Читать книгу The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 538, March 17, 1832 - Various - Страница 3

FINE ARTS

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THE BRITISH INSTITUTION

(From a Correspondent/)

The admirers of modern painting invariably anticipate much delight prior to the opening of the Exhibition at this institution, and their hopes in the present instance have not been disappointed, as there certainly is a fine display of talent in almost every department of the art. There are nearly six hundred works.

No. 1. Portsmouth, from the King's Bastion; painted by command of his Majesty, by Clarkson Stanfield.

5. The Falconer; a brilliant little picture by A. Fraser.

6. Sabrina, from Milton's Comus; Mr. Etty delineates the female form with peculiar accuracy and delicacy, and in the subject before us he has displayed his usual ability.

28. A Lady of Rank of the fifteenth century taking the Veil; a work of considerable promise by a young artist—S. A. Hart.

30. The Rick Side; beautifully executed by T. Woodward.

47. A Man saved from Shipwreck; this is an interesting subject by Charles Hancock. Apropos, this gentleman paints much in the fascinating manner of Mr. Landseer.

61. Entrance to a Village; painted from nature in a pleasing style by C.R. Stanley.

75. Interior of a Highlander's House; E. Landseer, R.A.

248. Distant View of Goderich Church; Copley Fielding.

337. The Recruit; by H. Liversege. The principal group in this picture is treated in the following way: around a table are seated four persons, among whom are two soldiers—being the recruiting sergeant with one of his party. The recruit, a rustic looking youth, has a good deal of expression in his countenance; he seems extremely doubtful concerning the step he has taken, while an interesting young woman, apparently his sister, is fondly endeavouring to dissuade him from it. The sergeant complacently smokes his pipe, and smiles at her solicitude. This is, perhaps, the most unaffected picture in the whole collection, being a remarkably modest representation of nature. The composition is good, and the freedom and delicacy of the execution stands unrivalled.

386. Hunt the Slipper; A.E. Chalon, R.A. In this picture several figures are introduced seriatim, engaged at this old English, but now rather unfashionable, game. A little too much vulgarity is displayed, though in other respects the performance is highly praiseworthy.

413. Love the best Physician; painted at Paris by Monsieur Destouches. Although we disapprove of the colouring and some parts of the execution of this work, the subject is very interesting. A young man of fortune, who had fallen in love with a beautiful young girl, becomes sick in consequence of his hopeless passion. The physicians appear to have rendered him no service, and as a last alternative, his friends prevail on the girl to visit him, accompanied by her parents. The deep blushes with which her face is suffused, and her downcast eyes, indicate the violent agitation of her frame; while the sick man, having raised himself in bed, stretches out his arms, and eagerly feasts his eyes on the charming object of his love.—G.W.N.

The Mirror of Literature, Amusement, and Instruction. Volume 19, No. 538, March 17, 1832

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