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THE NEW FOLK-POETRY

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In a country that has not been mellowed by antiquity, that has not possessed songs for its peasantry or traditions for its singers, one cannot look for a wealth of folk-stuff. In such a country—the United States, to be specific—what folk-poetry there is, has followed the path of the pioneer. At first these homely songs were merely adaptations and localized versions of English ballads and border minstrelsy, of which the “Lonesome Tunes” discovered in the Kentucky mountains by Howard Brockway and Loraine Wyman are excellent examples. But later, a more definitely native spirit found expression in the various sections of these states. In the West (during the seventies) Bret Harte and John Hay celebrated, in their own accents, the rough, big-hearted miners, ranchers, steamboat pilots, the supposed descendants of the emigrants from Pike County, Missouri. In the Middle West the desire for local color and music led to the popularity of James Whitcomb Riley’s Hoosier ballads and the spirited jingles of Eugene Field. In the South the inspiration of the negro spirituals and ante-bellum songs was utilized to excellent effect by Irwin Russell, Joel Chandler Harris and, later, by Paul Laurence Dunbar. The Indian, a more genuine primitive, has been as difficult to transplant poetically as he has been to assimilate ethnically. But, in spite of the racial differences in sentiment, religion and philosophy, brave attempts to bring the spirit of the Indian originals into our poetry have been made by Mary Austin, Constance Lindsay Skinner, Natalie Curtis Burlin, Lew Sarett and Alice Corbin Henderson.

In the West today there is a revival of interest in backwoods melodies and folk-created verse. John A. Lomax has published two volumes of cowboy songs—most of them anonymous—full of tang, wild fancy and robust humor. The tradition of Harte and Hay is being carried on by such racy interpreters as Harry Herbert Knibbs, Badger Clark and Edwin Ford Piper. But, of all contemporaries who approximate the spirit of folk-poetry, none has made more striking or more indubitably American contributions than Vachel Lindsay of Springfield, Illinois.

Modern American Poetry

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