Читать книгу The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 402, Supplementary Number (1829) - Various - Страница 2

LITERARY SOUVENIR

Оглавление

(Concluded from Supplement, page 336.)

The poetry of the Souvenir is, as usual, for the most part excellent. Among the best pieces are The Dying Mother to her Infant, by Caroline Bowles; Bring back the chain, by the authoress of the "Sorrows of Rosalie;" and The Birth-day, by N.P. Willis, a popular American writer. There are likewise some very graceful and touching pieces by Mr. Watts, the editor, one of which will be found in our next number. There are too some pleasant attempts at humorous relief; but "Vanity Fair" is a very poor attempt at jingling rhyme. We quote one of these light pieces for the sake of adding variety to our sheet:

WHERE IS MISS MYRTLE?

AIR—Sweet Kitty Clover

Where is Miss Myrtle? can any one tell?

Where is she gone, where is she gone?

She flirts with another, I know very well;

And I—am left all alone!

She flies to the window when Arundel rings:

She's all over smiles when Lord Archibald sings;

It's plain that her Cupid has two pair of wings;

Where is she gone, where is she gone?

Her love and my love are different things:

And I—am left all alone!


I brought her, one morning, a rose for her brow

Where is she gone, where is she gone?

She told me such horrors were never worn now:

And I—am left all alone!

But I saw her at night with a rose in her hair,

And I guess who it came from,—of course I don't care!

We all know that girls are as false us they're fair;

Where is she gone, where is she gone?

I'm sure the lieutenant's a horrible bear;

And I—am left all alone!


Whenever we go on the Downs for a ride,

Where is she gone, where is she gone?

She looks for another to trot by her side:

And I—am left all alone!

And whenever I take her down stairs from a ball,

She nods to some puppy to put on her shawl:

I'm a peaceable man, and I don't like a brawl:

Where is she gone, where is she gone?

But I would give a trifle to horsewhip them all:

And I—am left all alone!


She tells me her mother belongs to the sect,

Where is she gone, where is she gone?

Which holds that all waltzing is quite incorrect:

And I—am left all alone!

But a fire's in my heart and a fire's in my brain,

When she waltzes away with Sir Phelim O'Shane;

I don't think I ever can ask her again:

Where is she gone, where is she gone?

And, lord! since the summer she's grown very plain,

And I—am left all alone!


She said that she liked me a twelvemonth ago!

Where is she gone, where is she gone?

And how should I guess that she'd torture me so!

And I—am left all alone!

Some day she'll find out it was not very wise

To laugh at the breath of a true lover's sighs:

After all, Fanny Myrtle is not such a prize;

Where is she gone, where is she gone?

Louisa Dalrymple has exquisite eyes:

And I'll be—no longer alone!


Mr. Praed has an exquisite poem, "Memory;" and we had nearly passed by a song by Mr. T. Moore.

Alone beneath the moon I roved,

And thought how oft in hours gone by,

I heard my Mary say she loved

To look upon a moonlight sky!

The day had been one lengthened shower,

Till moonlight came, with lustre meek,

To light up every weeping flower,

Like smiles upon a mourner's cheek.


I called to mind from Eastern books

A thought that could not leave me soon:—

"The moon on many a night-flower looks,

The night-flower sees no other moon."

And thus I thought our fortune's run,

For many a lover sighs to thee;

While oh! I feel there is but one,

One Mary in the world for me!


The illustrations are almost unexceptionably good; the gems in this way being Mrs. Siddons, as Lady Macbeth, by C. Rolls, after Harlowe: the face is perhaps the most intellectual piece of engraving ever seen; the sublime effect in so small a space is truly surprising. A Portrait, by W. Danforth, after Leslie, ranks next; and the beauty and variety of the remainder of the prints are so great as to prevent our individualizing them to the reader. Taken altogether, they form one of the finest Annual Galleries or Collections.

The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 402, Supplementary Number (1829)

Подняться наверх