Читать книгу Character Writings of the Seventeenth Century - Various - Страница 61

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Is one that builds his reputation on others' infamy, for slander is most commonly his morning prayer. His passions are guided by pride and followed by injustice. An inflexible anger against some poor tutor he falsely calls a courageous constancy, and thinks the best part of gravity to consist in a ruffled forehead. He is the most slavishly submissive, though envious to those that are in better place than himself; and knows the art of words so well that (for shrouding dishonesty under a fair pretext) he seems to preserve mud in crystal. Like a man of a kind nature, he is the first good to himself, in the next file to his French tailor, that gives him all his perfection; for indeed, like an estridge, or bird of paradise, his feathers are more worth than his body. If ever he do good deed (which is very seldom) his own mouth is the chronicle of it, lest it should die forgotten. His whole body goes all upon screws, and his face is the vice that moves them. If his patron be given to music, he opens his chops and sings, or with a wry neck falls to tuning his instrument; if that fail, he takes the height of his lord with a hawking pole. He follows the man's fortune, not the man, seeking thereby to increase his own. He pretends he is most undeservedly envied, and cries out, remembering the game, chess, that a pawn before a king is most played on. Debts he owns none but shrewd turns, and those he pays ere he be sued. He is a flattering glass to conceal age and wrinkles. He is mountain's monkey that, climbing a tree and skipping from bough to bough, gives you back his face; but come once to the top, he holds his nose up into the wind and shows you his tail. Yet all this gay glitter shows on him as if the sun shone in a puddle, for he is a small wine that will not last; and when he is falling, he goes of himself faster than misery can drive him.