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AN AMORIST

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Is a man blasted or planet-stricken, and is the dog that leads blind Cupid; when he is at the best his fashion exceeds the worth of his weight. He is never without verses and musk confects, and sighs to the hazard of his buttons. His eyes are all white, either to wear the livery of his mistress' complexion or to keep Cupid from hitting the black. He fights with passion, and loseth much of his blood by his weapon; dreams, thence his paleness. His arms are carelessly used, as if their best use was nothing but embracements. He is untrussed, unbuttoned, and ungartered, not out of carelessness, but care; his farthest end being but going to bed. Sometimes he wraps his petition in neatness, but he goeth not alone; for then he makes some other quality moralise his affection, and his trimness is the grace of that grace. Her favour lifts him up as the sun moisture; when she disfavours, unable to hold that happiness, it falls down in tears. His fingers are his orators, and he expresseth much of himself upon some instrument. He answers not, or not to the purpose, and no marvel, for he is not at home. He scotcheth time with dancing with his mistress, taking up of her glove, and wearing her feather; he is confined to her colour, and dares not pass out of the circuit of her memory. His imagination is a fool, and it goeth in a pied coat of red and white. Shortly, he is translated out of a man into folly; his imagination is the glass of lust, and himself the traitor to his own discretion.


Character Writings of the Seventeenth Century

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