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Table of Contents

The Source: Larig and Garchary Burns—In the Heart of the Cairngorm Mountains—Ben Macdhui and Braeriach—“A Fery Falgar Place”—A Highland Legend—The Linn of Dee—Byron’s Narrow Escape—The Floods of 1829—Lochnagar and Mary Duff—Influence of the Dee on Byron—Braemar and the Rising of ’15—Corriemulzie and its Linn—Balmoral—The “Birks” of Abergeldie—Their Transplantation by Burns—What is Collimankie?—Ballater: The Slaying of “Brave Brackley”—Craigendarroch—The Reel of Tullich and the Origin Thereof—The Legend of St. Nathdan—Mythological Parallels—The Muich—Morven: The Centre of Highland Song and Legend—Birse—Lunphanan Wood—The Battle of Corrichie—Queen Mary and Sir John Gordon—At Aberdeen.

Among the streams that meet together in the wild south-west of Aberdeenshire to form the Dee, it is not easy to decide which is chief, or where is the fountain, far up the dark mountain-side, where this parent rill has birth. Dismissing minor pretenders, we can at once state that the original is either the Larig or the Garchary Burn. The first is more in the main line of the river, whilst it has also more water; the second rises higher up, and has a longer course before it reaches the meeting-place. Popularly, the source of the stream is a place about the beginning of the Larig, called the Wells of Dee. Here Nature has built a reservoir perfect in every part. The water escapes from this fountain-head in considerable volume, so that it forms a quite satisfactory source, which we may well adopt. Here, then, our journey commences among

“The grizzly cliffs that guard

The infant rills of Highland Dee.”

We are in the very heart of the Cairngorm Mountains, confronted on every side by all that is most savage and grand in nature—frowning precipices, mist-covered heights, sullen black lochs, an almost total absence of vegetation, an almost unbroken solitude. Here rise Ben Macdhui, Braeriach, and Cairntoul, whose streams, running down—often hurled down—their weather-beaten sides, rapidly increase the volume of our river. Braeriach fronts Ben Macdhui on the other side of the infant Dee. It presents to the view a huge line of precipices, dark and sombre, save when the hand of Winter, powdering them with snow, changes them to masses of glittering white. Even at a good distance away you hear the splash and dash of innumerable waterfalls, caused by the burns leaping the cliffs. If you venture to wander among those wilds you must know your ground well, for however bright the day may be one hour, the next you may be shrouded in mist, or drenched with rain, or battered by hail. The mist, indeed, is rarely absent. You see it clinging round the heights and moving restlessly up and down the hillside like some uneasy and malignant spirit. As you walk you are startled at a huge figure striding along. It requires an effort to recognise a mist-picture of yourself—a sort of Scotch Spectre of the Brocken.

It was of these wild regions that an old Highlander once remarked to Hill Burton that it was “a fery fulgar place, and not fit for a young shentleman to go to at all.” Let us not scorn the ingenuous native; Virgil has said, in the Eclogues (much more elegantly, ’tis true), very much the same thing about very much the same kind of scenery. All our way by Dee will not be among views like this. Indeed, at the mouth are scenes of rich fertility. It is on the fat meadows near Aberdeen that a portion of those innumerable flocks and droves are raised which have so great a reputation in the London market. These are the two extremes, but between them there is every variety of Highland scenery. He who has seen the banks of Dee has seen, as in an epitome or abridgment, all that the north of Scotland has to show. In the midst of variety one thing is constant, whatever landscape you may be passing through: you always have the great hill masses on the horizon. Thus the Dee is a typical Highland river. Even with the sternest parts soft touches are interwoven. Thus take the Lui, which, rising in Ben Macdhui, falls into the Dee at an early point of its course. The lower part of Glen Lui is remarkable for its gentle beauty. The grass is smooth as a lawn, the water of the burn which moves gently along is transparently clear, the regular slope is covered with weeping birches. The perfect solitude of this sweet valley has its own charm, though it be the charm of melancholy. Higher up, nearer Ben Macdhui, in Glen Lui Beg, the scenery is wilder, and the water dashes down more swiftly, as if it longed to be away from its wild source. We must go with it, and bid farewell to Ben Macdhui and the sources of Dee. And for farewell, here is a mountain legend.

THE HIGHLAND DEE.

At some time or other a band of robbers who infested this region had acquired a great store of gold. One of their number, named Mackenzie, proved that there is not honour among thieves. He robbed his companions and then hid the twice-cursed pelf in a remote and well-nigh inaccessible spot far up the slope of Ben Macdhui. The work of concealment took him the best part of a short summer night, for the sun rose precisely as he finished. He noticed that as its first beam fell over the ridge to the east, it marked a long burnished line of light over the ground where the treasure lay. This seemed to him to distinguish the spot beyond the possibility of error. Before his death he confided to his sons the secret of his hidden treasure. They were poor and greedy. The rest of their lives was devoted summer after summer to the hunt; but the grim mountain kept its secret well. Often the morning mist mocked their efforts, yet they succeeded no better when, on the anniversary of the burial, the sun rose in a sky of unclouded blue. One by one, prematurely aged, they passed away, till the last died a madman, revealing in his ravings the secret and the ruin of their lives. And still, somewhere on that mountain-side, the gold hoard lies concealed.

For some time after we leave the Wells of Dee, we are still in the midst of gloom. Dark black rocks rising on either side to a great height still shut us in, whilst the stillness is only broken by the roar of the wind, the rush of the water, or the (occasional) scream of the eagle; but when we get to the Linn of Dee, near Inverary, we may fairly consider ourselves back among our kind; nay, we are within the very uncharmed circle of the tourist, whereat we may rejoice or grieve as is our liking. This linn is caused by the river rushing through a narrow channel in the rocks over into a pool very deep, and (according to local tradition) unfathomable. Some hardy spirits have jumped across the channel, but if you try, and miss, you will never come out alive. Then your epitaph will be written in a guide-book paragraph, somewhat after the fashion of the lines in Baedeker telling the horrible end of that unfortunate officer who fell into the bear-pit at Berne. Lord Byron, when a boy, had a narrow escape here. “Some heather caught in his lame foot, and he fell. Already he was rolling downwards, when the attendant luckily caught hold of him, and was but just in time to save him from being killed.”

LINN OF DEE. / LINN OF CORRIEMULZIE.

The great floods of 1829—those floods of which Sir Thomas Dick Lauder is the chronicler—wrought sad havoc here. A bridge spanned the stream at a height of thirty feet. The river, rising three feet higher, swept it away. We must turn to the annals of Strathspey to test the full havoc of the flood fiend, yet it wrought no mean ruin here. I pick out one or two cases. Near Inverey the rising water attacked six houses, destroying each in turn until all the inhabitants were huddled round the hearthstone of the last. Here the water burst in, forcing the poor people to take refuge on a knoll, where, without shelter, and in mortal terror for their lives, they crouched shivering through the night. There is a waterfall on the Quoich, near where it joins the larger river. This was spanned by a bridge so firmly bound to the rocks as to be (it was hoped) immovable. The flood struck it, and it was torn away, with tons of the adjacent rocks. It seemed, indeed, to those who lived through that terrible time, as if the very structure of the earth was breaking in pieces. The days were black with the ever-falling sheets of heavy rain; the nights were vivid with the ever-flashing lightning; whilst day and night alike the wind roared with demoniacal fury. The waters hidden in the bowels of hills and rocks burst forth, leaving great fissures and scars, which remain as a monument of the Titanic forces at work. Shocks of earthquake happened again and again. “I felt the earth hobblin’ under me,” said a peasant graphically. Many thought the end of all things was at hand. Yet it was in less sensational ravages that the flood wrought its most cruel havoc. The poor man’s cottage left a hopeless ruin, the fertile field left a sandy waste—such were the most lamentable signs of its power. Human effort was powerless against it. What could be done with a flood which rose, as was noted at Ballater, not less than one foot in ten minutes? The ravages made have long ago been repaired. At Linn of Dee there is now a handsome white granite bridge, which was opened by the Queen as long ago as the year 1857.

LOCHNAGAR.

It is odd that the poet of this essentially Highland river should be an English bard; for if we turn to see what our literature has to say of the Dee, we must turn to Byron. Yet Byron was, as he says, “half a Scot by birth, and bred a whole one.” If his ancestors on the father’s side “came over” (as he delighted to recall) with the Conqueror, he was not less proud to remember that his mother was of one of the best families of the “Gay Gordons,” and that for over three centuries her people had possessed Gight. He went to Aberdeen in 1790, when but two years old; here he stayed till 1798, and during that time he visited again and again most of the finest spots on the Dee. Those mighty hills, those clear, flowing streams, were the earliest things he remembered, and he never failed to acknowledge how deep was the impression they made on him. “From this period I date my love of mountainous countries.” Near the end of his life he sings, in “The Island”—

“The infant rapture still survived the boy,

And Lochnagar with Ida look’d o’er Troy.”

His mention of Lochnagar—“dark Lochnagar”—reminds us how peculiarly his name is connected with that Deeside mountain of which he is the laureate. Here, too, sprang the strange child-love of the precocious boy for Mary Duff, with whose beauty the beauty of the country where he came to know her was indissolubly linked in his mind. The scenes in Greece, he says, carried him back to Morven (his own “Morven of snow”), and many a dark hill in that classic land made him “think of the rocks that o’ershadow Colbeen;” whilst the very mention of “Auld Lang Syne” brings to his mind the river Dee and

“Scotland one and all,

Scotch plaids, Scotch snoods, the blue hills and clear streams.”

In Moore’s biography there are needlessly ingenious arguments to prove that it was not the Dee scenery that made Byron a poet. Of course not. Poeta nascitur non fit, to quote the old Latin saying, which puts the matter much more pithily than Moore. But scenery and early impressions determine the course of a poet’s genius as surely as the nature of the ground determines the course of the stream. How much Celtic magic there is in all Byron’s verses—the love of the wild and terrible and impressive in scenery, as in life! Byron’s poetry is before all romantic, and so is Deeside scenery. In his revolt against conventionalities, and even (it must be said) against the proprieties and decencies, we can clearly trace a true Celtic revolt against the dull, hard, prosaic facts of life. Can it be said that if Byron had passed his early years among the Lincolnshire fens or the muddy flats of Essex, “Don Juan” or “Childe Harold” would have been what they are—if, indeed, they had ever existed?

Moore under-estimated the influence of such scenes on Byron because he under-estimated the scenes themselves. “A small bleak valley, not at all worthy of being associated with the memory of a poet,” says he. At this the local historian, good Mr. James Brown, who, having first driven a coach till he knew every inch of a large stretch of the country, then wrote an excellent Deeside guide, waxes very wroth. “It is really to be wished that Mr. Thomas Moore would not write upon subjects which he knows nothing about. Deeside a small bleak valley! Who ever heard tell of such nonsense!” Moore, however, did after his kind. He who sang the “sweet vale of Avoca” cared little for “dark Lochnagar.” Indeed, there are some northern folk very much of Moore’s opinion. Does not the old proverb tell us that

“A mile of Don’s worth two of Dee,

Except for salmon, stone, and tree”?

But it is for those who love the stone and tree, the wild forests, the wilder hills, that Dee has its surpassing attraction. It adds a fine charm to the enthusiast’s enjoyment of such scenery to know it is not everyone who can appreciate it.

But we turn now to interest of another kind, for at Castleton of Braemar we touch successive strata of historical events. There is Craig-Koynoch, where Kenneth II., too old for hunting himself, used to watch his dogs as they chased some noble stag, whilst his ears drank in the music of horn and hound. Here, too, in the old castle of Braemar, of which but a few remains are left, Malcolm Canmore, last of Scotland’s Celtic kings, had a hunting seat in the midst of the mighty forest of which we still see the remains. There are still great herds of deer to be hunted, though the wolves and wild boars have long since vanished. Here, too, were the great possessions of the Mar family. It was to this place that John Erskine, thirty-ninth Earl of Mar, summoned the Highland clans under pretence of a great hunting party in Braemar forest, and began the rebellion of 1715. The standard was formally set up on the 6th of September, when the gilt ball which ornamented the top fell down, much to the consternation of the superstitious Celts.

A famous Jacobite song gives us the names of the leaders and the clans:—

“I saw our chief come up the glen

Wi’ Drummond and Glengarry,

Macgregor, Murray, Rollo, Keith,

Panmure and gallant Harry;

Macdonald’s men, Clan Ronald’s men,

Mackenzie’s men, Macgillivray’s men,

Strathallan’s men, the Lowlan’ men,

O’Callander and Airly.”

The hunting party, it should be noted, was not all a pretence. It took place on a magnificent scale, as Taylor the Water Poet, who was there (how or why it would take too long to explain), tells us. After he lost sight of the old castle, he was twelve days before he saw either house, or cornfield, or habitation for any creature but deer, wild horses, wolves, and such-like creatures. Taylor goes on to describe how a great body of beaters, setting out at early morning, drove the deer, “their heads making a show like a wood,” to the place where the hunters shot them down. As we all know, the ’15 was a disastrous failure—less terrible, it is true, but less glorious, than the ’45. Mar turned out to be neither statesman nor soldier (“Oh for one hour of Dundee!” said the old officer at Sheriffmuir). He escaped with the Pretender to France, his vast estates were forfeited, and for a time there was no Earldom of Mar. His poor followers suffered more than their lord. All the houses in Braemar were burnt, save one at Corriemulzie. It was only the seclusion of that narrow glen, so beautiful with its birch-trees and its linn, that saved the lonely habitation. There are memories of the ’45 about the district too. For instance, a little way down the river from Castleton is Craig Clunie, where Farquharson of Invercauld lay hid for ten months after Culloden, safe in the devotion of his clan, though his enemies were hunting for him far and near.

BRAEMAR.

Ten miles or so below Castleton, we come upon another royal residence, which we all know as Balmoral, the Highland home of Queen Victoria. This place is now one of the most famous spots in Britain, and though its celebrity is of recent date, yet it has an old history of its own. As far back as 1451 it was royal property. In 1592 James V. gave it to the then Earl of Huntly. In 1652, on the downfall of the family, it came into the possession of the Earl of Moray. Enough of these dull details, which are best left in the congenial seclusion of the charter chest. In 1852 the Crown again—and let us hope finally—acquired Balmoral.

VIEW FROM THE OLD BRIDGE, INVERCAULD, BRAEMAR.

If anyone wonders why the Queen is so fond of her Highland home, it must be because the questioner has never seen it, since of all the dwelling-places of men it is surely the most desirable. It stands on a slight eminence near the Dee, which winds round it in a great bend. Swiftly the beautifully clear water rolls past. The low ground, richly fertile, is green in summer-time with various leafage. Behind the castle rises the graceful height of Craig-na-gow-an, clothed with the slender birch-tree. The cairn on the top, to the memory of Albert the Good, reminds us of the great sorrow of Victoria’s life. The castle lies at the foot of the hill, protected from the wild winter winds. In both near and remote distance we have the ever-beautiful background of the everlasting hills, immovable, and yet ever changing in place and appearance with each change of light and shade. Ben Macdhui in one direction is most prominent, dark Lochnagar in another. The scenery is “wild, and yet not desolate,” as the Queen simply, yet truly, puts it. Its varied aspects give, from one point of view or another, examples of all Deeside views. The castle itself is built of very fine granite. It has a noble appearance, yet the architecture is of the simplest baronial Scotch style. It has all the traditional comfort of our island dwellings. It is, in a word, a genuine English home amidst the finest Highland scenery. What combination could be more attractive?

Two miles farther down is Abergeldie, of which the castle is occupied by the Prince of Wales when in these parts. Between the two is Crathie Kirk, where the royal household and their visitors worship in simple Presbyterian fashion in the autumn months. Abergeldie has an old reputation for its birks. There used to be a quaint old song in two verses which told their praise. In the first verse an ardent wooer entreats one of those innumerable “bonnie lassies” of Scotch popular poetry to hie thither under his escort. She is to have all sorts of fine things—

“Ye sall get a gown o’ silk

And coat o’ collimankie.”

What on earth is collimankie? asks the reader. In truth I cannot tell, and I fear to look up the word in Jamieson lest it turn out to be something commonplace. The second verse is the young lady’s reply. It is deliciously arch and simple:—

“Na, kind sir, I dare nae gang,

My minny will be angry.

Sair, sair wad she flyte,

Wad she flyte, wad she flyte,

Sair, sair, wad she flyte,

And sair wad she ban me!”

“Methinks the lady doth protest too much,” and the probability is that she went after all. At any rate, the picture is perfect. You almost see the peasant girl mincing her words, biting her finger, with a blush on her young face. And what has become of this song, then? Why, Burns laid violent hands on the birks, and transferred them to Aberfeldy; which, thenceforth, was glorified with a most shady grove; in poetry, that is, for in fact there was not a single birk in the place for long afterwards, if, indeed, there is one even now; and, as far as my recollection goes, there is not. But we have still something to relate regarding those famous birks. It seems that the juice of the trees is carefully extracted, and the skilled natives, “by a curious process, ferment the same and make wine of it—which wine is very pleasant to taste, and thought by some to be little inferior to the wine of Champagne and other outlandish countries.” So far the local chronicler. We can only toss off a goblet (in imagination) of this extraordinary vin du pays to the prosperity of the birks ere the bend of the Dee hides them from our view.

Ballater is the next important place we come to. It is the terminus of the Deeside Extension Railway, and what is for us at present much more important, the centre of the most interesting part of Deeside. One mile south of it is an almost vanished ruin, the scene of a terrible tragedy, the memory of which—though it happened three centuries ago—is still preserved by a poem of a very different sort from the simple peasant idyll just quoted. One of the old tragic ballads which with such profound yet unconscious insight deal with the stormier human passions, tells the story of how Farquharson of Inverey slew, in shameful fashion, Gordon, Baron of Brackley. With what pithy expression the first two lines place you in the very heart of the subject!

“Inverey came down Deeside whistlin’ and playin’,

He was at brave Brackley’s yetts ere it was dawin’.”

And then comes the proud, insolent challenge of the murderer—

“Are ye sleepin’, Baronne, or are ye waukin’?

There’s sharp swords at your yett will gar your blood spin.”

Gordon is brave, but he will not go forth almost alone against so many to meet certain death till his fair, but false, young wife taunts him bitterly with his cowardice. Then he gets ready, though he knows how certain is his doom.

“An’ he stooped low, and said, as he kissed his proud dame,

‘There’s a Gordon rides out that will never ride hame.’”

There is a narrow glen near by which popular tradition still points out as the spot where they “pierced bonny Brackley wi’ mony a woun’.” The ballad closes in darkness and sadness, but one is glad to learn from contemporary history that the Earl of Huntly made a foray and avenged the death of his kinsman.

Hereby is the hill of Craigendarroch, which we cannot pause to climb, though from it we have a grand view a long way down the Dee Valley. Tullich I can only mention. Have you ever seen, by-the-bye, that extraordinary Highland tarantula called the reel of Tullich? It is perhaps the wildest, maddest dance ever invented. The legend of its origin is this:—One tempestuous Sabbath, about a century and a half ago, the congregation at the parish kirk there were without a minister. The manse was some way off, the roads were rough, and the parson got it into his head that nobody would be at church that day, so he need not go either. The people got tired of waiting; they began to stamp with their feet, then hidden bottles were produced, and then they danced and shouted till at last the whole thing degenerated into a wild orgie, during which the wind roared round the kirk and the sleet beat on the windows in vain. Then they invented and danced the reel of Tullich. Before the year was out all were dead, and by the dance alone are they now remembered. It is worth while quoting this strange story, for it is an example of the rare Presbyterian legend. A place on the river called the King’s Pool reminds one of a Catholic myth. St. Nathdan, who once lived here, did penance for some sin by locking a heavy iron chain round his waist. He then threw the key into this pool, saying he should know he was forgiven when he found it again. Long afterwards he went a pilgrimage to Rome, and on the Italian coast some fishermen, in return for his blessing, gave him a fish. Need I add that in the belly he found the key?

BALMORAL. / THE CASTLE.

The legends which hang like the mist round every rock and ruin have a weird fascination, but I must stop repeating them, or there will be room for nothing else. I cannot help noting, however, that there is a Deeside version of nearly every ancient myth. Thus one story tells how a Macdonald was suckled by a wolf quite after the fashion of Romulus. Another is of a giant injured by an individual calling himself Mysel, so that when the stupid monster was asked who hurt him, he could only say “Mysel” (myself). This is almost exactly the tale of the giant in the “Odyssey.” But more curious than all is a reproduction of the famous apple legend, with Malcolm Canmore for Geisler and one called Hardy for William Tell. The resemblance is exact even down to the two additional arrows; but I can scarcely go so far as the old Deeside lady, who affirmed that since Malcolm Canmore flourished about the time of the Norman Conquest, and William Tell was contemporary with Robert Bruce, the Swiss legend was borrowed from the Scotch!

ABERGELDIE CASTLE.

It is difficult to get away from a neighbourhood like Ballater, where there is so much worth seeing. The Muich here, running from the south, falls into the Dee. About five miles up is the Linn of Muich—linns and waterfalls are the peculiar glory of Deeside, I need scarcely say. A great mass of water finds here but one narrow outlet, over which it foams and struggles, and then falls fifty feet with a great splash into a deep pool. The heights of the precipice are clothed with old fir-trees, which also stick out of the crevasses of the rocks. The Muich rises away up at the foot of Lochnagar in Loch Muich, which means, they say, the Lake of Sorrow—so gloomy and sombre is that far-off recess in the hill. To the west of Lochnagar are the Loch and Glen of Callater—wild enough, too; and beyond is the Breakneck Waterfall, which is positively the last fall I shall mention. A stream makes a bold dart over a precipice. It seems like a thread of silver in the sunlight. Down it falls, with a thundering sound on the rock, scattering its spray around in a perpetual shower. A British admiral, some few years ago, slipped over a precipice near here. His hammer (he was specimen hunting) stuck in a crack, and there he held on for two awful days, and still more awful nights. The whole neighbourhood hunted for him, and at last, the black speck being seen on the cliff, he was rescued. Not a man of the rescuers would accept a farthing for what he had done. The Highlander has his faults, but there is always something of the gentleman about him.

BALLATER.

Nearly due north of Ballater is Morven—the Morven of Byron, and (perhaps) of Ossian, though there are other places and districts in Scotland bearing the name. Morven is the centre of Highland song and legend. But if it is enchanted, it is also uncertain, ground, and must here be left untraced. We are still forty-three miles from Aberdeen; so we glide through Aboyne and Glentanner, leaving the beautiful castle of the one, and the equally, though differently, beautiful valley of the other, unvisited. Then in many a devious turn we wind round the northern boundary of the parish of Birse. “As auld as the hills o’ Birse,” says a local proverb, which shows that even in this land of hills the district is considered hilly. Here are some of their names: Torquhandallachy, Lamawhillis, Carmaferg, Lamahip, Duchery, Craigmahandle, Gannoch, Creaganducy. Grand words those, if you can give them their proper sound. Otherwise leave them “unhonoured and unsung,” and unpronounced. The local chronicler is much perplexed by another somewhat inelegant Aberdeenshire witticism—“Gang to Birse and bottle skate.” With absolute logical correctness he proves that in that inland and hilly parish there are no skate; and that, if there were, to bottle them would be contrary to the principles and practice of any recorded system of fish-curing. We shall not discuss with him this dark saying.

On the other side of the Dee is Lunphanan parish, in the “wood” of which Macbeth—according to Wyntoun, though not according to Shakespeare—met his death. His “cairn” is still to be seen on a bare hill in this district, though another tradition tells us that his dust mingles with the dust of “gracious Duncan” in the sacred soil of Iona. The Dee, now leaving its native county, flows for a few miles through the Mearns or Kincardineshire. It returns to Aberdeenshire in the parish of Drumoak, forming for the remaining fourteen miles of its course the boundary between the two counties.

ABERDEEN.

It is here we come across the most interesting historical memory connected with Deeside, for it is a memory of Queen Mary. On the south side of the Hill of Fare there is a hollow, where the battle of Corrichie was fought in 1562. I do not wish to enter into the history of that troubled time. Suffice it to say that the Earl of Huntly, chief of the Gordons, and head of the Catholics, was intriguing to secure the power which Murray was determined he should not have. The Queen was with Murray, though her heart, they said, was with the Gordons. Anyhow, she dashed northward gaily enough on a horse that would have thrown an ordinary rider. Murray’s diplomacy forced the Gordons into a position of open hostility, and his superior generalship easily secured him the victory at Corrichie. The old Earl of Huntly was taken, it seemed, unhurt, but he suddenly fell down dead—heart-broken at the ruin of himself and his house, said some; crushed by the weight of his armour, said others. They took the body to the Tolbooth in Aberdeen. Knox tells us that the Countess had consulted a witch before the fight, and was comforted by the assurance that her husband would lie unwounded that night in the Tolbooth. The remains, embalmed in some rude fashion, were carried to Edinburgh; for a strange ceremony yet remained ere the Gordon lands were divided among the victors. A Parliament in due time met in Holyrood, and the dead man was brought before his peers to answer for his treasons. A mere formality, perhaps, but an awfully gruesome one. His attainder, and that of his family, together with the forfeiture of his lands, was then pronounced. The battle was a great triumph for the Protestant lords; even the sneering, sceptical Maitland, says Knox, with one of those direct, forcible touches of his, “remembered that there was a God in heaven.” There was one who looked on the matter with other eyes. “The Queen took no pleasure in the victory, and gloomed at the messenger who told of it.” Indeed, there was a tragedy within this tragedy. Among the prisoners taken at Corrichie was Sir John Gordon, Huntly’s second son, “a comely young gentleman,” wild and daring, and, though then an outlaw, one who had ventured to hope for the Queen’s hand. It was whispered that she was not unfavourable to him; some ventured to say “she loved him entirely.” For such a man there was but one fate possible, and that was death. He was executed in the market-place of Aberdeen. Murray looked on at the death of his foe with that inscrutable calm which he preserved in victory and defeat—at his own death, as well as at the death of others. The Queen, too, was forced to be there. Before the axe fell, Gordon professed his unalterable devotion to her. Her presence, he said, was a solace to him, though she had brought him to destruction. The sight was too fearful for Mary, who, in a deadly swoon, was carried to her chamber. Even in her strange life-story there is nothing more terrible. Fotheringay itself is not so tragic. The last four miles of our well-nigh eighty miles’ journey are, as noted, on the border of Aberdeen and Kincardine. Here the river enjoys a peaceful old age, after the wild turmoil of its youth. The water, still beautifully clear, moves placidly along amidst rich meadows; the near hills are low, with soft rounded summits. The dwellings of men give a cheerfulness to the scene. It is the very perfection of pastoral landscape. And then, at last, we come to Aberdeen and the sea. But on the wonders of that famous town I cannot here enter. Suffice it to say that our record of the Highland Dee is finished.

Francis Watt.

BRIDGE OF TAY, KENMORE.