Читать книгу The Mirror of Literature, Amusement, and Instruction. Volume 17, No. 471, January 15, 1831 - Various - Страница 2

Every reader at all conversant with the history of the present century, or the past year, will appreciate our choice of the above Engraving. Its pictorial and historical interest will not bear comparison; unless it be in the strong contrast which the gloomy, wretched-looking building affords with the beautiful paysage of the scene. The spectator may perhaps reflect on the damning deeds which the cruelty and ambition of man have perpetrated in the Castle, then turn for relief to the gaiety—nay, the dancing life and bustle of other portions of the picture—and lastly confess that the composition, slight as it is, abounds with lights and shadows that strike forcibly on every beholder.

To be more explicit—the Castle of Vincennes was formerly a royal palace of the French court: it then dwindled to a state-prison; in its fosse, March 21, 1804, the Duke d'Enghien was murdered, the grave in the ditch on the left being where the body of the ill-starred victim was thrown immediately after being shot. The reader knows this act as one of the bloody deeds—the damned spots—of Bonaparte's career; that, subsequently, by order of the Bourbons, the remains of the duke were disinterred, and removed to the chapel of the Castle; and that the place has since become interesting as the prison of Prince Polignac and the Ex-ministers of Charles X. previous to their trial after the revolution in Paris, July, 1830.

Before proceeding further, we ought to acknowledge the original of the above print. In 1816, a few days after the removal of the bones of the Duke d'Enghien, an ingenious gentleman, Mr. G. Shepheard, was on the spot, and made a drawing for his portfolio. He was interrupted in his task by the guard, and notwithstanding the explanation of his harmless motive, was removed within the Castle: for those were days of political jealousy and suspicion. The Governor of the prison chanced to be acquainted with a friend who accompanied the artist; an explanation was given, and instead of a dreary lodging in one of the cells of the Castle, the "arrested" partook of a substantial dejeuné in one of its best apartments. Mr. Shepheard brought the sketch with him to England, and, upon the frequent mention of the Castle of Vincennes during the recent affair of the French ministry, he caused the drawing to be lithographed by Mr. W. Day. As this has not been done with a view to profit, we may mention that the drawing is to be purchased at a cheap rate, of the printsellers. Our copy has been made by permission of the artist, and we take this method of thanking him, as well as distinguishing his praiseworthy enthusiasm. By the way, there is a print of the Castle of Vincennes and the Execution of the Duke d'Enghien, in the Life of Napoleon, in the Family Library. The Castle, as there represented, is about as like that of Mr. Shepheard's drawing as the publisher's house in Albemarle-street. This hint may probably not be lost upon the editor of the "Family" Life in his next edition.

The History of the Castle deserves detail; and we copy it from the last edition of our friend Galignani's Picture of Paris:—

Vincennes is a large village about four miles east of Paris, famous for its forest, called the Bois de Vincennes, and its ancient royal chateau. The forest appears to have existed long before the chateau, and to have been much more extensive than at present. Philip Augustus surrounded it with strong and thick walls in 1283, when Henry III. of England, presented to him a great number of stags, deer, wild boars, and other animals for the sports of the chase. That monarch, taking pleasure in sporting, built a country seat at Vincennes, which was known by the name of Regale manerium, or the royal manor. Louis IX. often visited Vincennes, and used to sit under an oak in the forest to administer justice. In 1337, Philippe de Valois demolished the ancient building, and laid the foundations of that which still exists, and which was completed by his royal successors. The chateau forms a parallelogram of large dimensions; round it were formerly nine towers, of which eight were demolished to the level of the wall in 1814. That which remains, called the tour de l'Horloge, is a lofty square tower which forms the entrance. The Donjon is a detached building on the side towards Paris, and has a parapet for its defence. Deep ditches lined with stone surround the chateau. The chapel called la Sainte Chapelle, built by Charles V. stands in the second court to the right. It is a beautiful specimen of Gothic architecture. The interior is remarkable for its windows of coloured glass, by Cousin, after the designs of Raphael. They formerly were numerous, but only seven now remain. The high altar is entirely detached and consists of four Gothic columns of white marble; its front is ornamented with small figures. The balustrade which separates the choir is also Gothic, and of white marble. To the left of the altar is a monument, after the designs of Deseine, to the memory of the unfortunate Duke d'Enghien. It consists of four erect full length statues in beautiful white marble. The prince appears supported by religion. The other figures represent, the one, France in tears, having at her feet a globe enriched with fleurs de lis, and holding in her hand a broken sceptre; and the other fanaticism armed with a dagger, and in the attitude of striking her victim. The statue of the prince is replete with dignity and expression; that of religion is remarkably fine; near her is a gilt cross, and upon her head is a golden crown. A trophy, in bronze, formed of the arms of the prince and the ecu of the house of Condé fills up the interval between the figures of the foreground.

Henry V. King of England, the hero of Agincourt, died at Vincennes, in 1422.

Louis XI. enlarged and embellished the chateau, which he made his favourite residence. It was in the reign of that cruel and superstitious prince, about the year 1472, that the Donjon of Vincennes became a state prison.

Charles IX. died at this chateau in 1574.

In the reign of Louis XIII. Mary de Medicis, his mother, built the magnificent gallery still in existence; and Louis XIII. commenced the two large buildings to the south, which were finished by Louis XIV.

In 1661, Cardinal Mazarin died at Vincennes. The Duke of Orleans, when regent of the kingdom, continued to live in the Palais Royal; and therefore, in order to have the young king, Louis XV. near him, he fixed his majesty's residence, in the first year of his reign (1715) at Vincennes, till the palace of the Tuileries could be prepared for him. In 1731, the trees in the forest of Vincennes being decayed with age, were felled, and acorns were sown in a regular manner through the park, from which have sprung the oaks which now form one of the most shady and agreeable woods in the neighbourhood of Paris.

Vincennes, though no longer a royal residence, continued to be a state-prison. Here the celebrated Mirabeau was confined from 1777 to 1780; and wrote, during that time, besides other works, his Lettres à Sophie. This prison having become nearly useless, during the reign of the unfortunate Louis XVI., it was thrown open to the public in 1784. During the early stages of the revolution, Vincennes was used as a place of confinement for disorderly women.

Under Bonaparte, it again became a state prison; and a more horrible despotism appears to have been exercised within its walls than at any former period. The unfortunate Duke d'Enghien, who was arrested in Germany on the 15th of March, 1804, having been conducted to Vincennes on the 20th, at five in the evening, was condemned to death the same night by a military commission, and shot at half-past four on the following morning, in one of the ditches of the castle. His body was interred on the spot where he fell. On the 20th of March, 1816, the eve of the anniversary of his death, a search having been made for his remains, by order of Louis XVIII., they were discovered, and placed with religious care in a coffin, which was transported into the same room of the chateau in which the council of war condemned him to death, where it remained till the Gothic chapel was repaired and a monument erected to receive it. On the coffin is this inscription.—Ici est le corps du très-haut, très-puissant prince, Louis Antoine Henri de Bourbon, Duc d'Enghien, Prince du Sang, Pair de France. Mort à Vincennes, le 21 Mars, 1804, à l'âge de 31 ans, 7 mois, 18 jours.

Beyond this descriptive notice of the last-mentioned event, little need be said. The reader who wishes to pursue the subject further may with advantage consult Sir Walter Scott's Life of Napoleon, vol. v., and No. 5 of the Appendix to that work. The political worshippers of Napoleon have set up, or rather attempted, many points of defence. That the Duke's grave was dug before the judgment was pronounced, has been denied by Savary. Sir Walter Scott in a note says, "This is not of much consequence. The illegal arrest—the precipitation of the mock-trial—the disconformity of the sentence from the proof—the hurry of the execution—all prove the unfortunate prince was doomed to die long before he was brought before the military commission." The affair is similarly regarded in the Life of Napoleon in the Family Library, where the writer emphatically says, "If ever man was murdered, it was the Duke d'Enghien." Fouché's remark on this act has even passed into a proverb: "It was worse than a crime—it was a blunder." Lastly, although many pages have been written on Napoleon's conduct, his anxiety to justify or clear up his conduct on this occasion is not less worthy of attention.

We pass from this atrocious incident in the history of the prison-house to its last eventful scene, which is closely associated with the political mischief of the past year in France—the imprisonment of the ministers of Charles X. which has been too recently described in the journals of the day to render necessary its repetition.