which some said had the blood-chilling tone of an Indian's battle-shriek, Myrtle caught the knife up, and raised her arm against the girl who had thus rudely assailed her. The girl sank to the ground, covering her eyes in her terror. Myrtle, with her arm still lifted, and the blade glistening in her hand, stood over her, rigid as if she had been suddenly changed to stone. Many of those looking on thought all this was a part of the show, and were thrilled with the wonderful acting. Before those immediately around her had had time to recover from the palsy of their fright, Myrtle had flung the knife away from her, and was kneeling, her head bowed and her hands crossed upon her breast. The audience went into a rapture of applause as the curtain came suddenly down; but Myrtle had forgotten all but the dread peril she had just passed, and was thanking God that his angel—her own protecting spirit, as it seemed to her—had stayed the arm which a passion such as her nature had never known, such as she believed was alien to her truest self, had lifted with deadliest purpose. She alone knew how extreme the danger had been. "She meant to scare her,—that's all," they said. But Myrtle tore the eagle's feathers from her hair, and stripped off her colored beads, and threw off her painted robe. The metempsychosis was far too real for her to let her wear the semblance of the savage from whom, as she believed, had come the lawless impulse at the thought of which her soul recoiled in horror.

"Pocahontas has got a horrid headache," the managing young ladies gave it out, "and can't come to time for the last tableau." So this all passed over, not only without loss of credit to Myrtle, but with no small addition to her local fame,—for it must have been acting; and "wasn't it stunning to see her with that knife, looking as if she was going to stab Bella, or to scalp her, or something?"

As Master Gridley had predicted, and as is the case commonly with new-comers at colleges and schools, Myrtle came first in contact with those who were least agreeable to meet. The low-bred youth who amuse themselves with scurvy tricks on freshmen, and the vulgar girls who try to show off their gentility to those whom they think less important than themselves, are exceptions in every institution; but they make themselves odiously prominent before the quiet and modest young people have had time to gain the new scholar's confidence. Myrtle found friends in due time, some of them daughters of rich people, some poor girls, who came with the same sincerity of purpose as herself. But not one was her match in the facility of acquiring knowledge. Not one promised to make such a mark in society, if she found an opening into its loftier circles. She was by no means ignorant of her natural gifts, and she cultivated them with the ambition which would not let her rest.

During the year she spent in the great school, she made but one visit to Oxbow Village. She did not try to startle the good people with her accomplishments, but they were surprised at the change which had taken place in her. Her dress was hardly more showy, for she was but a school-girl, but it fitted her more gracefully. She had gained a softness of expression, and an ease in conversation, which produced their effect on all with whom she came in contact. Her aunt's voice lost something of its plaintiveness in talking with her. Miss Cynthia listened with involuntary interest to her stories of school and schoolmates. Master Byles Gridley accepted her as the great success of his life, and determined to make her his sole heiress, if there was any occasion for so doing. Cyprian told Bathsheba that Myrtle must come to be a great lady. Gifted Hopkins confessed to Susan Posey that he was afraid of her, since she had been to the great city school. She knew too much, and looked too much like a queen, for a village boy to talk with.

Mr. William Murray Bradshaw tried all his fascinations upon her, but she parried compliments so well, and put off all his nearer advances so dexterously, that he could not advance beyond the region of florid courtesy, and never got a chance, if so disposed, to risk a question which he would not ask rashly, believing that, if Myrtle once said No, there would be little chance of her ever saying Yes.