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A. H. H.

Obiit 1833.

ARTHUR HENRY HALLAM

I past beside the reverend walls In which of old I wore the gown; I roved at random thro’ the town, And saw the tumult of the halls; And heard once more in college fanes The storm their high-built organs make, And thunder-music, rolling, shake The prophet blazon’d on the panes; And caught once more the distant shout, The measured pulse of racing oars Among the willows; paced the shores And many a bridge, and all about The same gray flats again, and felt The same, but not the same; and last Up that long walk of limes I past To see the rooms in which he dwelt. Another name was on the door: I linger’d; all within was noise Of songs, and clapping hands, and boys That crash’d the glass and beat the floor; Where once we held debate, a band Of youthful friends, on mind and art, And labour, and the changing mart, And all the framework of the land; When one would aim an arrow fair, But send it slackly from the string; And one would pierce an outer ring, And one an inner, here and there; And last the master-bowman, he, Would cleave the mark. A willing ear We lent him. Who, but hung to hear The rapt oration flowing free From point to point, with power and grace And music in the bounds of law, To those conclusions when we saw The God within him light his face, And seem to lift the form, and glow In azure orbits heavenly-wise; And over those ethereal eyes The bar of Michael Angelo.

TO JAMES SPEDDING

ON THE DEATH OF HIS BROTHER

The wind, that beats the mountain, blows More softly round the open wold, And gently comes the world to those That are cast in gentle mould. And me this knowledge bolder made, Or else I had not dared to flow In these words toward you, and invade Even with a verse your holy woe. ’Tis strange that those we lean on most, Those in whose laps our limbs are nursed, Fall into shadow, soonest lost: Those we love first are taken first. God gives us love. Something to love He lends us; but, when love is grown To ripeness, that on which it throve Falls off, and love is left alone. This is the curse of time. Alas! In grief I am not all unlearn’d; Once thro’ mine own doors Death did pass; One went, who never hath return’d. He will not smile—not speak to me Once more. Two years his chair is seen Empty before us. That was he Without whose life I had not been. Your loss is rarer; for this star Rose with you thro’ a little arc Of heaven, nor having wander’d far Shot on the sudden into dark. I knew your brother; his mute dust I honour and his living worth: A man more pure and bold and just Was never born into the earth. I have not look’d upon you nigh, Since that dear soul hath fall’n asleep. Great Nature is more wise than I: I will not tell you not to weep. And tho’ mine own eyes fill with dew, Drawn from the spirit thro’ the brain, I will not even preach to you, “Weep, weeping dulls the inward pain.” Let Grief be her own mistress still. She loveth her own anguish deep More than much pleasure. Let her will Be done—to weep or not to weep. I will not say, “God’s ordinance Of Death is blown in every wind”; For that is not a common chance That takes away a noble mind. His memory long will live alone In all our hearts, as mournful light That broods above the fallen sun, And dwells in heaven half the night. Vain solace! Memory standing near Cast down her eyes, and in her throat Her voice seem’d distant, and a tear Dropt on the letters as I wrote. I wrote I know not what. In truth, How should I soothe you anyway, Who miss the brother of your youth? Yet something I did wish to say: For he too was a friend to me: Both are my friends, and my true breast Bleedeth for both; yet it may be That only silence suiteth best. Words weaker than your grief would make Grief more. ’Twere better I should cease Although myself could almost take The place of him that sleeps in peace. Sleep sweetly, tender heart, in peace: Sleep, holy spirit, blessed soul, While the stars burn, the moons increase, And the great ages onward roll. Sleep till the end, true soul and sweet. Nothing comes to thee new or strange. Sleep full of rest from head to feet; Lie still, dry dust, secure of change.

TO EDWARD FITZGERALD

(Dedication of “Tiresias,” written in 1882)

Old Fitz, who from your suburb grange, Where once I tarried for a while, Glance at the wheeling Orb of change, And greet it with a kindly smile; Whom yet I see as there you sit Beneath your sheltering garden-tree, And while your doves about you flit, And plant on shoulder, hand and knee, Or on your head their rosy feet, As if they knew your diet spares Whatever moved in that full sheet Let down to Peter at his prayers; Who live on milk and meal and grass; And once for ten long weeks I tried Your table of Pythagoras, And seem’d at first “a thing enskied” (As Shakespeare has it) airy-light To float above the ways of men, Then fell from that half-spiritual height Chill’d, till I tasted flesh again One night when earth was winter-black, And all the heavens flash’d in frost; And on me, half-asleep, came back That wholesome heat the blood had lost, And set me climbing icy capes And glaciers, over which there roll’d To meet me long-arm’d vines with grapes Of Eshcol hugeness; for the cold Without, and warmth within me, wrought To mould the dream; but none can say That Lenten fare makes Lenten thought, Who reads your golden Eastern lay, Than which I know no version done In English more divinely well; A planet equal to the sun Which cast it, that large infidel Your Omar; and your Omar drew Full-handed plaudits from our best In modern letters, and from two, Old friends outvaluing all the rest, Two voices heard on earth no more; But we old friends are still alive, And I am nearing seventy-four, While you have touch’d at seventy-five, And so I send a birthday line Of greeting; and my son, who dipt In some forgotten book of mine With sallow scraps of manuscript, And dating many a year ago, Has hit on this, which you will take My Fitz, and welcome, as I know Less for its own than for the sake Of one recalling gracious times, When, in our younger London days, You found some merit in my rhymes, And I more pleasure in your praise.

EPILOGUE AT END OF “TIRESIAS”

“One height and one far-shining fire” And while I fancied that my friend For this brief idyll would require A less diffuse and opulent end, And would defend his judgment well, If I should deem it over nice— The tolling of his funeral bell Broke on my Pagan Paradise, And mixt the dream of classic times And all the phantoms of the dream, With present grief, and made the rhymes, That miss’d his living welcome, seem Like would-be guests an hour too late, Who down the highway moving on With easy laughter find the gate Is bolted, and the master gone. Gone into darkness, that full light Of friendship! past, in sleep, away By night, into the deeper night! The deeper night? A clearer day Than our poor twilight dawn on earth— If night, what barren toil to be! What life, so maim’d by night, were worth Our living out? Not mine to me Remembering all the golden hours Now silent, and so many dead, And him the last; and laying flowers, This wreath, above his honour’d head, And praying that, when I from hence Shall fade with him into the unknown, My close of earth’s experience May prove as peaceful as his own.

TO JOHN MITCHELL KEMBLE

My hope and heart is with thee—thou wilt be A latter Luther, and a soldier-priest To scare church-harpies from the master’s feast; Our dusted velvets have much need of thee: Thou art no sabbath-drawler of old saws, Distill’d from some worm-canker’d homily; But spurr’d at heart with fieriest energy To embattail and to wall about thy cause With iron-worded proof, hating to hark The humming of the drowsy pulpit-drone Half God’s good sabbath, while the worn-out clerk Brow-beats his desk below. Thou from a throne Mounted in heaven wilt shoot into the dark Arrows of lightnings. I will stand and mark.

TO J. W. BLAKESLEY

AFTERWARDS DEAN OF LINCOLN

I

Clear-headed friend, whose joyful scorn, Edged with sharp laughter, cuts atwain The knots that tangle human creeds, The wounding cords that bind and strain The heart until it bleeds, Ray-fringed eyelids of the morn Roof not a glance so keen as thine: If aught of prophecy be mine, Thou wilt not live in vain.

II

Low-cowering shall the Sophist sit; Falsehood shall bare her plaited brow: Fair-fronted Truth shall droop not now With shrilling shafts of subtle wit. Nor martyr-flames, nor trenchant swords Can do away that ancient lie; A gentler death shall Falsehood die, Shot thro’ and thro’ with cunning words.

III

Weak Truth a-leaning on her crutch, Wan, wasted Truth in her utmost need, Thy kingly intellect shall feed, Until she be an athlete bold, And weary with a finger’s touch Those writhed limbs of lightning speed; Like that strange angel which of old, Until the breaking of the light, Wrestled with wandering Israel, Past Yabbok brook the livelong night, And heaven’s mazed signs stood still In the dim tract of Penuel.

TO R. C. TRENCH

AFTERWARDS ARCHBISHOP OF DUBLIN

(Dedication of “The Palace of Art”)

I send you here a sort of allegory, (For you will understand it) of a soul, A sinful soul possess’d of many gifts, A spacious garden full of flowering weeds, A glorious Devil, large in heart and brain, That did love Beauty only, (Beauty seen In all varieties of mould and mind) And Knowledge for its beauty; or if Good, Good only for its beauty, seeing not That Beauty, Good, and Knowledge, are three sisters That doat upon each other, friends to man, Living together under the same roof, And never can be sunder’d without tears. And he that shuts Love out, in turn shall be Shut out from Love, and on her threshold lie Howling in outer darkness. Not for this Was common clay ta’en from the common earth Moulded by God, and temper’d with the tears Of angels to the perfect shape of man.

TO THE REV. W. H. BROOKFIELD

Brooks, for they call’d you so that knew you best, Old Brooks, who loved so well to mouth my rhymes, How oft we two have heard St. Mary’s chimes! How oft the Cantab supper, host and guest, Would echo helpless laughter to your jest! How oft with him we paced that walk of limes, Him, the lost light of those dawn-golden times, Who loved you well! Now both are gone to rest. You man of humorous-melancholy mark, Dead of some inward agony—is it so? Our kindlier, trustier, Jaques, past away! I cannot laud this life, it looks so dark: Σκιᾶς ὄναρ—dream of a shadow, go— God bless you. I shall join you in a day.

TO EDMUND LUSHINGTON

ON HIS MARRIAGE WITH CECILIA TENNYSON

O true and tried, so well and long, Demand not thou a marriage lay; In that it is thy marriage day Is music more than any song. Nor have I felt so much of bliss Since first he told me that he loved A daughter of our house; nor proved Since that dark day a day like this; Tho’ I since then have number’d o’er Some thrice three years: they went and came, Remade the blood and changed the frame, And yet is love not less, but more; No longer caring to embalm In dying songs a dead regret, But like a statue solid-set, And moulded in colossal calm. Regret is dead, but love is more Than in the summers that are flown, For I myself with these have grown To something greater than before; Which makes appear the songs I made As echoes out of weaker times, As half but idle brawling rhymes, The sport of random sun and shade. But where is she, the bridal flower, That must be made a wife ere noon? She enters, glowing like the moon Of Eden on its bridal bower: On me she bends her blissful eyes And then on thee; they meet thy look And brighten like the star that shook Betwixt the palms of paradise. O when her life was yet in bud, He too foretold the perfect rose. For thee she grew, for thee she grows For ever, and as fair as good. And thou art worthy; full of power; As gentle; liberal-minded, great, Consistent; wearing all that weight Of learning lightly like a flower. But now set out: the noon is near, And I must give away the bride; She fears not, or with thee beside And me behind her, will not fear. For I that danced her on my knee, And watch’d her on her nurse’s arm, That shielded all her life from harm At last must part with her to thee; Now waiting to be made a wife, Her feet, my darling, on the dead; Their pensive tablets round her head, And the most living words of life Breathed in her ear. The ring is on, The “wilt thou” answer’d, and again The “wilt thou” ask’d, till out of twain Her sweet “I will” has made you one. Now sign your names, which shall be read, Mute symbols of a joyful morn, By village eyes as yet unborn; The names are sign’d, and overhead Begins the clash and clang that tells The joy to every wandering breeze; The blind wall rocks, and on the trees The dead leaf trembles to the bells. O happy hour, and happier hours Await them. Many a merry face Salutes them—maidens of the place, That pelt us in the porch with flowers. O happy hour, behold the bride With him to whom her hand I gave. They leave the porch, they pass the grave That has to-day its sunny side. To-day the grave is bright for me, For them the light of life increased, Who stay to share the morning feast, Who rest to-night beside the sea. Let all my genial spirits advance To meet and greet a whiter sun; My drooping memory will not shun The foaming grape of eastern France. It circles round, and fancy plays, And hearts are warm’d and faces bloom, As drinking health to bride and groom We wish them store of happy days. Nor count me all to blame if I Conjecture of a stiller guest, Perchance, perchance, among the rest, And, tho’ in silence, wishing joy. But they must go, the time draws on, And those white-favour’d horses wait; They rise, but linger; it is late; Farewell, we kiss, and they are gone. A shade falls on us like the dark From little cloudlets on the grass, But sweeps away as out we pass To range the woods, to roam the park, Discussing how their courtship grew, And talk of others that are wed, And how she look’d, and what he said, And back we come at fall of dew. Again the feast, the speech, the glee, The shade of passing thought, the wealth Of words and wit, the double health, The crowning cup, the three-times-three, And last the dance;—till I retire: Dumb is that tower which spake so loud, And high in heaven the streaming cloud, And on the downs a rising fire: And rise, O moon, from yonder down, Till over down and over dale All night the shining vapour sail And pass the silent-lighted town, The white-faced halls, the glancing rills, And catch at every mountain head, And o’er the friths that branch and spread Their sleeping silver thro’ the hills; And touch with shade the bridal doors, With tender gloom the roof, the wall; And breaking let the splendour fall To spangle all the happy shores By which they rest, and ocean sounds, And, star and system rolling past, A soul shall draw from out the vast And strike his being into bounds, And, moved thro’ life of lower phase, Result in man, be born and think, And act and love, a closer link Betwixt us and the crowning race Of those that, eye to eye, shall look On knowledge; under whose command Is Earth and Earth’s, and in their hand Is Nature like an open book; No longer half-akin to brute, For all we thought and loved and did, And hoped, and suffer’d, is but seed Of what in them is flower and fruit; Whereof the man, that with me trod This planet, was a noble type Appearing ere the times were ripe, That friend of mine who lives in God, That God, which ever lives and loves, One God, one law, one element, And one far-off divine event, To which the whole creation moves.

CHARLES TENNYSON-TURNER

Midnight, June 30, 1879

I

Midnight—in no midsummer tune The breakers lash the shores: The cuckoo of a joyless June Is calling out of doors: And thou hast vanish’d from thine own To that which looks like rest, True brother, only to be known By those who love thee best.

II

Midnight—and joyless June gone by, And from the deluged park The cuckoo of a worse July Is calling thro’ the dark: But thou art silent underground, And o’er thee streams the rain, True poet, surely to be found When Truth is found again.

III

And, now to these unsummer’d skies The summer bird is still, Far off a phantom cuckoo cries From out a phantom hill; And thro’ this midnight breaks the sun Of sixty years away, The light of days when life begun, The days that seem to-day, When all my griefs were shared with thee, As all my hopes were thine— As all thou wert was one with me, May all thou art be mine!

Edmund Lushington

(Who married Cecilia Tennyson, and was

Professor of Greek in the University of Glasgow).