Читать книгу The Atlantic Monthly, Volume 07, No. 43, May, 1861 - Various - Страница 6

At the opening of the present century, the Lake District of Cumberland and Westmoreland was groaned over by some residents as fast losing its simplicity. The poet Gray had been the first to describe its natural features in an express manner; and his account of the views above Keswick and Grasmere was quoted, sixty years since, as evidence of the spoiling process which had gone on since the introduction of civilization from the South. Gray remarked on the absence of red roofs, gentlemen's houses, and garden-walls, and on the uniform character of the humble farmsteads and gray cottages under their sycamores in the vales. Wordsworth heard and spoke a good deal of the innovations which had modified the scene in the course of the thirty years which elapsed between Gray's visits (in 1767-69) and his own settlement in the Lake District; but he lived to say more, at the end of half a century, of the wider and deeper changes which time had wrought in the aspect of the country and the minds and manners of the people. According to his testimony, and that of Southey, the barbarism was of a somewhat gross character at the end of the last century; the magistrates were careless of the condition of the society in which they bore authority; the clergy were idle or worse,—"marrying and burying machines," as Southey told Wilberforce; and the morality of the people, such as it was, was ascribed by Wordsworth, in those his days of liberalism in politics, to the state of republican equality in which they lived. Excellent, fussy Mr. Wilberforce thought, when he came for some weeks into the District, that the Devil had had quite time enough for sowing tares while the clergy were asleep; so he set to work to sow a better seed; and we find in his diary that he went into house after house "to talk religion to the people." I do not know how he was received; but at this day the people are puzzled at that kind of domestic intervention, so unsuitable to their old-fashioned manners,—one old dame telling with wonder, some little time since, that a young lady had called and sung a hymn to her, but had given her nothing at the end for listening. The rough independence of the popular manners even now offends persons of a conventional habit of mind; and when poets and philosophers first came from southern parts to live here, the democratic tone of feeling and behavior was more striking than it is now or will ever be again.

Before the Lake poets began to give the public an interest in the District, some glimpses of it were opened by the well-known literary ladies of the last century who grouped themselves round their young favorite, Elizabeth Smith. I do not know whether her name and fame have reached America; but in my young days she was the English school-girls' subject of admiration and emulation. She had marvellous powers of acquisition, and she translated the Book of Job, and a good deal from the German,—introducing Klopstock to us at a time when we hardly knew the most conspicuous names in German literature. Elizabeth Smith was an accomplished girl in all ways. There is a damp, musty-looking house, with small windows and low ceilings, at Coniston, where she lived with her parents and sister, for some years before her death. We know, from Mrs. Elizabeth Hamilton's and the Bowdlers' letters, how Elizabeth and her sister lived in the beauty about them, rambling, sketching, and rowing their guests on the lake. In one of her rambles, Elizabeth sat too long under a heavy dew. She felt a sharp pain in her chest, which never left her, and died in rapid decline. Towards the last she was carried out daily from the close and narrow rooms at home, and laid in a tent pitched in a field just across the road, whence she could overlook the lake, and the range of mountains about its head. On that spot now stands Tent Lodge, the residence of Tennyson and his bride after their marriage. One of my neighbors, who first saw the Lake District in early childhood, has a solemn remembrance of the first impression. The tolling of the bell of Hawkeshead church was heard from afar; and it was tolling for the funeral of Elizabeth Smith. Her portrait is before me now,—the ingenuous, child-like face, with the large dark eyes which alone show that it is not the portrait of a child. It was through her that a large proportion of the last generation of readers first had any definite associations with Coniston.

Wordsworth had, however, been in that church many a time, above twenty years before, when at Hawkeshead school. He used to tell that his mother had praised him for going into the church, one week-day, to see a woman do penance in a white sheet. She considered it good for his morals. But when he declared himself disappointed that nobody had given him a penny for his attendance, as he had somehow expected, his mother told him he was served right for going to church from such an inducement. He spoke with gratitude of an usher at that school, who put him in the way of learning the Latin, which had been a sore trouble at his native Cockermouth, from unskilful teaching. Our interest in him at that school, however, is from his having there first conceived the idea of writing verse. His master set the boys, as a task, to write a poetical theme,—"The Summer Vacation"; and Master William chose to add to it "The Return to School." He was then fourteen; and he was to be double that age before he returned to the District and took up his abode there.

He had meantime gone through his college course, as described in his Memoirs, and undergone strange conditions of opinion and feeling in Paris during the Revolution; had lived in Dorsetshire, with his faithful sister; had there first seen Coleridge, and had been so impressed by the mind and discourse of that wonderful young philosopher as to remove to Somersetshire to be near him; had seen Klopstock in Germany, and lived there for a time; and had passed through other changes of residence and places, when we find him again among the Lakes in 1779, still with his sister by his side, and their brother John, and Coleridge, who had never been in the District before.

As they stood on the margin of Grasmere, the scene was more like what Gray saw than what is seen at this day. The churchyard was bare of the yews which now distinguish it,—for Sir George Beaumont had them planted at a later time; and where the group of kindred and friends—the Wordsworths and their relatives—now lie, the turf was level and untouched. The iron rails and indefensible monuments, which Wordsworth so reprobated half a century later, did not exist. The villas which stud the slopes, the great inns which bring a great public, were uncreated; and there was only the old Roman road where the Wishing-Gate is, or the short cut by the quarries to arrive by from the South, instead of the fine mail-road which now winds between the hills and the margin of the lake. John Wordsworth guided his brother and Coleridge through Grisedale, over a spur of Helvellyn, to see Ullswater; and Coleridge has left a characteristic testimony of the effect of the scenery upon him. It was "a day when light and darkness coexisted in contiguous masses, and the earth and sky were but one. Nature lived for us in all her wildest accidents." He tells how his eyes were dim with tears, and how imagination and reality blended their objects and impressions. Wordsworth's account of the same excursion is in as admirable contrast with Coleridge's as their whole mode of life and expression was, from first to last. With the carelessness of the popular mind in such cases, the British public had already almost confounded the two men and their works, as it soon after mixed up Southey with both; whereas they were all as unlike each other as any three poets could well be.