Читать книгу Blood and Sand - Vicente Blasco Ibáñez - Страница 4

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Juan Gallardo breakfasted early as was his custom on the days of a bull-fight. A little roast meat was his only dish. Wine he did not touch, and the bottle remained unopened before him. He had to keep himself steady. He drank two cups of strong black coffee and then, lighting an enormous cigar, sat with his elbows resting on the table and his chin on his hands, watching with drowsy eyes the customers who, little by little, began to fill the dining-room.

For many years past, ever since he had been given "la alternativa"[1] in the Bull-ring of Madrid, he had always lodged at that same hotel in the Calle de Alcala, where the proprietors treated him as one of the family, and waiters, porters, kitchen scullions, and old chambermaids all adored him as the glory of the establishment.

There also had he stayed many days, swathed in bandages, in a dense atmosphere of iodoform and cigar smoke, as the result of two bad gorings—but these evil memories had not made much impression. With his Southern superstition and continual exposure to danger he had come to believe that this hotel was a "Buena Sombra,"[2] and that whilst staying there no harm would happen to him. The risks of his profession he had to take, a tear in his clothes perhaps, or even a gash in his flesh, but nothing to make him fall for ever, as so many of his comrades had fallen. The recollection of these tragedies disturbed his happiest hours.

On these days, after his early breakfast, he enjoyed sitting in the dining-room watching the movements of the travellers, foreigners or people from distant provinces, who passed him by with uninterested faces and without a glance, but who turned with curiosity on hearing from the servants that the handsome young fellow with clean-shaven face and black eyes, dressed like a gentleman, was Juan Gallardo, the famous matador,[3] called familiarly by everybody "El Gallardo."

In this atmosphere of curiosity he whiled away the wearisome wait until it was time to go to the Plaza. How long the time seemed! Those hours of uncertainty, in which vague fears rose from the depths of his soul, making him doubtful of himself, were the most painful in his profession. He did not care to go out into the street—he thought of the fatigues of the Corrida and the necessity of keeping himself fresh and agile. Nor could he amuse himself with the pleasures of the table, on account of the necessity of eating little and early, so as to arrive in the Plaza free from the heaviness of digestion.

He remained at the head of the table, his face resting on his hands, and a cloud of perfumed smoke before his eyes which he turned from time to time with a self-satisfied air in the direction of some ladies who were watching the famous torero[3] with marked interest.

His vanity as an idol of the populace made him read praises and flatteries in those glances. They evidently thought him spruce and elegant, and he, forgetting his anxieties, with the instinct of a man accustomed to adopt a proud bearing before the public, drew himself up, dusted the ashes of his cigar from his coat sleeves with a flick, and adjusted the ring which, set with an enormous brilliant, covered the whole joint of one finger, and from which flashed a perfect rainbow of colours as if its depths, clear as a drop of water, were burning with magic fires.

His eyes travelled complaisantly over his own person, admiring his well-cut suit, the cap which he usually wore about the hotel now thrown on a chair close by, the fine gold chain which crossed the upper part of his waistcoat from pocket to pocket, the pearl in his cravat, which seemed to light up the swarthy colour of his face with its milky light, and his Russia leather shoes, which showed between the instep and the turned-up trouser openwork embroidered silk socks, like the stockings of a cocotte.

An atmosphere of English scents, sweet and vague, but used in profusion, emanated from his clothes, and from the black, glossy waves of hair which he wore curled on his temples, and he assumed a swaggering air before this feminine curiosity. For a torero he was not bad. He felt satisfied with his appearance. Where would you find a man more distinguished or more attractive to women?

But suddenly his preoccupation reappeared, the fire of his eyes was quenched, his chin again sank on his hand, and he puffed hard at his cigar.

His gaze lost itself in a cloud of smoke. He thought with impatience of the twilight hours, longing for them to come as soon as possible—of his return from the bull-fight, hot and tired, but with the relief of danger overcome, his appetites awakened, a wild desire for pleasure, and the certainty of a few days of safety and rest. If God still protected him as He had done so many times before, he would dine with the appetite of his former days of want, he would drink his fill too, and would then go in search of a girl who was singing in a music-hall, whom he had seen during one of his journeys, without, however, having been able to follow up the acquaintance. In this life of perpetual movement, rushing from one end of the Peninsula to the other, he never had time for anything.

Several enthusiastic friends who, before going to breakfast in their own houses, wished to see the "diestro,"[4] had by this time entered the dining-room. They were old amateurs of the bull-ring, anxious to form a small coterie and to have an idol. They had made the young Gallardo "their own matador," giving him sage advice, and recalling at every turn their old adoration for "Lagartijo" or "Frascuelo."[5] They spoke to the "espada" as "tu," with patronising familiarity and he, when he answered them, placed the respectful "don" before their names, with that traditional separation of classes which exists between even a torero risen from a social substratum and his admirers.

These people joined to their enthusiasm their memories of past times, in order to impress the young diestro with the superiority of their years and experience. They spoke of the "old Plaza" of Madrid, where only "true" toreros and "true" bulls were known, and drawing nearer to the present times, they trembled with excitement as they remembered the "Negro."[6] That "Negro" was Frascuelo.

If you could only have seen him! … But probably you and those of your day were still at the breast or were not yet born.

Other enthusiasts kept coming into the dining-room, men of wretched appearance and hungry faces, obscure reporters of papers only known to the bull-fighters, whom they honoured with their praise or censure: people of problematic profession who appeared as soon as the news of Gallardo's arrival got about, besieging him with flatteries and requests for tickets. The general enthusiasm permitted them to mix with the other gentlemen, rich merchants and public functionaries, who discussed bull-fighting affairs with them hotly without being troubled by their beggarly appearance.

All of them, on seeing the espada,[7] embraced him or clasped his hand, to a running accompaniment of questions and exclamations:

"Juanillo! … How is Carmen?"

"Quite well, thank you."

"And your mother? the Señora Angustias?"

"Famous, thanks. She is at La Rincona."

"And your sister and the little nephews?"

"In good health, thanks."

"And that ridiculous fellow, your brother-in-law?"

"Well, also. As great a talker as ever."

"And, a little family? Is there no hope?"

"No—not that much——." And he bit his nails in expressive negation.

He then turned his enquiries on the stranger, of whose life, beyond his love for bull-fighting, he was completely ignorant.

"And your own family? Are they also quite well?—Come along, I am glad to meet you. Sit down and have something."

Next he enquired about the looks of the bulls with which he was going to fight in a few hours' time, because all these friends had just come from the Plaza, after seeing the separation and boxing of the animals, and with professional curiosity he asked for news from the Café Ingles,[8] where many of the amateurs foregathered.

It was the first "Corrida"[9] of the Spring season, and Gallardo's enthusiastic admirers had great hopes of him as they called to mind all the articles they had read in the papers, describing his recent triumphs in other Plazas in Spain. He had more engagements than any other torero. Since the Corrida of the Feast of the Resurrection,[10] the first important event in the taurine year. Gallardo had gone from place to place killing bulls. Later on, when August and September came round, he would have to spend his nights in the train and his afternoons in the ring, with scarcely breathing time between them. His agent in Seville was nearly frantic—overwhelmed with letters and telegrams, and not knowing how to fit so many requests for engagements into the exigencies of time.

The evening before this he had fought at Ciudad Real and, still in his splendid dress, had thrown himself into the train in order to arrive in Madrid in the morning. He had spent a wakeful night, only sleeping by snatches, boxed up in the small sitting accommodation that the other passengers managed, by squeezing themselves together, to leave for the man who was to risk his life on the following day.

The enthusiasts admired his physical endurance and the daring courage with which he threw himself on the bull at the moment of killing it. "Let us see what you can do this afternoon," they said with the fervour of zealots, "the fraternity[11] expects great things from you. You will lower the Mona[12] of many of our rivals. Let us see you as dashing here as you were in Seville!"

His admirers dispersed to their breakfasts at home in order to go early to the Corrida. Gallardo, finding himself alone, was making his way up to his room, impelled by the nervous restlessness which overpowered him, when a man holding two children by the hand, pushed open the glass doors of the dining-room, regardless of the servant's enquiries as to his business. He smiled seraphically when he saw the torero and advanced, with his eyes fixed on him, dragging the children along and scarcely noticing where he placed his feet. Gallardo recognised him, "How are you, Comparé?"

Then began all the usual questions as to the welfare of the family, after which the man turned to his children saying solemnly:

"Here he is. You are always asking to see him. He's exactly like his portraits, isn't he?"

The two mites stared religiously at the hero whose portraits they had so often seen on the prints which adorned the walls of their poor little home, a supernatural being whose exploits and wealth had been their chief admiration ever since they had begun to understand mundane matters.

"Juanillo, kiss your Godfather's hand," and the younger of the two rubbed a red cheek against the torero's hand, a cheek newly polished by his mother in view of this visit.

Gallardo caressed his head abstractedly. This was one of the numerous godchildren he had about Spain. Enthusiasts forced him to stand godfather to their children, thinking in this way to secure their future, and to have to appear at baptisms was one of the penalties of his fame. This, particular godson reminded him of bad times at the beginning of his career, and he felt grateful to the father for the confidence he had placed in him at a time when others were still doubtful of his merits.

"And how about your business, Comparé?" enquired Gallardo, "Is it going on better?"

The aficionado[13] shrugged his shoulders. He was getting a livelihood, thanks to his dealings in the barley market—just getting a livelihood, nothing more.

Gallardo looked compassionately at his threadbare Sunday-best clothes.

"Would you like to see the Corrida, Comparé? Well go up to my room and tell Garabato[14] to give you a ticket.——Good-bye, my dear fellow. Here's a trifle to buy yourselves some little thing," and while the little godson again kissed his right hand, with his other hand the matador gave each child a couple of duros.

The father dragged away his offspring with many grateful excuses, though he did not succeed in making clear, in his very confused thanks, whether his delight was for the present to the children, or for the ticket for the bull-fight which the diestro's servant would give him.

Gallardo waited for some time so as not to meet his admirer and the children in his room. Then he looked at his watch. Only one o'clock! What a long time it still was till the bull-fight!

As he came out of the dining-room and turned towards the stairs, a woman wrapped in an old cloak came out of the hall-porter's office, barring his way with determined familiarity, quite regardless of the servants' expostulations.

"Juaniyo! Juan! Don't you know me? I am 'la Caracolá,[15] the Señora Dolores, mother of poor Lechuguero."[16]

Gallardo smiled at this little dark wizened woman, verbose and vehement, with eyes burning like live coals—the eyes of a witch. At the same time, knowing what would be the outcome of her volubility, he raised his hand to his waistcoat pocket.

"Misery, my son! Poverty and affliction! When I heard you were bull-fighting to-day I said 'I will go and see Juaniyo: He will remember the mother of his poor comrade.' How smart you are, gipsy! All the women are crazy after you, you rascal! I am very badly off, my son. I have not even a shift, and nothing has entered my mouth to-day but a little Cazaya.[17] They keep me, out of pity, in la Pepona's house, who is from over there—from our own country—a very decent five duro house. Come round there, they would love to see you. I dress girls' hair and run errands for the men. Ah! If only my poor son were alive! You remember Pepiyo? Do you remember the afternoon on which he died?——"

Gallardo put a duro into her dry hand and did his best to escape from her volubility, which by this time was showing signs of imminent tears.

Cursed witch! Why did she come and remind him, on the day of a Corrida, of poor Lechuguero, the companion of his early years, whom he had seen killed almost instantaneously, gored to the heart, in the Plaza of Lebrija, when the two were bull-fighting as Novilleros?[18] Foul hag of evil omen!

He thrust her aside, but she, flitting from sorrow to joy with the inconsequence of a bird, broke out into enthusiastic praises of the brave boys, the good toreros, who carried away the money of the public and the hearts of the women.

"You deserve to have the Queen, my beauty! The Señora Carmen will have to keep her eyes wide open. Some fine day a 'gachi' will steal and keep you. Can't you give me a ticket for this afternoon, Juaniyo? I am bursting with longing to see you kill!"

The old woman's shrill voice and noisy cajoleries diverted the amused attention of the hotel servants and enabled a number of inquisitive idlers and beggars who, attracted by the presence of the torero, had collected outside the entrance, to break through the strict supervision that was usually maintained at the doors.

Heedless of the hotel servants, an irruption of loafers, ne'er-do-wells and newspaper sellers burst into the hall.

Ragamuffins, with bundles of papers under their arms, flourished their caps and greeted Gallardo with boisterous familiarity.

"El Gallardo," "Olé El Gallardo," "Long live the Brave."

The more daring seized his hand, shaking it roughly and pulling it about in their anxiety to keep touch of this national hero, whose portraits they had all seen in every paper, as long as ever they could, and then, to give their companions a chance of sharing their triumph, they shouted "Shake his hand. He won't be offended! He's a real good sort." Their devotion made them almost kneel before the matador.

There were also other admirers, just as insistent, with unkempt beards and clothes that had been fashionable in the days of their youth, who shuffled round their idol in boots that had seen better days. They swept their greasy sombreros towards him, spoke in a low voice and called him "Don Juan," in order to emphasise the difference between themselves and the rest of that irreverent, excited crowd. Some of them drew attention to their poverty and asked for a small donation, others, with more impertinence, asked, in the name of their love of the sport, for a ticket for the Corrida—fully intending to sell it immediately.

Gallardo defended himself laughingly against this avalanche which jostled and overwhelmed him, and from which the hotel servants, who were bewildered at the excitement aroused by his popularity, were quite unable to save him.

He searched through all his pockets until he finally turned them out empty, distributing silver coins broadcast among the greedy hands held out to clutch them.

"There is no more! The fuel is finished! Leave me alone, my friends!"

Pretending to be annoyed by this popularity, which in fact flattered him greatly, he suddenly opened a way through them with his muscular athletic arms, and ran upstairs, bounding up the steps with the lightness of a wrestler, while the servants, freed from the restraint of his presence, pushed the crowd towards the door and swept them into the street.

Gallardo passed the room occupied by his servant Garabato, and saw him through the half open door, busy amid trunks and boxes, preparing his master's clothes for the Corrida.

On finding himself alone in his own room, the happy excitement caused by the avalanche of admirers vanished at once. The bad moments of the days of a Corrida returned, the anxiety of those last hours before going to the Plaza. Bulls of Muira[19] and a Madrid audience. The danger, which when facing him seemed to intoxicate him and increase his daring, was anguish to him when alone—something supernatural, fearful and intimidating from its very uncertainty.

He felt overwhelmed, as if the fatigues of his previous bad night had suddenly overcome him. He longed to throw himself on one of the beds which occupied the end of the room, but again the anxiety which possessed him, with its mystery and uncertainty, banished the desire to sleep.

He walked restlessly up and down the room, lighting another Havanna from the end of the one he had just smoked.

What would be the result for him of the Madrid season just about to commence? What would his enemies say? What would his professional rivals do? He had killed many Muira bulls—after all they were only like any other bulls—still, he thought of his comrades fallen in the arena—nearly all of them victims of animals from this herd. Cursed Muiras! No wonder he and other espadas exacted a thousand pesetas[20] more in their contracts each time they fought with bulls of this breed.

He wandered vaguely about the room with nervous step. Now and then he stopped to gaze vacantly at well known things amongst his luggage, and finally he threw himself into an arm-chair, as if seized with a sudden weakness. He looked often at his watch—not yet two o'clock. How slowly the time passed!

He longed, as a relief for his nervousness, for the time to come as soon as possible for him to dress and go to the Plaza. The people, the noise, the general curiosity, the desire to show himself calm and at ease before an admiring public, and above all the near approach of danger, real and personal, would instantly blot out this anguish of solitude, in which the espada, with no external excitement to assist him, felt himself face to face with something very like fear.

The necessity for distracting his mind made him search the inside pocket of his coat and take out of his pocket-book a letter which exhaled a strong sweet scent.

Standing by a window, through which entered the dull light of an interior courtyard, he looked at the envelope which had been delivered to him on his arrival at the hotel, admiring the elegance of the handwriting in which the address was written—so delicate and well shaped.

Then he drew out the letter, inhaling its indefinable perfume with delight. Ah! These people of high birth who had travelled much! How they revealed their inimitable breeding, even in the smallest details!

Gallardo, as though he still carried about his person the pungent odour of the poverty of his early years, perfumed himself abundantly. His enemies laughed at this athletic young fellow who by his love of scent belied the strength of his sex. Even his admirers smiled at his weakness, though often they had to turn their heads aside, sickened by the diestro's excess.

A whole perfumer's shop accompanied him on his journeys, and the most feminine scents anointed his body as he went down into the arena amongst the scattered entrails of dead horses and their blood-stained dung.

Certain enamoured cocottes whose acquaintance he had made during a journey to the Plazas in the South of France had given him the secret of combining and mixing rare perfumes—but the scent of that letter! It was the scent of the person who had written it!—that mysterious scent so delicate, indefinable, and inimitable, which seemed to emanate from her aristocratic form, and which he called "the scent of the lady."

He read and re-read the letter with a beatified smile of delight and pride.

It was not much, only half a dozen lines—"a greeting from Seville, wishing him good luck in Madrid. Congratulations beforehand on his expected triumph——." The letter might have been lost anywhere without compromising the woman who signed it.

"Friend Gallardo," it began, in a delicate handwriting which made the torero's eyes brighten, and it ended "Your friend, Sol," all in a coldly friendly style, writing to him as "Usté"[21] with an amiable tone of superiority, as though the words were not between equals, but fell in mercy from on high.

As the torero looked at the letter, with the adoration of a man of the people little versed in reading, he could not suppress a certain feeling of annoyance, as though he felt himself despised.

"That gachí!" he murmured, "What a woman! No one can discompose her! See how she writes to me as 'Usté!' 'Usté'—to me!"

But pleasant memories made him smile with self-satisfaction. That cold style was for letters only—the ways of a great lady—the precautions of a woman of the world. His annoyance soon turned to admiration.

"How clever she is! A cautious minx!"

He smiled a smile of professional satisfaction, the pride of a tamer who enhances his own glory by exaggerating the strength of the wild beast he has overcome.

While Gallardo was admiring his letter, his servant Garabato passed in and out of the room, laden with clothes and boxes which he spread on a bed.

He was very quiet in his movements, very deft of hand, and seemed to take no notice of the matador's presence.

For many years past he had accompanied the diestro to all his bull-fights as "Sword carrier."[22] He had begun bull-fighting at the "Capeas"[23] at the same time as Gallardo, but all the bad luck had been for him and all the advancement and fame for his companion.

He was dark, swarthy, and of poor muscular development, and a jagged, badly joined scar crossed his wrinkled, flabby, old-looking face like a white scrawl. It was a goring he had received in the Plaza of some town he had visited and which had nearly been his death, and besides this terrible wound, there were others which disfigured parts of his body which could not be seen.

By a miracle he had emerged with his life from his passion for bull-fighting, and the cruel part of it was that people used to laugh at his misfortunes, and seemed to take a pleasure in seeing him trampled and mangled by the bulls.

Finally his pig-headed obstinacy yielded to misfortune and he decided to become the attendant and confidential servant of his old friend. He was Gallardo's most fervent admirer, though he sometimes took advantage of this confidential intimacy to allow himself to criticise and advise. "Had he stood in his master's skin he would have done better under certain circumstances."

Gallardo's friends found the wrecked ambitions of the sword carrier an unfailing source of merriment, but he took no notice of their jokes. Give up bulls? Never!! So that all memory of the past should not be effaced, he combed his coarse hair in curls above his ears, and preserved on his occiput the long, sacred lock, the pig-tail of his younger days, the hall-mark of the profession which distinguished him from other mortals.

When Gallardo was angry with him, his noisy, impulsive rage always threatened this capillary appendage. "You dare to wear a pig-tail, shameless dolt? I'll cut off that rat's tail for you! Confounded idiot! Maleta!!"[24]

Garabato received these threats resignedly, but he revenged himself by retiring into the silence of a superior being, and only replying by a shrug of his shoulders to the exultation of his master when, on returning from a bull-fight, after a lucky afternoon, Gallardo exclaimed with almost childish vanity, "What did you think of it? Really, wasn't I splendid?"

In consequence of their early comradeship he always retained the privilege of addressing his master as "tu." He could not speak otherwise to the "maestro,"[25] but the "tu" was accompanied by a grave face, and an expression of genuine respect. His familiarity was something akin to that of their squires towards the knights errant of olden days!

From his neck to the top of his head he was a torero, but the rest of his person seemed half tailor, half valet. Dressed in a suit of English cloth—a present from his master, he had the lapels of his coat covered with pins and safety-pins, while several threaded needles were fastened into one of his sleeves. His dark withered hands manipulated and arranged things with the gentleness of a woman.

When everything that was necessary for his master's toilet had been placed upon the bed, he passed the numerous articles in review to ensure that nothing was wanting anywhere.

After a time he came and stood in the middle of the room, without looking at Gallardo, and, as if he were speaking to himself, said in a hoarse and rasping voice,

"Two o'clock!"

Gallardo raised his head nervously, as if up to now he had not noticed his servant's presence. He put the letter into his pocket-book, and then walked lazily to the end of the room, as though he wished to postpone the dressing time.

"Is everything there?"

Suddenly his pale face became flushed and violently distorted and his eyes opened unnaturally wide, as if he had just experienced some awful, unexpected shock.

"What clothes have you put out?"

Garabato pointed to the bed, but before he could speak, his master's wrath fell on him, loud and terrible.

"Curse you! Don't you know anything about the profession? Have you just come from the cornfields?—Corrida in Madrid—bulls from Muira—and you put me out red clothes like those poor Manuel, El Espartero, wore! You are so idiotic that one would think you were my enemy! It would seem that you wished for my death, you villain!"

The more he thought of the enormity of this carelessness, which was equivalent to courting disaster, the more his anger increased—To fight in Madrid in red clothes, after what had happened! His eyes sparkled with rage, as if he had just received some treacherous attack, the whites of his eyes became bloodshot and he seemed ready to fall on the unfortunate Garabato with his big rough hands.

A discreet knock at the door cut the scene short—"Come in."

A young man entered, dressed in a light suit with a red cravat, carrying his Cordovan felt hat in a hand covered with large diamond rings. Gallardo recognised him at once with the facility for remembering faces acquired by those who live constantly rubbing shoulders with the crowd. His anger was instantly transformed to a smiling amiability, as if the visit was a pleasant surprise to him.

It was a friend from Bilbao, an enthusiastic aficionado, a warm partisan of his triumphs. That was all he could remember about him. His name? He knew so many people! What did he call himself?—All he knew was that most certainly he ought to call him "tu," as this was an old acquaintanceship.

"Sit down—This is a surprise! When did you arrive? Are you and yours quite well?"

His admirer sat down, with the contentment of a devotee who enters the sanctuary of his idol, with no intention of moving from it till the very last moment, delighted at being addressed as "tu" by the master, and calling him "Juan" at every other word, so that the furniture, walls, or anyone passing along the passage outside should be aware of his intimacy with the great man. 'He had arrived that morning and was returning on the following day. The journey was solely to see Gallardo. He had read of his exploits. The season seemed opening well. This afternoon would be a good one. He had been in the boxing enclosure[26] in the morning and had noticed an almost black animal which assuredly would give great sport in Gallardo's hands——'

The master hurriedly cut short the habitué's prophesies.

"Pardon me—Pray excuse me. I will return at once."

Leaving the room, he went towards an unnumbered door at the end of the passage.

"What clothes shall I put out?" enquired Garabato, in a voice more hoarse than usual, from his wish to appear submissive.

"The green, the tobacco, the blue—anything you please," and Gallardo disappeared through the little door, while his servant, freed from his presence, smiled with malicious revenge. He knew what that sudden rush meant, just at dressing time—"the relief of fear" they called it in the profession, and his smile expressed satisfaction to see once more that the greatest masters of the art and the bravest, suffered as the result of their anxiety, just the same as he himself had done, when he went down into the arena in different towns.

When Gallardo returned to his room, some little time after, he found a fresh visitor. This was Doctor Ruiz, a popular physician who had spent thirty years signing the bulletins of the various Cogidas,[27] and attending every torero who fell wounded in the Plaza of Madrid.

Gallardo admired him immensely, regarding him as the greatest exponent of universal science, but at the same time he allowed himself affectionate chaff at the expense of the Doctor's good-natured character and personal untidiness. His admiration was that of the populace,—only recognising ability in a slovenly person if he possesses sufficient eccentricity to distinguish him from the general run.

He was of low stature and prominent abdomen, broad faced and flat-nosed, with a Newgate frill of dirty whitish yellow which gave him at a distance a certain resemblance to a bust of Socrates. As he stood up, his protuberant and flabby stomach seemed to shake under his ample waistcoat as he spoke. As he sat down this same part of his anatomy rose up to his meagre chest. His clothes, stained and old after a few days' use, seemed to float about his unharmonious body like garments belonging to someone else—so obese was he in the parts devoted to digestion, and so lean in those of locomotion.

"He is a simpleton," said Gallardo—"a learned man certainly, as good as bread, but 'touched.' He will never have a peseta. Whatever he has he gives away, and he takes what anyone chooses to pay him."

Two great passions filled his life—the Revolution and Bulls. That vague but tremendous revolution which would come, leaving in Europe nothing that now existed, an anarchical republicanism that he did not trouble to explain, and which was only clear in its exterminatory negations. The toreros spoke to him as a father, he called them all "tu," and it was sufficient for a telegram to come from the furthest end of the Peninsula for the good doctor instantly to take the train and rush to heal a goring received by one of his "lads" with no expectation of any recompense, beyond simply what they chose to give him.

He embraced Gallardo on seeing him after his long absence, pressing his flaccid abdomen against that body which seemed made of bronze.

"Oh! You fine fellow!" He thought the espada looked better than ever.

"And how about that Republic, Doctor? When is it going to come? … " asked Gallardo, with Andalusian laziness. … "El Nacional[28] says that we are on the verge, and that it will come one of these days."

"What does it matter to you, rascal? Leave poor Nacional in peace. He had far better learn to be a better banderillero. As for you, what ought to interest you is to go on killing bulls, like God himself! … We have a fine little afternoon in prospect! I am told that the herd. … "

But when he got as far as this, the young man who had seen the selection and wished to give news of it, interrupted the doctor to speak of the dark bull "which had struck his eye," and from which the greatest wonders might be expected. The two men who, after bowing to each other, had sat together in the room for a long time in silence, now stood up face to face, and Gallardo thought that an introduction was necessary, but what was he to call the friend who was addressing him as "tu?" He scratched his head, frowning reflectively, but his indecision was short.

"Listen here. What is your name? Pardon me—you understand I see so many people."

The youth smothered beneath a smile his disenchantment at finding himself forgotten by the Master and gave his name. When he heard it, Gallardo felt all the past recur suddenly to his memory and repaired his forgetfulness by adding after the name "a rich mine-owner in Bilbao," and then presented "the famous Dr. Ruiz," and the two men, united by the enthusiasm of a common passion, began to chat about the afternoon's herd, just as if they had known each other all their lives.

"Sit yourselves down," said Gallardo, pointing to a sofa at the further end of the room, "You won't disturb me there. Talk and pay no attention to me. I am going to dress, as we are all men here," and he began to take off his clothes, remaining only in his undergarments.

Seated on a chair under the arch which divided the sitting-room from the bedroom, he gave himself over into the hands of Garabato, who had opened a Russia leather bag from which he had taken an almost feminine toilet case, for trimming up his master.

In spite of his being already carefully shaved, Garabato soaped his face and passed the razor over his cheeks with the celerity born of daily practice. After washing himself Gallardo resumed his seat. The servant then sprinkled his hair with brilliantine and scent, combing it in curls over his forehead and temples, and then began to dress the sign of the profession, the sacred pig-tail.

With infinite care he combed and plaited the long lock which adorned his master's occiput; and then, interrupting the operation, fastened it on the top of his head with two hairpins, leaving its final dressing for a later stage. Next he must attend to the feet, and he drew off the fighter's socks, leaving him only his vest and spun-silk drawers.

Gallardo's powerful muscles stood out beneath these clothes in superb swellings. A hollow in one thigh betrayed a place where the flesh had disappeared owing to a gash from a horn. The swarthy skin of his arms was marked with white wheals, the scars of ancient wounds. His dark hairless chest was crossed by two irregular purple lines, record also of bloody feats. On one of his heels the flesh was of a violet colour, with a round depression which looked as if it had been the mould for a coin. All this fighting machine exhaled an odour of clean and healthy flesh blended with that of women's pungent scents.

Garabato, with an armful of cotton wool and white bandages, knelt at his master's feet.

"Just like the ancient gladiators!" said Dr. Ruiz, interrupting his conversation with the Bilboan, "See! You have become a Roman, Juan."

"Age, Doctor!" replied the matador, with a tinge of melancholy, "We are all getting older. When I fought both bulls and hunger at the same time I did not want all this. I had feet of iron in the Capeas."

Garabato placed small tufts of cotton wool between his master's toes and covered the soles and the upper part of his feet with a thin layer of it; then, pulling out the bandages, he rolled them round in tight spirals, like the wrappings of an ancient mummy. To fix them firmly he drew one of the threaded needles from his sleeve and carefully and neatly sewed up their ends.

Gallardo stamped on the ground with his bandaged feet which seemed to him firmer in their soft wrappings. In the bandages he felt them both strong and agile. The servant then drew on the long stockings which came halfway up the thigh, thick and flexible like gaiters. This was the only protection for the legs under the silk of the fighting dress.

"Be careful of wrinkles! See, Garabato, I don't want to wear sacks," and standing before the looking-glass, endeavouring to see both back and front, he bent down and passed his hands over his legs smoothing out the wrinkles for himself.

Over these white stockings Garabato drew others of pink silk which alone remained visible when the torero was fully dressed, and then Gallardo put his feet into the pumps which he chose from amongst several pairs which Garabato had laid out on a box—all quite new and with white soles.

Then began the real task of the dressing. Holding them by the upper part, the servant handed him the fighting knee-breeches made of tobacco-coloured silk, with heavy gold embroidery up the seams. Gallardo slipped them on, and the thick cords, ending in gold tassels, which drew in the lower ends, hung down over his feet. These cords which gather the breeches below the knee, constricting the leg to give it artificial strength, are called "los machos."

Gallardo swelled out the muscles of his legs and ordered his servant to tighten the cords without fear. This was one of the most important operations as a matador's "machos" must be well tightened and Garabato, with nimble dexterity soon had the cords wound round and tucked away out of sight underneath the ends of the breeches, with the tassels hanging down.

The master then drew on the fine lawn shirt held out by his servant, the front covered with zigzag crimpings, and as delicate and clear as a woman's garment. After he had fastened it Garabato knotted the long cravat that hung down dividing the chest with its red line till it lost itself in the waistband of the drawers. Now remained the most complicated article of clothing, the waist-sash—a long strip of silk over four yards long which seemed to take up the whole room, and which Garabato handled with the mastery of long experience.

The espada went and stood near his friends at the other end of the room, fastening one end of the sash to his waist.

"Now then, pay attention," he said to his servant, "and do your little best."

Turning slowly on his heels he gradually approached his servant, while the sash which he held up rolled itself round his waist in regular curves, and gave it a more graceful shape. Garabato with quick movements of his hand changed the position of the band of silk. In some turns the sash was folded double, in others it was completely open, and always adjusted to the matador's waist, smooth and seemingly like one piece without wrinkles or unevenness. In the course of his rotatory journey, Gallardo, scrupulous and very difficult to please in the adornment of his person, several times stopped his forward movement, to step a few paces back and rectify the arrangement.

"That is not right," he said ill-humouredly. "Curse you! take more care, Garabato!"

After many halts on the journey, Gallardo came to the last turn, with the whole length of silk wound round his waist. The clever valet had put stitches, pins, and safety-pins all round his master's body, making his clothing literally all one piece. To get out of them the Torero would have to resort to the aid of scissors in other hands. He could not get rid of any one of his garments till he returned to the hotel, unless indeed a bull did it for him in the open Plaza, and they finished his undressing in the Infirmary.

Gallardo sat down again and Garabato, taking hold of the pig-tail, freed it from the support of the pins, and fastened it to the 'Mona,' a bunch of ribbons like a black cockade, which reminded one of the old "redecilla"[29] of the earliest days of bull-fighting.

The master stretched himself, as if he wished to put off getting finally into the rest of his costume. He asked Garabato to hand him the cigar he had left on the bedside table, enquired what the time was, and seemed to think that all the clocks had gone fast.

"It is still early. The lads have not yet come. … I do not like to go early to the Plaza. Every tile in the roof seems to weigh on one when one is waiting there."

At this moment an hotel servant announced that the carriage with the "cuadrilla"[30] was waiting for him downstairs.

The time had come! There was no longer any pretext for delaying the moment of his departure. He slipped the gold-embroidered waist-coat over the silk sash, and above this the jacket, a piece of dazzling embroidery in very high relief, as heavy as a piece of armour and flashing with light like live coals. The tobacco-coloured silk was only visible on the inside of the arms, and in two triangles on the back. Almost the whole fabric was hidden beneath a mass of golden tufts and gold-embroidered flowers with coloured precious stones in their petals. The epaulettes were heavy masses of gold embroidery, from which hung innumerable tassels of the same metal. The gold work reached the extreme edge of the jacket where it ended in a thick fringe, which quivered at every step. Between the gold-edged openings of the pockets appeared the corners of two silk handkerchiefs which, like the cravat and sash, were red.