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On 7 April 1775 there appeared in Philadelphia the initial issue of Story & Humphrey's Pennsylvania Mercury. This newspaper was referred to by a contemporary diarist as "The first Work with Amer. Types" and with certain qualifications, later to be made, it seems to be entitled to the distinction of priority implied in this descriptive phrase. Type founding in the colonies went through those phases of tentative effort, complete failure, and partial achievement which are normal to the beginnings of great industries, and before going on with the story of the font of type from which the Pennsylvania Mercury was printed, it is proposed to give briefly an account of earlier attempts at the establishment of letter founding in English America. By doing this it will be possible to secure correctness of sequence and of relationship among the several elements of this study in origins.

The first font of types cast in English America was that which resulted from the painful efforts of Abel Buell, a silversmith and lapidary of Killingworth, Connecticut. Shortly before 1 April 1769 Buell cast a small font of letters, crude in design and in execution, from which proofs were taken for the examination and the criticism of his friends. In October of the same year, using a different and much better type of his own making, he presented to the Connecticut Assembly a printed petition in which he asked that body for financial assistance in his proposed establishment of a letter foundry. In reply to this memorial he received a loan from the colony for the purposes of his venture, and soon afterwards he removed to New Haven and prepared to manufacture type for the printers of a continent. The story of his failure at this time, and of his success on a much smaller scale twelve years later, is a part of the present study only in the sense which has been indicated in the introductory sentences.

Abel Buell's First Font. From a proof of May 1769. Courtesy of the Yale University Library.

Buell was not without a rival in his ambitious plans. David Mitchelson of Boston, possibly acting under the direction of John Mein, a printer of that city, is reported by a contemporary newspaper writer to have attained as great a degree of success as the Connecticut silversmith in the difficult art of letter casting. In the Massachusetts Gazette and Boston Weekly News-Letter for 7 September 1769 there appeared among the local news items a report on recent developments in American manufacturing activities in which are certain sentences of interest in the story of colonial type founding. "We are assured by a Gentleman from the Westward," said the writer, "that Mr. Abel Buell, of Killingworth in Connecticut, Jeweller and Lapidary, has lately, his own Genius, made himself Master of the Art of Founding Types for Printing. Printing Types are also made by Mr. Mitchelson of this Town [Boston] equal to any imported from Great-Britain; and might, by proper Encouragement soon be able to furnish all the Printers in America at the same price they are sold in England." The absence of a known specimen of Mitchelson's letters or of any specific information as to his operations is enough, however, to require a verdict of "not proven" on any claim to priority in American type casting that has yet been made on his behalf.

Because of the unfruitful nature of the enterprises which have been spoken of, the year 1770 found the American printer still dependent upon European importation for his printing type, and at the moment there existed little prospect of relief from a situation which in the years of the Revolution was to become a hardship rather than the simple inconvenience of the earlier period. The policy of non-importation, however, was stirring the colonies to the establishment of local manufactures, and under the whip of necessity, type founding, among other essential industries, was to take its rise in the United States. The carrying to success of this manufacture in Pennsylvania in the year 1775 was undoubtedly assured by the political and economic situation of the country, but its beginning, which must first be described, had its cause in a set of circumstances of a more general character.

"The secular history of the Holy Scriptures," wrote Henry Stevens, "is the sacred history of printing." In these words the Vermonter gave sententious expression to the truth that the printing of the Bible has been in all ages an appreciable factor in the development of typography. The successful beginnings of type founding in English America, it is believed, may be traced to the desire of Christopher Sower Jr. of Germantown, Pennsylvania, to issue a third edition of that German Bible which first had made its appearance at the pains and expense of his father in the year 1743. It is said that the younger Sower's dissatisfaction with the conditions of type importation from Germany led him to conceive the idea of importing thence matrices and moulds instead of finished type, and with these placed in the cunning hands of Justus Fox, his journeyman, of casting his own letters for use in the proposed edition of Die Heilige Schrift. An enterprising man, a religious zealot, and the proprietor of one of the most extensive printing offices in America, he was able, partly at least, to carry out his intention.

Abel Buell's Second Font, October 1769. Courtesy of the Connecticut State Archives.

The exact date of the first use by Sower of locally cast German letters evades determination. Sometime in the year 1770, he began the publication of the "second part" of a periodical known as Ein Geistliches Magazien. The title page of No. I, Part II, of this early religious magazine tells us that it was printed by Christopher Sower [Pg 68][Pg 69]at Germantown in the year 1770, and the undated colophon of No. XII of the series contains information of singular interest in the words, "Gedruckt mit der ersten Schrift die jemals in America gegossen worden." The probability is that this issue of Ein Geistliches Magazien was published late in 1771 or early in the ensuing year. Upon the basis of this quoted statement and in view of the knowledge that when his estate was sold in 1778 there were disposed of to Jacob Bay and others certain lots of letter moulds, crucibles and a large quantity of antimony[10] it becomes clear that Sower's interest in type making developed well beyond the stage of thinking it would be a nice thing to do.

The initiatory efforts of Sower have a particular significance in the story of American type founding; for the tradition is that while engaged in the casting process of type making in the Germantown foundry, Justus Fox and Jacob Bay learned the more difficult mysteries of an art in which later they attained proficiency. Because of the link of continuous effort thus formed between Sower's initiation of the business in 1770 and the later cutting and casting of Roman letter by these artisans, there must be conceded to him the distinction of having begun in English America the industry of type manufacturing, regardless of whether or not his casting of German letter from imported matrices was as extensive as has been supposed.

Our knowledge of Fox and of Bay is derived largely from the Additions to Thomas's History of Printing, a body of tradition of uneven reliability transmitted to Isaiah Thomas by William McCulloch, a Philadelphia printer active in the early years of the century. Selections from the six communications of the period 1812-1814 in which this information was transmitted were incorporated by Thomas in the revision of his book upon which was based the second edition brought out by the American Antiquarian Society in 1874. Long afterward the series of letters was published as a whole in the Proceedings of the Society for April 1921 under the title, William McCulloch's Additions to Thomas's History of Printing.

In these letters to Isaiah Thomas, McCulloch was recording his own memories and the accepted Philadelphia tradition. Because he was well advanced in years at the time of writing, one is not surprised to find that now and then he trips over the barrier that separates documented fact from hearsay and personal recollection. It is much to our comfort in the present instance, however, to learn that he possessed and made use of unusual opportunities to obtain correct information as to the craftsmen who are the subject of our interest. These facts which he records of Justus Fox, for example, he obtained from Emmanuel, the son and partner in type founding of that artisan, and in Justus Fox, a German Printer of the Eighteenth Century, Dr. Charles L. Nichols accepts his testimony as of general reliability. He was indebted to various relatives of Bay, among them a sister, "a plump lady of 68," for the account of him which is found in the pages of the Additions. It is possible to compare various items in McCulloch's sketches of these men with records unknown to him, but available to us, with results so little at variance that one is inclined to accord a high degree of credence to all that he wrote concerning their activities.

At the time of Sower's importation of German equipment, McCulloch informed Isaiah Thomas, he had among his journeymen an ingenious general mechanic, Justus Fox, whom he charged with the responsibility for casting the letters to be used in the great Bible. In April 1772 he employed a newly arrived Swiss silk weaver, Jacob Bay,[11] to assist Fox. Two years later Bay left Sower's service and set up a foundry on his own account in a near-by house in Germantown. Fox remained in Sower's establishment, presumably engaged in casting the large quantity of type required to keep standing an edition of the Bible. In addition to this routine work he is said to have cut and cast an unspecified amount of Roman letter before 1774, the year of Bay's separation from the Sower establishment. Working in his separate foundry, it is recorded by our volunteer historian, Bay "cast a number of fonts, cutting all the punches, and making all the apparatus pertaining thereto, himself, for Roman Bourgeois, Long Primer, etc."

That this reported activity in type casting in Germantown about the year 1774 was not a play of the imagination on the part of its historian is made certain by the definite statement that occurs in one of the non-importation resolutions of the Pennsylvania Convention. On 23 January 1775 the Convention "Resolved unanimously, That as printing types are now made to a considerable degree of perfection by an ingenious artist in Germantown; it is recommended to the printers to use such types in preference to any which may be hereafter imported."[12] Referring somewhat vaguely to this resolution, both as to content and as to origin, McCulloch tells us that even at the time of its passage Fox and Bay each claimed the honor implied in its terms. To this day the identity of the "ingenious artist" remains uncertain.

It is not clear by what evidence it was known to the Convention that "a considerable degree of perfection" had been attained in the making of type in Germantown. The only known specimen of printing type cast at that place before the meeting of the Convention in January 1775 is the German letter employed in Sower's periodical, Ein Geistliches Magazien, and it is not likely that this or any other specimen of German type would have led the Convention to a recommendation as sweeping as that which has been quoted from its journal. It could only have been a Roman letter that the delegates had in mind for a usage so general as was indicated in their resolution, and we must remain in doubt as to what specimen or specimens they had seen of locally cast type in this character. It is certain, however, that at the time of their action a font of Roman letter had been completed, or at any rate, that it was then in the process of casting. It is quite possible that a trial specimen of this font had been submitted to the Convention for its examination and approval.

It is a satisfaction to be able to introduce the new font through the medium of a contemporary reference to its use. We are indebted to the correspondence and to the diary of the Rev. Ezra Stiles of Newport, later President of Yale College, for some important information on early American type founding. Excited by Buell's efforts to make type in the year 1769, his interest in the manufacture seems to have remained in being, for on 9 May 1775 he appended the following comment to an entry in his Diary: "Extracted from the Pennsylv^a Mercury, whose first N^o was pub. the 7th of April last: printed with types of American Manufacture. The first Work with Amer. Types: tho' Types were made at N. Haven years ago."[13] The fact that Ezra Stiles was one of the earliest patrons of Abel Buell's venture in letter casting, supported as this fact is by his interest in American manufactures generally, lends a certain amount of weight to any observation that he might make on the subject of American type founding, although it is probable that he was ignorant of Sower's partial achievement of the art, just as Sower some years earlier in his claim to priority had seemed to be unaware of Buell's technically successful effort. If we may interpret Dr. Stiles's words as meaning that Story & Humphreys's Pennsylvania Mercury[14] of 7 April 1775, Vol. I, No. I, was the first published work printed in Roman letter which had been cut and cast in English America, we may unhesitatingly repeat his description of it as "The first Work with Amer. Types."

The Philadelphia newspaper which has been referred to is one of the rarest of American journals of the period. Complete files, comprising issues from 7 April to 27 December 1775, are found only in the Library of Congress and in the Harvard College Library. From the first page of its first issue, the publisher's announcement is here reproduced.

A glance at the pages of the newspaper in which the new Roman letter was first used makes us feel that in his commendable willingness to admit imperfection the publisher paid small tribute to the skill of his "ingenious artist." The letters of "rustic manufacture" were far from perfect, it is true, and in later issues of the newspaper it is observable that they had not worn especially well, but nonetheless they composed agreeably and they were sufficiently well executed to entitle them to something more than the half apology with which they were offered to the public. Their interest, however, as the first American-made Roman type to be used in a publication intended for circulation transcends considerations of worth and appearance.