Читать книгу The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 531, January 28, 1832 - Various - Страница 3

(At the time of our last publication we were not aware that any architectural details of the building in Chancery-lane had appeared. We now find that the Legal Observer contained such description in March last, "collected," says the editor, "with some pains and trouble." A correspondent dropped the Observer leaf into our letter-box in the course of last week; but, unfortunately, the communication did not reach us in time for insertion with our Engraving. Good news, we know, usually comes upon crutches, but we hope our thanks will reach this correspondent at a better pace.)

The style of architecture of the principal front in Chancery-lane is purely Grecian. The details and proportions appear to have been founded upon the best examples of the Ionic order in Athens and Asia Minor,6 but they are not servilely copied from any of them.

Mr. Vulliamy, the architect for the Institution, has thrown into this front the true spirit of the originals; and the effect which the harmonious proportions of the building produce on the spectator, when viewing it from Chancery-lane, must have been the result of much observation and experience in ancient and classic models.

This front, extending nearly sixty feet in width, is of Portland stone. It consists of four columns and two antae, of the Grecian Ionic order, supporting an entablature and pediment, and forming together one grand portico. To give the requisite elevation, the columns and antae are raised upon pedestals; these, as well as the basement story and podium of the inner wall of the portico, are of Aberdeen granite; the columns and the rest of the front are formed of large blocks of Portland stone. In the front wall, within the portico, there are two ranges of windows above the basement.

The front in Bell-yard extends nearly eighty feet, and will be finished with Roman cement, in imitation of stone. It will have a portico of two columns, and two antae of Portland stone, of the height of the ground story, which is very lofty, and the width of the entire compartment of the front. From the interior requiring to be divided into several rooms, this front must have many windows. The elevation is formed more upon the models of modern domestic architecture than of ancient public buildings, and resembles, in its general appearance, one of the palazzi in the Strada Balbi at Genoa, in the Corso at Rome, or in the Toledo at Naples. In its details, however, the extravagancies of the middle ages, and the often elegant frivolities of the cinque cento